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Lot 140

A platinum and diamond ring, the central round brilliant cut diamond weighing approximately 0.20 carats, claw set in platinum to a square border surround, checkerboard decoration to shoulders, continuing to a plain polished tapering shank, stamped 'PT950', ring size L, weight 8.1gmsCR; Central diamond in good order, no cracks, chips or losses. Claws in good order, stone is secure. Heavy scratching and wear to the shoulders and shank. Significant thinning can be seen around the base of the shank. There are signs of possible splitting/resizing and subsequent repair to the inside of the shank, around the base.  

Lot 142

A diamond solitaire 18ct gold ring, the central round brilliant cut diamond weighing approximately 0.35 carats, bezel set to a reeded square surround, continuing to a plain polished tapering shank, French owl import mark, size M 1/2, weight 10.4gmsCR; Diamond in good order, no cracks, chips or losses, Light scratching and wear only. Stone appears secure in it's setting. Small denting, moderate scratching and wear to the reeding on the central panel. Moderate thinning to the shank, concentrated around the base. Heavy scratching and wear to the shank. No signs of splitting or repair.  

Lot 462

A selection of Eastern objects of virtue to include a pair of wirework and enamel dogs of fo, 4cm high, an enamel and cloisonne model of a plant and peacock, and a Tibetan stone inset white metal box and cover, 7cm wide (3)

Lot 497

A early 20th century lady's chainmail purse, labelled for Oroton, the silver coloured clip over top fasten inset with multi coloured stones, with internal silk and attached strap, in original box, along with an early 20th century fine multicoloured chainmail purse, with green stone set top and Art Deco style clip fasten, internal silk lining and attached chain strap (2)

Lot 576

A pair of reconstituted stone planters formed as coopered buckets, 32cm high, along with a third reconstituted stone planter formed as a lattice work basket, 21cm high (3)

Lot 577

A reconstituted stone garden urn, of bowl form applied with foliate detail, upon an associated cylindrical socle, and circular plinth base, 64cm high

Lot 578

A pair of reconstituted stone garden urns, of campana form, the fluted bodies applied with human mask detail, raised upon an integrated plinth base, 62cm high, complete with evergreen bushes (2)

Lot 579

A pair of reconstituted stone garden urns, of campana form the fluted bodies applied with human mask detail, raised upon an integrated plinth base, 62cm high, complete with evergreen bushes (2)

Lot 583

A late 19th/early 20th century crown top stone ware chimney pot, 90cm high, along with two further terracotta chimney pots of cylindrical vented form, 68cm and 77cm high (3)

Lot 46

DICKENS (CHARLES)The Life and Adventures of Nicholas Nickleby, FIRST EDITION IN BOOK FORM, half-title, engaved portrait, 39 engraved plates by Hablot K. Browne ('Phiz'), some oxidization and spotting to plates, early green half morocco gilt, extremities of spine rubbed [Smith I:5], Chapman and Hall, 1839; The Life and Adventures of Martin Chuzzlewit, FIRST EDITION IN BOOK FORM, with '£100' corrected on additional title, engraved frontispiece, additional pictorial title and 38 plates by Hablot K. Browne ('Phiz'), occasional light spotting, recased in early red half morocco gilt over marbled boards [Smith I:7], Chapman and Hall, 1844; Our Mutual Friend, 2 vol., FIRST EDITION IN BOOK FORM, 40 wood-engraved plates by Marcus Stone, without the 'to the reader' slip, some spotting, early green half calf over marbled boards, black morocco gilt spine labels, rubbed and slightly refurbished at corners [Smith I: 15], Chapman and Hall, 1865, without advertisements, 8vo (4)Footnotes:Provenance: Purchased from Peter Kaye, March-October 1997.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 113

