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Lot 2020
Two Chinese miniature stone sculptures , Republic period. To include a seating Jade buddha on a wooden stand 3.5 cm high , and a miniature two figures stone sculpture on a stand 4.5 cm high. Provenance : From the Estate of Alfred and Irene Morley and thence by descent to the current owner. Alfred ( Bob) Morley (1890-1971) was a British journalist and diplomat . He lived from 1915 till 1941 in Hongkong and Shanghai , He was editor for both the Hong-Kong Telegraph and the South China Morning Post , in 1931 He settled in Shanghai as Editor for the Shanghai Times. He was also president of the Rotary Club Shanghai. From March 1940 he was Press Attaché at the British embassy in Shanghai .
Lot 2041
A Chinese Pale Green Jade Belt Hook Daigou, Qing dynasty 18th/19th. The top carved in openwork and undercut with a chilong crawling towards the dragon head hook, with circular stud on the reverse, the stone of very pale greenish-white color and finely polished. 7.8 cm long Provenance : From the Estate of Alfred and Irene Morley and thence by descent to the current owner. Alfred ( Bob) Morley (1890-1971) was a British journalist and diplomat . He lived from 1915 till 1941 in Hongkong and Shanghai , He was editor for both the Hong-Kong Telegraph and the South China Morning Post , in 1931 He settled in Shanghai as Editor for the Shanghai Times. He was also president of the Rotary Club Shanghai. From March 1940 he was Press Attaché at the British embassy in Shanghai .Condition Report: No break or any restoration, good overall condition
Lot 107
Ethnographica comprising a hide parrying shield inlaid with white metal, 24.5cm dia, a Nigerian fetish group of a man and a woman bound together, with cowrie shell ornamentation covered in white pigment, 21cm; two monkey carvings; a Tchokwe mask, 34cm; a standing Lobi figure of a man, partially covered with encrustations, 46.5cm overall, a stone divination board and a collection of Nigerian pottery vessels, 7.5cm - 24.5cm
Lot 80
An Indian Kamandal with short spout and compressed ribbed body, the shoulder with engraved characters, 15.8cm; an Indian copper Kamandalu, the screw off top with carrying handle, the body with three double thread lines, 19cm; a large Buddhist temple bell, 14.5cm, a Tibetan brass scroll container,11.7cm, an Indian hanging oil lamp in gimbal and circular cage, with suspension chain, a carved stone oil lamp, a carved wood spice box, a turned wood hub cap, and a collection of nineteen small turned soapstone bowls, 5.5cm - 9.7cm dia
Lot 106
Four gold gem set dress rings. A diamond and white metal abstract cross over design dress ring (O 1/2), set with eleven round brilliant cut diamonds, a square-cut diamond and ruby 18 carat gold half eternity ring (N 1/2), an 18 carat yellow gold emerald three-stone ring (O) with diamond detailing and a cultured pearl and 18 carat yellow gold ring with diamond set shoulders and twisted band. (N 1/2) Weight 13.3g.
Lot 222
Limoges KPM style porcelain plaque hand painted after Marcus Stone (English, 1840-1921), "In Love." Signed illegibly and dated 1892 along the lower right. Marked along the verso CFH for Charles Field Haviland of Limoges, France.Sight; Height: 10 1/4 in x width: 7 in. Framed; Height: 20 1/4 in x width: 17 in.
