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Lot 347
Elizabeth Pybus Sutton Two Pears III, 2023 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Elizabeth Pybus Sutton is a contemporary figurative artist, born in Yorkshire and now practising in SW London. Trained in both conceptual and atelier methods, she loves exploring the balance between modern and traditional styles and playing with abstract and representational aspects. Elizabeth's work includes portraiture, life drawing, still life and landscapes, using a range of mediums, primarily in oils. Working from life is an important element in much of her art. Whilst nature is predominantly her teacher and inspiration, she focuses on strength of drawing and a celebration of colour. Education Since completing her Foundation at Chelsea School of Art and BA Hons in Fine Art at Kingston University, Elizabeth has also trained in botanical art at Chelsea Physic Gardens and London Fine Art Studios in atelier methods. Select Exhibitions/Awards As well as completing international commissions, recent exhibitions include The Green and Stone Summer exhibition 2021 & 2022, 'River Views' at The County Hall Arts Exhibition 2022 and The Chelsea Art Society 73rd Annual Exhibition 2022. Statement about AOAP Submitted Artwork I'm delighted to be included in such a worthy cause and hope my paintings create some joy and happiness. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 393
Sinta Tantra Happy Talk, 2023 Gold leaf on paper Signed on Recto 10 x 15cm (3¾ x 5¾ in.) About Artist Sinta Tantra (b.1979) is known for her colourful large scale public artworks and geometric paintings. Living and working in between her two studios in London and Bali, Tantra's artwork occupies multiple dimensions and scales. Her canvas shifts comfortably from a bridge slicing through the urban skyline to a stretched linen frame produced within the intimate setting of her studio - each artwork is an abstract blueprint for her utopian aspirations. Born in New York to Balinese parents, Sintra grew up in London and studied art at the Slade School of Fine Art (2003) and at the Royal Academy Schools (2006). Within her work, motifs derive from Western movements such as Bauhaus, Art Deco, modernism and abstraction. Her Balinese identity within the post-colonial context is central to her work. The drawings of 20th century Balinese artist, architect and stone carver I Gusti Nyoman Lempad have informed explorations into two-dimensional lines and three-dimensional space. Her pop-tropical colour palette draws from the culture and environment of Bali. Education Slade School of Fine Art (2003) Royal Academy Schools (2006) Select Exhibitions/Awards Solo shows such as Modern Times at Kristin Hjellegjerde Gallery in London (2020) have seen Tantra move beyond the walls and into the architectural space, while others explore dimensionality within the canvas as seen at A House in Bali at the ISA Art Advisory in Jakarta (2017), and Flatland: A Romance of Many Dimensions at Pearl Lam Gallery in Hong Kong (2016). Her work has been included in biennials and group exhibitions exploring identity, post-colonialism and the environment such as Framer Framed (2020) in Amsterdam, Karachi Biennale (2019), Folkestone Triennial UK (2017), and Liverpool Biennial UK (2012). Tantra's work is part of the Government Art Collection, the Benetton Foundation collection and other private international collections. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 14
Frances Hatch Arws Light Rain Coast Guard Look Out Portland Bill Portland Dorset, 2023 Watercolour and cliff material on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About FRANCES HATCH ARWS (elected as a member of The Royal Watercolour Society in 2022) Frances Hatch maintains a spacious, reflective landscape practice. She grew up in the Fenland at the edge of The Wash in Cambridgeshire and describes herself as 'of' that place. Its black earth formed her as a plein air painter. Frances makes site-responsive work whilst on location. She integrates site materials with water-based media. She has travelled widely over the years to work in environments such as Antarctica, Norway, Finland, Guernsey and Scotland as well as in her own locality. Her artworks witness to a reciprocity between artist and place. The works become containers of shared experience. Her current studio is in Weymouth, Dorset. Along the Jurassic Coast, close to home, the geology offers generous earth palettes with a wide tonal and colour range. Indeed, each site suggests and offers a unique palette. She integrates commercial pigments (gouache, acrylic or watercolour) with locally available pigment. 