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Lot 2281
A 9ct gold, opal and colourless gem set three stone ring, a 9ct gold and oval shell cameo ring, carved as the portrait of a lady, two 9ct gold signet rings, a 9ct gold and black onyx signet ring, a 9ct gold neckchain, a 9ct gold pendant cross, with a gold neckchain, two costume necklaces and two silver pendants with neckchains, with two boxes, (11).
Lot 2384
A 9ct gold mounted oval shell cameo brooch, carved as the portrait of a lady, within a ribbon twist surround, an 18ct gold and diamond single stone ring, mounted with a circular cut diamond, ring size L, a 9ct gold, amethyst and diamond set necklace, a pair of cultured pearl pendant earrings, each designed as a bunch of grapes with a bow surmount, two further pairs of earrings and a pendant and neckchain with a case, (7).
Lot 2476
A gold and amethyst three stone ring, claw set with a row of oval cut amethysts, detailed 10 K, a gold and citrine single stone ring, claw set with a curved triangular cut citrine, detailed 10 K, a gold and diamond set ring, in an abstract design, detailed 10 K and two further gold and gem set rings, detailed 10 K, (5).
Lot 2282
A gold, enamelled and blister pearl set bar brooch, designed as a parrot on a branch, detailed 15 CT, a Victorian silver brooch, designed as two hearts with foliate sprays, probably Birmingham 1899, an 18ct gold and diamond five stone ring, Birmingham 1918, an 18ct gold and diamond single stone ring, Birmingham 1895, a gold, ruby and diamond five stone ring, detailed 18 CT and a 9ct gold, sapphire and diamond nine stone set half hoop ring, (6).
Lot 2349
A pair of sapphire and diamond pendant cluster earrings, each mounted with a cushion shaped sapphire at the centre, in a surround of eight cushion shaped diamonds and with diamond three stone surmounts, the tops with hook and folding fittings, with a case, with a Gem and Pearl Laboratory Sapphire Report, stating the sapphires to be natural, with no evidence of heat treatment and to originate from Burma.
Lot 716
A French mahogany and brass-mounted two-day marine chronometerBy Jacob & Scharf, St Nicholas , No. 313, circa 1860The three-tier case with hinged lid and glazed observation panel, a brass carrying handle to each side, with signed ivory roundel to the front, brass gimbals and bowl with glazed bezel, the 3 ½ in. circular silvered dial signed JACOB ET SCHARF A ST. NICHOLAS, with blued steel Breguet moon hands and seconds subsidiary numbered to the centre 313 and with power reserve sector to the side, the movement with reversed fusée, Earnshaw escapement, cut bi-metallic balance with cylindrical heat compensation weights, blued steel helical balance spring, flat strip detent (repairs) with jewelled locking stone to side of banking block, the movement and bowl are numbered 31316.5cm square Jean Aimé Jacob, 1793-1871, set up his workshop at St. Nicolas d'Aliermont near Dieppe and was formerly a pupil in the Breguet workshops. He was one of the many highly skilled horologists who resided in St. Nicolas, a region famous for producing huge numbers of carriage clock blanc roulants which was revolutionised by the brilliant clockmaker Honoré Pons who introduced modern mechanisation and a total reorganisation of the area.Scharf was a pupil of Victor Gannery (d.1851, also from St. Nicolas) who was himself pupil to Perrelet and then Winnerl. Their partnership is unrecorded in Tardy.
Lot 1316
A Scottish Hallmarked Silver and Ribbon Necklace, AJH, Edinburgh 1980, oval collet set with three graduated cabachons,on black/red interchangable ribbon with hooked clasp; together with a similar Scottish hallmarked silver single stone ring and single stone pendant; and a pair of elongated teardrop earrings.
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