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Lot 255

TWO CHINESE APPLE-GREEN JADEITE TABLETS, each surmounted with a carved dragon, the predominantly darker stone with lighter inclusions, 2.5in & 2.25in high.

Lot 56

A box of travel games including ‘Stone Puzzle’, ‘Shake Words’, ‘Tiddlywinks’, ‘Lotto’, ‘Whoops a Daisy’, ‘The Lucky Ringtail Cat Puzzle’, etc

Lot 514

A George Horner thistle topped long hatpin with amethyst stone, an enamelled swivel butterfly topped pin and another with a white stone. All Horner

Lot 520

A miniature pair of scissors, magnifying glass, Christmas needle holder, brass pencil, gilt pencil with stone top and a double sided hat pin

Lot 9

Four Masonic medals Gilt metal medal ` Honourable testimonial of the Masonic Charity & Benevolence instituted by H R H Duke of Sussex M W grand master, in 9ct gold mount Royal Masonic Institute for Girls 1916 with steward bar enamelled silver Lovland Lodge M.m.m No.674 with founder bar enamelled silver, miniature medal white stone engraved with symbols

Lot 53

Black Diamond stone, approx 1.00ct

Lot 54

Black Diamond stone, approx 1.2ct

Lot 74

Rolex 18ct and stainless steel Sub Mariner wrist watch, Superlative Chronometer, with replaced blue dial with a diamond dot , red stone and m.o.p dial, with orginal blue replaced dial (alterations by BQW Watches)

Lot 44

Another Bloor Derby Plate attributed to Thomas Steele, the centre panel painted with fruit on a stone ledge, the border decorated in blue and gilt to match the previous lot, 9"" (23cms) diameter.

Lot 176

A 9ct. gold Solitaire Diamond Ring, and two other gold stone set dress rings.

Lot 178

Two 9ct. gold stone set Dress Rings, and one other.

Lot 179

A Ladies quartz Wristwatch in silver case and on silver elephant strap, a stone set dress ring, and various earrings.

Lot 193

An 18ct. gold solitaire diamond Ring with round brilliant cut stone and white leaf shape shoulders, 0.75ct.

Lot 222

Four various gold stone Dress Rings and two Pendants.

Lot 81

A Cambodian carved stone bust of Buddha raised on tapered square marble base. H.37cm

Lot 681

A reconstituted stone garden bench in the 18th century style. H.42cm W.124cm

Lot 25

A 9ct gold bar brooch centred with flower head and pink stone together with another small 9ct gold brooch (2) total weight 4.2g

Lot 28

A gents 9ct rose gold ring set with a cut red stone, 4.5g

Lot 37

A Victorian 9ct gold opal and red stone ring with scroll mount and in Spink and Son box, 3.9g

Lot 38

An Arts and Crafts style white metal and red stone brooch and ring (2)

Lot 297

In the manner of DAVID COX (1809 - 1885) - Man seated beside a river with stone bridge in the background, watercolour, signed ++very slight foxing to sky otherwise good

Lot 351

A pair of late 19th/early 20th Century heavy reconstituted stone garden planters of classical design with mask and swag decoration, 40cms high 49cms diameter ++some chipping

Lot 364

A heavy cast brass sundial named ""Norman Stewart Oxford London"" mounted on circular leaf moulded concrete bowl on reconstituted stone vase shaped pillar and circular base, on a square stand, together with original sale receipt dated 1940, height 118cms not including gnomon

Lot 44

A Spanish single stone rhodochrosite gold ring, c.1960, with an oval cabochon rhodochrosite, rub set to a plain collet. Textured, pierced, foliate gallery, shoulders and part shank. Spanish standard mark from 1934. 750 standard. Finger size R

Lot 254

A Jarra toucan, 1980s, Los Castillo, Taxco, the silver-plated body mounted with green stone to the handle, 'eyes' and base, stamped 'Plateado Los Castillo, Taxco', 29cm high CONDITION REPORT: Rubbing to the handle. Some bubbling to finish under the base. Please view additional images (upon request).

