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Lot 467
A 9 carat yellow gold mystic topaz and diamond three stone ring, set with three rectangular emerald cut mystic topaz with a combined approximate carat weight of 2.16 carats, further set with six eight cut diamonds, to trumpeting shoulders flowing through to a tapered shank. Stamped 375. Ring size R.
Lot 371
Group of three rings. One Giovanni Noto Italian 14K yellow gold ring inset with a carved cameo shell; signed along the reverse of the shell. One sterling silver ring set with an oval carnelian semi-precious stone, marked along the interior of the band. One white gold ring set with seven semi-precious clear stones and 23 rubies, tested as Au .7288 or 18K.(Carnelian) US size: 6. (Cameo) US size: 4. (Ruby) US size: 4-5.
Lot 75
Follower of ANTOINE PONTHUS-CINIER (France, 1812-1885), last third of the 19th century."Venice".Oil on canvas.Re-coloured.Signed (apocryphal signature) in the lower right corner.Size: 21 x 31 cm; 38 x 48 cm (frame).Venetian Veduta, with gondolier in the foreground crossing the channel. A few figures are crossing the stone bridge, and in the distance the beautiful profile of domes and bell towers is silhouetted against a clear sky. The influence of Ponthus-Cinier, specifically from his Italian period, can be seen in the type of framing chosen and in the palette of soft, Mediterranean tones, as well as a certain romantic bias. It also reflects the long heritage of Italian veduttists who, from Canaletto onwards, immortalised the city. In the present scene, the urban cadence is sublimated, conveying serenity and calm.Antoine Ponthus-Cinier was a French painter born in Lyon on 29 August 1812 and died on 17 January 1885. He is considered one of the leaders of the Lyon neoclassical movement and adopted an Arcadian style. His works cover all the sites of the Lyon region. He reclaimed the heritage of 18th century Vetudist painting as then represented by Giovanni Antonio Canaletto, seeking to bring in a more romantic atmosphere. In 1829 he enrolled at the École des Beaux-Arts in Lyon, where he does not seem to have been admitted, and later became a pupil of Paul Delaroche in Paris. He became a renowned painter in 1841, when he won the Second Grand Prix de Rome for a historical landscape with Adam and Eve expelled from the Earthly Paradise. He spent two years in Italy, between 1842 and 1844, and stayed in Florence, Rome, Genoa and Naples. This trip to Italy greatly influenced his artistic production. On his return, he made a long journey through the Dauphinate, the Dombes, Provence, the Alps, Savoy and the Pyrenees, and finally settled in Lyon, where he remained until his death. He became a member of the Société des aquafortistes in Paris, where his engravings were very successful. He exhibited historical and simple landscapes in Lyon between 1837 and 1885, in Paris between 1841 and 1867, in Rouen in 1869 and in Dijon in 1881. The Musée des Beaux-Arts in Lyon, Chalon-sur-Saône, Besançon, Brou and Chambéry have works by him.
Lot 1000
CHRISTOPHER NIGEL LAWRENCE: A SET OF SIX SILVER GOBLETS by Christopher Nigel Lawrence, London 1973, each round bowl with gilt-washed interior, and raised on a pierced and textured stem with a plain circular foot. (6) 15.5cm high, 45.5 troy ounces grossChristopher Nigel Lawrence worked under several well-regarded silversmiths, including C.J. Vander, R.E. Stone and Gerald Benney, before setting up as a silversmith in his own right in the late 1960s.The marks are crisp and clear. Some minor surface marks but generally in very good condition.
Lot 1253
AN ELIZABETH II SILVER TWO-HANDLED BOWL by Christopher Nigel Lawrence, London 1984, with textured handles, no. 14/100. 6cm high, 4.1 troy ouncesChristopher Nigel Lawrence worked under several well-regarded silversmiths, including C.J. Vander, R.E. Stone and Gerald Benney, before setting up as a silversmith in his own right in the late 1960s.The marks are clear and well-struck. In generally very good condition without damage.
Lot 1277
STUART DEVLIN: AN ELIZABETH II SILVER-GILT SURPRISE EGG by Stuart Devlin, London 1967, the textured and planished egg opening to reveal a silver-gilt bee en tremblant on a silver flower with a glass stone centre, no. 34, in original fitted box. 6.5cm high, 4.3 troy ouncesLimited edition 34 of 85, with original certificate.There is surface dirt to central ring on the Stuart Devlin egg. The egg comes apart with difficulty but the interior is good. The box lid is tired and has come away at the edges and clasp broken. The little booklet is dog eared and slightly crumpled.
Lot 473
Turquoise and White Zircon Ring, an oval cut cabochon of over 2cts of the bright, matrix free, turquoise from the Sleeping Beauty mine in Arizona which closed for the mining of this much admired stone earlier this century; to either side of the turquoise are three rows of three round cut natural white zircons, totalling 0.5ct, adding elegance and light in support of the main stone; size S
Lot 224
Yorkshire - Market WeightonA collection of Manorial Documents relating to the Manor of Weighton (East Yorkshire) consisting of Surrenders, Admittances, grants of probate or administration and copy wills of deceased copyhold tenants of cottages in Hungate and Northgate, Market Weighton, 1756-1833.Fifteen items, manuscript and printed, all on vellum;An Act for Dividing and Inclosing several Open Fields, and Commons or Waste Lands, in the Manor of Market Weighton with Shipton in the County of York.1773, folio, 23 pages with printed docket and ms. name on [24], disbound, folded. An Act to enable the Justices of the Peace for the East Riding of .... York to take down the County-Bridge, called Stamford Bridge, and to build a Stone-Bridge at a more convenient Place over the River Darwent. Printed by John Baskett, 1724, folio, title and pages 219-224 (17)
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