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Lot 119
Mauchline and related wares - sewing, nine pieces comprising a wool ball holder (Old Parish Church, Kendal), 8.5cms dia., a thimble case (seaweed and shell), 4.5cms, a button end waxer (fern and flower), 3cms, a needle packet book (ferns), 13cms, another (Bowder Stone, Lake District/ferns), 6.5cms, another (ferns on brown ground), 8.5cms, and four Keswick cedar pieces - a pair of knitting needle protectors (Vale of Keswick), 6cms, a disc form pin cushion (Bowder Stone), 5cms, and a thimble box (Honister Crag), 6.5cms. (9) From the collection of Enid Riley Part 1
Lot 389
A very good early Victorian 'Lady's Companion' well fitted, the burgundy leather case elaborately gilt tooled and titled to the 'spine', the red velvet interior complete with original tools and fittings comprising note tablet, folding leather skein holder/needle flannel with original steel scissors, file cut bodkin and pearl handled stiletto, a folding pearl handled knife, a silver pencil with inset stone top, glass scent bottle with internal stopper and flower engraved silver screw cover, engraved silver hexagonal tape measure - tape within, engraved border silver thimble the last two over a removeable box form drawer containing three original labelled reels 'Best China Sewing Silk', and four unopened needle packets for S. Roberts - Royal Victoria, 7.5 x 4.2 x 10.3cms.
Lot 187
Lees-Milne (James). The Age Of Adam, 1st edition, London: B. T. Batsford, 1947, ex-libris bookplate to the front pastedown, black & white illustrations, minor marginal toning, original cloth in dust jacket, covers slightly rubbed with some loss to head & foot, 8vo, Baroque In Italy, 1st edition, London: B. T. Batsford, 1959, black & white illustrations, minor marginal toning, original cloth in dust jacket, covers rubbed with some loss to head & foot, 8vo, Another Self, 1st edition, London: Hamish Hamilton, 1970, black & white wood engravings by Reynolds Stone, previous owner inscription to the half-title, original cloth in dust jacket, cover light rubbed & toned, 8vo, together with 34 further volumes by James Lees-Milne, including Ancestral Voices, 1st edition, London: Chatto & Windus, 1975, Diaries, 11 volumes, mixed editions, 1977-2005, mostly original cloth in dust jackets, 13 paperback edition, 8voQty: (37)
Lot 253
Stephens (James). The Insurrection in Dublin, 1st edition, Dublin and London, Maunsel & Co. Ltd., 1916, 16 page publisher's list at rear, dated September 1916, a few spots at front and rear of volume, ownership signature of Dermot O'C. Grubb, dated Feb, 1940 to front endpaper, original black cloth gilt, rubbed and somewhat soiled, with fraying to head and foot of spine, together with: Grubb (Isabel). J. Ernest Grubb of Carrick-on-Suir, Dublin & Cork, Talbot Press, 1928, portrait frontispiece, a little marginal spotting, original green cloth in slightly frayed dust wrapper, plus: Mitchel (John). Jail Journal; or, Five Years in British Prisons, Author's Edition, Glasgow, Cameron, Ferguson & Company, circa 1880s, top edge gilt, original green cloth, a little rubbed and some marks, and other mostly early 20th century literature, but including An Authentic Account of the Wreck "Royal Charter" Steam Clipper, on her passage from Australia to Liverpool, October 26th, 1859..., by A.& J.K., Dublin, 1860, Ancient Stone Crosses of England, by Alfred Rimmer, 1875, The Glamour of Dublin, by D.L. Kay, Talbot Press, 1918, Quaker history, illustrated books, literature and poetry, etc., mostly cloth bound, generally rubbed and some marks, mainly 8vo, with some personal manuscript correspondence, Christmas and greetings cards relating to Dermot Grubb and familyQty: (6 shelves )NOTESEx libris Edgell Rickword (1898-1982), Poet, Critic and Polemicist, and Dermot Grubb (1920-1996), Prison Governor and Reformer.