EDWARD VILLIERS RIPPINGILLE (c. 1790–1859) Beating the Bounds Oil on canvas, 103 x 145cm Signed 'E.V. Rippingille and dated 1848' Edward Villiers Rippingille began his career as a portrait artist but soon found that his talents were best utilised in the creation of whimsical genre pieces. Rippingville first exhibited at the Royal Academy in 1819 and continued to do so throughout his lifetime, becoming known for capturing community events, such as the one featured here. Beating the bounds is a tradition that can be traced back to the medieval period. At this time, land was divided into parishes and the clergy and church wardens held the responsibility for its upkeep and management. It was up to the Church to ensure that its parishioners knew the local boundary lines and, before maps became commonplace, this had to be kept as a mental record. Such information was vital as it determined where the town’s livestock could be grazed, what land could be tilled and where the local jurisdiction ended. A yearly practice was thus devised in which the community would come together to walk the parish and take note of the dividing lines. Usually taking place during Rogation days (the three days directly before Ascension Thursday) or on Ascension Day itself, the inhabitants would gather alongside the clergy and proceed around the boundaries, blessing the land, singing songs and reading homilies. Partaking in the event became a measure of good spirit and those seen as abstaining were thought to be lacking a neighbourly disposition. However, for certain members, the day would not have rendered fond memories. It was the duty of the older generation to instil the knowledge of the boundaries in the younger and a belief that pain enforced memory often led to some less than agreeable methods being used. Young boys were made to carry thin rods of willow or ash and they were charged with beating the boundary markers in order to help make a mental note of where they lay. However, it was not uncommon for the rods to be turned on the boys themselves, with a quick whipping aiding to remind them of specific spots. Some communities chose to utilise the land itself and became more creative. At streams, boys had their heads rudely dunked under the water, they were pushed into patches of stinging nettles and forced to run wildly along walls so as they would fall prey to the menacing bramble patches on either side. Some records even note that at stone markers, the boys may be lifted, turned upside down and bashed against the rock. Although the tradition was banned by Oliver Cromwell, beating the bounds made a resurgence during the Victorian era and scenes such as this would have been an expected sight in the weeks following Easter. True to the nature of genre painting, Rippingille expertly captures this important day and pleasantly conveys the varying characters of a local community. Our eyes are assaulted with activity and our minds dart playfully to take in each individual, from the miserly woman who skulks away from the festivities to the boys apprehensively waiting with their rods and the young women eagerly looking on.

Lot 302

A 19TH CENTURY GILT AND FAUX MARBLE PLINTH, simulating a green stone column, on gilt outset base. 108cm high Provenance: Ashford Castle.

Lot 318

ROBERT STONE (1820-1870) A pair of hunting scenes Oils on panel, 9¼ x 7¼ (23.5 x 18.5cm) Both signed

Lot 22

18 CARAT WHITE GOLD 3 STONE SAPPHIRE AND DIAMOND RING

Lot 24

18 CARAT GOLD 5 STONE DIAMOND RING

Lot 26

18 CARAT GOLD 9 STONE DIAMOND RING

Lot 27

18 CARAT GOLD 3 STONE DIAMOND RING

Lot 28

ANTIQUE 3 STONE DIAMOND AND PLATINUM RING - CIRCA 1.25 CARATS

Lot 28J

18 CARAT GOLD 2 STONE DIAMOND RING

Lot 28N

18 CARAT GOLD 3 STONE DIAMOND RING

Lot 29

18 CARAT GOLD 3 STONE DIAMOND RING - VICTORIAN ROSE CUT DIAMONDS COLOUR I/J VSZ CIRCA 1.85 CARAT

Lot 30

VICTORIAN 9 CARAT GOLD BROOCH WITH TOPAZ STONE CIRCA 14-15 GRAMS

Lot 50B

18 CARAT GOLD TANZANITE & DIAMOND 5 STONE RING

Lot 50M

PLATINUM & DIAMOND 3 STONE RING WITH 1.25 CARAT OF DIAMONDS

Lot 10

Precious metal single stone diamond ring featuring a round brilliant cut diamond, multi-claw set and raised between diamond set shoulders, stamped Plat, total diamond weight 0.65ct approx

Lot 105

Modern 9ct gold, diamond and blue stone ring in a geometric design, size T

Lot 106

Modern 9ct gold, diamond and green stone ring centring a panel of nine small green stones and raised above diamond set descending shoulders featuring baguette and round single cut diamonds, size P

Lot 108

14ct stamped gold, blue stone and diamond ring, the centre with three oval faceted cut blue stones flanked by small single cut diamond shoulders, size P

Lot 109

Modern 9ct gold black opal doublet five stone ring, line set with five oval cut opals, size P

Lot 110

Diamond single stone ring, the small round brilliant cut diamond bezel set, 0.10ct approx, raised between upswept shoulders, size P/Q

Lot 111

Modern 9ct gold single stone emerald ring, the plain polished band centring a flush set small round emerald, size R

Lot 113

Modern 9ct gold and blue stone ring, the open work scroll mount set with seven round cut blue stones, size O/P

