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Lot 405
Mixed collectables relating to oil rigs to include a Selkirk glass paperweight etched ' The British National Oil Corporation ', on wooden presentation stand with silver hallmarked plaque with inscription, another Selkirk paperweight etched ' Britoil ' (with original label), a metal oil rig model on stone base and 2 commemorative wooden boxes (one commemorating the ' Beatrice Inauguration and another Britoil-related example) (5)
Lot 213
2013 Aston Martin Vanquish Transmission: automaticMileage:53452The first-generation of the 'V12 Vanquish', designed by Ian Callum and unveiled at the 2001 Geneva Motor Show, was produced from 2001 to 2007 as the flagship of the marque. The V12 Vanquish was indirectly replaced by the DBS after 2007. The second-generation Vanquish was introduced in 2012, based on the Aston Martin's VH platform, followed in 2017 by a 'Vanquish S' with a more powerful engine and improved aerodynamics. Presented in Quantum Silver (Q Special) metallic with complimentary Obsidian Black Caithness leather this stunning second generation Vanquish is fitted with upgraded 20 inch, 20 spoke diamond cut alloy wheels shod with contrasting red calipers, huge Carbon-Ceramic brake discs and a set of Pirelli P Zero tyres. The Vanquish is powered by the 569 bhp V12 and Autocar wrote 'this is the best road-going Aston yet' Carbon fibre abounds in the bonnet, boot, front spoiler, side skirts and rear diffuser. It really looks the part with those muscular rear haunches. This car is specified with the following options - 2+2 seating, sports seats with Aston Martin embroidered wings, full-length twill carbon fascia, satellite navigation, reversing camera, B+O Hifi, One77 full leather steering wheel, satin chrome jewellery pack, carbon roof, red brake calipers, bright finish grille, tailpipe, and side strakes, garage door opener and front end stone protection. The car has covered 53,452 miles and has an entire Aston Martin main dealer service history. Last at Aston Pangbourne, supplied with the stamped handbook, MoT history, Aston Martin umbrella and two original keys of which the glass key is unmarked. A fabulous opportunity to own a gorgeous sports car.Interested parties should note that this lot has a copy of the current V5 but not the original supplied with the sale, this will not affect registering to a new owner.
Lot 227
A late 18th / early 19th century memento mori; the obverse painted with a grieving female figure above a tomb on which a two-handled urn is positioned with the initials W.L.P.. The inscription to the stone base reads SACRED WILL I KEEP THY DEAR REMAINS. The reverse with plaited light-brown hair, both oval glasses with hand-bevelled edges, rose-gold coloured oval frame. (6cm including suspension loop)
Lot 269
‡ SIR KYFFIN WILLIAMS RA rare watercolour and pencil – St. Mary’s Chapel in the hamlet of Capel-y-ffin, near Llanthony, Powys, signed with initials Dimensions: 38 x 47cmsProvenance:private collection Gwynedd, consigned via our Colwyn Bay office, purchased by vendor from Tegfryn Gallery, Menai Bridge, Ynys Mon, circa 1994Auctioneer's Note:the chapel in the remote hamlet of Capel-y-ffin is important in the story of Welsh and British art. Between 1924 and 1928, the monastery was home to the peripatetic sculptor, typographer and craftsman Eric Gill and his family. Eric Gill chose the isolated location to establish an ideal of communal, artistic cohabitation. He converted the monastery’s dilapidated chambers into workshops and living quarters and created an environment without distinction between work and play. Although the practical difficulties of life in the Black Mountains often frustrated, it was during this time that Gill created his best-known work, the Sans Serif typeface, for the Monotype Corporation in 1926. An English translation of ‘Capel-y-ffin’ is ‘Chapel of the boundary’ or ‘Chapel at the end’. In the churchyard, as seen in this drawing by Sir Kyffin, are headstones carved by Eric Gill. The graves lie at the edge of the chapel boundary enclosed by a low stone wall perimeter. On the wall nearest to the chapel door is a reproduction of a crucifixion ‘Sanctus Christus de Capel-y-ffin’, a gouache by David Jones, the Welsh poet, illustrator, calligrapher, and artist who lived with Eric Gill and his family, at the Monastery from 1925, Jones was for a short period engaged to their daughter, Petra.This is the first time that Rogers Jones & Co have encountered a work by Sir Kyffin of iconic Capel-y-ffin.Condition Report:no problems, framed and glazed
Lot 270
‡ SIR KYFFIN WILLIAMS RA ink and wash - cattle, dry-stone walls and upland cottages, entitled verso 'Dyffryn No.2', signed with initialsDimensions: 37 x 55cmsProvenance:private collection Cardiff, consigned via our Cardiff office, purchased Albany Gallery, Cardiff 1993, loaned for 'Island Inspiration' exhibition at Oriel Ynys Mon, 2012 Condition Report:framed and glazed, no problems
Lot 410
‡KEITH BOWEN large oil on canvas - portrait of a standing shepherd beside dry-stone wall, entitled verso 'Shepherd Places: In the Old Sheepfold', signed and dated verso 2004Dimensions: 82 x 138cmsProvenance:private collection Ynys Mon, consigned via our Colwyn Bay officeCondition Report:framed, ready to hang
Lot 414
‡ KEITH BOWEN pastel - upland winter landscape with sheep in snow, dry-stone wall and distant farm-house, signed and dated 1992Dimensions: 39 x 54cmsProvenance:private collection Cardiff, consigned via our Cardiff office, the painting was used as the illustration for 1992 Royal Mail 'Wintertime' postal stamps, to accompany first day cover signed by artist and framed sheet of twelve uncirculated stampsCondition Report:no problems, high-quality framing, glazed
Lot 2193
(calibre ETA 2412) manual wound lever movement signed L.U.Chopard & Cie, black dial, single stone diamond set black onyx bezel, snap-on back numbered 92739 5062 1 and with a convention mark 750, inside case back with maker's mark L.U.Chopard & Cie, 18 carat white gold textured integral bracelet with clasp stamped LUC 0.75022mm wideCase and bracelet with surface scratches, case with minor dents in parts, black onyx bezel with minor scratches, hand setting correctly and winding smoothly, movement in going order. Total watch weight 46.9, bracelet length including watch case is 16.5cm approximately.
