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Lot 1
TWO PIECES OF VICTORIAN CAMEO JEWELLERY comprising, A carved shell cameo depicting Britannia, in white-metal-gilt mount marked SILVER, 8.5cm, (3.25in) high overall, a pendant of two cameos, one of teardrop form carved with the head of "Flora" suspended from an oval cameo carved with a leaf, both in unmarked gold cabled mounts, on later trace-linked chain, marked 9CT, and a 15CT-GOLD AND SEVEN-STONE DIAMOND BAR BROOCH of navette form with cabled and scroll-and-ball borders, hallmarked Birmingham, 1896, the small old-cut diamonds of good colour, all in small jewellery case
Lot 1
AN EDWARDIAN YELLOW-METAL (MARKED 15CT) AND SINGLE-STONE OPAL BROOCH the oval half cabochon in collet setting between two leaves in the art nouveau style on "safety-pin" bar, the stone of good colour and "fire", and A PAIR OF BLACK OPAL EAR-RINGS for pierced ears, the enclosed stones probably opal and black onyx doublets
Lot 1
Boxing Interest: A STAFFORDSHIRE POTTERY FIGURE GROUP OF THE BARE-KNUCKLE BOXERS HEENAN AND SAYERS (Pugh pp. 527-8 and p.532 pl 7 upper left), on a naturalistic base with moulded gilt titling, 22cm, (8.6in) high ***The fight between John Carmel Heenan ("The Benicia Boy") of New York State and Tom Sayers of Pimlico, Champion of England, took place at Farnborough on April 17th 1860. Attended by 12,000 spectators, the fight lasted 37 rounds totalling two hours and six minutes. In the fourth round, Sayers dislocated his right arm and fought the remainder of the fight one-handed. Sayers gave away three stone in weight and six inches in height to Heenan. The amazing fight ended in a draw, with each fighter awarded the champion;'s belt. Sayers retired after the fight. Upon his death from tuberculosis the general puiblic donated £3,000 to his family.
Lot 1
THREE 19TH-CENTURY POTTERY ASHETS or meat plates comprising: an Amherst Japan pattern stone china example, printed and overpainted in Imari colours, blue printed scroll mark verso, impressed number 18, 48cm, (19in) wide (rim chip); A pearlware example decorated in Net pattern with a hexagonal cellular central scroll cartouches of chinoiserie waterside pavilions reserved on a floral field, within diapered border with further scroll cartouches, 42cm, (16.5in) wide (rim chip), and a third with two-handled vase of flowers within six niches with baskets of flowers and floral sprays, the diagonally-pinstriped border with scattered leaves, flowers and scrolls, 43cm, (17in) (3) *** For a plate with printed design matching the second example, by Job Ridgway, see Coysh, A. W., and Henrywood, R. K., The Dictionary of Blue & White Printed Pottery, 1780-1880, Vol 1, p.259.
Lot 1
"Wilk" (John William (Bill) Wilkinson), (1906-1994) "ANY CHANCE OF A LIFT 'TA GREYSTICK PARKS?", Miss Tudor of Blencarn (the "Sporty Old Lady") at Stone Ends Brows, standing beside a car talking to a fox, watched by hounds, ink and watercolours, signed and dated 1984, 24.5cm x 36cm, (9.6in x 14.2in), in card mount, framed under glass
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398886 item(s)/page