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Lot 340a
CARVED SMALL MUGHAL-STYLE WHITE JADE BOWL, ZHENGE YU YONG MARK, 18TH/19TH CENTURY, the rounded sides finely carved as a lotus leaf with its veins rising in elegant curves from a short circular foot, the base carved with a four-character 'Zhenge you yong' (for the imperial use of Zhengee) mark within a square cartouche, the well-polished translucent stone of an even white tone, diameter: 6cmProvenance: From the collection of an important military family
Lot 40
A MIXED GROUP OF SILVER to include two 22 carat gold wedding bands, seven further rings, a yellow metal chain, small white metal box and a green stone set brooch At present, there is no condition report prepared for this lot This in no way indicates a good condition Please contact the saleroom for a full condition report
Lot 53
AN 18CT GOLD DIAMOND CLUSTER RING, the tiered cluster set with a central round brilliant cut diamond, within a single cut diamond detailed surround, tapered shoulders, total estimated diamond weight 0.60ct, hallmarked, 18ct Birmingham, ring size O, approximate gross weight 3.4 gramsCondition: Colour K-L, Clarity S12 -I1, small surface reaching fracture to central stone overall condition good
Lot 23
THREE SCOTTISH HARDSTONE BROOCHES, the first designed with a central circular cut orange stone assessed as paste, within a hardstone surround, hallmarked Glasgow 1951, the second designed with a floral engraved central cross, with four sections of hardstone, together with a brooch in the form of an anchor with rope and set with orange and green hardstone approximate gross weight 20.8 grams
Lot 6
Wing Walks Experience - Gloucestershire Flown by a top-class professional wing walking display pilot, you will stand and fly on the top wing of one of our fleet of five classic 1940’s Boeing Stearman biplanes. The pilot will perform his pre-start checks and then you will see the huge 3m propeller start to turn and the big Pratt & Whitney radial engine will rumble into life. As you taxi across our beautiful, private airfield ready for take-off, you will be overwhelmed with excitement from the roar of the 450hp engine and the propeller right in front of you. T&C’s Apply Final bidders to agree a mutually convenient time and date (subject to availability) for the Wing Walk Experience with Super Aerobatics, working with Life Changing Challenges Subject to related government guidelines Experience may not be resold or re-auctioned Experience is valid until Feb 2022 Wing walkers need to be able to confirm that they: They are at least 18 years’ old They are no taller than 6ft 2” They are no heavier than 15 stone (210lbs) They have a waist measurement, whilst wearing warm clothing and a jacket that is 40” or less They are able to climb, completely unassisted, up to and down from the top wing of one of our Boeing Stearman biplanes. This is a steep climb of approximately 10ft / 3m, but you will be given full guidance by our Professional Wing walker They have not suffered any of the following conditions: Epilepsy, fits, severe head injury, recurrent blackouts, fainting fits or giddiness, disease of the brain or nervous system, high blood pressure, heart or lung disease, recurrent weakness or dislocation of any limb, diabetes, mental illness, drug or alcohol addiction. If you suffer from these conditions but are regularly monitored by your doctor and the condition is medicated and under control, then you will be able to fly. If you have any concerns at all regarding your health, fitness and ability to wing walk, then please consult your doctor Donated by: Super Aerobatics working with Life Changing Challenges https://www.life-changingchallenges.co.uk/
Lot 72
Abseiling Experience for 2 down the ArcelorMittal Orbit, Olympic Park, London Experience the most spectacular views of London, whilst dangling in free space, 80 metres above the ground! Abseiling down the ArcelorMittal Orbit will be an experience you will never forget. Our abseil instructors will look after you every step of the way. They will kit you out and look after every aspect of your safety. Using the safest rigging system conceivable, they will coax you over the edge and on your way to a truly breath-taking experience. T&C’s Apply The final bidder will receive the e-codes to book their experience Subject to related government guidelines Experience may not be resold or re-auctioned Both participants must be: Over 14 years of age (parental consent & supervision required if under 18) Over 1.2 metres in height Less than 19 stone (120kg) in weight Able to wear a harness - maximum width waist 130 cm & upper thigh 75cm Both participants must NOT be: Suffering from a medical condition to put their health & safety, or others’, at risk Under the influence of drugs or alcohol Pregnant They must sign a declaration before abseiling (details provided upon booking) Donated by: Wire and Sky www.wireandsky.co.uk
Lot 8