Lot 411
* Prints & engravings. A mixed collection of 30 prints & drawings, 19th & 20th century, including Pritchard (William, publisher). Welsh Peasantry, Drawn from Living Characters in 1850, Carnarvon, June 1850, uncoloured lithograph with Llanberis Slate Quarries and Dolbadern Tower in the background, slight creasing, several marginal closed tears, some dust soiling 355 x 455 mm, together with Hunt (Charles). Bay Middleton. The Winner of the Derby Stakes at Epsom, 1836, S & J Fuller, July 1st, 1836, aquatint after J. F. Herring with bright contemporary hand-colouring heightened with gum-arabic, thread margins on 3 sides, 350 x 415 mm, mounted, with Picken (T.). Conway Tubular Bridge, W. Shone, Bangor, April 20th 1849, tint stone lithograph after Samuel Crowther, some marginal fraying, heavily dust-soiled, some spotting, 325 x 465 mm, plus Shone (W. publisher). A West View of the Britannia Tubular & Menai Suspension Bridges, printed by Day & Son, 10th July 1850, unattributed tint stone lithograph, some marginal fraying, dust-soiled and spotted, 340 x 475 mm, with a further 26 portraits, topographical views and late 20th-century male and female nude pencil drawings, various sizes and conditionQty: (30)
Lot 57
Stonehenge - Charleton (Walter). Chorea Gigantum, or, the most Famous Antiquity of Great-Britain, Vulgarly called Stone-Heng, Standing on Salisbury Plain, Restored to the Danes, 1st edition, London: Henry Herringham, 1663, [14],64pp., preliminary imprimatur leaf not present, title in red & black with early manuscript annotations including ownership signature & date of John Hewell August 20th, 1763 (dust-soiled), one woodcut plate only (of two, close-trimmed at fore-edge border), verso of B4 inscribed 'John Hewell living in White Horse Street, Stepney near the School House, August the 22,1763', some cropping to running titles, recent endpapers, modern limp vellum, slim 4to, together with: Wood (John), Choir Gaure, Vulgarly called Stonehenge, on Salisbury Plain, Described, Restored, and Explained; In a Letter to The Right Honourable Edward Late Earl of Oxford, and Earl Mortimer. By John Wood, Architect, 1st edition, Oxford: Printed at the Theatre, 1747, without frontispiece and all plates, closed tear to title & A2, dust-soiled to first & last leaf, scattered spotting, 20th century half sheep, 8voQty: (2)NOTESMacdonald, Dryden 8ai; Wing C3665. This work is a reply to Inigo Jones's "The Most Notable Antiquity of Great Britain", which argued that Stonehenge had been built by the Romans. The main text is preceded by two poems addressed to Charleton by Robert Howard and John Dryden respectively. The poem by Dryden is the first printing of his poem, "To my Honour'd Friend, Dr Charleton, on his learned and useful Works; and more particularly this of Stone-heng, by him restored to the true founders", which appears on b2r/v. Alterations were made to Dryden's verses as the book was going through the press and this copy is in the final corrected state. Dr. Walter Charleton (1619-1707) was a scholar and physician to Charles I.
Lot 806
A Norwegian silver and enamel thimble by David Anderson, and two others, the first in white enamel, marked to internal apex 'Norway Sterling/DA/Balance mark/9255/3', a silver thimble with engraved triangular border, and another with green stone top the body with a band of flowers within engine turned bands, marked to internal apex '830S'. (3) From the estate of a European collector Part 2
Lot 807
Six 20th Century thimbles comprising, a Bohemian glass example with gilt overlay, a mother of pearl example with overlaid metal frieze, a jewelled top example with enamel frieze of swans, another the body in enamel with circle of lover and lass, an example with cloissoné border, probably Russian and with marks to internal apex and a planished silver example with stone top. (6) From the estate of a European collector Part 2
Lot 38
A diamond bracelet, designed as ten graduated brilliant cut diamond set links each interspersed with two baguette cut diamonds, all claw set in white metal with integral clasp and attached safety catch, not stamped, 18cm long, weight approx. 33.6g, within Boucheron boxNote: Reputedly purchased at Boucheron and is being offered by the same vendor as the private collection of Boucheron jewellery and bijouterieCondition report: Total diamond weight approx 8.40cts, largest stone weighs approx 0.12, smallest approx 0.05cts, colour estimated to be F/G, clarity range estimated to be VVS2-VS2, clasp in working order, general wear but no significant visible damage, refer to images
Lot 50