'Sun, moon, tide, season animate reveal and conceal matter on the move particulate provisional a permanent impermanence.' It is pertinent that the two pieces hung in the Royal Academy Summer Exhibition (2016) were placed in Gallery 1V described by its curator, Jock McFayden RA, as 'radical landscape'. At the invitation of Professor Simon Olding, Frances conceived and curated The Common Ground for The Crafts Study Centre at University College for the Arts Farnham in 2020. This integrated her curatorial skills with an interest in the written word. Education TRAINING: C.C.A.T. (Cambridge) Foundation Course 1973-74 Aberystwyth University College of Wales - Hons degree in French and Visual Art 1974-78 Auditrice Libre, Ecole des Beaux Arts, Nantes 1976 Goldsmiths' College, A.T.C. 1978-79 Wimbledon College of Art: Postgraduate- MA Printmaking 1986-89 Select Exhibitions/Awards Selected Recent Exhibitions: The Royal Institute Of Painters In Watercolours. The Mall Galleries, 2016 - 2022 ROYAL SOCIETY OF BRITISH ARTISTS OPEN. The Mall Galleries, London 2022 ROYAL WATERCOLOUR SOCIETY OPEN, Bankside, London. 2020, 2022 ROYAL WATERCOLOUR SOCIETY Regular Members Shows 2022- ROYAL ACADEMY SUMMER EXHIBITION. 2016 + 2019 RWA: 159th & 161st ANNUAL OPEN EXHIBITION, Bristol. 2011 + 2013 + 2015 KEVIS HOUSE GALLERY, Petworth. Solo And Group Shows 2014- 2022. THE RUSSELL GALLERY, London. 2020-2022 SLADERS YARD, West Bay, Dorset. 2015- 2022 The Common Ground. Crafts Study Centre, U.C.A. Farnham. 2020 Bermondsey Project Space, London. 2019+ 2021 Gallery Representation Bankside Gallery, London. The Russell Gallery, Putney. Sladers Yard, West Bay, Dorset. Kevis House Gallery, Petworth, West Sussex. Statement about AOAP Submitted Artwork Small works made on site using watercolour and earth. I'm on the island of Portland not far from Portland Bill. Kneeling in the long wind-combed grass I notice the way the wind is describing the undulations on the distant shaping of thorn bushes and bramble- the texture on the sea too. The only relatively still element is the weight of the stone face of the cliffs. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 283
Harriet Mena Hill A Tangle of Cables on Aylesbury, 2023 Acrylic on card Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Born in Paddington, Harriet Mena Hill lives and works in South East London Education Foundation and BA Fine Art Camberwell School of Art (now UAL) Select Exhibitions/Awards Trinity Buoy Warf Drawing Prize Exhibition 2021 / 22 Derwent Drawing Prize Exhibition 2020 / 2022 RA Summer Exhibition 2021 'Travels Through the Valley of Stone' The Whitaker Museum 2023 Statement about AOAP Submitted Artwork Since 2018 I have been working with the community on The Aylesbury Estate in SE London as the estate undergoes the process of regeneration. This entails the demolition of all the homes of upward of 10,000 people, many of whom were original council tenants who moved in in the late 1960's. These homes are being replaced by higher density, predominantly private housing. My paintings document this process through glimpses of lives being lived by remaining residents as the estate is demolished around them. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 282
Harriet Mena Hill Cables and Shadows on the Aylesbury, 2023 Acrylic on card Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Born in Paddington, Harriet Mena Hill lives and works in South East London Education Foundation and BA Fine Art Camberwell School of Art (now UAL) Select Exhibitions/Awards Trinity Buoy Warf Drawing Prize Exhibition 2021 / 22 Derwent Drawing Prize Exhibition 2020 / 2022 RA Summer Exhibition 2021 'Travels Through the Valley of Stone' The Whitaker Museum 2023 Statement about AOAP Submitted Artwork Since 2018 I have been working with the community on The Aylesbury Estate in SE London as the estate undergoes the process of regeneration. This entails the demolition of all the homes of upward of 10,000 people, many of whom were original council tenants who moved in in the late 1960's. These homes are being replaced by higher density, predominantly private housing. My paintings document this process through glimpses of lives being lived by remaining residents as the estate is demolished around them. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 368