Wing Walk Experience - Essex Come and enjoy the ultimate experience for hardened thrill seekers! Strapped to one of our 1940s Boeing Stearman biplanes and flown by ONE of the best display pilots in the UK, all you have to do is wave, smile and whoop! Upon arrival we will greet you and your guests and make you all familiar with the aerodrome facilities. You will then attend a briefing to prepare you for your wing walking experience. After the briefing, a member of our ground crew will take you to your aircraft and introduce you to your pilot. Once you have climbed aboard and been strapped on, you will hear the pilot call “clear-prop” and your adventure will begin. T&C’s Apply Final bidders to agree a mutually convenient time and date (subject to availability) for the Wing Walk Experience with Super Aerobatics, working with Life Changing Challenges Subject to related government guidelines Experience may not be resold or re-auctioned Wear warm tight-fitting clothing, even in summer The Wing Walker must weigh no more than 77Kg (12 stone 2 lbs) The Wing Walker must be between 18 and 66 years’ old The Wing Walker must be medically fit and be able to climb to the wing walking rig on the top wing - approximately 10 feet Donated by: Sky Max – working with Life Changing Challenges https://www.life-changingchallenges.co.uk/
Lot 13
549 - 577 AD. Northern Qi Dynasty. Cream-coloured stone torso of a standing Buddha, without hands or head which would probably have originally been in precious metals. The torso stands upright, wears a light, billowing robe draped from his right shoulder and knotted around the navel. The folds of the robe had been elegantly moulded to create a sense of motion. One arm is slightly raised above the other. Comparable pieces are known in the Royal Ontario Museum, see Homage to Heaven, Homage to Earth, 1992, p.163, pl.92 and in the Eskenzi exhibtion (Sculpture and ornament in early Chinese art, London, 11 June-13 July 1996, no. 31). A similar item was recently sold at Christies €101,575, see https://www.christies.com/lotfinder/lot/a-chinese-stone-torso-of-buddha-northern-4285175-details.aspx?from=searchresults&intObjectID=4285175 Excellent condition; on a custom stand.Size: L:900mm / W:320mm (w/o stand); 78kg. Provenance: From an old Sumerset collection of Asian Art formed in the 1980s/1990s.
Lot 14
C. AD 618-907. Tang Dynasty. Stone head of Buddha with characteristic elaborate coiffured, two-tiered black “snail-shell” hair curls ornamented with a red spiralling jewel. The Buddha’s full face is gilded with a red painted urna in the centre of the forehead, and large pendant ears hang from the sides. The lightly closed eyes and small hooked nose complement the thick, rich red lips and modest chin. This beautiful piece may originally have formed part of a larger statue or statuette. Buddhism entered China as early as the Han Dynasty (late 3rd century BC-early 3rd century AD), and has played an important part in shaping the country’s art, politics, literature and philosophy. This beautiful stone head embodies the importance of Buddha to Chinese culture and reflects the enormous amount of work invested by Tang craftsmen. It would make a stunning centrepiece to any modern collection. Good condition; on a custom stand. Size: L:530mm / W:380mm (w/o stand); 73kg. Provenance: From an old Sumerset collection of Asian Art formed in the 1980s/1990s.
Lot 17
C. AD 618-907. Tang Dynasty. Grey stone head of Buddha with elaborate headdress. The Buddha’s hair is carefully modelled to allow us to distinguish individual curls, his heavily-lidded eyes are closed and his lips closed. A rounded, double chin and prominent, pendulous ears are characteristic of Buddha in Chinese art. His headdress depicts a standing buddha and flanked by four sitting buddha; above them, further figures peak from a mass of vegetable motifs. The standing individual is backed by an almond-shaped halo and makes the Anjali gesture, symbolising greeting. His companions to the side are each backed by a circular halo; their seated posture refers to the moment just before Buddha receives enlightenment. The back of the head is plain, but finished, as is indicated by the presence of an attachment track intended to show the headdress being held in place. Traces of red and green paint are still visible on the headdress and on the ears. Buddhism entered China as early as the Han Dynasty (late 3rd century BC-early 3rd century AD), and has played an important part in shaping the country’s art, politics, literature and philosophy. This exceptional piece embodies the importance of Buddha to Chinese culture and reflects the enormous amount of work invested by Tang craftsmen and would make a stunning centrepiece for any private collection. Excellent condition; on a custom stand. Size: L:490mm / W:260mm (w/o stand); 35.8kg. Provenance: From the private collection of a Somerset gentleman; previously in an old British collection, formed before 2000 on the UK /European art markets.