Lot 114

Mixed Lot: 9ct gold, ruby and diamond cluster ring, flower head design centring a small diamond in an illusion setting, raised above eight small round cut rubies, size M/N, together with a 9ct gold three stone ring featuring three white round cut stones, size L (2)

Lot 117

Modern 9ct gold, diamond and green stone set ring, a design featuring six small diamond set discs and highlighted with small green stones, size R

Lot 12

Three stone diamond cross over ring featuring three graduated old cut diamonds, 0.40ct approx, size M, stamped 18ct and Plat

Lot 121

Modern 9ct gold and blue stone ring, the top section with ten square pave set light blue stones, size T/U

Lot 122

Modern 9ct gold and purple crystal ring, the hexagonal purple stone raised between engraved shoulders, size W

Lot 124

Modern 9ct gold and white opal three stone ring featuring three graduated square cut white opals, size P

Lot 127

Modern 9ct gold and iridescent stone ring, the oval cut iridescent stone four claw set between part engraved shoulders, size V/W

Lot 12a

Three-stone diamond ring featuring three round cut graduated diamonds, total 0.75ct wt approx, raised between angular upswept shoulders, size I

Lot 131

Modern 9K stamped blue and white stone dress ring, size P

Lot 137

Mixed Lot: white metal and moonstone ring, a 9ct stamped and six stone garnet ring in a vintage heart-shaped red leather box, together with an openwork metal pendant stone and paste set

Lot 139

Mixed Lot: 9ct gold and pink stone ring together with a 14K stamped small diamond set ring (main stone missing) (2)

Lot 14

Five stone opal ring, line set with graduated round cabochon cut opals, set in a mid-grade yellow metal mount, size M/N

Lot 141

Mixed Lot: 9ct gold and citrine ring, 9ct gold garnet and white opal three stone ring, together with an antique heart shaped locket, paste set with red and white stones, stamped verso 9ct back and front, silver setting (3)

Lot 142

Mixed Lot: eight coloured stone set rings, three stamped 925, (8)

Lot 144

Mixed Lot: 9ct gold 'Comedy & Tragedy' mask ring, together with a 585 stamped designer ring set with a paste stone and onyx panel (a/f), g/w 5.8gms

Lot 145

Mixed Lot: 9ct gold and cubic zirconia dress ring, a 9ct gold three stone garnet ring, a 9ct gold red cabochon stone ring, together with a three stone paste ring hallmarked for 9ct gold, g/w 7.2gms (4)

Lot 15

Modern green and white stone set ring featuring a central rectangular cut green stone in rub-over setting between small white stone highlighted shoulders, stamped 750, size P, g/w 6.2gms

Lot 150

Mixed Lot: three 925 and stone set rings, a gilt metal frog ring, an opal doublet and paste ring, an opal doublet and paste ring (a/f), and three other costume rings

Lot 160

Three stone diamond ring set with three graduated small old cut diamonds, total 0.33ct wt approx, stamped 18ct and Plat, size O

Lot 165

Mixed Lot: yellow metal ring, the oval glazed panel with photographic image below, unmarked, size O, together with a paste set single stone ring (2)

Lot 167

Three stone diamond ring, illusion set with three small mixed cut diamonds, stamped 18ct and Plat, size K

Lot 169

Modern 9ct gold amethyst and citrine three stone ring, stamped QVC, size T/U

Lot 182

Large 9ct rose gold multi-gem stone set articulated clown pendant, 8cm long including bale, g/w 30.5gms

Lot 2

Antique single stone diamond ring centring a round brilliant cut diamonds of 0.25ct approx, raised between diamond set shoulders, stamped 18ct and Plat, size N (a/f)

Lot 217

Mixed Lot: 9ct gold and small diamond set ring, a Victorian gilt metal and amethyst seal, a metal and purple stone seal/watch key and two gold plated cuff links

Lot 22

Modern white stone set cluster ring, a square panel set with nine small white stones, raised between cross-over shoulders, stamped 375, size P

Lot 23

Five stone small diamond ring, 0.20ct total wt, line set with five graduated small round cut diamonds, stamped 18ct, size P

Lot 230

Unusual silver and enamel 'grouse' desk seal, the naturalistic model grouse having chased and engraved detail, highlighted with two cabochon red stone set eyes, standing on a green guilloche enamel banded and silver gilt pedestal, the matrix below engraved 'R H. R M', hallmarked London 1967, 35mm tall

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