Margaux Carpentier Stone, 2023 Ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Margaux Carpentier is an image maker and story-teller working mainly in London, sometimes in France, and further away. She studied in both Paris and Surrey and spent her early twenties playing poker, playing with pens and various mediums until she developed her unique graphic style. She now adapts her illustrations in 3D as well as large scale murals. Earthy and folk inspired, her work also draws on fantastical elements and wild imagination. She creates pictures using a symbolic language, so each piece can be read by all, in many different ways. Her work is inspired by the infinite combinations of colours offered by the world; her images transcribe the choreography of living things. She works on varied projects, from large murals, installations and paintings to detailed book illustrations, and even toys! You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 172
Emma Turpin Buildings, 2023 Mixed Media on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About In recent years, Emma Turpin has been exploring the notion of shelter in landscape. There are structures hidden in forests, and there are others that have almost become part of the landscape with trees bursting from inside them. In other works we see nothing built or man-made but rather shelter suggested by an area of light emerging through a tangle of branches. Emma uses these familiar natural forms to try and find a harmonious resolution between colour and form. Education The Slade School of Art, 1985-1987 West Surrey College Of Art, 1982-1985 Hastings College of Art, 1980-1982 Select Exhibitions/Awards 2022 November 2022, Flowers Gallery, Cork Street, London - 'Small is Beautiful' October 2022, Fosse Gallery, Cheltenham October 2022, Rye Art Gallery, East Sussex - 'The Art of British Printmaking' 2021/22 Flowers Central, Cork Street, London 'Small is Beautiful' Rye Art Gallery, Rye, East Sussex 2020 Flowers Central, Cork Street, London 'Small is Beautiful' Rye Art Gallery, East Sussex 'Miniatures and Masterstrokes' 2019 Flowers Central, Cork Street, London. 'Small is Beautiful' JP Art Gallery, 'Spring Exhibition', Blackheath, London 2018 Flowers Central, Cork Street, London 'Small is Beautiful' JP Art Gallery, Black Heath, London. The Restless Gallery, 'In Arcadia' Penzance JP Art Gallery London SE22 2017 The Bohun Gallery, Henley on Thames The Stone Space Gallery, Leytonstone 2015 The Bohun Gallery, Henley on Thames, 'Small paintings Exhibition' 2013 The OpenSky Museum, Nantes, France 2012 Shop Mixed Show, London 2009 The Bohun Gallery, Henley on Thames. 'Small Paintings Exhibition.' 2008 New Brewery Arts. Cirencester. 'A Winter's Tale' Portal Gallery Summer Exhibition, London '35 Years of the Bohun Gallery', Henley-on-Thames The Easton Rooms Summer Exhibition, Rye 2002 to 2008 Bohun Gallery, Henley-on-Thames 2006 Gallery 12, London NW3 2001 The Portal Gallery, Dover Street, London W1 1998 The Bohun Gallery, Henley-on-Thames 1996 Portal Gallery, Bremen, Germany. 'Distaff Power' The Easton Rooms Gallery, East Sussex 'Musicians', Portal Gallery, London 'Artists in Spain' Stormount Gallery, East Sussex 'Alternative Arts' Baker Street, London 'Idiosyncratic British Art' Brewery Arts Gallery, Cirencester, Glos. 1995 'Childhood Remembered' The Easton Rooms Gallery, East Sussex 1994 Portal Gallery, London 'Portal Painters', Palais Royal, Paris, France 'Angels', Terifa Gallery, Spain Portal Gallery, Bremen, Germany The Royal Commission, Geneva The Sassoon Gallery, Folkstone, Kent 1993 Rye Society of Artists, Summer Exhibition The New Ashgate Gallery, Farnham, Surrey Easton Rooms Gallery, Rye 1992 Portal, Gallery, London 1990 Print to Print Touring Exhibition, Sunderland Victoria Gallery, Hastings The Wax Kiln Gallery, Farnham, Surrey The Corner House, Manchester Statement about AOAP Submitted Artwork 'Buildings in a Landscape' mixed media on card You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 15
