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Lot 188

An 18ct gold and diamond single-stone ring with round old brilliant-cut stone, approximately 0.9cts, in four-claw setting

Lot 189

A gold and pear-shaped diamond single-stone ring with pear-shaped stone, approximately 0.5cts, in millegrain setting.

Lot 190

A late 19th century gold, sapphire and diamond three-stone ring with central cushion-shaped sapphire between round old brilliant-cut diamonds in scroll-pierced setting with diamond points.

Lot 191

An 18ct gold, sapphire and diamond mounted five-stone ring with three graduated cushion-shaped sapphires separated by round old brilliant-cut diamonds in elliptical setting.

Lot 192

An 18ct gold and diamond single-stone ring with round old brilliant-cut stone, approximately 0.6cts, in claw setting.

Lot 193

A diamond mounted three-stone ring with circular brilliant-cut stones, approximately 4.4mm, 5.4mm and 4.6mm diameter respectively, in pierced claw setting.

Lot 195

A diamond single-stone ring with circular brilliant-cut stone, approximately 6.3mm diameter, estimated to weigh 1.0cts, in a four-claw gallery setting.

Lot 197

A late 19th century gold and diamond mounted five-stone half-hoop ring with graduated cushion-shaped old brilliant-cut stones, approximately 2.0cts, in a scroll-pierced setting.

Lot 199

A sapphire and diamond mounted five-stone half-hoop ring with three oval sapphires separated by pairs of old brilliant-cut diamonds in a scroll-pierced setting with diamond points.

Lot 205

An 18ct gold and diamond mounted five-stone half-hoop ring with graduated round old brilliant and brilliant-cut diamonds, estimated to weigh a total of 1.4cts, in a 19th century-style scroll pierced setting and a gem-set single- stone dress ring with two-colour shoulders.

Lot 223

An emerald and diamond ring with central emerald-cut emerald, approximately 8.8mm long x 8.1mm wide x 5.0mm deep, in a four-claw gallery setting between graduated baguette-cut diamond three-stone shoulders. Together with a certificate from the Gem Testing Laboratory of Great Britain, number 0128405, dated 12 June 2008, stating that the 'Natural Emerald' shows 'evidence of moderate clarity enhancement' and that 'characteristic inclusions for Columbian emeralds are present'.

Lot 451

Border Fine Arts James Herriot collection by Judy Boyt, study of two horses, one being ridden side-saddle by a man, nearing a stone wall entitled 'Coming Home' model no. JH9A on wooden base

Lot 505

A silver hallmarked ladies ring with rough textured shoulders and star set single clear central stone, maker W&G

Lot 546

A collection of assorted Victorian and later jewellery to include a spider brooch with pearl body, a 9ct gold bangle, pearl stud earrings, a 9ct gold bar brooch set with blue stone and a Victorian unmarked gold brooch / pendant drop set with cabochon turquoise stones and seed pearls (q)

Lot 548

A Victorian 18ct gold pocket watch with decorative engraved face having floral borders and Roman numerals with ornately decorated back together, the movement marked Fridlander and Co, 55 Gt Queen Street, London with diamond end stone together with a ladies 9ct gold Rotary wristwatch

Lot 563

An 18ct gold three stone emerald cut diamond ring, approx 1.9 carats, size M

Lot 580

A 9ct gold Victorian bar brooch inset with a green stone and seed pearls

Lot 619

An 18ct gold ring with cabochon marquise shape red stone, possibly garnet within rope mount

Lot 160A

A Japanese champlevé bronze vase, 15.5cm high, a circular gilt lacquer tea caddy, 7cm high and a carved stone figure of a parrot, 18cm high (3)

Lot 37

A marcasite and semi-precious stone set necklace with a pair of matching drop earrings.

Lot 50

A gold wedding band, gold and red stone set ring, a pearl necklace and a further small quantity of jewellery.

Lot 266

A pair of reconstituted stone urns, the ovoid bodies on turned socles and square base, 16 1/2" high, together with a reconstituted stone rectangular trough decorated with rosettes, 24" wide (3).

Lot 306

A large antique wrought iron and stone foot scraper, 23" wide.

Lot 361

An oleograph still life of flowers in a vase sitting on a stone shelf, 15 1/2" x 11 1/2", a print of Teignmouth and a watercolour of a mountainous scene with stream in the foreground, indistinctly signed, 40 1/2" x 10 3/4".