Lot 75
MANUEL MATEO CUENCA (La peraleja, Cuenca ,1951)."El peinado".Bronze and stone base. Exemplary 2/8.Enclosed author's certificate.CAPA FoundationSigned and justified.Measurements: 29,5 x 13,5 x 18 cm; 5 x 11 x 14,5 cm (base).Round work made in bronze where he plays with the combination of empty spaces, transparency, lightness and solidity. In such a way that it reminds the spectator of the sculpture Apollinaire wrote about. The author thus demonstrates that "his artistic premises are linked to a whole range of cultural problems with deep European roots which have been with us since the end of the 19th century and which are continually enriched with new contributions in the 20th century", as Sanchez Rojas Fenol points out in relation to the work of Mateo Cuenca. Manuel Mateo Cuenca began his artistic training in his youth and worked with artists such as Antonio Galán del Amo, José Carrilero, Venancio Blanco, Joaquín García Donaire, José Castro Llamas, Cristino Mallo, Otero Besteiro, Jesús Valverde, Pablo Palazuelo. He began to exhibit in 1973 when he held a group exhibition at the Banco Americano (Ameribank) in Madrid. He also exhibited at the Tolmo Gallery in Toledo, and that same year he was awarded the National Salcillo Prize in Murcia. With regard to his first individual exhibition in 2000, in the Ra del Rey gallery in Madrid, it is worth mentioning that the artist already had a long career as an exhibitor. Both nationally and internationally, with his participation in exhibitions such as Avant Premiere. Capa Esculturas, Brussels in 2015, Affordable Art Fair London Spring Edition, London in 2008 or Estampa, the International Exhibition of Contemporary Art Printmaking and Publishing. Capa Sculptures. Madrid in 2004 among others. These exhibitions, which have confirmed his artistic recognition, have been followed by various awards, such as the II Prize for Sculpture at the II International Biennial El Baloncesto en las Bellas Artes in 2000, the XXVII Special Mention for Sculpture, the Plastic Arts Competition in Getafe, (Madrid) in 1979, the gold medal at the XVIII National Sculpture Exhibition and the Julio Antonio Prize, Tarragona in 1974, among many others. Nowadays his works are divided in different private collections such as the Ros Urigüen collections (Madrid), and many artistic centres of great cultural relevance among which the Diputación de Cuenca, the Pedro Ferrándiz Foundation in Madrid, the Eduardo Capa Foundation in Alicante, the Ministry of Culture in Madrid, the Reina Sofía Museum and the Museum of Cuenca stand out, his work is characterised by an approach to geometric constructivism that is never confused with a rigid schematism. Even in his most voluptuous volumes, line, light or shadow, and sometimes the hollow, mark a geometric counterpoint that orders and gathers the composition and enriches his points of view. Through an expressive and successful play of volumes and lines, of tones and textures, of supports and challenges to gravity, Manuel Mateo's sculpture transmits an artistic serenity that is instantly transmitted to the spectator. Within a stylistic schematism that inevitably recalls the avant-garde movements of the last century.
Lot 152
MAGIC LANTERN SLIDES: LONDON STREET CHARACTERS: an unusual group of 50 uncoloured photographic lantern slides of London street characters, late 19th-early 20thc, to include street flower girl: stone breaking: vagrants on the Embankment: washing day in Southwark slum: the old match woman: ice-cream vendor: street orderly: Thames Embankment homeless, 2am, etc: with 33 other glass slides relating to London, contained together in period pine box with metal catches. (One box)
Lot 100
A collection of rings, comprising a blue stone panel ring, with foliate engraved decoration, three colour precious metal mounted, a cabochon red stone and diamond set dress ring, with interior inscription, stamped '14K', a white stone dress ring, with interior inscription, stamped '18CT', an 18ct gold wedding band, and two 9ct gold wedding bands, first ring size O½ (6)Approximate gross weights only: blue stone panel ring 1.8gm, red stone and diamond set dress ring 8.6gm, white stone dress ring 1.4gm, 18ct gold wedding band 3.6gm, 9ct gold wedding bands combined 3.8gm.
