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Lot 242
A mixed lot to include two white metal brooches, an enamelled brooch entitled Royal Scot 6100 depicting the front of a locomotive, a cap badge inscribed Vincere Vel Mori, a 9 carat gold fine chain stamped 375, two silver necklaces with pendant and one further yellow metal necklace with pendant, stone set
![A pair of reconstituted stone serpentine front planters. [2] This lot must be paid for and collected (or despatched) no later](https://cdn.globalauctionplatform.com/cf4139fc-5127-4b73-9a8f-ab9500e50bb4/fb19bb14-45e0-47a1-91b8-ab9b011bd4a8/468x382.jpg)
Lot 85
§ IAN HAMILTON FINLAY (SCOTTISH 1925-2006) FAX, IDLING ITS SAILSScreenprint, and another screenprint by the same artist 'Poverty, pitted with larks' (Dimensions: 17cm x 89cm (6.75in x 35in)) (Qty: 2)Biography: Ian Hamilton Finlay was a Scottish artist and writer. Trained at Glasgow School of Art, following the war, he spent a period working as a shepherd and started to write poems. With time, he began to compose poetry and inscribe them into stone; the resulting sculptures are often incorporated into the natural environment. Many of them are situated within Little Sparta, his master-work, a five-acre garden he developed with his wife, near the Pentland Hills outside of Edinburgh. Gardening and art happily cohabit here, and the expanse of land is full of his sculptural work. In 2004, Little Sparta was voted most important Scottish work of art, by a panel of artists and arts professionals, ahead of Charles Rennie Mackintosh’s Glasgow School of Art and Henry Raeburn’s The Skating Minister. Finlay was prolific, endlessly creative and collaborative. Printmaking was a large part of his artistic practice, often made in collaboration with other artists, writers and technicians and involving both text and visual elements. Finlay was nominated for the Turner Prize in 1985.
Lot 84
§ IAN HAMILTON FINLAY (SCOTTISH 1925-2006) ZIMMERIT-HAUNTING WOOD NYMPHScreenprint, and another screenprint by the same artist 'Pastor of Oaks/Shepherd of Stones' (Dimensions: 34.5cm x 89cm (13.5in x 35in)) (Qty: 2)Biography: Ian Hamilton Finlay was a Scottish artist and writer. Trained at Glasgow School of Art, following the war, he spent a period working as a shepherd and started to write poems. With time, he began to compose poetry and inscribe them into stone; the resulting sculptures are often incorporated into the natural environment. Many of them are situated within Little Sparta, his master-work, a five-acre garden he developed with his wife, near the Pentland Hills outside of Edinburgh. Gardening and art happily cohabit here, and the expanse of land is full of his sculptural work. In 2004, Little Sparta was voted most important Scottish work of art, by a panel of artists and arts professionals, ahead of Charles Rennie Mackintosh’s Glasgow School of Art and Henry Raeburn’s The Skating Minister. Finlay was prolific, endlessly creative and collaborative. Printmaking was a large part of his artistic practice, often made in collaboration with other artists, writers and technicians and involving both text and visual elements. Finlay was nominated for the Turner Prize in 1985.
Lot 118
§ IAN HAMILTON FINLAY (SCOTTISH 1925-2006) SOMEONE SOMEWHERE WANTS A CABLE FROM YOUScreenprint, pub. by Wild Hawthorn Press, signed in print by Ian Hamilton Finlay and Jim Nicholson (Dimensions: 57cm x 77cm (22.5in x 30.25in), sheet size)Biography: Ian Hamilton Finlay was a Scottish artist and writer. Trained at Glasgow School of Art, following the war, he spent a period working as a shepherd and started to write poems. With time, he began to compose poetry and inscribe them into stone; the resulting sculptures are often incorporated into the natural environment. Many of them are situated within Little Sparta, his master-work, a five-acre garden he developed with his wife, near the Pentland Hills outside of Edinburgh. Gardening and art happily cohabit here, and the expanse of land is full of his sculptural work. In 2004, Little Sparta was voted most important Scottish work of art, by a panel of artists and arts professionals, ahead of Charles Rennie Mackintosh’s Glasgow School of Art and Henry Raeburn’s The Skating Minister. Finlay was prolific, endlessly creative and collaborative. Printmaking was a large part of his artistic practice, often made in collaboration with other artists, writers and technicians and involving both text and visual elements. Finlay was nominated for the Turner Prize in 1985.
Lot 147
§ GEORGES ROUAULT (FRENCH 1871-1958) TETE DE JEUNE FILLE (FROM VERVE VOL. II MAGAZINE) - 1939Lithograph, published by Verve, signed in stone, with another image verso, unframed (Dimensions: 35.5cm x 26.5cm (14in x 10.5in), full sheet)Biography: Rouault is a hugely important French artist most often associated with Fauvism and Expressionism. Born of poor parents, as a fourteen-year-old Rouault began an apprenticeship as a glass restorer and painter and it has been suggested that this early training is a likely source for his characteristic use of heavy black outlining and strong colours. After studying in Paris Rouault took part in major public exhibitions such as the Salon D’Automne and made friends with many of the avant-garde artists of the time, notably Matisse and Marquet. From 1907 Rouault began a series of paintings devoted to courts, clowns and prostitutes and then from 1917 he dedicated himself to religious subject matter. A noted print maker, his work reached a wider audience through his published work and our example is a lithograph produced by the well-regarded magazine Verve. His work is to be found in every major Art Gallery worldwide and his reputation protected by the Georges Rouault Foundation.
