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Lot 8015
18ct white gold and platinum two stone round brilliant cut diamond ring, stamped 18c Plat, diamonds approx 1.45 carat and 1.50 carat, total diamond weight approx 2.95 caratCondition Report:Approx 7gm, size S-T, shank tested 18ct, setting tested platinum, each approx VS clarity - no visible inclusions, colour good approx J-K, good condition, bright diamonds, very good movement
Lot 8021
18ct white gold single stone trillion cut pink sapphire ring, with round brilliant cut diamond shoulders, sapphire approx 5.30 carat, total diamond weight 0.20 carat, hallmarkedCondition Report:Approx 6.0gm, size P1/2, pink sapphire approx 11.8mm x max width 11.25 x depth 6.56mmapprox, setting prevents accurate measurement, overall good condition, diamonds bright well matched, sapphire good colour
Lot 8063
18ct white gold three stone round brilliant cut diamond ring, hallmarked, principal diamond 0.82 carat, total diamond weight 1.52 carat, with World Gemological Institute reportCondition Report:Approx 4.45gm, size J-K, very good condition, principal diamond colour H, clarity VS1, side diamonds colour H-I, clarity VS-SI
Lot 8091
Gold and silver jewellery including two silver charm bracelets, silver stone set jewellery including brooches, necklace, earrings, pair of 9ct gold earrings, 9ct gold oddments and a 16ct gold signet ringCondition Report:9ct non stone set approx 13.25gm, 9ct stone set approx 8.2gm, 16ct approx 3.5gm, non stone set silver 140gm
Lot 8003
18ct white and yellow gold seven stone round brilliant cut diamond, daisy cluster pendant, on an 18ct white gold chain necklace, hallmarked, total diamond weight approx 3.00 caratCondition Report: Approx 16.25gm, pendant length = 2.2cm, chain length = 48cm, diamonds very good colour approx H-J, bright with good movement, approx VS clarity, eye clean with no visible inclusions
Lot 408
13 Boxed / carded Tomb Raider action figure sets to include 10 x Playmates (2 x 72001 Lara Croft In Wet Suit, 72003 Area 51, 3 x Lara Croft in combat training gear, Lara Croft vs S.I.M.O.N. (squash to box), 2 x Lara Croft in motorcycle gear & Stone Monkey Warrior), SOTA Lara Croft Tomb Raider 'The Cradle Of Life', Player Select Lara Croft with 2 Pistols And Base & Player Select Lara Croft Stage 1, plus a Lara Croft tie. Figures ex, boxes show some storage wear including yellowing. (3)
Lot 6020
J.K. Rowling, Harry Potter Novels, deluxe editions, comprising 'Philosopher's Stone; Chamber of Secrets; Prisoner of Azkaban; Goblet of Fire', London, Bloomsbury, 1999-2000, 'Goblet of Fire' 1st deluxe edition, 1st impression, others 5th or 6th impressions, all original cloth gilt with mounted colour illustrations to front covers, all edges gilt, ribbon page markers, housed in original pictorial cloth gilt slipcase (slightly worn), together with A.A. Milne; E.H. Shepard (ill.): 'Winnie-the-Pooh - The Collectors' Edition', Methuen, 1999, 1st facsimile edition, 4 volumes, each original pictorial cloth gilt, top edges gilt, housed in original pictorial paper covered boards gilt slipcase (rubbed/worn), plus Lewis Carroll: 'Complete & Utter Nonsense', L, Folio Society, 1998, 2 vols, each original quarter cloth gilt, slipcase, and 'The Adventures of Robin Hood', L, FS, 1998, 11 colour plates by John Holder, orig. pictorial cloth gilt, slipcase (11)
Lot 6219
Ralph Steadman, 8 titles by/illustrated by him, some signed, including 'My After-Dinner Speech', White Stone Publishing, 1988, signed by Steadman in red ink on title page, original printed wraps, 'Dogs Bodies', L, Abelard-Schuman, 1970, 1st edition, signed and dated by Steadman on title page, orig. pictorial wraps, 'The Plague and the Moonflower Libretto', Maidstone, STEADman and I, Leonardo, 1989, 1st edition, commissioned by Richard Gregson-Williams in 1989 for the Exeter Festival, loose leaves contained within buff paper covers held together by a white plastic strip as issued. Scarce. 'Jones of Colorado', L, Ebury Press, 1995, 1st edition, signed and dated by Steadman on half title, original cloth gilt, dust wrapper, 'Who? Me? No! Why?', ill. Carol Ann Duffy, Steam Press, 1986, limited edition, one of 500 copies only signed by Carol Ann Duffy, orig. printed wraps, 'Doodaaa. The Balletic Art of Gavin Twinge', L, Bloomsbury, 2002, 1st edition, orig. cloth lettered in silver, dust wrapper, plus 2 others Steadman (8)
