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A DAVENPORT BLUE PRINTED EARTHENWARE MEAT DISH. with the Cows Crossing Stream pattern, 52cm w, impressed mark; a Hicks & Meigh blue printed Stone China meat dish with a Japan pattern, printed octagonal mark, both c1830 (2). ++ Both in fine condition; the Davenport dish with slight fading of the printed image in the centre visible in the illustration
A VICTORIAN GOLD LOCKET. the lid set with a central amethyst and four seed pearls in filigree surround; on a gold necklet. ++ Locket - the back with a few slight dents and scratches but in good second hand condition. The stone and its setting on the lid slightly loose but complete and original
AN ANTIQUE ENGLISH AMETHYST RIVIÈRE. of faceted oval beads with tear shaped amethyst en tremblant, mounted in gold, 19th c. ++ The small foiled amethyst linking the largest oval to the tear shaped drop a foiled light coloured stone, the pigment degraded through damp but of the period. The original fastener removed and replaced by a slightly longer gold chain for wear
WILLIAM R STONE (1842-1913) HARVEST TIME EDENBRIDGE KENT. signed, 74 x 125cm. ++ Lined and cleaned, probably c1970, the varnish now in need of a light clean, free from extensive overpainting or other faults and in basically ready to hang condition. In cream and gilt 18th c style frame, the reference to Edenbridge Kent presumably on the verso of the original canvas
A HICKS & MEIGH STONE CHINA JAPAN PATTERN DINNER SERVICE. printed in blue and enamelled with long tailed birds, flowers and a scene, the service including a soup tureen, cover and stand with cobalt and gilt handles, 32cm h and a pair of sauce tureens, covers and stands, painted 308 or unmarked, c1815 (118) The present early example of an extensive Stone China service is attributed to the Shelton firm of Hicks & Meigh on the basis of the close similarity of form and the characteristic turning away of the footrim in the manner of Chinese export porcelain. See Godden (Geoffrey A), Ironstone, Stone & Granite Wares, Woodbridge 1999, pp 252-265.. ++ Twenty four plates with worn decoration, cracked chipped or repaired. Eight pudding bowls with rubbed decoration, cracked, chipped or repaired. Seven dessert plates with worn decoration, cracked, chipped or repaired. Seven 16cm plates with worn decoration, cracked, chipped or repaired. Pickle stand - one of the divisions with flat chip on one side, one of the segment dishes riveted. Custard cup- cracked. Gravy boat - cracked and the stand repaired. One sauce tureen and cover repaired. Square bowl with extensive star crack. Square cover of vegetable tureen repaired. Cover of soup tureen with small rim chip. One oblong bowl with chipped rim. One 32cm dish cracked. One 37cm dish with chip on the rim, the other with extensive star crack
A large quantity of OO gauge model scenery, track and accessories, including two tunnel portals, two boxes of locomotive and wagon parts, lengths of stone walling, platform furniture, engine shed equipment etc, scenic materials, two engine sheds and one signal box, all fitted with internal lighting, a large quantity of buildings and workplaces including cottages, banks, pubs etc, water tower, four station yard huts, also a quantity H&M electrical equipment including transformer untis, switch packs, point motors and mini transformers and also a large quantity of track and point work (approx 68` straight, some 80% being SMP and approx 22` large radius and approx 20` medium radius curved track).
Seaby, H.A., Catalogue of the Coins of Great Britain and Ireland, London, 1938, 99pp, engraved illustrations in text; Seaby, H.A., Notes on English Silver Coins 1066-1648, London, 1948, 87pp; Grinsell, L.V., A Brief Numismatic History of Bristol, Bristol, 1962, 28pp, 4 plates; Dowle, A., and Linecar, H.W.A., and Stone, A.G., English Proof and Pattern Crown-Size Pieces 1658-1960, London, 1968, 116pp, illustrations in text, dj; Finn, P., The Guide Book to the Coinage of Ireland from 995 to the present day, London, 1969, 127pp, illustrations in text; Mossop, H.R., The Lincoln Mint c.890-1279, Newcastle on Tyne, 1970, 32pp, 102 plates and text, dj; Sutherland, C.H.V., English Coinage 600-1900, London, 1982, 232pp, 108 plates, dj; Allen, M.R., The Durham Mint, London, 2003, x + 228pp, 12 plates, dj; together with other references on British coins (24), by Hawkins, Kenyon, Cooper, Joslin, Brooke, Cope and Rayner, etc [32]. Publishers bindings; some very fine Description Footnote
A large sterling silver Scottish pebble golf club hat pin, possibly retailed by Charles Cumming Macdonald, a Glasgow and Birmingham working jewellery and stone dealer (1) A sterling silver golf club hat pin, Birmingham 1909, and a sterling silver hockey stick hat pin, Birmingham 1908, both possibly by J Fry, (3)