Lot 104
A pair of sapphire and diamond earrings, each designed as a tiered spray of navette-shaped sapphires and round brilliant-cut diamonds, on hinged post and clip fittings, white precious metal mounted, stamped '14K', total diamond weight approximately 0.25ct, length 2.3cmSapphires are well matched, of deep blue hues, some stones with areas of whiteish colour zoning and small natural inclusions that are visible under magnification, all with light surface wear. Diamonds are well matched, bright and lively, one stone with a surface-reaching fracture. The remaining diamonds have estimated VS2 to SI2 clarity and H to K colour, assessed mounted. The mounts are modern, with surface scuffs and nicks, and the posts hinge downwards so that the earrings can be worn as ear clips. The clips are currently functioning. Metal standard is untested. Gross weight approx. 10gm.
Lot 107
A diamond single stone ring, the cushion-shaped old-cut diamond in eight claw setting, two colour precious metal mounted, stamped '18CT & PLAT', diamond weight approximately 1ct, ring size KThe diamond is bright and lively but contains small mineral inclusions and has scattered small fractures and nicks/chips to the girdle, with estimated P1 clarity and J colour, assessed mounted. Diamond dimensions approx. 6mm length x 5.4mm width x 4.1mm depth. The mount is tarnished and heavily worn, with thinning to the shank and sides of the setting, caused by wear against another ring. Some of the claws may require re-tipping. Metal standard is untested. Gross weight approx. 1.8gm.
Lot 110
A sapphire and diamond dress ring, the oval mixed-cut sapphire claw set between pairs of tapered baguette-cut diamonds, above a scrolled gallery, indistinctly stamped '18K', total diamond weight approximately 0.28ct, ring size MThe sapphire has a deep greenish-blue hue with surface wear, scuffs and scattered chips to the girdle, measuring approx. 8.8mm length x 7.5mm width x 4.6mm depth. Diamonds are well matched and bright but one stone contains a fracture/chip to the base, the remaining diamonds with estimated H to J colour and VS2 to SI2 clarity, assessed mounted. The mount appears to be relatively modern with some heavy surface wear, chips, scuffs and patchy tarnishing. The shank has a patchy yellowish/off-white hue. Metal standard is untested. Gross weight approx. 2.5gm.
Lot 131
An opal dress ring, the navette-shaped panel with ropetwist wirework border and star engraved decoration, 18ct gold mounted, with interior inscription dated 1904, together with a pink stone and half pearl dress ring, (shank possibly replaced, half pearls untested for origin), and a 22ct gold slim wedding band, ring sizes Q, N and P respectively (3)Approximate gross weights only: first ring 2.7gm, second ring 2gm, third ring 1.9gm.
Lot 132
A small collection of jewellery, comprising a stone set pendant, stamped '9CT', (drop deficient), suspended from a fine curb-link chain, a turquoise and half pearl set bar brooch, stamped '15CT', and a pearl set bar brooch, stamped '15', (pearls untested for origin), pendant length 3.45cm (3)Approximate gross weights only: pendant on chain 4.5gm, first bar brooch 1.6gm, second bar brooch 2gm.
Lot 133
A diamond three stone ring, of crossover design, the graduated round brilliant-cut diamonds in claw settings, stamped '18ct PLAT', with interior inscription, together with a half pearl five stone ring, with scroll decorated gallery and shoulders, and a half pearl crescent brooch, with later loop fitting, (all half pearls untested for origin), first ring total diamond weight approximately 0.50ct, size M½ (3)Approximate gross weights only: diamond ring 3gm, half pearl ring 2gm, brooch 2.5gm (all mounts untested for metal standard).
Lot 145
A diamond seven stone ring, designed as a stepped half hoop of graduated baguette-cut diamonds, 18ct white gold mounted, total diamond weight approximately 1ct, ring size L½Diamonds have a fairly bright appearance but some of the diamonds have chips, surface-reaching fractures and dark mineral inclusions that are visible to the unaided eye, with estimated SI2 to P2 clarity and H to J colour, assessed mounted. Some of the diamonds are slightly loose and may require re-setting. Diamonds graduate from approximately 5mm length x 2.8mm width to 3.2mm length x 2mm width, the largest diamond weighing approx. 0.20ct to 0.25ct. The mount has general surface wear, scuffs and nicks, with patchy wear to the rhodium plated finish giving a yellowish hue to the back of the shank. Setting measures approx. 1.65cm length x 0.68cm width. Hallmarked for London 2011, maker's mark 'PP', light wear to marks. Gross weight approx. 5.3gm.