Lot 11

A Victorian stone chimney

Lot 49

A late Victorian diamond five-stone ring, the old cushion cut stones in claw settings above a pierced scrolling gallery, in 18 carat gold, circa 1900

Lot 66

A 9 carat gold and diamond three stone ring, together with a pair of diamond studs (3)

Lot 192

William Marshall: A stoneware celadon glaze vase impressed with flowerheads, 11cm high and a stone ware bowl bearing label 'made by Shikibas Friends' Country Ware, 21.5cm diameter, and an octagonal stoneware box with Tenmoku glaze, inscribed 'HB' (3)

Lot 381

William Woodall (1832-1901) Politician and Philanthropist, of Burslem, Stoke on Trent. A remarkable and extensive collection of letters written to him from around the 1860s to the end of the century, most pasted into ten old albums often accompanied by portrait photographs of the writers, with some loose letters in a small box. Woodall was chairman of the Burslem School Board 1870 to 1880 and the Wedgwood Institute, both bodies advancing the cause of technical education. He sat on royal commissions on technical education (1881-84) and the care of the blind and deaf mutes (1886-89). Woodall was MP for Stoke on Trent 1880-86, and was first representative for Hanley from 1885-1900. He supported home rule, and was chairman of the Central Committee for Women's Suffrage (established in 1872), and tried, unsuccessfully, to push through parliament an amendment which would allow married women to vote. In 1886 Gladstone appointed him Surveyor General of the Ordnance, and from 1892 to 1895 he was financial secretary to the War Office. Most of the letters are of a political nature (Liberal Cabinet and party members), including one from Gladstone proposing his appointment as Surveyor General of the Ordnance. Others cover his time as local MP, and in his official capacity at the Wedgwood Institute in Burslem, where he would invite speakers, often leading people of the day, for example Charles Dickens who politely declines 'to read' in a one page letter with his typical signature flourish. Three letters from William Morris on the other hand, confirm a more favourable response to an invitation by Woodall. The contemporary albums are in rather tired condition, some of covers are detached. Letters or notes in the first album include: W Gladstone, Sir Henry Campbell-Bannerman (2), J G Rogers, Sir John Hibbert, Arthur Peel, Lord Ripon, Lord Granville, etc. Album two: Sir Edward Grey, Robert Hanbury, Lord Dartmouth, George Duke of Cambridge, Lord Curzon, Sir Oliver Lodge, Shaw Lefevre, Richard Temple, Wilson Barrett (Savage Club), Herbert Beerbohm Tree, Gertrude Tennant, poem by Lady Currie (pen name 'Violet Fane'), Fridtjof Nansen signature, etc. Album three: Henry M Stanley photograph with signature below 1891, Harry Furniss, Elizabeth Lynn Linton, T P O'Connor, George Grossmith, Field Marshall Francis Grenfell, Nora Philipps, G Lawson, Richard Temple, George Russell, Princess Louise, Henry Broadhurst, the Bechuana Chiefs' signatures with press cutting (visiting Britain in 1895 to protest against the proposed annexation of their land), Henry Irving, William Martin Conway, Earl of Crewe, G A Henty, Sir Oliver Lodge, Earl of Clarendon, Emily Crawford, etc. Album four: Gladstone (3), Sir Henry Campbell-Bannerman, Sir William Harcourt, Sir Henry Roscoe, Stuart Rendel (several), etc. Album five: Arthur Peel, Lord Wolseley, Thomas Ellis, Ellen Terry, Arthur Collins, Field Marshall Evelyn Wood, Augustus Hare, Kate Greenaway, Philip Morris (artist), Lord Dartmouth, Rudyard Kipling (1890), Lord Crewe, Sir Charles Wyndham Murray, Haddon Chambers (playwright), Henry John Yeend King, Dinah Craik (author), Maud Beerbohm Tree, Sir Lewis Morris (poet), Dorothy Stanley, Campbell-Bannerman, Stanley Baldwin 1931 tls to Mr Howard Figgis, etc. Album six: Gladstone, Charles Dickens 1863, declining to read in Burslem, Garibaldi 1861 from Caprera, John Ruskin 1864 sending four of his works to the Wedgwood Institute library, Lord Granville, Thomas Carlyle 1869 blue pencil note '...the utility of your enterprise will depend mainly on yourÉ in selecting books, on your earnestly and religiously choosing books that are nourishment to the mind of a man, and vigourously rejecting what are poison (by far the more numerous class at present)'*, Samuel Smiles, John Bright, Henri d'Orleans Duc d'Aumale, William Macready (actor, x 2), Mrs Gladstone, The Duke of Devonshire, William Rathbone, John Stuart Mill, Lord Shrewsbury, John Lewis Ricardo MP 8pp als to MacIntyre (at Burslem), Lord Derby 1870, George Goschen, Sir Charles Dilke (2), Henry Stacy Marks (RA), G A Henty, William Fraser Rae, Sir Smith Child, Sir Rowland Hill (1869), etc. *Woodall actively sought books for the Institute Library, a wing of which he paid for. Album seven: Gladstone, appointing him Under Secretary of the War Department (1892), Campbell-Bannerman on the same subject, Lord Wolseley, Lord Crewe (inquiring about a plaque by Louis Solon of Minton), Harry Furniss, the Hon T F Bayard, Lord Dartmouth proposing a visit by Princess Louise to the Potteries to open the School of Art at Burslem, Lord Granville, Marquis of Lorne on the Princess's visit to Burslem, Herbert Gladstone, W St John Brodrick, Frank Topham (artist), Hubert von Herkomer, Arthur Peel, Marcus Stone (RA), Sir Edward Poynter, Ellen Thornycroft Fowler (novelist), Charles Hopwood, Miss Lydia Becker on suffrage and the amendment re married/unmarried women, Lord Dartmouth, Lord Roberts, Sir Luke Fildes, Millicent Duchess of Sutherland, Mary Howitt (author, x 2), Ughtred Kay Shuttleworth, John Toole (actor), Frederick Treves (surgeon), G A Henty (2), E Lynn Linton, Sir L Alma Tadema, Lord Kitchener, Margaret Oliphant (2), Henry M Stanley and Dorothy Stanley, Lord Curzon, etc. Album eight: W St John Brodrick, General Sir Redvers Buller, W S Caine, Campbell-Bannerman, Lord Sutherland, Herbert Gladstone, Philip Stanhope (Earl of Chesterfield), T F Bayard, George Duke of Cambridge, Margot Asquith, R W Hanbury, Sir William Harcourt, etc. Album nine: Charles Hopwood, G A Henty, Sir Ralph Knox, E Lynn Linton, Sir George Leveson-Gower, Baron Monkswell, M Oliphant, Hugh Glizean Reid, Sir Wemyss Reid, Lord Roberts, Lord Rosebery, Marcus Stone, Sir Benjamin Stone, Genevieve Ward, Evelyn Wood, Dorothy Stanley, William Howitt (author), 1924 Lloyd George tls to Henry Woodall, etc. Album ten: Lord Iveagh (to Mr Figgis 1917), 2 group photographs of Woodall with four friends, Sir John Lentaigne, John Tenniel, Frederick Barnard, Henry Pettitt, Luke Fildes, George Grossmith, Harry Furniss, Charles Dickens 1863 single page declining to read for the Wedgwood Memorial Committee, Samuel Smiles, Mark Lemon (editor of Punch), John Galsworthy (1927) 'Dear SirÉ' (a short note), Sir Swire Smith, Lucy Baldwin to Mr Figgis 1929 on 10 Downing Street paper, Frances Balfour to Lady Lucy (Baldwin), etc. Small Box of loose letters: William Morris (x 3, on travel arrangements to Burslem), E Lynn Linton, Francis Schnadhorst (founder of the National Liberal Association), Joseph Arch, George W E Russell, M Oliphant, Mary Howitt, Sidney Colvin, Gilbert Redgrave, J P O'Connor, J A Spender (editor of the Westminster Gazette), Louis Solon (with small sketch), etc