Lot 19
Ca. 1368-1644 AD. Ming Dynasty. An elaborate cream stone pedestal supporting a seated Buddha in high relief. The square base bearing elaborate vegetal and geometric motifs supports a half-hourglass-shaped pedestal. The Buddha, heavily robbed, is perched on stool or chair and swaddled in heavy, flowing robes. He wears a simple corrugated headpiece, which does not cover his prominent, pendulous ears. His eyes are closed but his mouth is open, perhaps indicating a moment in which wisdom is shared, as is also suggested by the pose of his hands, known as the Vitarka. This pose, or mudra, is formed by the forming of a circle with the thumb and forefinger, symbolizing the “Wheel of the Teaching,” while the hands are held at around chest level, as is depicted here. The background is an elaborate series of vegetal motifs. A square hole in the unworked back suggests this piece was probably originally attached to a wall. This stunning piece would form an excellent centre piece to a modern collection. Excellent condition. Size: L:410mm / W:200mm ; 19.5kg. Provenance: Important estate collection from Oxfordshire; formed in the 1970s-2000.
Lot 193
C. 2300-2220 BC. Western Asia, Akkadian. White stone cylinder seal. The design comprises a rearinng goat, two crossed lionesses, two corssed lions and a bull with a human face, In ancient art across Western Asia, the human-headed bull, known as the Lama, Lamma or Lamassu, is a protective deity, probably indicating a desire to confer protection on individuals bearing letters stamped with this seal. Provenance: Ex. London collection 1970s; original note from prof. Lambert dated 1991.
Lot 194
C. 1900-1600 BC. Western Asia, Old Babylonian. Black stone cylidnner seal, joined from two pieces. The design shows a sun god on the right, with his foot resting on a foot-stool and holding a bow; to his left is a god holding a mace. Between them is a crescent and a monkey. The inscribed text reads: Son of Silli-Amurru, Servant of Shamash and Amurru. This beautiful item would have been used by a Babylonian nobleman to sign and seal important documents. Provenance: Ex. London collection 1970s; original note from prof. Lambert dated 1991.
Lot 40
C. AD 618-907. Tang Dynasty. A stone Buddha head with characteristic topknot (Ushnisha) and prominent, pendulous ears. His ears, below carefully incised browns, are depicted closed as if locked in meditation, his rich lips are pursed and his rounded, double chin is clearly visible. Around his head, over his carefully delineated hair, runs a simple diadem, supporting a central gem. Buddhism entered China as early as the Han Dynasty (late 3rd century BC-early 3rd century AD), and has played an important part in shaping the country’s art, politics, literature and philosophy. This jaw-dropping piece embodies the importance of Buddha to Chinese culture and reflects the enormous amount of work invested by Tang craftsmen and would make a stunning centrepiece for any private collection. Excellent condition. Size: L:290mm / W:165mm ; 8.9kg. Provenance: Property of a North London professional; previously acquire on the UK/European art market in the 1990s.
Lot 47
C. AD 618-907. Tang Dynasty. Stone head of a male figure wearing a three-horned crown from which flow a series of elaborate locks. The eyes are slightly downcast, and the mouth closed, suggesting meditation. In Chinese mythology, the Guanyin is the all-seeing, all-hearing patron deity of mercy and is the very embodiment of compassion. They are probably originally linked to the Hindu god Avalokite?vara at the time when Buddhism became popular in China, and the original Hindu myth mixed with local Chinese folklore. Guanyin can be depicted as male, as in this case, though female representations are more common. The Tang dynasty ruled most of China between AD 618 and 907, and this period is widely viewed as an era of progress and stability, during which many scientific and artistic advances were made. Good condition; on a custom-made stand. A similar piece recently sold at Sotheby’s for $47,500, see http://www.sothebys.com/fr/auctions/ecatalogue/2015/images-of-enlightenment-n09395/lot.428.html?fbclid=IwAR1sGfXb4DIgH9pcUtV2IMUOSCQEhvdfHlnbxlw_eq_FqLUoaJo4nRfVoxc. Size: L:170mm / W:150mm (w/o stand); 2.4kg. Provenance: Important estate collection from Oxfordshire; formed in the 1970s-2000.