Lot 151
A sapphire and diamond three stone ring, the oval mixed-cut sapphire millegrain collet set between two old-cut diamonds, stamped 'PLAT 18CT', together with a synthetic sapphire and diamond dress ring, of stepped design, stamped '9CT', and a blue and white stone full hoop ring, (one stone deficient), first ring size L½ (3)Approximate gross weights only: first ring 2.3gm, second ring 2gm, third ring 1.4gm.
Lot 152
A sapphire single stone ring, the tapered mount inset with an oval cabochon sapphire, stamped '750', ring size O½The sapphire has a light to mid blue hue with areas of whiteish colour zoning and contains surface-reaching fractures inclusions. The sapphire has subtle asterism giving a faint and indistinct star effect and has small chips, nicks and scuffs to the surface. The sapphire measures approx. 7.3mm length x 6.4mm width x 4.2mm depth. The ring mount has general surface wear, nicks and scuffs throughout and tapers in width from 8.4mm to 4.7mm. Metal standard is untested. Gross weight approx. 12.5gm.
Lot 154
An aquamarine and diamond three stone ring, the cushion-shaped aquamarine in claw setting, between two old brilliant-cut diamonds in collet settings, two colour precious metal mounted, stamped '18CT', total diamond weight approximately 0.15ct, ring size approximately NThe aquamarine has a bluish-green hue and contains several fracture inclusions that are visible to the unaided eye. The aquamarine has chips, nicks and scuffs to the surface and measures approx. 12mm length x 8.8mm width x 7mm depth. Diamonds are well matched, bright and lively, but one stone has a chip to the side. The mount has general surface wear, chips and nicks, with areas of solder repair to the setting. The shank is off-round and has been re-sized. Metal standard is untested. Gross weight approx. 4.7gm.
Lot 160
A diamond single stone ring, the round brilliant-cut diamond in raised claw setting, 18ct two colour gold mounted, a further diamond single stone ring, with illusion setting and engraved shoulders, stamped '18CT PLAT', another diamond single stone ring, with claw setting, stamped '750', and three white stone dress rings, each 9ct gold mounted, first ring size J (6)Approximate gross weights only: first ring 2gm, second ring 1.6gm, third ring 1gm, remaining rings combined 4.3gm.
Lot 166
A late 19th century Indian vari gem-set fringe necklace, designed as five strands of baroque seed pearls with green bead spacers, each suspending a fringe of faceted and cabochon-cut gemstones and coloured stones with pearl drops below, to include rubies, sapphires, emeralds, moonstones, coral corallium rubrum and turquoises, with vari gem-set terminals, the cushion-shaped cluster clasp with orange and white pastes in foiled closed-back settings, (pearls untested for origin), in fitted case signed 'PROCTER'S INDIAN ART GALLERY, 428, OXFORD ST, LONDON', shortest length 39cmThis lot is from the estate of Edward Alfred Alexander Baldwin (1938 - 2021). Edward was the grandson of Prime Minister Stanley Baldwin, and the fourth Earl Baldwin of Bewdley. Stanley Baldwin was from an extraordinary family: Rudyard Kipling was his first cousin, Edward Burne-Jones and Edward Poynter were both uncles, his mother Louisa was a novelist, and her siblings included the famous Macdonald sisters. Edward Baldwin was committed to rehabilitating his grandfather's reputation and, being an only child, spent much of his life as sole custodian of these family objects.All stones and pastes have surface wear, some stones with sizeable chips, fractures and deeper scuffs/scratches. All stones are untested for origin and use of treatments/enhancements. Most of the rubies and sapphires contain multiple inclusions such as feathers, fissures, crystals and angular colour zoning, some with surface-reaching fractures. The emeralds contain fissures, fractures and crystals, again with some surface-reaching fractures. Stones vary in colour and hue. Most of the seed pearls and blister pearls have blemishes, creases and scuffs, some with losses to the nacre surface. The paste clasp has patchy discolouration to the foiled backing, general wear to the mount, and a small split/crease to the tongue. The clasp is currently functioning. The clasp cluster measures approx. 