Lot 1123
Circle of Thomas Murray (1663-1735) Portrait of a young lady, half length, wearing an aquamarine silk dress with white chemise and gold decorated wrap, historically known as "Princess" CharlotteOil on canvas, 57.5cm dia. (oval)Contained in a carved gilt frame.Provenance: J A Howrie?, 20.9.(19)41 according to label to reverseCyril Stone dealer, Hove, 1984Private collectionOld reline, cleaned and revarnished. Surface is slightly flattened from the restoration process and the paint is thin in places. Some surface dirt and discoloured varnish now in evidence. Likely some general strengthening throughout background. Evidence of some relativlely fine and sporadic retouching and infilling to old craquelure and flaked paint across the face; Somewhat more concentrated around the central area of the forehead, under her right eye and the upper part of her right ear. Parts of the chest area also with some retouching in addition to edges in general. Some later minor rubbing to edges present now as a result of proximity to frame. Some strengthening to shadows and definition of the drapery. Mostly fine stable craquelure throughout. Very slight buckle to canvas around face.
Lot 2331
the graduated old cut diamonds in yellow claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 1.65 carat approximatelyfinger size OThe ring is in fair condition, there is a to the central stone and some claws may require attention. It is stamped '18CT' and in our opinion would test as gold. The central stone measures 5.50mm x 5.62mm x 3.93mm. The approximate qualities of the diamonds are; colour J/K/L (centre stone tinted), clarity I1/I2/I3. Gross weight 3.5 grams. CR made 03.05.22.
Lot 2351
the round cut pink sapphire within a border of old cut diamonds, in white and yellow claw settings, to a yellow parted shoulder plain polished shank, total estimated diamond weight 0.55 carat approximatelyfinger size RThe ring is in fair condition, the shank is discoloured in places, some claws require attention and the surface of the pink sapphire is slightly abraded and one diamond has been replaced with a round brilliant stone. It bears no hallmark nor stamp. The pink sapphire measures 6.37mm x 5.69mm x 3.48mm approximately. The approximate qualities of the diamonds are; colour J/K/L, clarity SI1/SI2/I1. Gross weight 2.6 grams. CR made 09.05.22.
Lot 2360
each tapering drop of geometric design, a round brilliant cut diamond suspends an articulated drop set throughout with round brilliant cut and baguette cut diamonds, in white rubbed over settings, to a fringe drop of five pear-shaped emeralds with the largest to the centre, in claw settings, total diamond estimated weight 4.10 carats approximately, with post fittingsdrop length 5.9cmThe earrings are in fair condition, there are slight chips to the emeralds and one small emerald cracked across the stone. They bear no hallmark nor stamp, but in our opinion would test as platinum or gold. The emeralds are untested for any treatments. The post fittings are very short in length - 5mm. The measurements of the largest emeralds are 9.9 x 5.3 x 2.5mm and 9.9 x 5.3 x 2.3mm. The approximate qualities of the diamonds are; colour I/J/K, clarity SI1/SI2/I1. Gross weight 13.7 grams. CR made 18.05.22.
Lot 24
A selection of five rings comprising a yellow metal ring set with diamonds and a pink stone, stamped 18k, gross weight approx. 3.4gm. A blue paste set cocktail ring, 9ct gold hallmarked, weight approx. 3.3gms, a 9k stamped yellow metal ring set with topaz and cubic zirconia, size L, as found, gross weight 1.6gms approx.. A garnet and cubic zirconia ring half eternity ring, size N, weight approx 1.5gm, plus a turquoise and pearl yellow metal engraved ring (with cut shank, as found, size L, gross approx. weight 2gm, 9ct gold test result
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