Lot 352

*Phil Greenwood (b.1943), DRY STONE WALL Etching and aquatint, signed, inscribed with title and dated '75 in pencil, numbered 51/150 plate mark 54 x 55cm, unframed; and two others by the same hand, 'BORDER COUNTRY' and 'LLEYN SUNSET' both signed, inscribed and dated '80, numbered 86/350 and 51/350 (3) *Artist's Resale Right may apply to this lot. CONDITION REPORT: No obvious faults

Lot 2

An Arts and Crafts single stone opal ring, with an oval cabochon opal, claw set to a twisted gold and silver wire border. Split shoulders with applied gold shamrocks to a two row wire shank. Finger size P

Lot 3

An Arts and Crafts silver single stone amethyst ring, attributed to Bernard Instone, a circular mixed cut amethyst, rub set in a plain collet, with a border of leaves and a flower head to each shoulder, marked silver. Finger size N

Lot 4

An Arts and Crafts silver single stone citrine ring, attributed to Bernard Instone, an oval mixed cut citrine, rub set to a plain collet, with entwined leaf shoulders. Finger size J approximately

Lot 28

A three stone citrine brooch, in the style of Bernard Instone, with three graduated oval mixed cut citrines, claw set to an oval frame, with arching leaves and tendrils, together with a silver brooch, attributed to the Mumfords, with a pair of leaves and wire coils applied to a flat wire frame, and an Arts and Crafts style crescent brooch, with five graduated oval, opal doublets, claw set to leaves and tendrils in the style of Bernard Instone, two brooches marked silver (3)

Lot 30

A Mexican silver and onyx brooch, by Fred Davis, possibly c.1940, with a central circular cabochon onyx and pairs of scrolls to each side, signed and marked 'Silver, Mexico', a sterling silver garnet ring, by Robin Charles Kewell, with a circular cabochon garnet, rub set to a flat section band with feather decoration, Birmingham 1972, finger size K½ LE, a sterling silver pierced bird ring, by Susan Mary Whitehead, Birmingham 1978, finger size F½ LE, together with a looped wire floral brooch, marked 'sterling' (4) CONDITION REPORT: Large concoidal chip and a small one to the back of the onyx. Stone secure in the setting and no damage to the front. Clasp and pin secure, and appear to be original. Light tarnish.

Lot 32

A Danish sterling silver two stone rose quartz ring, by Niels Erik From, c.1970, a pair of rose quartz bullet cabochons, rub set in plain collets, mounted to a 'D' section wrap-around shank, signed 'From 925S', finger size M½, together with a sterling silver single stone amethyst ring, c.1970, with an oval cabochon amethyst, rub set in a plain collet, at the centre of a concave, lozenge shaped plate, mounted to a flat section shank, unmarked, finger size J LE (2)

Lot 43

Mun-Gi Yang (né en 1970)Luxury Stone, Chanel Rouge, 2011Pierre naturelle polie et peinture rougeSignée et datéeNatural polished stone and red paintSigned and dated32 x 37 x 15 cm - 12 5/8 x 14 5/8 x 5 7/8in. "Les pierres sont fascinantes, elles sont désirables. Des pierres les plus lourdes, dures et rugueuses à celles dont l`usure du temps anéantit la forme, elles possèdent une variété de formes et de textures incommensurable. C`est peut être pour ça que je ne m`en lasse pas. Mon travail a modifié mon regard sur les pierres. Je veux aujourdhui aller à l`encontre de l`idée que la pierre n`est pas un matériau suffisamment contemporain et maximiser son potentiel plastique caractéristique pour lui donner du sens dans une réflexion artistique contemporaine."Mun-Gi YANG

Lot 371

Long sautoir ""Cascade""orné de pierres blanches de forme ronde retenant de nombreuses pampilles de pierres blanches. Chaîne en argent patiné.Poids brut : 92,8 gr.Longueur : 140 cmA imitation stone and silver long chain.