22mm length x 20.3mm width. The woven fabric fittings have areas of possible glue residue to the ends and stringing to the strands is a little loose in places. Most of the collet settings either side of the clasp (to the triangular clusters) are dented and mis-shapen, with splits and creases. The other collet settings to the fringe strands have fewer dents and dings, with occasional creases and splits. The mounts are untested as gold/gilt metal/silver-gilt. The largest stone to the fringe is a cabochon ruby with a faint and off-centre star effect, measuring approx. 9.7mm length x 7.5mm width x 3.3mm depth. The longest strand measures approx. 52.5cm from end to end, including the clasp and woven fittings, the shortest measures approx. 39cm. Gross weight approx. 69gm. The case has general wear, patchy losses to the exterior finish and patchy light staining to the interior. The clasp is missing to the case and the cushion doesn't sit tightly to the base.
Lot 167
A collection of full hoop eternity rings, comprising a diamond full hoop ring, set throughout with single-cut diamonds, stamped 'PLAT', (one diamond loose), two further diamond full hoop rings, set throughout with vari-cut diamonds, (one diamond missing), a sapphire full hoop ring, channel set throughout with square step-cut sapphires, and a further example, channel set throughout with square-cut rubies and red stones, ring sizes N - O½ (5)This lot is from the estate of Edward Alfred Alexander Baldwin (1938 - 2021). Edward was the grandson of Prime Minister Stanley Baldwin, and the fourth Earl Baldwin of Bewdley. Stanley Baldwin was from an extraordinary family: Rudyard Kipling was his first cousin, Edward Burne-Jones and Edward Poynter were both uncles, his mother Louisa was a novelist, and her siblings included the famous Macdonald sisters. Edward Baldwin was committed to rehabilitating his grandfather's reputation and, being an only child, spent much of his life as sole custodian of these family objects.First diamond ring: one diamond has come away from the setting. Diamonds are mostly well matched, some stones drawing yellowish tints, occasional stones with nicks/small chips, estimated VS2 to SI2 clarity and I to L colour, assessed mounted. Total diamond weight approx. 0.45ct. General surface wear to mount, some thinning to edges of setting. Metal standard is untested. Width of mount 2.5mm. Gross weight approx. 2.3gm.Second and third diamond rings: one of the mounts has worn thin and is out of shape, with several solder repairs/re-sizing joins. The other mount has worn thin and has been extended in size, with associated re-sizing joins, and a diamond is missing. Diamonds to both rings have variable colour, clarity and facet symmetry, some stones with chips and surface-reaching fractures, some stones are later replaced. Width of each mount approx. 2mm. Total diamond weight of each ring approx. 0.40ct. Metal standard is untested. Gross weights approx. 1.3gm and 1.7gm.Sapphire ring: sapphires have variable greenish-blue and blue hues, some stones containing small natural inclusions and whiteish colour zoining, all with scuffs and small chips to the surface. General surface wear to mount, some thinning to edges of setting. Metal standard is untested. Width of mount 3.5mm. Gross weight approx. 4.1gm.Ruby/red stone ring: set with a combination of rubies and later replaced red stones, of variable tone, facet symmetry and cutting style. The stones vary from pinkish-red to deep red hues and have scuffs, chips and fractures. The mount has shallow dings/dents, general surface wear and some thinning to edges of setting. Metal standard is untested. Width of mount 2.8mm. Gross weight approx. 2.8gm.