Lot 51
Ca. 1500-1644 AD. Late Ming Dynasty. Cream stone head of a female Guanyin with “snail-shell” hair curls, lightly closed eyes, large, droopy ears and a small, flattened nose. The small mouth features thin lipss above a rounded double chin. This piece was probably originally part of a larger statue or statuette. In Chinese mythology, the Guanyin is all-seeing, all-hearing goddess who acts as the patron deity of mercy and is the very embodiment of compassion. She is probably originally linked to the Hindu god Avalokite?vara at the time when Buddhism became popular in China, and the original Hindu myth mixed with local Chinese folklore. As a result, a Guanyin can also be depicted as male, though female representations are more common. Good condition; on a custom-made stand. Size: L:150mm / W:95mm (w/o stand); 2.1kg. Provenance: Property of a London gallery, previously in old British collection formed in the 1970s.
Lot 53
Ca. 1500-1644 AD. Late Ming Dynasty. Cream stone head of a female Guanyin with coiffured hair including a prominent topknot, half-closed eyes, large, droopy ears and a small, angular nose. Her forehead sports a carefully drilled urna while her small mouth features thin, pursed lips above a prominent chin. This piece was probably originally part of a larger statue or statuette. In Chinese mythology, the Guanyin is all-seeing, all-hearing goddess who acts as the patron deity of mercy and is the very embodiment of compassion. She is probably originally linked to the Hindu god Avalokite?vara at the time when Buddhism became popular in China, and the original Hindu myth mixed with local Chinese folklore. As a result, a Guanyin can also be depicted as male, though female representations are more common. Good condition; on a custom-made stand. Size: L:245mm / W:150mm (w/o stand); 7.8kg. Provenance: From an old British collection, acquired on the UK art market in the 1990s.
Lot 66
Ca.4000 BC. Western Asiatic. delicate incised lines in a series of gemotric patterns. Stone idols are attested across the vast expanses of Western Asia from the Caspian Sea to Afghanistan, including ancient Bactria. Their precise meaning remains elusive, but the many hours of labour required for their manufacture makes it clear they were prestige items, perhaps used during religious ceremonies. Excellent condition. Size: L:140mm / W:70mm ; 740g. Provenance: From the private collection of a Central London gentleman; previously in a collection formed on the UK/European art market formed in the 1970s.
Lot 68
C. 500-300 BC. Bactrian. Alabaster stone idol head. This gorgeous object comprises a bald male head with large ears, prominent brown, large, almond-shaped eyes, a prominent nose, full lips and a strong chin; on a custom stand. Idols of this kind may reflect religious belief in higher powers, whether an unidentified deity or in ancestors who are still able to exert their will on the world of the living. Ancient Bactria was a region of Central Asia, north of the Hindu Kush mountains and south of the Tian Shan range. Bactria was a diverse and rich region, ruled by a successive of oppressive overlords, including the Persian Empire, Alexander the Great and his successors, but at the same time it developed its own rich and distinctive artistic culture. Excellent condition; on a custom stand. Size: L:105mm / W:90mm ; 1.1kg. Provenance: Private Kent collection, formed in the 1980-90s on the UK art market.
Lot 69
Ca.4000 BC. Western Asiatic. Attractive cream-coloured stone Tell Brak Eye Idol consisting of a bell-shaped body, supporting two drilled circular eyes. Idols of this kind are common in Sumer, the earliest known civilization in Western Asia. Wide eyes are symbolic of piety to the gods in much of Mesopotamian art. Excellent condition. Size: L:70mm / W:67mm ; 260g. Provenance: From an old London collection formed in the 1980s.
Lot 70
Ca.4000 BC. Western Asiatic. Attractive cream-coloured stone Tell Brak Eye Idol consisting of a bell-shaped body, surmounted by a long ‘neck’ supporting two drilled circular eyes. Idols of this kind are common in Sumer, the earliest known civilization in Western Asia. Wide eyes are symbolic of piety to the gods in much of Mesopotamian art. Excellent condition. Size: L:95mm / W:35mm ; 115g. Provenance: From an old British collection, acquired on the UK art market in the 1980s.
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