We found 400965 price guide item(s) matching your search
There are 400965 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
400965 item(s)/page
An unusual celadon-ground Vase, early 19th century, painted in underglaze blue with the `Hundred Boys` at various pursuits including bird fancying, lighting fireworks and the legend of Sima Guang, and enhanced in bright enamels and gilding with flowers, butterflies, birds and fruit, the neck with seeded blue dragon handles, slight wear, 62.3cm Sima Guang was a Song sage who, in his boyhood, had saved a young companion who had fallen into a large jar, by smashing it with a stone. While frequently found on Kakiemon, Chelsea and Meissen, it is uncommon on Chinese porcelain. ?????? ??????????????, Losses to gilded decoration. Some small areas of enamel loss.
A Chinese ornamental jade Group, late Qing dynasty, carved in 18th century style with a vessel amongst leafy branches of Buddha`s finger citron with large and small fruits, and with a feng perched on a lingzhi, the head turned back and biting on a branch of peach, the stone of green-grey tone with russet speckling, one chip, 16.5cm, silver wire-inlaid hardwood stand (2) This scholar`s desk object may have originally had a cover on the vase - or it may have been intended as a brush pot. ?? ????????, Chip to one frond of a fruit tendril, a hairline inclusion running laterally through the base of the carving. Vessel probably lacking a cover. Brown discolouration. Some slight abrasions and some sharp edges. Stand has missing end section and large deposits of soft composition (possibly to stick jade to stand). Possibly some old repairs, but hard to tell.
A hardstone Table Screen, late 19th century, the pale green bowenite slab well onlaid with various colourful stones with rocks, flowers and leaves, 15.4 x 10.6cm, wood stand ?????? ??????????, One bracket to stand repaired. Bottom right hard stone chipped. One small twig missing on the left hand side.
A good jade Boulder Carving, 18th century, carved with Liu Hai dancing on a rock above his toad, a mountain behind, the reverse with a deer, lingzhi in its mouth, a bat flying above, the stone grey-green, toffee at the top, 9cm high ????? ?????????, Deer horns chipped, otherwise no obvious faults.
A fine jade Brush Washer, probably late Ming (1368-1644), the circular body carved with a dragon amongst clouds, the underside with curling waves, the stone almost white with faint cream inclusions, 7.8cm, and a spinach green jade Stand, probably made to match in the 18th century, the three feet with angular fret and chilong, 9cm (2) ??(??) ????????????? ???????, No obvious faults.
An unusual jade Buffalo and conforming cloisonn‚ Stand, both late 19th century, the former in a good white stone, a boy with ruyi standing by its head, its rump with a river of brown, 9.6cm, the waisted stand in sky blue with bamboo, butterflies and flowers, above false gadroons, 10.8cm, fitted box with cyclical date ?????? ???????? ???????????? , No obvious faults.
A small jade Snuff Dish, AFC possibly 18th century, of circular form, the pale grey stone with brown flecks, 4cm, and a square Pendant, one side with a landscape, mountain and inscription, the reverse pierced, the pale grey stone suffused with brown and grey, 4.2cm (2) ?????(??) ????????????? , The pendant with tiny chips to the rim.
A jade Carving of a Lotus, 19th century, pierced and carved with a flower, stems and leaves, the stone of pale grey-green, 8cm, stand, and Another, of a large bell-shaped flower with a bird and leaves, damaged, 6.5cm, stand (4) ????? ??????? ???????? ????, The lotus - a tiny chip to the uppermost leaf, otherwise no obvious faults. The vase - one third of base missing, cracks to the remaining part, plant stem missing.
A large spinach green jade Hu, 19th century, the body deeply carved in the moss green stone with inclusions in white and black, with archaic ribbons, masks and dragons, the neck with mask and loose ring handles, engraved Da Qing Qianlong Fang Gu (exemplifying Antiquity During the Qianlong Reign), 22cm, wood cover ????? ?????????????? ®??????¯????, No obvious faults.
