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Lot 219
Stone, M. Snow, Skidmore’s Halfpenny, 1797, MS cypher, rev. thistle between two sprigs, edge COVENTRY TOKEN and a wavy line, 13.71g/12h (DH 41). Usual die flaws, otherwise virtually as struck and attractively patinated, very rare Provenance: From a 19th century collection; Spink Auction 92, 9 June 1992, lot 39; W. Anderson Collection, Davissons Mailbid Sale 13, 25 April 2000 (561)
Lot 288
Blewbury, George Stanton, Farthing, 1665, 0.75g/9h (N 73; BW. 14); Bucklebury, John Moorecock, Farthing, 1666, 0.81g/3h (N 75; BW. 16); Cookham, Martha Spot, Halfpenny, 1668, 2.62g/6h (N 76; BW. 17); Faringdon, Edward Goldinge, Halfpenny, 1668, 2.90g/12h (N 1782; BW. 26); Hungerford, Timothie Lucus, Farthing, 0.86g/12h (N 85; BW. 37); Kintbury, John Burdon, Farthing, 0.58g/3h (N Ð; D 39A); Lambourne, John Farmer, Halfpenny, 1665, 1.76g/12h (N 93; BW. 40); Longworth, Thomas Morris, Farthing, 0.90g/6h (N 95; BW. 45); Maidenhead, William Battes, Farthing, 1659, 0.75g/6h (N 96; BW. 46), John Cherry, Farthing, 0.89g/3h (N 99; BW. 48), Edmond Stone, Farthing, 0.92g/12h (N 101; BW. 49); Newbury, Borough Farthing, 1657, 0.69g/12h (N 117; BW. 54); Reading, Richard Levens, Farthing, 0.47g/6h (N 161; BW. 92), Joseph Stockwell, Farthing, 0.44g/12h (N 181; BW. 114); Sonning, Francis Feilder, Farthing, 1664, 0.92g/6h (N 202; BW. 128); Wantage, John Hunsdon, Farthing, 1667, 0.63g/6h (N 229; BW. 151), George Kerby, Halfpenny, 1669, 1.10g/12h (N 241; BW. 153), Edward Pener, Farthing, 1654, 1.14g/6h (N 233; BW. 157); Wokingham, Will Andarson, Farthing, 1.00g/6h (N 202; BW. 177) [19]. D 39A fair but clear, very rare, BW. 54 and 114 fine, others in varied state, last pierced George Stanton, mercer; Edward Goldinge (1635-90), barber-surgeon; John Burdon, grocer; Thomas Morris, grocer; William Battes, mercer; Edmund Stone, mercer; Richard Levens, cordwainer; Will Anderson, grocer
Lot 321
Smethwick, Lea & Edwards (BWS 4630); Stafford, Thomas Bamford (BWS 4760), Isaac Barton (BWS 4770), C. Dutton (BWS 4780), T. Hill, 1836 (BWS 4790), W. Large & Co (BWS 4810); Stoke-on-Trent, W. Dean (2, BWS 4860, 4870); Stone, [Thomas] Lucas (BWS 4890) [9]. BWS 4760 fair and bent, others generally fine to very fine, some rare, but surface digs on obverse of 4790 Provenance: BWS 4630 bt J. Whitmore 1981; BWS 4760 bt J. Whitmore 1986; BWS 4770 bt J. Whitmore 1982; BWS 4780 bt N.A. Clark 1983; BWS 4790 bt J. Whitmore 1983; BWS 4810 bt S.E. Schwer 1987; BWS 4860 bt S.E. Schwer 1989; BWS 4870 bt N.A. Clark 1988; BWS 4890 bt 1979
Lot 446
An early/mid 20th century, platinum, sapphire and diamond mounted ring with single emerald-cut sapphire approximately 8.3mm long x 7.3mm wide x 4.2mm deep, estimated to weigh 2.7cts in a pierced four-claw setting between baguette-cut diamond single-stone shoulders, the shanks stamped ‘platinum’ and remains of number, possibly 4799.
Lot 538
Constantine Kluge (1912 - 2003, French) Le Pont Marie; figure on a street in the foreground, the bridge and buildings beyond signed C Kluge bottom left oil on canvas 60 x 90cm. Provenance: With Frost & Reed By family descent. The Pont Marie derives its name from the engineer Christopher Marie who proposed its building in 1605. Not until 1614 however, did it receive approval for building from the King Louis XII and its construction spread out over 20 years, finally being complete in 1635. This bridge is the oldest in Paris. The bridge crosses the Seine river linking the Ile Saint-Louis to the Quai de L’Hotel De Ville. Originally twenty houses were built atop the structure, but were destroyed by a flood in 1658 along with two arches. A temporary wooden bridge was built until a stone renovation of the original structure was rebuilt in 1670. Since the 18th Century the bridge has seen little change. Constantin Kluge was born in Rija, Latvia, in January 1912. During the Civil War following the Bolshevik Revolution of 1917, the family uprooted moving east to Manchuria and then the French ‘concession’ of Shanghai. Here Kluge started his rt career and took to music which later in Paris bec me a means of support for his art. In 1931, his parents sent the young Kluge off to Paris to study architecture at the Ecole des Beaux Arts, graduating in 1937. He stayed in Paris, painting the characteristic scenes, returning to Shanghai in 1938 to practice architecture. He continued painting and putting on exhibitions. He worked in Hong Kong between 1946-1950, eventually returning to Paris in 1950. He exhibited at the Paris Salon, was awarded the Medaille D’Argent and was named a Chavalier de la Legion a’Honneur. Kruges’ fascination with Paris and its many changing moods throughout the seasons has produced an abundance of fine works, largely architectural, but including landscape. French art critics declared Kruge as a painter of poetic realism.
Lot 2915
An early 20th Century needlework panel commemorating the sinking of the RMS Titanic, depicting an angel mourning at a stone memorial, inscribed `In Memory of Those who Perished at Sea 15.4.1912 from Titanic, RIP`, flanked by Union Jack and Stars and Stripes flags, with a lifebelt inscribed `To the Heroes of the Titanic`, the Titanic and two icebergs in the distance, worked with coloured silks in long and short stitches on a black ground, approx 44cm x 51.5cm, within an ebonized frame.
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