Lot 168
A ruby and diamond five stone ring, the alternate cushion-shaped rubies and old-cut diamonds in claw setting, between scrolled shoulders, yellow precious metal mounted, total diamond weight approximately 0.80ct, ring size N½This lot is from the estate of Edward Alfred Alexander Baldwin (1938 - 2021). Edward was the grandson of Prime Minister Stanley Baldwin, and the fourth Earl Baldwin of Bewdley. Stanley Baldwin was from an extraordinary family: Rudyard Kipling was his first cousin, Edward Burne-Jones and Edward Poynter were both uncles, his mother Louisa was a novelist, and her siblings included the famous Macdonald sisters. Edward Baldwin was committed to rehabilitating his grandfather's reputation and, being an only child, spent much of his life as sole custodian of these family objects.Rubies are mostly well matched, of slightly variable mid pinkish-red hues, with surface scuffs and chips/nicks commensurate for use. The rubies have good transparency but contain inclusions such as crystals, needles, fractures and faint zoning that are just visible to the unaided eye. Ruby dimensions graduate from approximately 5.2mm length x 4.7mm width x 2.1mm depth to 4mm length x 3.5mm width x 2.3mm depth. Diamonds are well matched, bright and lively, with estimated SI1 to SI2 clarity and I to J colour, assessed mounted, each weighing approx. 0.40ct. The mount has general surface wear, with thinning to the shank and to the edges of the setting. The setting has previously been re-tipped and occasional claws may require further repair. The mount is not marked and metal standard is untested. The shank has been re-sized. Gross weight approx. 3.5gm.
Lot 217
A collection of dress rings, comprising a tanzanite and diamond cluster ring, the circular mixed-cut tanzanite collet set within a double row border of single-cut diamonds, between similarly cut diamond set shoulders, two colour precious metal mounted, stamped '585', together with a peridot and diamond dress ring, 9ct gold mounted, an amethyst and white stone dress ring, 9ct gold mounted, and three blue stone dress rings, each 9ct gold mounted, first ring size O½ (6)Approximate gross weights only: first ring 5.1gm, second ring 4.2gm, third ring 2.3gm, blue stone rings combined 6gm.
Lot 218
A collection of 19th century and later jewellery, comprising a yellow precious metal fancy-link long chain, with ropetwist decorated belcher links and swivel clasp, a gilt metal bangle, of hinged oval form, with leaf decoration, a gilt metal locket pendant on chain, and a stone set pendant on chain, stamped '9CT', long chain length 168cm (4)Approximate gross weights only: long chain 61.8gm, gilt bangle 16gm, gilt locket on chain 26gm, pendant on chain 4.6gm.
Lot 221
A collection of jewellery, comprising a flat section wedding band, stamped '9CT', a 9ct two colour gold signet ring, an opal doublet single stone ring, 9ct gold mounted, a 9ct gold fancy-link bracelet, a 9ct gold fine-link chain, and two gilt metal locket pendants, signet ring size Q (7)Approximate gross weights only: wedding band 9gm, signet ring 3.3gm, opal doublet ring 2gm, bracelet 3.2gm, chain 1.1gm
Lot 222
A small collection of jewellery, comprising a red and white stone cluster pendant, 9ct gold mounted, a pair of yellow metal ear hoops, on post fittings, a pair of cultured pearl set ear studs, 9ct gold mounted, a pair of freshwater pearl and white stone ear pendants, and a 9ct gold fine curb-link chain, pendant length 1.75cm (5)Approximate gross weights only: cluster pendant 1.7gm, ear hoops 1.9gm, cultured pearl ear studs 1.1gm, freshwater pearl ear pendants 1.8gm, chain 2gm.