Frances Hatch Arws Lively Breeze Over The Portland Coast Guard Look Out Station. Portland Dorset, 2023 Watercolour and cliff earths on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About FRANCES HATCH ARWS (elected as a member of The Royal Watercolour Society in 2022) Frances Hatch maintains a spacious, reflective landscape practice. She grew up in the Fenland at the edge of The Wash in Cambridgeshire and describes herself as 'of' that place. Its black earth formed her as a plein air painter. Frances makes site-responsive work whilst on location. She integrates site materials with water-based media. She has travelled widely over the years to work in environments such as Antarctica, Norway, Finland, Guernsey and Scotland as well as in her own locality. Her artworks witness to a reciprocity between artist and place. The works become containers of shared experience. Her current studio is in Weymouth, Dorset. Along the Jurassic Coast, close to home, the geology offers generous earth palettes with a wide tonal and colour range. Indeed, each site suggests and offers a unique palette. She integrates commercial pigments (gouache, acrylic or watercolour) with locally available pigment. 'Sun, moon, tide, season animate reveal and conceal matter on the move particulate provisional a permanent impermanence.' It is pertinent that the two pieces hung in the Royal Academy Summer Exhibition (2016) were placed in Gallery 1V described by its curator, Jock McFayden RA, as 'radical landscape'. At the invitation of Professor Simon Olding, Frances conceived and curated The Common Ground for The Crafts Study Centre at University College for the Arts Farnham in 2020. This integrated her curatorial skills with an interest in the written word. Education TRAINING: C.C.A.T. (Cambridge) Foundation Course 1973-74 Aberystwyth University College of Wales - Hons degree in French and Visual Art 1974-78 Auditrice Libre, Ecole des Beaux Arts, Nantes 1976 Goldsmiths' College, A.T.C. 1978-79 Wimbledon College of Art: Postgraduate- MA Printmaking 1986-89 Select Exhibitions/Awards Selected Recent Exhibitions: The Royal Institute Of Painters In Watercolours. The Mall Galleries, 2016 - 2022 ROYAL SOCIETY OF BRITISH ARTISTS OPEN. The Mall Galleries, London 2022 ROYAL WATERCOLOUR SOCIETY OPEN, Bankside, London. 2020, 2022 ROYAL WATERCOLOUR SOCIETY Regular Members Shows 2022- ROYAL ACADEMY SUMMER EXHIBITION. 2016 + 2019 RWA: 159th & 161st ANNUAL OPEN EXHIBITION, Bristol. 2011 + 2013 + 2015 KEVIS HOUSE GALLERY, Petworth. Solo And Group Shows 2014- 2022. THE RUSSELL GALLERY, London. 2020-2022 SLADERS YARD, West Bay, Dorset. 2015- 2022 The Common Ground. Crafts Study Centre, U.C.A. Farnham. 2020 Bermondsey Project Space, London. 2019+ 2021 Gallery Representation Bankside Gallery, London. The Russell Gallery, Putney. Sladers Yard, West Bay, Dorset. Kevis House Gallery, Petworth, West Sussex. Statement about AOAP Submitted Artwork Small works made on site using watercolour and earth. I'm on the island of Portland not far from Portland Bill. Kneeling in the long wind-combed grass I notice the way the wind is describing the undulations on the distant shaping of thorn bushes and bramble- the texture on the sea too. The only relatively still element is the weight of the stone face of the cliffs. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 348
Elizabeth Pybus Sutton Two Pears IV, 2023 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Elizabeth Pybus Sutton is a contemporary figurative artist, born in Yorkshire and now practising in SW London. Trained in both conceptual and atelier methods, she loves exploring the balance between modern and traditional styles and playing with abstract and representational aspects. Elizabeth's work includes portraiture, life drawing, still life and landscapes, using a range of mediums, primarily in oils. Working from life is an important element in much of her art. Whilst nature is predominantly her teacher and inspiration, she focuses on strength of drawing and a celebration of colour. Education Since completing her Foundation at Chelsea School of Art and BA Hons in Fine Art at Kingston University, Elizabeth has also trained in botanical art at Chelsea Physic Gardens and London Fine Art Studios in atelier methods. Select Exhibitions/Awards As well as completing international commissions, recent exhibitions include The Green and Stone Summer exhibition 2021 & 2022, 'River Views' at The County Hall Arts Exhibition 2022 and The Chelsea Art Society 73rd Annual Exhibition 2022. Statement about AOAP Submitted Artwork I'm delighted to be included in such a worthy cause and hope my paintings create some joy and happiness. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 349