Lot 184

Eric Gill (1882 - 1940), a St Martin of Tours plaster relief moulded panel, depicting a soldier and horse with a child, 'St Martin Pray for Us', 1935, after the original made for Campion Hall, Oxford, 46cm high, 40.5cm wide, 5cm deep Note: the original stone carving was commissioned for the new building of Campion Hall by Edwin Lutyens in 1935 and can currently be seen on the main staircase

Lot 192

Jules Masson (1871 - 1932), a bronze figure of two greyhounds, on stone base, 28.5cm high

Lot 590

Attributed to Heneage Finch, 3rd Earl of Aylesford, British 1751-1812- Landscape in Wales; brush and grey ink on laid 20.5x27cm: British School, early 19th century- "Limbury"; watercolour, inscribed and dated Oct 7th 1812, 21x37cm: British Provincial School, mid 19th century- "Site of Lavendon Convent, Buckinghamshire"; pen and brown ink and watercolour, inscribed, 21.5x30.5cm: Circle of John Baptist Malchair, British 1731-1812- View of a stone bridge, river and a village with mountains beyond; brush and grey ink on laid, bears inscriptions on the mount, 19x31cm., (4) CONDITION REPORT: Attributed to Heneage Finch: mounted in glazed parcel gilt & ebonised moulding frame mid-20th century hardboard backing to the frame is coming apart on the reverse may or may not be stuck down as unexamined out of the frame some spotting and brown stains particularly in the sky otherwise good condition British School, early 19th century: mounted in a glazed ebonised frame with gilt slip, circa early-mid 20th century taping on the reverse torn and frayed appears to be stuck down as full sheet visible sheet slightly grubby around the edges and time faded otherwise good condition British Provincial School, mid 19th century: mounted in a glazed limed oak moulding frame, circa mid 20th century may or may not be stuck down as unexamined out of the frame mount has acidified and visible edges of the sheet are slightly yellowed sheet is slightly time faded and yellowed and there are very faint areas of brown staining/spotting in the sky and elsewhere otherwise good condition Circle of John Baptist Malchair: unframed has been stuck down slightly time faded and yellowed some faint spotting throughout otherwise good condition

Lot 9

A hand written book - A terrier of a farm at Cublington in Bucks belonging to the late Mr Joseph Neale and in the tenure and occupation of Henry Stone. The information in this book was from a survey by Thomas Williams of Middleton Stoney 1732. The book contains a listing of the fields, timber and trees contained therein and black and white colourwash illustrations referred to each field.

Lot 105

An English alabaster sculpture by Michael Hipkins - `Sleep`. This sculpture was carved from a piece of cream coloured English alabaster acquired from a quarry near Northampton which has now been closed permanently thus rendering this particular type of stone unavailable, 10.5""w.

Lot 109

An Indian black stone sculpture of a female head, on a wooden plinth, the head 10""h, 13.5"" high overall.

Lot 110

An Indian black stone sculpture of a head, on wooden plinth, the head 10""h, 16"" high overall.

Lot 111

An Indian carved black stone sculpture of a Hindu figure in a meditating position, on wooden plinth, the figure and background 11""h, 12.5""w, on an ebonised wooden base 15"" high overall.

Lot 186

A collection of miscellaneous jewellery including a plaited gold necklace, a rope twist bracelet, a gate link bracelet with padlock and a linked bracelet, an engraved gold band together with three gold stone set rings.

Lot 226

Two 18ct yellow gold diamond set rings, both with principle cut solitaire diamonds, one with clusters to each shank and the other with single stone settings,

Lot 197

A cased ivory handled and silver plated cheese and pickle set, together with a plated mug and jug, and a B.B. New Stone "Anemone" pattern blue and white tureen stand

Lot 200

An 18 carat gold three stone diamond ring, the stones of princess cut, approx 0.6 carats total

Lot 345

A reconstituted stone D-shaped trough and a wrought iron wheel ornament

Lot 4

Three boxes of miscellaneous china wares to include stone foot warmers, a Burleighware part dinner service, various boxed Royal Worcester trinket dishes, etc