Lot 415

STONE (Reynolds) Engravings, London: John Murray 1977, printed at the Curwen Press, No.95 of 150 copies signed, with a signed wood engraving 'Waterfall Prescelly Mountains' 1972 loosely inserted, good in slip case; SMITH (Edwin) Coronation Peep-Show 1953 (2)

Lot 444

ROWLING (J K) Harry Potter and the Philosopher's Stone; Harry Potter and the Chamber of Secrets, both first deluxe editions 1999, aeg, colour inset illustrations to upper boards, very good; Harry Potter and the Prisoner of Azkaban, 1999 reprint, in dust wrapper (3)

Lot 49

A 9ct gold stone inset bracelet

Lot 113

An 18ct gold seven stone 'Dearest' ring

Lot 132

A 15ct gold six stone 'Regard' ring

Lot 142

A 9ct gold multi-stone colour ship's wheel pendant

Lot 534

A pair of George III bright-cut sugar tongs, by George Day, London 1800, Fiddle pattern sugar spoon, by Thomas Stone, Exeter 1866, and a Fiddle pattern stilton cheese scoop, by Francis Higgins, London 1890, 4oz. (3)

Lot 1234

A late Victorian mounted stone match holder/striker, globular, on three ball feet with a hammered finish and a frilly upper mount, by Harry Wright Atkin, London 1887, 4.75in (12cm) high.