A 19th century enamel, seed pearl and diamond portrait pendant, designed as a central oval enamelled miniature of a female within seed pearl, rose cut diamond and coloured stone set pierced floral border, all set to oval blue enamel plaque within white and black enamel border with an outer border of seed pearls and hinged locket reverse, all mounted with enamel and seed pearl coronet lug, presented within original 'N. Sternberg...15 Market St Manchester' box, 68mm long, weight approx 28.8gCondition report: Some losses to the black and white enamel, abrasion to stones and wear to claws, general wear in keeping with age, refer to images
Lot 54
A late 19th century diamond and ruby brooch/pendant, designed as a central round mixed cut ruby claw set to openwork mount set with graduated old cut diamonds and eight further rubies, the yellow metal reverse with removable brooch fitting, 34mm x 34mm, weight approx 11.2gCondition report: One of the three stone leaf 'sprigs' has detached from the stylised fleur de lis terminal, other than this just general wear to the mount, some small surface abrasions to the stones, screw brooch fitting detaches and re-attaches well, notch to secure the pin does close all the way when pin is put in, refer to images
Lot 59
A multi-gem set floral necklace, the white metal crescent links each interspersed with alternating floral and square clusters, the central trefoil floral cluster suspending stone set floral 'bouquet', the lobster claw fastening stamped '750', chain measures approx 39.5cm, weight approx 48gCondition report: Stones have not been tested but include; citrine, amethyst and peridot, general wear but no significant visible damage, refer to images
Lot 60
A Victorian diamond star burst brooch/pendant, designed as a central old cut diamond claw set within a twelve rayed graduated diamond set star, all set in white metal to yellow metal reverse with removable brooch fitting and later attached single stone diamond set hinged lug, 56mm wide (including lug), weight approx 13.1gCondition report: Central diamond weighs approx 0.75cts, diamonds graduate from approx 0.20cts to 0.01cts, diamond in lug weighs approx 0.75cts, total diamond weight estimated 4.90cts, clarity range VS2-SI2, colour estimated H/I/J, wear to claws, brooch detachment secures well, general wear, refer to images
Lot 66
An Austro-Hungarian Renaissance revival silver, enamel, pearl and stone set necklace, the paste and garnet topped doublet cluster pendant within white and blue enamel mount suspending pearl set drop and with attached enamel and stone set chain, weight approx 62.7g (at fault)Condition report: Some losses to the enamel work, a couple of stones with significant abrasion, stones are a mixture of paste and garnet topped doubles, one side of the chain is detached at the pendant, clasp is stamped 'HB' 'A', cluster measures approx 40mm wide, length of chain approx 45cm, general wear, refer to images
Lot 74
A two stone diamond crossover ring, the two brilliant cut diamonds claw set in white metal to white metal shank, partially engraved 'Will to 18 July', ring size G, weight approx 2.6gCondition report: Diamonds weigh approx 0.50cts each, clarity estimated VS2-SI1, colour approx H/I, diamonds appear lively, no obvious chips/nibbles to the stones, diamonds are bright, some mis-shape to the shank, evidence of re-sizing, crossover mount setting is quite crude and may have been repaired, general wear, refer to images
Lot 79
A diamond set scroll spray brooch, designed as a graduated brilliant cut diamond set scroll enclosing baguette and brilliant cut diamond sprays, all set in white metal, not stamped, 50mm wide, weight approx 12.7gCondition report: Diamonds graduate from approx 0.04cts to 0.01cts, color approx H/I, clarity range estimated VS1-SI1, small incipient crack/break to the mount at one end of a spray where a baguette stone links to a brilliant cut, other than this no significant visible damage just general wear, refer to images
Lot 80
An Art Deco three stone aquamarine and diamond ring, the central trap cut aquamarine in rub over setting flanked to each side by a diamond set shoulder, the white metal shank stamped '18ct & plat', ring size F, weight approx 3.4gCondition report: Aquamarine measures approx 7.8mm x 7mm x 4mm, aqua is slightly loose in mount, diamonds each weigh approx 0.25cts, clarity SI1-SI2, colour approx H/I, wear to claws and wear to carved mount, some very slight abrasion to facet edges, general wear, refer to images
Lot 89