Lot 15

Edward Medal (Mines), G.V.R., 1st type, bronze (George Smith.), good very fine, in case of issue E.M. London Gazette 27.6.1922 George Smith, Overman at South Kirkby Colliery, Yorshire, in joint citation with William Humphries, Deputy at the same Colliery, 'On February 11th, 1922, a workman named Creighton, employed in a seam of the South Kirkby Colliery, Yorkshire, was completely buried by a fall of roof. Several miners who were at work near the spot came to the rescue, among them Humphries and Smith. The imprisoned man's head and shoulders were soon freed, but owing to the pressure of debris on the lower part of his body and legs it was impossible to pull him clear; while, so fast as earth was removed, more slipped down in its place. The rescue party placed sleepers across the body of the imprisoned man, thus preventing his being completely engulfed by the debris, and eventually a passage was made under the sleepers over Creighton's body, which was unhurt, with the exception of one foot, which was firmly pinned down by a large stone. The foot was eventually released and the man freed after eight and half hours' work.All the men who took part in the rescue were exposed to great risk for a prolonged period, and behaved with great gallantry and devotion to duty, but Humphries and Smith were unanimously selected by their comrades as having specially distinguished themselves.'Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.

Lot 53

A Fine Great War D.S.O. Group of Seven to Lieutenant-Colonel A.E. Cronshaw, Manchester Regiment, Who Fought With Distinction in the 5th Battalion at Gallipoli: By the End of December 1915, Not One of the Battalion's 34 Officers Remained, the Majority Having Been Killed or Woundeda) Distinguished Service Order, G.V.R., silver-gilt and enamel, with integral top riband bar, in Garrard, London, case of issueb) Queen's South Africa 1899-1902, four clasps, Cape Colony, Orange Free State, South Africa 1901, South Africa 1902, unofficial retaining rod at top (Lieut. A.E. Cronshaw. Vol. Co.Manch. Rgt.)c) 1914-15 Star (Major A.E. Cronshaw. Manch. R.)d) British War and Victory Medals, M.I.D. Oak Leaves (Lt. Col. A.E. Cronshaw.)e) Territorial Decoration, G.V.R., silver (Hallmarks for London 1913) and silver-gilt, reverse engraved 'Lt. Col. A.E. Cronshaw 5th. Bn. Manchester Regt. 7th. June 1917', lacking integral top riband barf) Serbia, Kingdom, Order of the White Eagle, Military Division, Officer's breast Badge, 65mm including crown suspension x 35mm, silver-gilt and enamel, one sword bent on last, generally very fine or better (7) D.S.O. London Gazette 1.1.1918 Maj. (A./Lt -Col ) Arthur Edwin Cronshaw, Manch. R.'For distinguished service in the Field.'T.D. London Gazette 7.6.1917 Lt.-Col. Arthur Edwin Cronshaw, Manchester RegimentSebia, Order of the White Eagle, 4th Class London Gazette 15.2.1917 Captain (temporary Major) Arthur Edwin Cronshaw, Manchester Regiment'For distinguished services rendered during the course of the campaign.'Lieutenant-Colonel Arthur Edwin Cronshaw, D.S.O., T.D., (1874-1924) was educated at Manchester Grammar School. Commissioned Second Lieutenant, 1st Volunteer Battalion, Manchester Regiment, November 1896, he was promoted Lieutenant, July 1897, and served with the 2nd Battalion Manchester Regiment in South Africa, from March 1901 to May 1902, and was present at the operations in Cape Colony in April 1901, and in the Orange River Colony from May 1901 to May 1902; on his return to the U.K. he was promoted Captain, 7.1.1903.Mobilised with the 5th Battalion on the outbreak of the Great War, 4.8.1914, he was promoted temporary Major, 31.8.1914. Landing at Cape Helles, Gallipoli on 6.5.1915, he went on to attract the approbation of his Commanding Officer, Colonel Henry Darlington, as evidenced by the following extracts taken from the latter's Letters From Helles (London, 1936): '... Old Cronshaw got a bump on the head during our Straffe last night, but no damage done. I think it was a bit of a stone from the parapet as a machine-gun knocked our sandbags to pieces just where he and I were standing. He is a perfect marvel and doing most excellent work. I only hope the old Turk won't bag him. On 7 August he climbed out of our trench in the attempted attack on H.11.B. and was promptly blown in again by a shell. It did not seem to worry him at all and all he suffered from was a bit of stiffness. We pull his leg about it, as you can imagine' .'... Cronshaw, Lee and I got a rifle and rifle grenades and two of our men, and between us, none of us knowing in the least how to use the beastly things, loosed off some grenades. By sheer fluking, we got our second and third bombs right bang in the Turk trench, apparently clean in the lair of the sniper. We trust we blew him up, but at any rate the sniping there is not so confident as it was'.'... Ernest Fletcher is not well and is resting in his valise; Cronshaw is laid up and I am afraid he will have to go to hospital. There are only three now unlisted of the old originals (Officers), Self, Fletcher and Cronshaw, and I am afraid that there will be only two by this evening' [Darlington, too, was evacuated sick a few weeks later].Having miraculously survived the horrors of Gallipoli, Cronshaw was appointed to the command of the 1/7th Battalion, Manchesters, and joined his men in the Egyptian Theatre of War in June 1916. Taking up forward positions near Gilban on the eastern side of the Canal, he led the Battalion at the Battle of Romani on 4.8.1916, an action that resulted in the withdrawal of a German-led Turkish Army numbering some 18,000 men. Soon afterwards he was informed of the pending award of his Fourth Class Order of the Serbian Eagle, 'a long delayed recognition of his magnificent work in Gallipoli'. In early 1917, Cronshaw and the 1/7th set sail for France, having accompanied the pursuit of the Turks as far as El Arish on the Palestine border. Arriving at Marseilles on 10.3.1917, the Battalion was moved up to the Epehy Sector and, in June, to the Havrincourt Sector. But it was not until late September that Cronshaw and the 1/7th were really back in the thick of it, on this occasion at the Third Battle of Ypres, the action that almost certainly resulted in the award of his D.S.O. Suffering from the effects of gas, the stress of command and the tribulations of the unsuccessful programme to 'exchange' Battalion C.Os within frontline Regiments - in Cronshaw's case the 1/8th Worcestershire Regiment - he was evacuated home in January 1918. Not, perhaps, surprisingly, given the strain of constant active employ (and command) over a period safely in excess of two years, the 'Medics' quickly ruled that Colonel Cronshaw was 'only fit for home service', so ending a remarkable operational career.Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.