Lot 1389

Royal Asscociation: a Middle Eastern silver trowel, inscribed 'Presented by the Church Committee to Her Royal Highness Princess Henry of Battenberg'*, on the occasion of the ceremony of laying the Foundation stone of 'All Saints Church' (The first English Church in Sudan), performed at Khartown on 7th Feb 1904, with a horn handle, 14.5oz. *Queen Victoria's youngest daughter (Princess Beatrice).

Lot 1603

A graduated carved blue stone bead necklace. Alternately set with cultured pearls. A coral, cultured pearl and green bead necklace. And a three row coral and artificial pearl necklace.

Lot 1606

A mixed lot comprising: a 9ct gold open face pocket watch, a gilt pocket watch by Waltham, a five stone amethyst set brooch, a gold RAF brooch, a gold violin brooch, eight various brooches, a cased lady's wristwatch, a Scottish hardstone brooch, charms, etc.

Lot 1615

A 15ct gold Edwardian peridot and seed pearl set pendant, A jade and seed pearl three stone bar brooch, cased and a garnet and seed pearl brooch. (3)

Lot 1666

A fine link gold necklace suspending assorted stone set gold charms.

Lot 1668

A white and blue enamel, paste and pearl set gold ring, a black enamel and half pearl memorial ring, in gold with cut out sections on the shank revealing hair, and a white three stone ring. (3)

Lot 1684

A late Victorian pink doublet set riviere necklace, the graduated mixed cut oval stones in gilt collet mounts, 46cm long. These pink doublets are probably garnet topped doublets, a composite stone, used primarily from 1850 to the First World War. A thin slice of garnet is cemented to a base of pink paste, then faceted. The reasoning behind the process was to add durability and lustre to paste or glass, which is a relatively soft material.

Lot 1686

A Medieval gold stirrup ring, probably 13th century, the collet mount missing a stone, Size Q. 1.8g. The missing stone was probably a polished sapphire cabochon, a popular choice in the early Medieval period. For similar examples see: Oman, C.C., Victorian & Albert Museum, Catalogue of Rings, London 1930. Plate 10, item 251, and Scarisbrick, Diana, Rings, Jewelry of Power, Love and Loyalty, Thames & Hudson, London 2007. P237, pl 322.

Lot 1687

A diamond three stone ring, the old circular diamonds set with rose diamonds inbetween, in an 18ct gold mount. Size M and a half. With a ring box to fit six rings.

Lot 1692

An 18ct gold gypsy set diamond single stone ring, 3g, and a 22ct gold wedding ring, 8g. (2)

Lot 1698

A diamond five stone ring, a sapphire and diamond cluster ring and an opal five stone ring. (3)

Lot 1713

A diamond three stone ring, set with three round brilliant cut diamonds estimated to weigh 2.20 carats set in white gold, in total, size Q.

Lot 1719

A late Victorian diamond five stone ring, the graduated old brilliant cut diamonds are set in 18ct gold, size Q.

Lot 1725

A diamond three stone ring. The three cushion shaped diamonds are set in gold.

Lot 1729

A diamond five stone ring, the cushion shape diamonds in a carved gold mount. Size K and a half.

Lot 1733

A diamond three stone ring. The three circular cut diamonds are set in gold. Size K 1/2.

Lot 1740

A green sapphire and diamond set seven stone ring. The three oval shaped sapphires are set with four circular cut diamonds in yellow gold. Carved shanks. Size P 1/2.

Lot 1757

A pair of single stone diamond stud earrings, the round brilliant cut diamonds estimated to weigh approx 1.45 carats in total, post fittings.

Lot 1780

A graduated blue stone bead necklace. Possibly synthetic sapphire. The small gold clasp set with two rose cut diamonds and a sapphire.

Lot 1864

An unusual stick pin with a skull and hinged mask. The skull with red stone eyes. 1.5cm wide.

Lot 1876

A gold stick pin mounted with a carved hard stone cameo. Depicting the profile of a man in the Roman style. Gold frame. The cameo 2.5cm high.

Lot 1909

A glass letter opener in the form of a Parrot. With engraved plumage and cabochon red stone eye. 20cm long.

Lot 1924

A blue stone, diamond and gold rosary, the gold chain strung with sapphire and lapiz lazuli beads, to a diamond set circlet, and the cross enamelled in blue set with rose cut diamonds. 36cm

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