Elizabeth Pybus Sutton Three Lemons, 2023 Gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Elizabeth Pybus Sutton is a contemporary figurative artist, born in Yorkshire and now practising in SW London. Trained in both conceptual and atelier methods, she loves exploring the balance between modern and traditional styles and playing with abstract and representational aspects. Elizabeth's work includes portraiture, life drawing, still life and landscapes, using a range of mediums, primarily in oils. Working from life is an important element in much of her art. Whilst nature is predominantly her teacher and inspiration, she focuses on strength of drawing and a celebration of colour. Education Since completing her Foundation at Chelsea School of Art and BA Hons in Fine Art at Kingston University, Elizabeth has also trained in botanical art at Chelsea Physic Gardens and London Fine Art Studios in atelier methods. Select Exhibitions/Awards As well as completing international commissions, recent exhibitions include The Green and Stone Summer exhibition 2021 & 2022, 'River Views' at The County Hall Arts Exhibition 2022 and The Chelsea Art Society 73rd Annual Exhibition 2022. Statement about AOAP Submitted Artwork I'm delighted to be included in such a worthy cause and hope my paintings create some joy and happiness. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 350
Elizabeth Pybus Sutton Three Clementines, 2023 Gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Elizabeth Pybus Sutton is a contemporary figurative artist, born in Yorkshire and now practising in SW London. Trained in both conceptual and atelier methods, she loves exploring the balance between modern and traditional styles and playing with abstract and representational aspects. Elizabeth's work includes portraiture, life drawing, still life and landscapes, using a range of mediums, primarily in oils. Working from life is an important element in much of her art. Whilst nature is predominantly her teacher and inspiration, she focuses on strength of drawing and a celebration of colour. Education Since completing her Foundation at Chelsea School of Art and BA Hons in Fine Art at Kingston University, Elizabeth has also trained in botanical art at Chelsea Physic Gardens and London Fine Art Studios in atelier methods. Select Exhibitions/Awards As well as completing international commissions, recent exhibitions include The Green and Stone Summer exhibition 2021 & 2022, 'River Views' at The County Hall Arts Exhibition 2022 and The Chelsea Art Society 73rd Annual Exhibition 2022. Statement about AOAP Submitted Artwork I'm delighted to be included in such a worthy cause and hope my paintings create some joy and happiness. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 106
A collection of Swarovski jewellery, comprising a bow brooch, with clear crystals and blue, baguette cut stone to the center, swan mark to the back, 6 by 6.5cm, 28.8g, boxed, a yellow plated two drop necklace, each tear shaped drop containing eight small crystals in illusion set, approximately 26cm long, 10g, boxed, together with a long yellow metal ball and rope twist chain necklace, four balls encrusted with crystals, approximately 128cm outstretched, 51.4g, boxed, together with a crystal butterfly pendant necklace, pendant 3.5 by 2cm, attached to yellow metal chain by hoop, stamped with swan mark, chain approximately 47cm long, 14.8g. (3)
Lot 139
Three 9ct gold rings, comprising a diamond solitaire ring, the round cut stone 3.5mm diameter, size M, 1.6g, a diamond and blue sapphire daisy ring, the central round cut diamond, 1mm diameter, surrounded by six oval cut sapphires, 2.5 by 2mm, 2.7g, and a white and green stone dress ring, size O, 1.7g, all with boxes. (3)
Lot 142
Five pairs of gem set stud earrings, including a pair of seven stone garnet flower earrings, unmarked, a pair of oval cut aquamarine earrings, a pair of amethyst and diamond flower earrings, stamped 375, a pair of peridot earrings, unmarked, together with a pair of eight green stone earrings, unmarked, combined weight 13.7g. (1 bag)
Lot 144
Two dress rings comprising an 18ct gold and blue stone dress ring, the gemstone, measuring approximately 0.53mm diameter, with faceted edges, held in claw setting, in a flower shaped mount, stamped '750', size L/M, 3g, together with a 14ct gold cluster ring, with sixteen small pale blue aquamarine style stones, size N/O, 3.3g, total weight 6.3g. (2)
Lot 147
