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A collection of oriental and other teapots including a blue and white example, famille rose example, etc, together with three 19th century Imari dishes, further ceramics including a three piece late 19th century continental tea set with blue moulded and painted floral detail, a Royal Doulton relief moulded teapot, a small collection of Spode white glazed tea wares, a boxed set of fish knives and forks, a book - Bristol As It Was by Stone, etc
George V (1910-36), 0.500 silver Matt Proof Crown, 1927, struck from sand-blasted dies, bare head left, BM raised on truncation for engraver Bertram Mackennal, Latin legend and toothed border surrounding, GEORGIVS V DEI GRA: BRITT: OMN: REX, rev. struck en medaille, Imperial crown, date above, emblematic wreath surrounding of roses, shamrocks and thistles, small K.G. to right of lowest rose for engraver Kruger Gray, denomination in words at bottom, Latin legend surrounding, .FID. .DEF. .IND. .IMP (cf.Linecar & Stone 37; Bull 3632 R7; ESC 367A; Davies 1630; S.4036). Toned practically as struck, has been graded and slabbed by NGC as PF66 Matte; of the highest rarity with only one other example known to us in private hands. NGC certification 4377122-001. The legends translate across both sides as "George the Fifth by the grace of God, King of all the Britons, Defender of the Faith, Emperor of India." The matt Proof finish to what are usually brilliant Proof coins was used especially at the Royal Mint for photographic purposes, from around the mid-1920's until as late as the mid 1970's. As flash photography was used to illustrate promotional material, the brilliant Proofs caused too much reflection in the resulting imaging at this period of time, to be acceptable and it was much easier to literally strike one or two examples with a satin matt finish, to not reflect the flash bulb in those days before digital imaging was possible. Bertram Mackennal (1863-1931) was the Australian engraver (later knighted) responsible for the obverse design. George Kruger Gray (1880-1943) was responsible for designing and engraving all the reverse designs.
Two early 19th century Spode New Stone china bowls, probably made as replacements for Chinese export armorial / monogrammed plates - one with central arms, floral sprays and gilt spearhead and green borders, 23cm, the other with central monogram in shield with puce and green leaf and floral border, 19.5cm - impressed marks, circa 1800 - 1810 (2)
Ladies' diamond three stone ring with three round brilliant cut diamonds, the central stone estimated to weigh approximately 1.18 carats, flanked by a further diamond to each side, estimated to weigh approximately 0.71 carats each, in platinum claw setting on platinum shank. Ring size approximately N. Estimated total diamond weight approximately 2.60 carats CONDITION REPORT Total gross weight approximately 4.7 grams
Diamond eternity ring with a continuous band of twenty-two old brilliant cut diamonds in platinum setting - not hallmarked but presumed to be platinum. Estimated total diamond weight approximately 1.10 carats. Ring size M½ CONDITION REPORT Total gross weight approximately 3 grams. Some diamonds are old cut stones and some are European/transitional brilliant cut stones. Overall reasonably well matched and of good colour and clarity. One stone is chipped. Setting in good condition with wear commensurate with age
Sapphire and diamond three stone ring with a step cut sapphire measuring approximately 6.8mm x 5.0mm x 3.8mm, flanked by a brilliant cut diamond to each side in platinum claw setting, on 18ct gold shank. Estimated total diamond weight approximately 0.60 carats. Ring size N CONDITION REPORT Very good condition. Stones all in excellent condition. Diamonds estimated colour G/H/I, estimated clarity VS2. Total gross weight approx. 2.6grams. Shank stamped '18ct' and 'PLAT'.
Diamond single stone ring with a round brilliant cut diamond estimated to weigh approximately 0.45 carats, in six-claw setting, on 18ct gold shank. Ring size Q CONDITION REPORT Very good condition. Setting and shank also in very good condition. Estimated colour G/H. Estimated clarity SI2. Total gross weight approx. 2.9grams.
