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Lot 233
A Georgian garnet and hairwork ring, circa 1780, the central hairwork panel within a surround of flat cut garnets, finger size F; and an early 19th century multi gem set five stone ring, circa 1820, set with amethyst, citrines and garnets in closed back cut down collets, on a grooved shank, finger size L
Lot 299
A late Victorian ruby and peridot stick pin, modelled as a snake, the head with ruby cabochon eyes and hairwork body, with a kite-shaped peridot drop, 2.4cm long; a late Victorian citrine mourning pin, the pendeloque cut stone within a rectangular hairwork border, with a gold cartouche above inscribed ‘CW’, 2.4cm long, both with Victorian boxes (2)
Lot 340
An early 20th century emerald and diamond pendant, circa 1920, the openwork drop pavé set with seven old brilliant cut diamonds, with circular cut emerald accents, suspended by a diamond single stone top, approximately 1.45 carats total, 4cm long, attached to a modern platinum curb link chain stamped with Convention hallmarks
Lot 350
A 9 carat gold curb link bracelet with fourteen Russian miniature Easter eggs, circa 1900, each link stamped ‘9’ and ‘375’ to a dog clip clasp, the eggs comprising from left to right: a polished egg, inset with 1899 and V in rose cut diamonds, unmarked, 14mm long; an openwork egg, formed of graduated spaced discs set with an oval cabochon ruby, unmarked, 14mm; a polished egg with a flower bud collet set with a pendeloque cut ruby and a trefoil of round cut sapphires beneath, stamped with 56 zolotnik mark, unknown maker’s mark Latin ‘HS’ (in Latin) , St Petersburg 1898-1908, 15mm long; an egg with planished effect overall, rub over set with a single ruby cabochon, unmarked, 15mm; an egg with planished effect overall, the rub over setting with a stone missing, indistinct mark, possibly a star or an X, 14mm; an openwork egg composed of foliate scrolls, the link with an indistinct mark, 13mm; an egg in the form of a bud, the calyx suspended with hoop drops alternatively set with rose cut diamonds, 56 zolotnik mark, unknown assay master’s mark and indistinct work master’s mark, 14mm; an openwork egg, in the form of a resting butterfly, its body at the belly of the egg, the wings collet set with eight rose cut diamonds (two missing), unmarked, 14mm; a polished egg rub over set with a cabochon ruby, indistinct mark, 15mm; a red enamel egg, in bud form, the calyx with a rose cut diamond at the centre, stamped with workmaster’s mark, ‘K?’, 15mm; an egg with planished effect overall, rub over set with a single cabochon ruby, 56 zolotnik mark, 15mm; a polished egg, randomly inset with three old brilliant cut diamonds (one a replaced white zircon), two sapphires, and four rubies, the colours of Mother Russia, the stones interlinked with engraved lines, 56 zolotnik mark, indistinct assay master’s mark and the work master’s mark of Gabriel Nykänen,15mm; a polished egg, inset with a diagonal band of calibré cut rubies, no mark; an egg with hammered effect overall, rub over set with an oval cabochon sapphire, unmarked, 13mm, 52g gross. Gabriel Nykanen (Russian transliteration, Niukkanen), was a Finnish workmaster who ran his own workshop on Kazanskaya Street in St Petersburg in the 1870s. He became a workmaster for Fabergé in 1885. He is recognised for his work on cigarette boxes and small objets in gold and silver, of which this egg is an example. See Tillander-Godenhielm, ‘Fabergé ja hanen suomalaiset mestarinsa’ (Fabergé and His Finnish Workmasters), 2008, p. 404-405
Lot 332
A white metal mounted aquamarine and diamond ring, the central brilliant cut stone, approx 2.5 carats, within a band of seventeen small diamonds and a similar brooch with central oval cut aquamarine, approx 1 carat, flanked by two brilliant cut diamonds, each approx 0.2 carats, flanked by two further aquamarines, each approx 0.75 carats (ILLUSTRATED)
Lot 397
A pair of carved natural stone urns with egg and dart rims above openwork scroll decorated waisted main body to circular foot on a square plinth base (Provenance: Estcourt House, Gloucestershire, outside / above corners of billiard room, previously a set of four, now two remaining), approx 100 cm high including pedestal x approx 58 cm diameter (ILLUSTRATED)
Lot 635
WILLIAM BUTLER (1824-1870) PORTRAIT OF A CLERGYMAN three quarter length seated in an oak armchair before a stone pier, signed and dated 1848, pencil and watercolour heightened with white, arched top, 41 x 31cm ++Two faint scratches extreme lower centre left but in otherwise very good condition. Loosely mounted in the original (?) card window mount in contemporary giltwood and composition swept frame
Lot 17
A GROUP OF MINTON BLUE PRINTED SEMI AND STONE CHINA WARE comprising a Royal Persian pattern octagonal sauce tureen, cover and stand, a Miniature Series Bysham Monastery pattern soup tureen, cover and dish, a Filigree pattern sauce tureen-stand, an English Scenery Series soup plate and an Arabesque pattern plate, Arabesque plate 26cm diam, early 19th c (9) ++Cover of miniature tureen cracked
Lot 33
TWO MINTON BLUE PRINTED OPAQUE CHINA VEGETABLE DISHES AND COVERS, A SAUCE TUREEN AND COVER AND A STONE CHINA LOW FOOTED STAND the patterns comprising Rose and Violet Wreath, Florentine, Corinthian and Berlin Roses, stand 31cm diam, printed mark, c1827-35 ++Both vegetable dishes repaired, sauce tureen and cover with some damage, Berlin Roses stand with some rim chips noticeable on the underside
Lot 64
A PAIR OF MINTON MOULDED EARTHENWARE COBALT GROUND SQUARE GARDEN POTS OR JARDINIERES AND STANDS each side with a different Chinese plant picked out in enamels, 24cm h, impressed New Stone and BB, c1850 ++Both cache pots with, on the underside surface hairline cracks which cannot be seen from the interior, small and localised flanking of one or two of the enamels, one stand with a couple of old surface chips. No restoration and decorative
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398886 item(s)/page