A group of 9ct gold dress rings, including a seven stone amethyst ring in the shape of a flower, flanked by two mini diamonds, size P/Q, a flower head ring with synthetic pearl surrounded by pale blue stones, size P, an oval cut amethyst, with twisted shoulders set with small diamonds, size P, a tapered flowerhead ring, made up of nine purple garnets, size P/Q, together with a three row cluster ring of pale blue stones, size P/Q, total weight 13g. (5)
Lot 148
A group of four 9ct gold rings, including a flat top ring set with 10 sapphires, size L/M, a cluster ring, with nineteen black diamonds surrounded by a ring of eighteen small white diamonds, size P, another black diamond cluster ring, with small white diamonds to the shoulders, size P/Q, together with a black and white stone half twist band, possibly white sapphires and moissanite, size O/P, total weight 13.5g. (4)
Lot 151
A group of three rings and three wristwatches, comprising a yellow metal ring in the form of a five petalled flower, set with amethyst and yellow quartz, centered by an old cut diamond chip, 14mm across, and two 9ct yellow gold flowerhead rings, one set with an opal and surrounded by cubic zirconia stones, 13.6mm across, the other set with an oval cut very pale yellow / green stone, surrounded by white stones, 10mm across, 5.9g combined gross weight, a vintage Hermes stainless steel and gold plated lady's wristwatch, 25mm case, a Rotary gold plated lady's wristwatch, model LBO513, 19mm case, and a Seiko gold plated lady's wristwatch, 16mm case, all with bracelet straps. (6)
Lot 155
A group of four 9ct gold rings, including an amethyst ring, the square cut stone flanked by rows of four small diamonds, size P, a rose gold ring with pear shaped amethyst, size O/P, an oval cut amethyst in central claw setting, surrounded by cut out detail resembling a flower, size L/M, total weight 14.8g. (4)
Lot 156
A group of four 9ct gold dress rings, including a mystic topaz oval three stone ring, in claw settings, flanked by rows of small diamonds to the shoulders, size P/Q, a four green stone ring, surrounded by diamonds in illusion setting, a/f one diamond missing, size P, a three stone amethyst ring, surrounded by mini diamonds, size P/Q, together with a black and white stone ring, size P, total weight 13g. (4)
Lot 157
A group of four 9ct gold dress rings, including an oval cut aquamarine style ring, size N, a five stone amethyst ring, size M/N, a three emerald style stone ring, surrounded by 22 moissanite, size N/O, together with an oval cut pale blue topaz ring with twisted shoulders, size P, total weight 13.8g. (4)
Lot 158
A group of four 9ct gold dress rings, including a four stone oval cut topaz and diamond ring, size P/Q, a drop cut jadeite polished stone ring with Greek style border, size O/P, an oval garnet in claw setting, size Y, together with an pale blue topaz flowerhead ring, size P, total weight 12.5g. (4)
Lot 187
A group of four gold rings, comprising a 9ct gold small signet ring, set with a diamond chip, 12 by 8mm, band 2.0mm, size O, an 18ct gold and platinum three stone ring, illusion set with only two diamond chips, a/f missing one stone, size I/J, a conjoined pair of 9ct gold knot rings, 8.0mm at widest, size L, and a Victorian 18ct gold ring set with diamond chips, a/f band cut, 6.0mm at widest, size P/Q, total gross weight 9.2g. (4)
Lot 204
A group of four yellow gold rings, comprising a 22ct gold wedding band, 2.8mm wide, size J/K, 2.3g, a 9ct gold wedding band, 3.0mm wide, size Q, 1.2g, an 18ct yellow gold and platinum three stone ring, size J/K, 2.3g, and an 18ct yellow gold ring set centrally with a 4.5mm round cut red stone, flanked by six small white stones, szie K/L, 2.1g. (4)
Lot 208
Three gold bar brooches, comprising a 15ct gold brooch with white sapphire and garnets, 3.2g, 4.5cm wide, together with a 9ct gold brooch with ruby and seed pearls, 2.8g, 4.2cm wide, together with another 9ct gold brooch with round cut white stone, 2.6g, 4.3cm wide, together with a yellow metal and seed pearl bar brooch, 1.8g, 4.5cm wide. (3)
Lot 223
Four 18ct and 9ct gold dress rings, comprising an 18ct gold three stone round cut diamond ring, with platinum mount, central stone 2.5mm diameter, smaller flanking stones 2mm diameter, size M, 2g, an 18ct gold sapphire and diamond crossover ring, the square cut blue sapphire, 3.5 by 3.5mm, with single round cut diamonds, 2.5mm diameter, size J, 2.9g, an 18ct gold five stone illusion set diamond ring, with the largest stone to its centre, 1.5mm diameter, size M/N, 2.9g, together with a 9ct gold amethyst and aquamarine style dress ring, size I, 2.3g. (1 bag)
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400965 item(s)/page