Edwardian diamond and cultured pearl bar brooch with a central old cut diamond surrounded by sixteen further old cut diamonds in millegrain setting, on a bar with four cultured pearls. Estimated total diamond weight approximately 1.25 carats, 50mm long CONDITION REPORT very good condition. Central stone estimated to weigh approx 0.50ct. Estimated colour H/I. Estimated clarity SI2. Surrounding diamonds are slightly varied in colour and clarity. One stone is badly cut/chipped. two pearls have been reglued in setting. Total gold weight approx 6.4grams
Victorian ruby and diamond three stone ring with oval cut ruby and two old cut diamonds estimated to weigh approximately 0.30 carats in total, in Gypsy setting. Ring size M½ CONDITION REPORT Ruby is very scratched and has a fissure/crack. One diamond has a minute chip to the facets. The edge of the shank feels slightly sharp. No hallmarks. Tests as approx 9-15ct gold. Total gold weight 6.9 grams
Art Deco emerald and diamond three stone ring with a central step cut emerald flanked by two old cut diamonds estimated to weigh approximately 0.25 carats in total, on platinum shank. Ring size N CONDITION REPORT Good condition, no obvious damage or repairs. Stones in good condition. Emerald measures approx 5.75 x 4.6 x 4.3mm, minor abrasions. Diamonds are of good colour and clarity. Setting in very good condition, shank stamped PLAT. Circa 1930. Total gross weight approx. 3.1grams
Diamond three stone ring with three round brilliant cut diamonds estimated to weigh approximately 1.95 carats in total, in four-claw setting, on platinum shank. Ring size N CONDITION REPORT Estimated colour H/I, estimated clarity I2-I3. The inside of the shank has Birmingham hallmarks and engraved '2.15ct'. Total gross weight approx 5.5grams
1930s diamond single stone ring with a brilliant cut diamond estimated to weigh approximately 0.20 carats, in platinum illusion setting, on 18ct gold shank. Ring size M, in an Art Deco bakelite ring box CONDITION REPORT Very good condition. Diamond of good colour and clarity. Estimated colour H/I, estimated clarity VS2. Shank stamped '18ct' and 'Plat'. Total gold weight 3.1. The bakelite ring box is believed to be the original box for the ring and is also in very good condition. The ring consists of one central diamond with illusion shoulders
Diamond three stone ring with three brilliant cut diamonds in claw setting, on 18ct gold shank. Estimated total diamond weight approximately 0.50 carats. Ring size O½ CONDITION REPORT Diamonds of reasonably good colour and clarity. Estimated H/I, SI2. Setting is very worn. Total gross weight approx. 2grams.
Alfred Lyndhurst Pocock (1882-1962), a carved amber model of a recumbent dog, mid 20th century, signed on base "A.L. Pocock, 1952", 4.1cm Alfred Pocock won a scholarship to the Royal Academy Schools in 1903. He began working for Fabergé in 1905, when the company's European manager, H.C. Bainbridge had to get some wax models of animals made for Queen Alexandra, these were sent to Russia for carving in semi-precious stone [1]. The RA recommended Pocock and his models pleased the Queen. Later she acquired gem carvings from Pocock, who had taught himself the technique using accounts in books. In a paper on 'Gem Engraving' by the sculptor Cecil Thomas delivered to the Royal Society of Arts in 1912.
A Chinese pale celadon and brown jade carving and a shadow agate snuff bottle, late 19th/early 20th century, the jade carved as a man emerging from a giant shell, 4.6cm, the snuff bottle skillfully carved with the figure of a monkey to a black inclusion in the stone next to a horse, the reverse with a dog, bird and flowers amid rockwork, height 6.7cmProvenance: by family repute formerly in the Arthur Flynn collection, purchased from Bluett's before 1980.
A Chinese pale celadon and pale russet jade group of two badgers and a cub, 18th/19th century, the carver skillfully using the different coloured inclusions in the stone for the different figures, width 4.5cmProvenance: by family repute formerly in the Arthur Flynn collection, purchased from Bluett's before 1980.
A Chinese white and russet jade 'peach' snuff bottle, 19th century, carved in relief with a figure of a bird and curled leaves, the stone with whiter and pale russet inclusions, coral mounted stopper, total height 6.7cmProvenance: by family repute formerly in the Arthur Flynn collection, purchased from Bluett's before 1980.
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398886 item(s)/page