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Lot 881
Ten silver ladies' dress rings set with various coloured stones to include amethyst, ruby, pearl, etc, a fine link silver chain with white stone pendant, a white metal heart pendant and a silver skull pendant pavé set with white stones, combined approx 2.2ozt. CONDITION REPORT All appear generally good, claws are good, some stones scratched
Lot 416
* Bryson (R. M.). Six Views of Kertch: Kertch from the Sea Winter, Fort Paul, Bay of Kertch from the Road to St Paul (2 copies), View of Kertch Bay from the steps of the Museum, General View of Kertch shewing the Fortifications from the Tumulus on the Road to Kaffa [and] Kertch from the Race Course depicting the Races, Day & Son, 1857, six tint stone lithographs, one with later hand colouring, some dust soiling and spotting, each approximately 190 x 430 mm, together with Le Brun (Cornelius). Astrakan, Veronis [and] Archangel, originally published in "Voyages de Corneille Le Brun par la Moscovie en Perse et aux Indes Orientales", 1718, together three uncoloured engraved city panoramas, old folds, with anther copy of Archangel, two copies of Astrakan (one coloured) and three copies of Veronis (one coloured), each approximately 22 x 625 mm, with the title page, portrait frontispiece and allegorical half-title from the same work, with Van der Aa (Pieter). De Bay ende Stadt Dabul..., [and] De Stadt Souratte, circa 1727, two uncoloured engraved prospects, each approximately 285 x 355 mm, with another ten engraved 18th-century views similar, various sizes and conditionQty: (30)
Lot 452
* Bridges. Hawkins (G.), Britannia Bridge. General View of Works, September 1848, 1st August 1849, tint stone lithograph, some spotting, margins frayed and chipped but not affecting image, 340 x 465 mm, mounted, together with Orme (William). Drawn on the spot by Wm. Orme of Manchester, for which he obtained the larger Silver Pallett from the Society for the encouragement of Arts, Manufactures & Commerce. To His Grace the Duke of Norfolk, President. This View of the celebrated Aqueduct at Barton in Lancashire, Built by His Grace the Duke of Bridgewater, [Daniel & William Orme, 1793], uncoloured mezzotint, trimmed inside the platemark, central fold, backed with later paper, some creasing and slight surface abrasion, 435 x 525 mm, with Raffield (J.). Wearmouth Bridge, Sunderland, circa 1800, aquatint with contemporary hand colouring, trimmed with loss of title, thread margins, slight marginal staining, 430 x 735 mm, mounted, plus Weale (John, publisher). Cast Iron Girder Bridge intended for Crossing the River Nene near Wisbeach [and] Britannia Bridge, Anglesey Entrance, 1st August 1849, two uncoloured engravings, some spotting and staining, each approximately 335 x 500 mm, uniformly mountedQty: (5)
Lot 458
* Dutton (Thomas Goldsworth). The Queen on the Clyde..., the print represents the arrival of the Royal Squadron in the Clyde off Greenock, August 1847..., Wm. Clark, Greenock, 1848, tint stone lithograph after William Clark, slight overall toning, slight creasing, occasional marginal repaired closed tears, extremities of the margins cracked, stained and with old adhesive scaring, not affecting the image but causing slight loss to the printed title, 470 x 600 mmQty: (1)
Lot 467
* London. Prior (T. A.). The Thames Embankment & Chelsea Bridge & Hospital, circa 1860, a pair of hand-coloured engravings on India wove after G. H. Andrews, both proof before title with the titles added in manuscript to the mounts, very slight spotting, 'Chelsea Bridge' with slight water staining, each approximately 235 x 445 mm, mounted, together with another nine coloured engravings from the same series but later 20th-century impressions, with Hawkins (George, lithographer). [Custom House, London], J. King, circa 1860, tint stone lithograph trimmed with loss of title, slight marginal staining, mounted, 300 x 445 mm, plus Bowles (Thomas). A View of Covent Garden London, Robert Sayer, circa 1760, hand-coloured engraving, title repeated in French, 265 x 405 mm, mounted, and Bluck (J.). West India Docks [and] Custom House from the River Thames, R. Ackermann, 1808, two aquatints after Pugin and T. Rowlandson, both with contemporary hand-colouring, slight spotting, each approximately 235 x 280 mm, mounted, with an unattributed lithograph of "This Birds Eye View of the London Grand Junction Railway", narrow margins, 255 x 345 mm, mounted, with another 7 engravings and lithographs of London, various sizes and conditionQty: (23)
Lot 47
Morris & Co. Commercial Directory and Gazetteer of Somersetshire with Bristol, Nottingham, Hounds Gate, 1872, numerous advertisements, original maroon cloth gilt, rubbed and some surface-marking, thick 8vo, together with: Smith (John). The Names and Surnames of all the Able and Sufficient Men in Body Fit for His Majesty's Service in the Wars, within the County of Gloucester, ... in the month of August, 1608..., edited from the original ms. in the possession of the Right Hon. Lord Sherborne at Sherborne House, in Gloucestershire, London: Henry Sotheran & Co., 1902, presentation inscription in ink to dedication leaf 'The Earl of Gainsborough from Edward, Lord Sherborne, Oct. 1904', partly untrimmed, original pale cream cloth, lightly marked, large 8vo, plus: Stone (George F. and Charles Wells). Bristol and the Great War 1914-1919, Bristol, J.W. Arrowsmith Ltd., 1920, monochrome plates after photographs, bookplate of Donald Parsons to front pastedown, original blue cloth gilt, a few minor marks, large 8vo, and other Bristol and Gloucestershire topographical interest, including Bristol Past and Present, by J.F. Nicolls and John Taylor, 3 volumes, 1881, W.J. Pountney, Old Bristol Potteries, 1920, John Latimer, The Annals of Bristol (Sixteenth-Century Bristol, Seventeenth-Century, Eighteenth-Century & Nineteenth-Century), 4 volumes, 1908, 1900, 1893 & 1887 respectively, the second volume a Large Paper copy rebound, the fourth volume without title and rebound, 8vo, A.H. Smith, The Place-names of Gloucestershire, 4 volumes, Cambridge, 1964-65, R.C.S. Walters, The Ancient Wells, Springs and Holy Wells of Gloucestershire, 1928, etc., mostly original cloth, but including some paperbound, 4to/8voQty: (Approximately 60)