![(Satire.) Alfred Bunn: 'A Word with Punch', London, Published at 60 St. Martin's Lane, Charing Cross, [1847], "No. 1, - (to b](https://cdn.globalauctionplatform.com/b3c2c738-19d0-4d60-8532-b0c100bdc003/8d83ebc8-09d2-4783-aa44-b0c10108eae3/468x382.jpg)
Lot 6258
(Satire.) Alfred Bunn: 'A Word with Punch', London, Published at 60 St. Martin's Lane, Charing Cross, [1847], "No. 1, - (to be continued, if necessary.)" All ever published. 12pp, engraved illustrations throughout. A satire on the principal contributors of the periodical 'Punch', G.A. À Beckett, Douglas Jerrold and Mark Lemon, with extracts from their writings. Punch’s first star writer, Douglas Jerrold, was nicknamed “the Little Wasp” for his stinging humor and slight frame. In 1843, he began skewering the flamboyant theatrical impresario Alfred Bunn (1796-1860) whom he called “the Poet Bunn” for his supposed literary pretensions. Jerrold never explained why Bunn was chosen, but for four years Punch ridiculed his productions, his management of Drury Lane and Covent Garden theatres and, especially, his 1846 breach-of-contract suit against soprano Jenny Lind, the “Swedish Nightingale.” In retaliation, a fed up Bunn met with editor Albert Smith and writer Shirley Brooks, who had their own quarrels with Punch, and together with George Augustus Sala, they created a twelve-page “squib” that turned the tables on Bunn’s chief tormentors at the magazine: Jerrold, editor Mark Lemon and writer Gilbert á Beckett. On the back, a parody of the famous Warren’s Blacking ad shows Lemon reflected as an ass; another ad offers old issues of Punch “in any quantity, and at any price, on the premises.” Inside are several columns of Punch-like anecdotes, puns and poems, but the heart is Bunn’s seven-page takedown of Jerrold, Lemon and á Beckett, called “Wronghead,” “Thickhead” and “Sleekhead” respectively. With relish and in detail, he exhumes their many theatrical flops, reprints their favor-begging correspondence and nit-picks their verse for faulty images, a blood sport back then. After all that, speaking directly to Punch, he warns: “In carrying out the purport of this little squib, I have confined myself … to matters of a literary nature…. Your puppets, who have assailed, ridiculed and caricatured me for years, without any reason whatever, will not … abandon this branch of their trade now that I have given them reason…. In that case, I am prepared to pay back any compliment I receive with the highest rate of interest allowed by law, and shall let you, and perhaps them, into a secret or two worth knowing.” The response from Punch was … silence, at least in print, though there were reports of staff being dispatched to buy up all the copies of “A Word with Punch” they could locate. The attacks on Bunn ceased immediately and were never renewed, and the “secret or two” he claimed to know stayed secret; one Punch biographer called it “the only defeat of its kind in the magazine’s history.” As a bonus, two months later the courts ruled for Bunn against Jenny Lind, who had to pay him £2,000 damages. Very scarce. Bound together with 'An Account of the Tradesmen's Tokens of Essex', Lowestoft, Samuel Tymms, 1868, 28pp, and Lewis Nockall Cottingham, Architect: 'Some Account of an Ancient Tome...Discovered at Rochester Cathedral 1825', London, J. Taylor, [nd], c.1850, engraved title page followed by 5 stone lithograph plates, scarce. All bound together, 4to, 19th Century half calf gilt, two mounted manuscript letters at front from Nattali & Bond publisher's, 1871, re Joseph Lilly book sale at Sotheby's, 1871, "...this was written by Bunn in retaliation for the attacks made upon him in Punch. The title is "No.1 to be continued, if necessary", but Bunn did not find it necessary to continue it...it is very difficult to meet with. If you would like to purchase it please say how much you will give. Yr. most obed. servts. Nattali & Bond"
Lot 6350
Olivia M. Stone: 'Tenerife and Its Six Satellites, or The Canary Islands Past and Present', London, Marcus Ward, 1889, new and revised edition, portrait frontis (loose) + 8 full page maps + numerous b/w illustrations throughout as called for, Royal Eve Hospital inkstamps on FFEP, at head of frontispiece and to margin of one full page illustration, viii,506pp + [8]pp adverts at end, original pictorial cloth
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400830 item(s)/page