A large jade finger citron Tray, early 20th century, two sides with bats and with pierced stalk, the stone mottled pink and green with black inclusions, 31cm ????? ?????????, Two chips to tips of two finger, both issuing cracks. One corner 4cm x 1xm broken and glued. Large crack running across the middle left to right. Crack where handle joins main body.
A good agate Snuff Bottle, 18th/19th century, the white stone with striations in pale brown and carved on one side with an immortal beside a lingzhi growing at the base of a rock in a bluish-black, gilt metal mount and matching stopper, 8.5cm, a rare small Vase, Kangxi (1662-1722), painted in underglaze red and blue with peony, four character Chenghua mark, much chipped, 4.5cm, and two other Snuff Bottles (4) ???/???? ??????????? ? ??? ??????????? ????????, Agate snuff bottle - no obvious faults Vase - chip to foot rim, tiny chips to rim Two snuff bottles - no obvious faults
A good Shoushan stone Seal, 17th century, of rectangular section, carved with a chilong with head back turned, the stone of honey colour, the engraved signature Xitang is the style name of Gao Xiang (1688 -1753), one of the Eight Eccentrics of Yang Zhou, but is probably apochryphal, the seal translates as `hall of the wutong tree for phoenixes to perch on`, 3.9cm ???? ??? ????®???¯?????, No obvious faults.
A Qinqtian stone Seal, mid 19th century, of tall rectangular section topped by a hoop, one facet with twenty one character inscription, the seal: Èwu weiÉ, 6cm The seal translates as imageless (the state of pure being in which no phenomena have appeared). The side inscription translates as `One who is competent has things that he does, but applying the mindset of Êdoing nothingË he does them without application of mind. Done by Shifan (courtesy name of Zhong Quan) Zhong Quan (1816-1886)`. ??????? ????®??¯?? ??:????? ??????????? ?????, Three tiny white blemish marks on rim of seal. Otherwise no obvious faults.
A large jade gui, 20th century, the cylindrical body with a band of stylised birds on diaper, between high-relief studs, the sides with archaic dragon and tongue handles, the grey/green stone with brown inclusions, 23cm , lots of abbraissian and cut marks to interior base of bowl, tiny but smooth chips to rim.
A George V ring, centred with an oval painted portrait, in 18ct gold, 8g; an open-ended gem-set bangle, terminating at each end with an oval stone, probably blue topaz, highlighted with a single-cut diamond, in 9ct white and yellow gold, 7,4g; a cigarette holder, the bakelite body mounted with a 9ct rose gold collar; an unmarked gold brooch, pin lacking, 2,5g; an unmarked gold Mizpah stick pin; a gold-plated stick pin, with horse-shoe terminal; an unmarked gold locket pendant frame; two unset cameos, one damaged; etc (13)
A Victorian style pendant, of open worked teardrop form, highlighted with seed pearl set-leaves, one deficient, drop-set with a round pink stone, in 9ct gold, on a 9ct gold rope-twist necklace 3g; a Victorian style pendant, of open worked scrolling form, highlighted with two flower heads and two leaves, each set with a seed pearl, highlighted with two amethyst, in 9ct gold, on a gold-plated chain; and a Victorian style pendant, centred with an oval amethyst within a surround of small pearls, in 9ct gold, on a gold-plated chain (3)
A sterling silver bracelet, with stylised Greek Key decoration, 24g; two sterling silver rings, set with various stones; a sterling silver pendant, of Celtic design, set with a pale blue stone, on a sterling silver chain, 4g; a miscellaneous collection of silver items, comprising: a jam spoon, a butter knife and a thimble, 31g in total; etc
A watercolour of a coastal landscape with moored fishing boats, signed bottom left R F Hopes, 29 x 39 cm in gilt frame together with a further watercolour of river scene with stone bridge, signed bottom right K S Tadd, with label verso Kenneth Stanley Tadd, biographical details and Mall Galleries label from the National Trust Heritage Exhibition 1984, 32 x 50 cm in gilt frame
-
400965 item(s)/page