Lot 284

A sapphire and diamond three-stone ring, the central round-cut sapphire flanked by a pair of brilliant-cut diamonds, set in platinum and on an 18ct yellow gold band. Ring size L 1/2, total diamonds approx 0.40 carats

Lot 291

A group of jewellery comprising a silver mounted amber coloured pendant with earrings en suite (stamped 925), together with silver mounted stone pendant (stamped 925) and two rings (one stamped 925). (4)

Lot 299

A diamond cluster ring in the Art Deco the square-cut central stone within a bezel of round brilliants, on diamond-set shoulders and an 18ct white gold band. Ring size N, central stone approx. 0.50 carats

Lot 305

A five-stone citrine ring, the graduated stones set on a 9ct yellow gold band. Ring size M 1/2

Lot 314

A yellow metal necklet suspending a heart locket, paste stone and garnet pendant.

Lot 336

An early 20th century single stone diamond ring, the round brilliant (weighing approx. 0.33 carats) in a square setting on diamond-set shoulders, all set in platinum, on an 18ct yellow gold band. Ring size N 1/2

Lot 357

A diamond solitaire ring, the round brilliant-cut stone weighing approximately 1.4 carats claw-set on an 18ct yellow gold band. Ring size L

Lot 502

A cast iron boot scraper set in stone

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