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Weiblicher Marmortorso in Anlehnung an die Aphrodite von Knidos, römisch, 1. - 2. Jhdt. Torso aus grobkörnigem Marmor mit fein bearbeiteter Oberfläche. Der sanfte S-Schwung des im Kontrapost positionierten weiblichen Körpers auch im Fragment gut erkennbar. Der linke Oberschenkel geringfügig vor den leicht nach hinten versetzten rechten gestellt. Die Hüfte leicht nach links unten abgeknickt. Die anatomischen Details des Körpers mit feinen Nuancen und Schattierungen lebensecht ausgearbeitet. Vorbild für die gegenüber dem Original deutlich verkleinerte Marmorstatue war die sogenannte Aphrodite von Knidos des Praxiteles, von der zahlreiche Kopien aus römischer Zeit existieren.Auf der Oberfläche einzelne Absplitterungen und Bestoßungen, die aber das attraktive Gesamtbild der qualitativ hochwertigen und anmutigen Bildhauerarbeit nicht beeinträchtigen. Dazu ein Sockel aus farbigem Stein. Höhe ohne Sockel 36 cm, mit Sockel 47 cm.Provenienz: Rheinische Privatsammlung.Zustand: IIA Roman female marble torso after the model of the Aphrodite of Knidos, 1st - 2nd century Torso of coarse-grained marble with finely worked surface. The gentle S-curve of the female body positioned in contrapposto is clearly visible even in the fragment. The left thigh is placed slightly in front of the right one, which is slightly set back. The hip is slightly inclined to the lower left. The anatomical details of the body are lifelike with fine nuances and shadings. The model for the marble statue, which is considerably smaller than the original, was the so-called Aphrodite of Knidos by Praxiteles, of which numerous copies exist from Roman times.The surface shows isolated chips and knocks, which, however, do not impair the attractive overall appearance of the high-quality and graceful sculpture. Comes with a base of coloured stone. Height without base 36 cm, with base 47 cm.Provenance: German private collection from the Rhineland.Condition: II
Sechs geschnitzte, unbeschriftete Siegelsteine, China, 20. Jhdt. Vier Siegelsteine mit quadratischer Grundfläche. Drei aus hellbraunem Jadestein, oben dekorativ verziert. Der vierte und größte aus rötlichem Gestein mit hellen Einsprengseln. Oben ein überaus kunstfertig geschnitzter Drache vor einer Wunschkugel. Dazu zwei Siegelsteine mit rechteckiger Grundfläche. Der eine mit Fo-Hund, der andere mit auslaufender Flasche. Intakt. Höhe 2,8 - 6,5 cm. Zustand: II +Six skillfully carved Chinese jade seals, 20th century Four seal stones with square base. Three made of light brown jade and decorated on top. The fourth and largest one is made of reddish stone with light-coloured incrustations. On top an extremely skilfully carved dragon. In addition two seal stones with rectangular base. One with a Fo dog, the other with a leaking bottle. Intact. Height 2.8 - 6.5 cm. Condition: II +
Ikone mit der Gottesmutter "die Zärtliche" Eleousa (Glykophilusa, Glykophiloussa) mit Perloklad, Russland, Ende 19. Jhdt. Holztafel mit einem Rückseiten-Sponki. Tempera auf Kreidegrund auf Leinwand, Rückseite mit Samtabdeckung. Aufwendig gearbeitetes Oklad, mit Perlen und Glassteinen besetzt. Oklad mit Fehlstellen. Maße 22 x 17 cm.Zustand: IIA Russian icon showing the Mother of God Glykophilusa with pearl oklad, late 19th century Tempera on gesso on wood panel, back with velvet cover. Icon overlaid with fine pearl and glass stone oklad. Oklad with losses. Dimensions 22 x 17 cm.Condition: II
Neolithisches Standbeil, Dänemark, Steinbeil, 5. - 4. Jtsd. v.Chr. Monumentales Beil aus hellbraunem Feuerstein mit gewölbter Vorder- und Rückseite. Die geschärfte Klinge sitzt an der breiteren Schmalseite. Gesockelt. Intakt. Länge 22,5 cm.Provenienz: Sammlung Aigenbauer, Oberösterreich.Zustand: I -A Danish Neolithic stone axe, 5th - 4th millennium B.C. Monumental axe of light brown flintstone with an arched front and back. The sharpened blade sits on a broad narrow side. Mounted. Intact. Length 22.5 cm.Provenance: Sammlung Aigenbauer, Oberösterreich.Condition: I -
Podest, 2-tlg. zusammengesetzt, Steinguss, quadratische Grundfläche, Sockel u. Kapitell mehrfach getreppt, Mittelteil mit 4 leeren Kartuschen, sehr dekorativ, schwere Qualität, z.T. best., ca. 59x46x46 cm (Position rechts)Pedestal, 2 parts assembled, cast stone, square base, base and capital stepped several times, middle part with 4 empty cartouches, very decorative, heavy quality, partly bumped, approx. 59x46x46 cm
Brunnen, Steinguss, 3-tlg. zusammengesetzt, Brunnenfigur in Form eines Knaben mit wasserspeiendem Fisch, Becken in Muschelform, als Überlaufbrunnen konzipiert, ohne Pumpe, Gebr.-Sp., ca. 140x80x75 cmFountain, cast stone, 3 pieces put together, fountain figure in the form of a boy with water-spitting fish, shell-shaped basin, designed as an overflow fountain, without pump, traces of use, approx. 140x80x75 cm
Podest, 2-tlg. zusammengesetzt, Steinguss, quadratische Grundfläche, Sockel u. Kapitell mehrfach getreppt, Mittelteil mit 4 leeren Kartuschen, sehr dekorativ, schwere Qualität, z.T. best., ca. 59x46x46 cm (Position links)Pedestal, 2 parts assembled, cast stone, square base, base and capital stepped several times, middle part with 4 empty cartouches, very decorative, heavy quality, partly bumped, approx. 59x46x46 cm
Ca. 100-300 ADA beautiful restrung necklace comprising glass and stone white beads spaced by blue beads. Lower part is adorned with two gold spheres. The discoid-shaped glass pendant in its central part completes the necklace.Size: L:325mm / W:220mm ; 59.9gProvenance: Private UK collection; From an old Oxford collection formed in the 1990s.