An 18ct white gold three stone sapphire and diamond ring, designed as a central square cut sapphire measuring approx 9.7mm x 9mm x 5mm, flanked to each side by an emerald cut diamond, ring size L 1/2, weight approx 5.8gCondition report: Diamonds each weigh approx 0.80cts, clarity estimated to be VV2-VS1, colour estimated I/J, some colour zoning in the sapphire and some small liquid or crystal inclusions, hallmarks clear- makers mark 'E F', no date mark, general wear but no significant visible damage, refer to images
Lot 97
A French gold brooch in the form of a dog, designed as an oval cabochon green stone set body mounted with textured yellow gold head and legs, with ruby set eyes and nose, the reverse with hinged two prong pin and Eagle stamp, 32mm high, weight approx 8.5gCondition report: Some slight compression to the pin, general wear but no significant visible damage, refer to images
Lot 110
An early 20th century diamond brooch, designed as three graduated transition cut diamonds mounted to pierced shaped rectangular mount set with further graduated diamonds, the reverse with brooch fitting and hinged lug, not stamped, 55mm x 17mm, weight approx 7.3g, presented within 'Millican Pickerill' boxCondition report: Central stone weighs approx 0.50cts, two outer stones each weigh approx 0.30cts, other diamonds graduate from approx 0.20cts to 0.03cts, clarity range estaimted SI1-I1, colour approx H/I, wear to claws, general wear, refer to images
Lot 127
An early 19th century chain with snakes head clasp, the decorative link chain with attached bi-coloured metal snakes head clasp, with green stone set eyes (lacking one stone), 40cm long (including clasp), weight approx 20gCondition report: Chain is attached to clasp with hinge, some solder present at hinge, one stone missing, some thinning to some of the links in keeping with age, general wear, has not been tested for gold, refer to images
Lot 128
A 19th century citrine riviere necklace, the nineteen graduated oval mixed cut citrines collet set in yellow metal and interspersed with twin chain links, with concealed clasp, 42cm long, weight approx 37gCondition report: Largest stone measures approx 16.5mm x 13mm x 7.5mm deep, smallest measures approx 11mm x 8mm x 5mm, zoning to some of the stones, some very slight abrasion to some of the stones but not significant, has not been tested for gold but in our opinion appears 9ct, clasp feels secure, general wear, refer to images
Lot 132
A peridot and seed pearl fringe necklace, designed as a row of eleven graduated drops each formed of a single oval mixed cut peridot claw set to knife edge bar set with single split seed pearl, all suspended from yellow metal chain, the bolt ring clasp stamped '375', 46cm long, weight approx 8.6gCondition report: Some surface and facet abrasion to the peridots, largest stone measures approx 10mm x 7.5mm x 4.9mm deep, general wear, refer to images
Lot 134
A Belle Epoque aquamarine and diamond pendant/brooch, designed as a central trap cut aquamarine measuring approx 19mm x 14mm x 9mm, claw set within a graduated old cut diamond set openwork surround, with hinged diamond set garland drop, all mounted in white metal with brooch reverse to white metal single stone diamond set removable chain, not stamped, pendant is approx 35mm wide, total weight approx 12.4gCondition report: Length of chain from the diamond spacer approx 39cm, some discolouration to mount at setting points, general wear but no significant visible damage, refer to images
Lot 138
An Art Deco diamond brooch, of pierced geometric form set with graduated brilliant and eight-cut diamonds, all set in white metal, 40mm wide, weight approx 8.9gCondition report: Central stone weighs approx 0.50cts, remaining diamonds graduate from approx 0.01cts to 0.06cts, clarity range VS2-SI1, colour range approx H/I, some black setting marks, general wear in keeping with age but no significant visible damage, refer to images
Lot 130
A LATE GEORGE III 18CT GOLD POCKET WATCH, the engine turned dial with applied Roman numerals within tri-colour swags, the key wind movement engraved Tho. Hawley & Co., Strand, numbered 4346 and with ruby end-stone, in an engine turned case with vacant roundel and foliate chased rims, London 1828 (Illustrated) (Est. plus 21% premium inc. VAT)Overwound, some staining to centre of dial, otherwise good, dial 3.6cm diameter, weighs 71g gross
Lot 138
A THREE STONE RUBY AND DIAMOND RING, the circular facet cut ruby claw set and flanked by two brilliant cut diamonds each of approximately 0.70cts, to a plain shank stamped PLAT, size M (Illustrated) (Est. plus 21% premium inc. VAT)Weighs 4.4g gross, ruby approx. 7mm diameter, chipped to edge, diamond generally good
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400965 item(s)/page