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Lot 151
A late 18th Century handwritten booklet relating to a tour across America, the frontispiece inscribed "The writer of this account of a tour starting from Philadelphia in April 1796 was William, a son of the Rev. Robert Forster, Perpetual Curate of Wrenbury and brother to Richard Forster, Sargoine of Stone (Staffs), the writer represents April 4 as a Sunday but April 4 1796 was a Monday. William Forster died at Philadelphia on 18th January 1798 aged 38", the details inside account details of visiting various friends, visiting various inns, landowners etc
Lot 315
an Emerald and Diamond Set Ring, circa 1970, a mid green emerald cut emerald flanked by three round brilliant cut diamonds to each side, in a claw setting on a grooved shank, total diamond weight 0.80 carat approximately, finger size M. accompanied by a report from the Precious Stone Laboratory, London, number 982892, stating this is a natural emerald, with no evidence of clarity enhancement. See illustration
Lot 316
a Diamond and Moonstone Set Bracelet, a white hollow curb link bracelet features a large stone set panel to the centre, comprising five graduated cabochon moonstones, with criss cross motifs between each moonstone, set with old cut diamonds, total diamond weight 1.40 carat approximately, length 19cm. See illustration
Lot 347
a Modern 18 Carat White Gold Aquamarine and Diamond Pendant on Chain, a pear shaped Dutch rose cut stone surmounts a single round brilliant cut diamond which suspends a squared Dutch rose cut stone, diamond weight 0.45 carat approximately, pendant drop 3.9cm, chain length 40cm. See illustration
Lot 394
a Modern 14 Carat White Gold Emerald and Diamond Cluster Ring, the emerald cut principal stone has a tapered baguette cut diamond on each side leading to the shank, and is bordered by round brilliant cut diamonds, total diamond weight 0.33 carat approximately, finger size M. See illustration
Lot 1142
louis Haghe (1806-1895) after David Roberts R.A. (1796-1864) "Bazaar of the Coppersmiths"; “Minarets and Grand Entrance of the Metwalys Cairo" both inscribed within the plate, together with later inscriptions on the backing boards verso, ("full plate, no.230", "full plate no.218"), coloured stone lithographic prints, each 47.5cm by 31.5cm (a pair) Provenance: With Mathaf Gallery Ltd, 24 Motcomb Street, London SW1X 8JU, December 1989, inv. No. 268 the pictures are sold with the original catalogue of the lithographs of David Roberts R.A. (1796-1864) together with the original invoice, the price being £400 each
Lot 1148
arthur John Trevor Briscoe A.R.E. (1873-1943) "Mooring Her", four men on a stone quayside hauling in a vessel signed artist's proof, also signed and dated "27" (1927), and inscribed with the title within the plate, also numbered "21/95" on the margin, black and white drypoint etching, 17.5cm by 38.5cm (pl)
Lot 1348
english School (20th/21st century contemporary) Portrait of Edward Courtenay, Earl of Devon (1526-1556), three quarter length wearing 16th century costume, buildings in the distance inscribed with the sitter's name and a further Latin inscription on a stone wall within the painting, together with a further inscription on a plaque attached to the frame, oil on panel, 107cm by 81cm the picture is contained within an early 18th century carved gilded frame, decorated with foliate scrolls the above painting, although taken from a much earlier English portrait, may originate from the Continental School or perhaps the Far East See illustration
Lot 1371
attributed to William Henry Hoodless (1841-1902) View of Dumfries on the River Nith with Figures and Animals beside a Stone Bridge bears a signature and dated "1874", oil on canvas, 61cm by 107cm the artist was a landscape painter in oil and watercolour. He visited fellow Cumbrian Samuel Bough in Edinburgh and Bough advised him to enter Edinburgh School of Art where he twice won prizes as a student. He worked mainly in the Lake District and is said to have walked sometimes twenty miles in a day to make a sketch. He is also said to have died following a journey to Caldbeck on foot through deep snow and three days spent sketching in the open air..
Lot 1395
william P. Cartwright (fl.1864-1874) River Landscape with Figures on a Stone Bridge in the Foreground, sheep grazing in a meadow in the distance signed, also inscribed with the artist's name and the date "1885" on a plaque attached to the frame, oil on canvas, 30cm by 46cm the artist exhibited five rural scenes at the Royal Birmingham Society of Artists between 1864 and 1874.
Lot 75
a John Ridgway, Hanley, Superior Stone China Chinoiserie Dinner Service, circa 1840-45, each piece printed in brown/black with flowers and rocks in a fenced garden within diapered borders, comprising a graduated set of ten shaped rectangular meat dishes (the largest 42cm wide) and stands, a pair of two-handled vegetable tureens and covers, a pair of two-handled sauce tureens, covers and stands (and one spare stand), a strainer dish, a pair of octagonal serving dishes, a two-handled pedestal circular bowl, twelve soup bowls, twenty-three dinner plates (25.5cm diameter), and twenty dessert plates (22cm diameter), each with brown printed crown and oval belt mark, "JR", "No4" and "Superior Stone China" on a ribband See illustration
Lot 153
a Japanese Suzuribako, 19th century, of rectangular form with canted angles, bearing a black lacquer ground decorated with a bird of prey tethered to a hawk stand, in gold hiramakie, nashiji and silver leaf, the interior with overall nashiji, with bronze mizuire (in the form of a tasselled basket), ink stone, and lift-out tray, 24.5cm by 22.5cm by 4.2cm See illustration
Lot 1535
john Haggis (1897-1968) "Yokenthwaite", farm and cottages beside a stone bridge signed and dated "1936", also bearing various exhibition labels verso, oil on canvas, 76.5cm by 99.5cm (30in by 39 1/4in) Exhibited at the Cartwright Memorial Hall City of Bradford Art Gallery, loan no.1949, also exhibited at the Russell Coates Art Gallery, Bournemouth, 29th September-3rd December 1949
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