Lot 470
* Piers. Picken (Thomas lithographer), The Blackwall Railway Terminus & Brunswick Pier, with the Brunswick, Propeller & other Steam Vessels, Day & Haghe, circa 1870, tint stone lithograph after W. Ranwell, mount stained and lightly toned, some marginal creasing and occasional marginal closed tears, 335 x 555 mm, together with Ward (William). Ramsgate from the West Pier, circa 1800, uncoloured mezzotint after W. Crambrook, trimmed just inside the platemark, several repaired marginal closed tears, some affecting the image, torn with slight loss to the printed title, laid on modern thin card, 475 x 615 mm, plus Pollard (R.). A North West View of the Quay of Great Yarmouth, J. Butcher, Jany 16th 1790, uncoloured mezzotint after J. Butcher, several repaired closed tears affecting image, trimmed to platemark, laid on later thin card, 425 x 670 mm, and Cartwright (R.). View of Herne Bay shewing the proposed Pier as designed by Thos. Telford Esq. F. R. S. L. & E., circa 1870, uncoloured lithograph, old folds, several repaired closed tears, 270 x 440 mm, mounted, together with Wing (C. W.). Brighton & the Chain Pier from the Pier Head, William Tuppen, Brighton, circa 1870 but later impression, hand-coloured lithograph, mount stained and with some marginal closed tears, laid on later card, 240 x 365 mm, mounted, with an unattributed chromolithograph of Plymouth Pier, old folds, some dust soiling, old folds strengthened on verso m320 x 610 mmQty: (6)
Lot 475
* Southampton. Haghe (L.), The High Street Southampton. W. Day lithographs, H. Buchan, Southampton, 1828, hand-coloured lithograph laid on later paper, 365 x 445 mm, mounted, together with Newman (J. lithographer). High Street Southampton [and] Bar Gate Southampton, Piper & Ellis, Southampton, circa 1850, a pair of tint stone lithographs, slight marginal spotting, each approximately 240 x 310 mm, mounted, with Carpenter (Publisher). The Royal Pier, Southampton, circa 1860, lithograph with contemporary hand-colouring, slight mount staining, 215 x 275 mm, mountedQty: (4)
Lot 518
* Decorative paste-papers. A collection of paste-papers given to Faith Shannon by Ruari McLean, comprising 36 A4 paste-paper sheets of various colours & designs, sheet size 320 x 227 mm, contained together in purpose-made paste-paper portfolio, accompanied with a detailed note in Faith Shannon's hand to her daughter & son written on Corranbeg Workshops letterhead paper dated 24 May 2006 explaining the provenance of the paper and a number of other items in her collection 'Hannah/Shannon, This contains a miscellaneous collection of papers given to me by Ruari McLean when he was clearing his library at Caisaig, Hull. Some are just what caught his eye and amused it no doubt...', together with few other decorative papers, and two volumes given to Faith Shannon by Ruari McLean comprising: Courteline (Georges), Three Stories, George Moinaux alias Courteline, translated from the French by Ruari McLean, Broomrigg, Dollar, Scotland: McLean Associates, [1976], wood engraved frontispiece and illustrations, pencil inscription to front free-endpaper 'Faith from Ruari 1999', original wrappers torn to rear with slight loss, slim 8vo, and Warner (Sylvia Townsend), Boxwood, Twenty-one Engravings by Reynolds Stone, Illustrated in verse, London: Chatto & Windus, 1960, wood engraved illustrations, front free-endpaper inscribed in pencil 'Faith gratefully from Ruari 1999', original cloth in dust-jacket, slim 8vo, accompanied with an autograph letter signed, from Ruari McLean to Faith Shannon dated 1st September 1999 regarding the two volumes previously described, 'Dear Faith. I have been feeling very guilty at never having paid you for the work you did for me - because you never sent me a bill! So I'm sending you two little books which I hope you don't already possess - and will enjoy. If you possess either or both, send them back and I'll think of something else. I hope you are well. I am consulting the diaries you bound for me constantly on something else I am writing. My typographical autobiography is being held up by my American publisher while he's looking for an English co-publisher - which annoys me. Love from Ruari', and with McLean (Ruari), True to Type, 1st edition, New Castle, Delaware: Oak Knoll Press & London: Werner Shaw, 2000, monochrome portrait frontispiece and illustrations, pencil signature of Faith Shannon to front free endpaper, original cloth in dust-jacket, 8voQty: (4)
Lot 217
A collection of Harry Potter bound volumes to include a first edition (later printings) 'Harry Potter and The Philosopher's Stone', first edition Bloomsbury third printing hardback, first edition Bloomsbury paperback, first edition Ted Smart, together with 'The Chamber of Secrets', 'The Order of the Phoenix', 'The Goblet of Fire', 'The Prisoner of Azkaban' and 'The Half Blood Prince', with signature possibly of J K Rowling (8)
Lot 494
Italian/Spanish Ornate Parade Rapier fine quality made, parade sword. 31 1/2 inch, double edged blade with two short fullers. Cast brass, double ring guard and S shape crossguard, both finely decorated with glass diamonds & rubies in claw settings. Brass, pierced, large pommel with matching decoration. Twisted, copper wire bound grip. Contained in its maroon painted, steel scabbard with brass mounts, both with matching stone decoration. Some glass stone decoration absent. Very decorative sword.