Lot 225
A collection of stone set dress rings, to include a blue stone and diamond half hoop ring, two cluster rings, three single stone rings, and further dress rings, of varied design and modern manufacture, each 9ct gold mounted, first ring size O (12)Combined gross weight only approx. 24gm.Please note that individual stones have not been tested, unless otherwise stated.
Lot 228
A collection of stone set dress rings, to include a sapphire and diamond crossover half hoop ring, a diamond single stone ring, and ten further dress rings, of varied design and modern manufacture, each 9ct gold mounted, first ring size M (12)Combined gross weight only approx. 25gm.Please note that individual stones have not been tested, unless otherwise stated.
Lot 229
A collection of rings, comprising a half pearl and purple stone cluster ring, with foliate shoulders, 9ct gold mounted, a 9ct gold keeper ring, (hallmark rubbed), a 9ct gold wedding band, and a gilt metal stone set ring, first ring size M½ (4)Approximate gross weights only: cluster ring 2gm, keeper ring 1.9gm, wedding band 1.7gm.
Lot 230
A collection of jewellery, comprising a black enamel and half pearl dress ring, (shank replaced, half pearl untested for origin), two pairs of bead ear pendants, an oval shell cameo brooch, stamped '9C', a pair of oval shell cameo ear pendants, gilt metal mounted, a textured curb-link bar brooch, a 9ct gold dress ring, hallmarked for Chester 1931, and a garnet and red stone cluster bar brooch, first ring size L (8)Approximate gross weights only: enamel and pearl dress ring 1.8gm, enamel bead ear pendants 1.3gm, other bead ear pendants 2.8gm, cameo brooch 6.5gm, cameo ear pendants 2.3gm, curb-link bar brooch 3.8gm, a 9ct dress ring 1.2gm, cluster bar brooch 3.3gm.
Lot 234
A collection of jewellery, comprising an amethyst and seed pearl four leaf clover bar brooch, a foliate wreath brooch attributed to Bernard Instone, a sapphire and diamond cluster ring, 9ct gold mounted, two stone set pendant necklaces, a Scandinavian white metal stick pin, stamped '830S', and further items, (seed pearls untested for origin), first brooch length 3.4cm (11)Approximate gross weights only: amethyst brooch 3.7gm, wreath brooch 5.7gm, cluster ring 3gm.
Lot 237
A collection of jewellery, to include a 9ct gold mounted tooth pick, a pair of 9ct three colour gold ear hoops, a pair of cultured pearl ear pendants, with twisted surmounts, stamped '750', a cultured pearl single stone ring, two cultured pearl single strand necklaces, a carved jade pendant, stamped '14K', a pair of jade half hoop earrings, stamped '14K', (all jade untested for treatments), assorted further earrings, and other items, ear hoops length 2.1cm (qty)Approximate gross weights only: tooth pick 6gm, three colour ear hoops 4.7gm, cultured pearl ear pendants 2.1gm, cultured pearl single stone ring 2.3gm, jade pendant 1.3gm, jade earrings 3.4gm, 9ct knot ear studs 2.1gm.
Lot 241
A collection of jewellery, comprising a lady's 9ct gold bracelet watch, the circular silvered dial with baton markers, signed Rotary, to a jewelled manual wind movement and fancy-link bracelet, together with a 9ct gold foliate scroll engraved pendant, monogrammed, a 9ct gold oval cluster pendant on chain, a gilt metal oval locket pendant, on a ropetwist-link chain, a fine ropetwist-link chain, and two further pendants on chains, watch case width 2.1cm (7)Approximate gross weights only: bracelet watch (including movement) 15.6gm, foliate scroll engraved pendant 3.2gm, cluster pendant on chain 3gm, ropetwist chain (clasp stamped 9ct) 3.4gm, fine ropetwist chain (clasp stamped 9ct) 1.2gm, 9ct gold and red stone pendant 1gm, curb chain (clasp stamped 9c) 1.9gm, pierced lozenge pendant on chain (stamped 9c) 4.5gm.
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400830 item(s)/page