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Lot 91
A COLLECTION OF VINTAGE JEWELLERY TO INCLUDE A ROW OF CORAL BEADS WITH 9ct GOLD ROUNDELS AND A 9ct GOLD TRIGGER CLASP, A BUCH + DEICHMANN PINK LEAF FORM BROOCH, A PAIR OF ARTICULATED STYLISED GRAPE FORM DROP EARRINGS WITH SCREW BACK FITTINGS, A CONTINENTAL SILVER STONE SET BROOCH, AND AN ENAMEL FLORAL PENDANT ON A LATER ADDED CHAIN.
Lot 386
A collection of jewellery including a stone set ring, pendant and ear studs tested as 18ct gold weight 8.5g, two pearl rings, a wedding ring, two bracelets, a sovereign dated 1963 gate bracelet and gold watch gross weight 47.9g, a silver cross and ring, a pair of costume ear studs, and two watches together with spare links (14)
Lot 446
* Freedman (Barnett). In Winter & In Summer, You Can Be Sure of Shell, designed and drawn on stone by Barnett Freedman and printed and manufactured by Vincent Brooks, Day & Son Ltd., [1935], colour lithographed paper and card peep show with 2 peepholes and 7 sections, showing a wintry night time view of London through the left aperture, and a sunny country scene through the right aperture, the sides of the peepshow when extended with the wording 'Be up-to-date Shellubricate', text and imprint to lower board verso (some spotting and rubbing at corners), 145 x 235 mm, extending to 520 mmQty: (1)NOTESA rare survival in excellent condition.
Lot 450
* Kirk (John). The Cries of London, circa 1754, 17/52 copper engraved playing cards, depicting tradesmen and women, comprising spades: ace, 2-4, 6, jack, queen; hearts: ace, 2-4, 9, jack; clubs: ace, queen; diamonds: 10, king, ace of spades bearing Georgian tax stamp in red ink, hearts and diamonds pip cards with stencilled colouring, court cards with hand-coloured miniature full-length figure in top left corner, toned and dusty, ace of clubs with slight surface loss to top edge (just touching first text letter), 4 of hearts with small nick in slightly creased lower left corner, jack of spades a little creased (with damp-soiling evident on verso), plain versos browned, rounded corners, 95 x 65mm, together with: Baragioli (Attilio), Florentine Pattern deck of cards, circa 1860, 49/52 engraved playing cards, comprising 4 suits of 13 (French suits), each with ace, pip cards 2-10, and three hand-coloured full-length court cards ('Florence I' pattern), lacking the jack and king of spades and the jack of hearts, dust-soiled and bowed, blue dotted circle and lozenge pattern on versos, 98 x 64mmQty: (2)NOTESBoth decks extremely scarce. The first is rare in any state of completion or format: John Kirk's Cries of London could be purchased in bound book form, as a deck of playing cards as here, and as an alphabetical engraved panorama strip mounted on wooden rollers (see Cotsen Children's Library, Call Number: Objects 18 425). The set is given a fleeting mention in Mann, All Cards on the Table, p.134. John Kirk was a shopkeeper and metal worker who ran an engraving and die stamping business in St Paul's Churchyard, London. His set of the Cries was advertised in an issue of the Public Advertiser published on 21st December 1754: "This Day is published, From four Copper-plates neatly engraved, each containing 12 Prints, of The most humorous CRIES of London ... in Sheets, or stitched, in Little Books; likewise made up in Boxes or Rowlers, at 1s. a Piece, very fit to amuse children and help them forward in their Learning..." John Kirk also produced a set of Aesop's Fables playing cards, around 1759. Comprising the following cries: 'Newcastle Salmon'; Great News in the London Evening Post'; 'I'm come this afternoon to play you a merry Tune'; 'Green and large Cucumbers'; 'Sheeps Hearts Livers or Lights to Day'; 'Sweet Damask Roses'; 'Stone Tea Potts Stone Muggs do you want any Earthern Ware'; 'Two Bunches three Halfpence 3 Bunches 2 Pence Sugar Turnips'; 'Old Iron or broken Glass Bottles take Money for them'; 'My pretty Maids within, Have you got any Hare's or Rabbett's Skin'; 'Corns to Cut'; 'Mary, Mary Where are You now?'; 'Buy Beef, a good fat Piece of Beef: Hoa!'; 'Buy my Shrimps'; 'Here's valiant Jack Falstaff, that merry Blade'; 'Bellows to mend'; 'The only Booth in the Fair: The noted Yates is here'.
Lot 515
Banks (Iain). The Wasp Factory, 1984; Walking on Glass, 1985; A Song of Stone (2 copies), 1997; The Business, 1999, 1st editions, slight toning to Walking on Glass textblock, original cloth, dust jackets, 8vo, Wasp Factory signed by the author, together with 3 others written as 'Iain M. Banks': Feersum Endjinn, 1994, signed by the author, The Algebraist, 2004, and The Step Approach to Garbadale, 2007Qty: (8)
Lot 551
Waugh (Evelyn). The Holy Places, London and New York, Queen Anne Press & The British Book Centre, 1953, wood-engravings by Reynolds Stone, original cloth, price-clipped dust jacket, some fading to spine and chipped at ends, limited edition 510/1000, together with P R B. An Essay on the Pre-Raphaelite Brotherhood 1847-54, Dalrymple Press, 1982, illustrations, original cloth, acetate wrapper, large 8vo, limited edition 196/475, plus Wine in Peace and War, London: Saccone & Speed, [1947], some spotting to pastedowns, small contemporary inscription and publisher's ink stamp to front endpaper, original boards illustrated by Rex Whistler, spine a little rubbed and toned with tear and loss at head, 8vo, with others by Evelyn Waugh including Rossetti. His Life and Works, 1st US edition, New York, 1928, The Loved One, [1948] and A Tourist in Africa, 1960Qty: (12)
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400830 item(s)/page