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A late Victorian five stone diamond ring, the graduated old round brilliant cut diamonds claw set to a scrolling gallery and shoulders with plain tapered band of unmarked yellow precious metal, size L½; total estimated weight of diamonds 1.78cts; cased in a period gold tooled leather ring box
A matched suite of jadeite jewellery, comprising ring, pendant and screwback earpendants; all the jadeites of light bright mottled green; the ring with an oval cabochon claw and collet set to a plain tapered shank stamped '9ct', size O; the pendant with an oval jadeite collet set, verso with carved line in the stone and pierced collet border, bale stamped '14ct', length 3.4cm, to a belcher link chain, clasp stamped '375' for 9ct gold, length 41cm; the screwback fittings for the earrings each fronted by a small round cabochon jadeite suspending a short chain with a drop jadeite termination, length 3.5cm (3)
An emerald and diamond three stone ring in 18ct gold, the emerald cut emerald of rich and pellucid peacock green between round brilliant cut diamonds, all claw set to a plain shank of hallmarked 18ct gold, Sheffield 1994, size J; estimated weight of the emerald 1.66cts, estimated total weight of the diamonds 1.22cts
Manner of Jan van Os Still life of grapes, a peeled lemon, lilies and a cut melon in a wicker basket with a bird upon a stone ledge surmounted by an urn oil on panel, in a Dutch ripple frame 58 x 44cm (23 x 17in) Provenance: From a Suffolk country house. In good condition - a few small areas of retouching which are well matched to the original. Frame is in good condition, with a few small dents to wood
Ottomar Elliger the Younger (Flemish, 1666-1735) The Death of Alexander the Great, lying upon a bed with his physician Philip and his wife, Roxana signed and dated lower left "O Elliger" on the stone plinth oil on canvas 56 x 72cm (22 x 28in) Provenance: From a Hertfordshire country house. Quite dirty and with bloom all over the figures. This will clean up beautifully.
George Armfield (British, 1808-1893) Terriers ratting; and A liver and white spaniel gazing at game on a stone ledge signed lower right "G Armfield" oil on canvas (a pair) 75 x 62cm (29 x 24in) Provenance: From a Hertfordshire country house. Both very dirty and with various bumps. Old stretcher bar marks can be seen from the front. Craquelure overall. Darkened and degraded coating/varnish on the surface of the paint layer making the composition difficult to read. . Dirt and white drips across the surface. Frames have been repainted with brown paint and have several areas of loss to decorative composite and gilding. The spaniel has a hole by his paws, approx 2in by 2in in size., L-shaped
Three various Staffordshire dark-blue and white printed pottery meat dishes Three various Staffordshire dark-blue and white printed pottery meat dishes, second quarter 19th century, comprising; a Ralph Hall Stone China 'Select Views' pattern dish, printed with the 'Church of St. Charles & Polytechnic, Vienna Germany' (sic), 49cm in length; another printed with a titled view of 'Litchfield Cathedral', 32cm in length; and another printed with a fox hunting scene, 37cm in length Please note that one of the plates, namely Litchfield Cathedral has a restored rim chip.
A late 19th century gilt metal lamp base, the fluted column above baluster stem raised on three monopedia legs and triform base with three claw feet, converted for electricity 52cm (20in) Provenance: Ex Sawston Hall Sale, 1982. Sawston Hall is a Grade 1 listed Tudor manor house, south of Cambridge. The estate was held by the Huddleston family from 1517 until its sale in 1982. Parts of the original house were burnt down in 1553 in revenge after Mary Tudor (future Mary I) sought refuge from the Duke of Northumberland who was seeking to put his daughter-in-law Lady Jane Grey on the throne. The house was re-built between 1557-1584 by Sir John and Edmund Huddleston with Mary I granting them the right to take stone from Cambridge Castle. The Huddleston family continued to live at Sawston, undertaking alterations, rebuilding and extensions in the early 18th century, as well as a major restoration of the Hall in the mid 19th century by Ferdinand Huddleston who succeeded in 1852. The estate fell into disrepair and was sold by Major Eyre in 1982; the house being converted into a language school.
A Bronze Age Palstave Axe Head circa 1200-800 BC, copper alloy with flared convex cutting edge Common in the middle Bronze Age, this axe would have been cast in a two part stone mould. It would have been fixed to a forked bone or wooden handle by means of a loop on axe (now lost). Slightly pitted and some oxidisation
A pounamu pendant, possibly from the Marquesas Islands, the stylised sea horse form carved from evenly green stone with a large eyed mask head above a tear drop shaped body, the back in a smooth curve running down from a ridge central to the head between the crests of eyebrows, 6cm (2.33 in) high
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400965 item(s)/page