Lot 104
A late Victorian hallmarked silver pocket watch, the white enamel dial signed H. Stone Leeds, the gilded movement plate numbered 3994, the case hallmarked Chester 1887, case diameter 52mm. Condition: not currently running and not sold with any guarantees, the dial has damage with repair attempt at 12 o'clock, glue residue to back of dial, play in the hinges, case and glass with some surface wear, no case inscriptions.
Lot 111
A diamond cluster ring, ten claw set central modern round brilliant cut diamond weighing approx. 0.77 carats, with AnchorCert mini report stating the central stone as colour F-G and clarity VS, surround by ten modern round brilliant cut stones weighing approx. 0.30 carats, total approx. diamond wt. 1.05 carats, hallmarked 18ct gold band, sponsor's mark C&F (Cropp & Farr), London 1976, cluster diam. 11mm, gross wt. 3.42g, size N.
Lot 113
A diamond and aquamarine cocktail ring, the central modern round brilliant cut stone weight approx. 0.15 carats, surround by eight pear cut aquamarines, the flower cluster measuring approx. 15mm x 15mm, hallmakred 18ct white gold, sponsor's mark TT, London 1980, gross wt. 4.68g, size M. Condition - good, minor wear only, i can't find any damage to stones, possibly some very minor abrasions, sold without certificate however the diamond appears colourless and loupe clean, minor inclusions visible with 10x loupe in some of the aquamarines.
Lot 118
A mixed lot comprising a Victorian yellow metal brooch set with turquoise, red and colourless paste, unmarked, length 27mm, an Art Deco style pendant set with a synthetic ruby, unmarked, length 31mm, a pendant set with two garnets and split pearls, unmarked, length 33mm, and another pendant marked 9ct, length 45mm, gross wt. 9.44g. Condition - brooch missing pin and with abrasions to central stone, ruby pendant appears to be part only and missing something towards the top, other pieces ok.
Lot 140
A diamond and sapphire cluster ring, the central bezel set modern round brilliant cut stone weighing approx. 0.45 carats, band marked '14K', gross wt. 2.79g, size J. Condition - sold without certificate, however, the diamonds appear colourless, inclusions visible to central stone with 10x loupe and naked eye, minor wear to band, cluster length 20mm and width 19mm.
Lot 141
A tanzanite, sapphire and diamond cluster ring, the central oval cut and bezel set tanzanite approx. 1.13ct, band marked '750', gross wt. 3.33g, size N. Condition - very good, no signs of any damage or repairs, no abrasions to central stone, sold without certificate, however, the diamonds appear colourless and bright, most are included with colourless inclusions visible only with 10x loupe, cluster length 20mm and width 13mm.
Lot 143
A diamond cluster ring, the central millegrain and bezel set modern round brilliant cut stone weighing approx. 0.30 carats, two others weighing 0.25 carats each and set in a cluster of twenty further diamonds, total approx. diamond wt. 1.20ct, band marked '14K', gross wt. 3.14g, size K. Condition - good, little wear to band, cluster length 22mm and width 17mm, sold without certificate, however, diamonds are bright and appear colourless, inclusions visible with naked eye and further inclusions visible with 10x loupe.
Lot 666
Collection of Masons pottery, including an oversized urn with fish-form handles measuring 31.5cm high and marked Fenton Stone China, a washbowl, two relief moulded jugs, four serving dishes, and a further serving dish with cover and standCondition report: Large urn shaped vase has an area broken and partially missing to the body. Overall crazing to the glaze, chips to handles and a couple of cracks. One of the jugs is cracked. Large bowl in good order. Tureen is cracked and has chips to finial on cover. Other pieces have overall age related wear.
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400830 item(s)/page