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A 19th century clock garniture in blue porcelain, the clock mechanism with 8-day striking movement set within a lyre shaped case flanked by a pair of vase shaped candelabra, each to hold three candles, with paste stone borders and simulated pendulum, overlaid with gilt brass and other detail
A carved alabster Corinthian capital, the white stone with red fleck detail, 18cm tall approx together with a carved white alabster study of a seated female nude inspecting her foot, 21 cm tall approx, also together with a ceramic two handled urn with moulded ivy leaf detail and hand painted foliate deoration and an Ironstone type pedestal bowl of circular form with moulded acorn and further detail
A pastel by Christine Russell of a still life with vase of red roses and shells against a dark green background, signed bottom right C G Russell and with label verso "Chianti Roses and Shells", pastel, Christine Russell, and with Stone, Berkeley address details, 29cm x 36cm approximately, in a cream painted frame with gilt slip and further inner cream painted slip
A George III oak 8-day longcase clock, 14in. circular enamelled dial signed Hugh Knight, Stone, with subsidiary seconds and date aperture, Arabic numerals, hood with brass-mounted swan-neck pediment, cross-banded oak case with fluted quarter-columns, with winding crank handle, pendulum and weights, 7ft. - dial glass cracked
A collection of ceramics including two 19th century cheese dishes and covers, a German stone ware vase, a 19th century majolica inkwell, a box and cover in the Tiffany Tulips pattern, marked to base Made for Tiffany & Co, a miniature cabaret set with pink and gilt finish comprising tray, teapot, milk jug, sugar bowl and a pair of cups and saucers, a Royal Worcester boxed Millenium "Time" plate etc.
A silver plated tray of oval form with pierced and raised gallery sides, a four divisional cruet set with cut glass flasks, a pair of Chinese metal work incense burners in the form of four tier buildings, a brass inkwell and pen standish with embossed scallop shell detail, a chamber stick with inset cabochon faux gem stone detail, silver plated lidded serving tray of rectangular form, a substantial silver plated wine coaster of circular form with embossed fruiting branch border, etc
Ancient Roman Empire, ca. 2nd to 3rd centuries CE. A depiction of a Roman goddess, perhaps Tellus, from a sarcophagus carved from striated, grey marble. Her sensitively modeled naturalistic features and flowing locks display the Roman taste for Greek and Hellenistic sculpture. However, the Romans were known for appreciating realism even more, a fact that is so evident in the lifelike quality of this subject's eyes and brows. The sculptor of this piece truly understood how to turn marble to flesh! Sarcophagi became more common at the beginning of the 2nd century CE when burial grew more favorable than cremation. Carved from stone, in this case marble, the panels were adorned with high and low relief mythological scenes, and by the 2nd century, it was also common to include a portrait of the deceased in a heroic guise. A rare and beauteous piece from ancient Rome! Custome stand. Size: 6.75" W x 6.75" H (17.1 cm x 17.1 cm); 10-1/4" high (26 cm) on stand Provenance: Ex-private L. Nathan, acquired from a Belgian antiquities dealer on the European Art Market Condition: Clearly a fragment, but oh what a fragment! Expected surface wear with earthen remains scattered across the surface. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111156
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400965 item(s)/page