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Lot 209
A 19th century Middle Eastern yellow metal and diamond set oval pendant, the centre set step cut oval clear stone surrounded by lobed border set ten rose cut diamonds (each approx. 5mm diameter), the back chased scrolling stylised leaves, (yellow metal assessed as gold of at least 18ct.). (gross weight 10.3g)
Lot 261
A fine pair of antique yellow metal and diamond set drop earrings, each having circular mount with pierced gallery set large round rose cut diamond to centre surrounded by border of nine smaller rose cut diamonds (centre stone approx. 6mm diameter), suspending similar pear shaped mount set large pear shaped rose cut diamond to centre bordered by ten rose cut diamonds, wire fitting, (centre stone approx. 9mm x 7mm), one earring lacking side drop. (gross weight 12.5g)
Lot 301
A collection of 9ct. gold and opal set jewellery, to include; a 9ct. gold, opal and red stoine bar brooch, set tear drop cabochon opal and round cut red stone to centre as stylised fruit, stamped "9ct", brass pin, together with a 9ct. gold and opal pendant necklace, claw set oval cabochon opal to centre suspending larger claw set oval cabochon opal to lyre shaped link below, to fine flat oval link chain, (lacking clasp ring), and a 9ct. gold and opal stick pin, set oval cabochon opal. (total gross weight 6.2g). (3)
Lot 238
An Edwardian 18ct. yellow gold and diamond ring, gypsy set single rose cut diamond, hallmarked Birmingham 1907, (gross weight 2.1g), together with a yellow metal cross-over ring, set two rose cut diamonds (centre stone lacking, yellow metal assessed as 18ct. gold), (gross weight 2.6g), a 9ct. gold, white metal, green stone and marcasite set ring, shank stamped "9ct", (white metal mount assessed as silver), a white metal, amethyst and marcasite ring, set oval cut amethyst to centre (white metal assessed as silver), another ring and and a yellow metal pendant, both as found). (qty)
Lot 328
An 18ct. yellow gold and diamond set ladies' bracelet watch, quartz movement, having circular dial pave set numerous round cut diamonds, bezel pave set further numerous round cut diamonds, 24mm wide case stamped "18K, 0.750" with cabochon blue stone set crown, lugs set four round brilliant cut diamonds, to 18ct. gold hallmarked bracelet, movement currently not working, probably requiring new battery. (gross weight 57.2g).
Lot 221
An Everite 9ct. gold ladies' wrist watch, manual movement, having signed circular white enamel dial, 17mm wide case stamped "375" to interior, in working order, to rolled gold bracelet, (gross weight 11.6g), together with an 18ct. white gold and clear stone set eternity ring, hallmarked to shank, (gross weight 3.4g). (2)
Lot 222
A pair of 14ct. gold and pearl earrings, each set cultured pearl clusters, screw back fittings, stamped "14K", (gross weight 4.5g), together with three various hallmarked 9ct. gold stone set rings, (total gross weight 11.3g), a yellow metal, amethyst and seed pearl pendant (as found) and another ring. (qty)
Lot 41
A limited edition silver gilt and precious gem stone "Silver Pumpkin", by Christopher Nigel Lawrence, assayed London 1981, numbered 12/500, to commemorate the wedding of H.R.H Prince Charles & Lady Diana Spencer, of spherical form, having oxidised silver cover fashioned as the dome of St.Paul's cathedral opening to reveal silver gilt dragon and griffin holding silver letters 'C' and 'D' respectively and jointly holding ring, this bezel set round cut sapphire to centre flanked by round cut diamond to either side, height 10.5cm. (gross weight 169.7g), with certificate of authenticity.
Lot 177
A pair of 14ct. white gold, opal and diamond drop earrings, having set round cut diamond suspending further round cut diamond above pear shape cabochon opal, post and butterfly fitting, impressed "14Kt", (gross weight 1.7g), together with a pair of 14ct. yellow gold heart shape earrings, set heart shape cut blue stone, post and butterfly fitting, impressed "14K", (gross weight 1.4g), a pair of 14ct. yellow gold, cultured pearl and ruby earrings, each set single cultured pearl with round cut ruby below, impressed "14K", a Fortunoff silver toggle bracelet, with five pointed star charm, impressed "925", in box, a yellow metal, sapphire and diamond heart pendant, set three small round cut diamonds to centre with sapphires to border, two silver bangles and other items. (qty)
Lot 267
A good collection of costume jewellery, to include; a white metal, purple-pink stone and marcasite set pendant necklace, bracelet and earrings en suite, (white metal assessed as silver, the stones probably ruby), necklace length 50cm, together with a large collection of silver and translucent amber set jewellery, including: a poison ring, a ring intaglio carved flower to back, seven other rings, eight pendants/pendant necklaces, including ones fashioned as a Kiwi bird, mouse and frog, five pairs of earrings, and a cross. Also a yellow metal, clear stone and pink stone set cluster ring, (yellow metal assessed as 18ct. gold), (gross weight 3.8g), a gilt metal "butterfly" pendant set green stones, suspended from hallmarked 9ct. gold chain, a pink coral necklace and numerous other silver mounted costume jewellery pieces, set turquoise, amethyst et al. (condition varies). (qty)
Lot 252
A 9ct. yellow gold, pearl and semi-precious gem stone brooch, the open work mount fashioned as a basket of flowers, set five seed pearls and eight various oval cut semi-precious gem stones to include; amethyst, garnet, peridot, rose quartz et al, impressed "375", height 30mm. (gross weight 5.4g)
Lot 31
Eleanor Lakelin (UK) burr oak hollow form 23x19cm. Signed When I started to learn to turn wood, three people were particularly influential– Dave Regester on a five- day bowl-turning course and the books of Ray Key and David Ellsworth. Since then I have learned many different approaches to hollowing and carving wood but the essential theory and appreciation of simple but perfect form was set in stone for me after reading Ray’s “The Woodturner’s Workbook”. I only met Ray a few times but I am very aware of his enormous dedication and importance to the woodturning movement worldwide and I am honoured to have been asked to be part of this project. My box with the part-turned oak blank arrived and I opened it with some trepidation. There was a major crack in the piece of oak burr which Ray had glued but then a chasm had opened above. Avoiding the crack was not really an option unless I made a miniature so I decided to try and bring the best out of the burred wood which must have attracted Ray in the first place and to embrace all the cracks and fissures. I wanted to keep a shape that would be reminiscent of Ray’s elegant forms but to carve and sandblast some texture into it in the freer, more organic way I tend to work. Balancing these two elements would be the issue and would determine the success of the piece. I hollowed the blank and carved rounded peaks into the surface and then sandblasted another layer of texture. Bleaching the vessel helped to bring together the sense of a fissured, eroded landscape- a piece celebrating both the essence of nature and growth and the beauty of classical form. I have tried whilst finishing this piece to create something worthy of a collaboration with Ray and I hope he will look down kindly on it. The Ray Key Collaboration Auction
Lot 1035
9ct white gold pearl pendant, on silver chain, pair of 9ct gold rose quartz pendant earrings, amethyst bead necklace with 9ct gold clasp, pair of silver jade pendant earrings, pair of silver-gilt cufflinks and collection of silver stone set jewellery, all stamped Condition Report pearl pendant approx 2gm, rose quartz pendant earrings - broken loop at top
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