Lot 179
§ IAN HAMILTON FINLAY (SCOTTISH 1925-2006) PROPOSAL FOR A SUNDIAL TO BE PLACED ON MARAT'S HOUSE INLithograph, with Eric Marland (Dimensions: 60cm x 42cm (23.5in x 16.5in), sheet size)Provenance: Ingleby Gallery , Edinburgh Biography: Ian Hamilton Finlay was a Scottish artist and writer. Trained at Glasgow School of Art, following the war, he spent a period working as a shepherd and started to write poems. With time, he began to compose poetry and inscribe them into stone; the resulting sculptures are often incorporated into the natural environment. Many of them are situated within Little Sparta, his master-work, a five-acre garden he developed with his wife, near the Pentland Hills outside of Edinburgh. Gardening and art happily cohabit here, and the expanse of land is full of his sculptural work. In 2004, Little Sparta was voted most important Scottish work of art, by a panel of artists and arts professionals, ahead of Charles Rennie Mackintosh’s Glasgow School of Art and Henry Raeburn’s The Skating Minister. Finlay was prolific, endlessly creative and collaborative. Printmaking was a large part of his artistic practice, often made in collaboration with other artists, writers and technicians and involving both text and visual elements. Finlay was nominated for the Turner Prize in 1985.
Lot 406
Loose gemstones: Amethyst and amethyst coloured stones, largest stone weighing 8.45cts gross weight 72.6gPlease note gemstones listed have been tested with Presidium Duo gemstone tester. As we are not GIA certified we cannot guarantee natural vs synthetic stones.P&P group 1 (£16 for the first item and £1.50 for subsequent items)
Lot 355
Loose gemstones: topaz of mixed colours, largest stone weighing 6.25cts, D: 10mmPlease note gemstones listed have been tested with Presidium Duo gemstone tester. As we are not GIA certified we cannot guarantee natural vs synthetic stones.P&P group 1 (£16 for the first item and £1.50 for subsequent items)
Lot 370
Loose gemstones: Large amount of garnets and garnet coloured stones, largest stone weighing 24.4cts, 25.7mm x 15mm gross weight 159.1gPlease note gemstones listed have been tested with Presidium Duo gemstone tester. As we are not GIA certified we cannot guarantee natural vs synthetic stones.P&P group 1 (£16 for the first item and £1.50 for subsequent items)
Lot 400
Loose gemstones: lapis lazuli, largest stone weighing 19.45cts, 18.1mm x 15.5mm gross weight 159.7gPlease note gemstones listed have been tested with Presidium Duo gemstone tester. As we are not GIA certified we cannot guarantee natural vs synthetic stones.P&P group 1 (£16 for the first item and £1.50 for subsequent items)
Lot 356
Loose gemstones: small diamonds mostly removed from 18ct jewellery, some still mounted in metals. total loose weighing 2.8cts, largest loose stone 0.35cts The letter M appears to be set with white diamonds but it is small 20 mm x 12 mmPlease note gemstones listed have been tested with Presidium Duo gemstone tester. As we are not GIA certified we cannot guarantee natural vs synthetic stones.P&P group 1 (£16 for the first item and £1.50 for subsequent items)
Lot 397
Loose gemstones: rose quartz and moonstone coloured stones, largest rose stone weighing 51.5cts, 40mm x 30mm The largest moonstone is 48 ct ( 9.6g) gross weight 41.2gPlease note gemstones listed have been tested with Presidium Duo gemstone tester. As we are not GIA certified we cannot guarantee natural vs synthetic stones.P&P group 1 (£16 for the first item and £1.50 for subsequent items)
Lot 368
Loose gemstones: large amount of orange quartz and similar stones, largest stone weighing 19.4cts, 20mm x 15mm Gross weight 107.7gPlease note gemstones listed have been tested with Presidium Duo gemstone tester. As we are not GIA certified we cannot guarantee natural vs synthetic stones.P&P group 1 (£16 for the first item and £1.50 for subsequent items)
Lot 401
Loose gemstones: polished and natural tigers eye largest stone weighing 80.2cts, 24.4mm x 28.3mm gross weight 130gPlease note gemstones listed have been tested with Presidium Duo gemstone tester. As we are not GIA certified we cannot guarantee natural vs synthetic stones.P&P group 1 (£16 for the first item and £1.50 for subsequent items)
Lot 396
Loose gemstones: large amount of smokey quartz and similar coloured stones, largest stone weighing 60.1cts, 16.5mm x 27.8mm gross weight 243.5gPlease note gemstones listed have been tested with Presidium Duo gemstone tester. As we are not GIA certified we cannot guarantee natural vs synthetic stones.P&P group 1 (£16 for the first item and £1.50 for subsequent items)
Lot 360
Loose gemstones: A carved and polished possibly opal monkey's head with coloured eyes, 9.3ctssize 15 12 x 7 nn deep. Lower jaw probably lost and polished over Split below left eye probably natural stone rather than damagePlease note gemstones listed have been tested with Presidium Duo gemstone tester. As we are not GIA certified we cannot guarantee natural vs synthetic stones.P&P group 1 (£16 for the first item and £1.50 for subsequent items)
Lot 394
Loose gemstones: citrine and citrine coloured stones, largest stone weighing 203.75cts, 51.6mm x 38.5mm gross weight 277.3g Please note gemstones listed have been tested with Presidium Duo gemstone tester. As we are not GIA certified we cannot guarantee natural vs synthetic stones.P&P group 1 (£16 for the first item and £1.50 for subsequent items)
Lot 363
Loose gemstones: Rubies, largest stone weighing 18cts and measuring 17 x 14 x 10.5 mm deep Total gross weight 10.5gPlease note gemstones listed have been tested with Presidium Duo gemstone tester. As we are not GIA certified we cannot guarantee natural vs synthetic stones.P&P group 1 (£16 for the first item and £1.50 for subsequent items)
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400965 item(s)/page