Ca. 4th - 2nd Millennium BCA thick-butted axe head made of light cream flint. With an elongated trapezoid outline and convex sides, the stone features good workmanship. It features fine knapping along the top and lower edges, with smaller areas of cortex still remaining.Size: L: 107mm / W: 40mm;220 gProvenance: Formerly in private Austrian collection, Vienna, formed before 2000.
Ning Hsia Sitzbankteppich.190 cm x 64 cm. Handgeknüpft. Wolle auf Baumwolle. Wohl Naturfarben antik 150 bis 200 Jahre alt. Für 3 Plätze auf einer Steinbank in einem Kloster. Versand kann organisiert werden.Ning Hsia Bench carpet. Hand knotted. Wool on cotton. Probably natural colors antique 150 to 200 years old. For 3 seats on a stone bench in a monastery. Shipping can be arranged.
A FINE LADIES 18K SOLID GOLD & DIAMOND CARTIER SANTOS CARREE BRACELET WATCHCIRCA 1990s, WITH ORIGINAL FERRITE STONE DIALMovement: Automatic, signed Cartier.Case: Width approx. 24mm, signed Cartier, factory set diamond bezel, 18k hallmarks, numbered, original diamond set crown.Bracelet: Original factory set diamond & 18k solid gold Cartier Santos bracelet.CONDITION REPORTDial: Original dial in excellent condition.Movement: Running & functioning at present, timekeeping and accuracy cannot be guaranteed.Case: In very good condition, with some light scratches due to general use.Strap/Bracelet: In excellent condition.
Third Intermediate Period to Late Period, Dynasty XXI - XXX, Ca. 1070-243 BC Composed of opaque white sclerae overlaid with transparent amber irises, framed by vibrant blue brows with extending cosmetic lines. Each eye would have been set into a painted wooden coffin containing a mummy. This would have been found inside the outer stone sarcophagus. For similar see Getty Museum: Accession Number: 2003.154. Size: L: 48mm / W: 17mm; 3.96g, 3.74g Provenance: From a London private family collection, formerly acquired on the UK art market in the 1960s - 1970s; then passed by descent.
Late Dynastic Period, Ca. 664-332 BC A fine jar of a squat form, hand-carved from creamy-yellow alabaster with integral tan and white bands coursing throughout. The vessel boasts a flat base, an apple-shaped body with a rounded shoulder, and a thick rim. The drilled interior cavity has a conical shape and would have likely held copious amounts of kohl eye makeup. The exterior of the vessel has been meticulously polished to an aesthetically pleasing texture, making this an exceptional example of skilful Egyptian stone-carving.In Ancient Egypt, alabaster jars were used as containers for ointment, perfume, and other cosmetic products, such as kohl. The alabaster used by ancient civilisations in the wider Middle East (including Egypt and Mesopotamia) is also called “oriental alabaster”, which is a type of calcite.For alabaster vessels of similar style and age see: Hodjash, S.; Ancient Egyptian Vessels, State Pushkin Museum of Fine Art, Moscow. Size: L:93mm / W:84mm; 439g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.
Ca. 100-300 AD Superb black, stone torso of a bodhisattva, with elaborate coiffure featuring a topknot (ushnisha), elaborate headpiece, heavy, lowered eyelids, elegant nose, long, undulating moustache, closed mouth, strong chin, and elongated, pendular ears. He is bare-chested while an intricate necklace rests on his upper torso. His identity as a bodhisattva is established by the presence of a well-defined urna on his forehead. Together, these details create a majestic impression of a bodhisattva or individual who is able to reach nirvana (enlightenment) but delays doing so through compassion for suffering beings. The back is rough and unfinished, suggesting this piece was originally placed in an architectural setting. Size: L:670mm / W:310mm ; 36kg Provenance: From the collection of a London gentleman; formerly acquired in early 2000s in France; previously in 1970s European collection.
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400830 item(s)/page