A RARE INDIAN SWORD CANE, EARLY 19TH CENTURY. with robust single-edged blade, rectangular forte formed with blunt edges and decorated with differing designs of gold koftgari foliage, flowers and scrolls on the respective faces, steel hilt comprising ferrule formed as a monstrous mask with red stone eyes, a further green stone above and gold koftgari stylised bibri stripes, grip of talwar form, and large hemispherical pommel, decorated throughout with gold koftgari en suite with the forte (small losses), in its original steel-tipped wooden scabbard with painted locket decorated with animals and an exotic bird (losses). 83.2cm; 32 3/4in blade
TWO INDIAN DAGGERS, 19TH AND 20TH CENTURIES. the first comprising two recurved fullered blades swelling towards the tip, central grip incorporating a pair of bone grip-scales, and fitted with a knuckle-bow with an additional short blade, the second with reinforced single-edged blade brass hilt, and stone grip-scales. the first: 52.5cm; 20 3/4in. (2)
A VERY FINE AND RARE TURKISH GOLD, ENAMELLED AND GEM-SET DAGGER WITH LAPIS LAZULI HILT, EARLY 18TH CENTURY. with tapering single-edged blade of watered steel, decorated on one side with a gold-encrusted scroll and a spray of tulip flowers, gold ferrule (incomplete), faceted hilt of gold-flecked lapis lazuli (one small chip at the base), rising to a beaked pommel set with a ruby in a raised floral gold setting, in its original gold scabbard, the inner face enamelled in polychrome with a vertical arrangement of conventional flowers with sprays of foliage highlighted with green enamelled leaves (the enamel with small losses), all against a finely punched matted ground, the outer face decorated with a large panel top and bottom filled with floral patterns formed of raised gold settings and twenty four and twenty six rubies respectively, all enriched with black and white enamel and each with a single diamond, the middle portion with a further flower formed of six diamonds centring on a ruby surrounded by enamelled polychrome flowers and foliage against a finely punched ground en suite with the inner face, the chape set with a single emerald, the back-edge of the scabbard with a running pattern of enamelled green foliage (losses), the inner face with characteristic locket and retaining its original plaited silver wire suspension cord with fluted bulbous finial. 17.5cm; 6 7/8in. The floral mount for the pommel stone and the outer face of the scabbard are closely related to another gold, enamelled and gem-set dagger of earlier form, taken as part of the booty gathered by the Margraves of Baden-Baden and Baden-Durlach now preserved in the Badisches Landesmuseum, Karlsruhe. See E. Petrasch, R. Sänger, E. Zimmermann and H. G. Majer 1991, p. 197, no. 143. Lapis Lazuli is most commonly found in the valley of Kokcha, a tributary of the Oxus, south of Firgamu in Afghanistan. It was visited by Marco Polo in 1271 and has been prized both before and since that date for its rich blue colour characteristically flecked with gold specks of pyrite.
A GROUP OF FOUR AUSTRALIAN CLUBS. comprising a New Britain club with near spherical stone head, the haft retaining a small bound collar; a New Hebrides staff, with a carved disc-shaped moulding at each end and in the centre, retaining an early binding and with an old collection label; a Soloman Islands paddle club, of characteristic form, and another club, probably Soloman Islands, with traces of an old collection label. the first: 123.8cm; 48 3/4in. (4)
A 9ct gold stone set half hoop ring, a 9ct gold garnet set heart pendant, a pair of 9ct gold emerald earrings, three 9ct gold knot earrings, a 9ct gold cubic zirconia ring, a 9ct gold seven stone diamond ring, 9ct Creole earrings 9ct gold sapphire and C2 earrings, two 9ct gold Star of David pendants and two cultured pearl earrings
A two row almandine garnet bracelet, later converted from an early 19th century graduated Riviere necklet, the two rows of graduated flat cut oval garnets, each in a cut-down collet, all joined by jump rings, later pads to the underside, to join in pairs, with a concealed box clasp and safety chain, broken at one side of the clasp, tested and valued as 9ct gold, 22.7g and a pair of two stone garnet drop earrings, each with two oval flat cut garnets in shallow cut-down collets, to later hook fittings, (probably made when item one was converted from a necklet), tested and valued as 9ct gold, 2.8g
Smith (A.C.). Guide to the British and Roman Antiquities of the North Wiltshire Downs in a Hundred Square Miles Round Abury, 1st ed. pub. Marlborough College Natural History Society, 1884, b & w plts. and illusts., one double-page map and nineteen mounted sectional maps (inc. 15 double-page), sewing weak, hinges cracked, orig. gilt dec. green cloth, frayed at head & foot of spine and to board edges, folio, together with Map of One Hundred Square Miles Round Abury; Shewing the British and Roman Stone and Earthworks of the Downs of North Wilts, by the Revd. A.C. Smith, M.A. 1884, twenty mounted litho sectional maps (16 double-page, inc. title), orig. cloth gilt, worn at head & foot of spine, folio. Rev A C Smith Guide to the British and Roman Antiquities of the North Wiltshire Downs in a Hundred Square Miles round Abury was originally published in two volumes (as above) in 1884 by the Marlborough College Natural History Society, then reprinted and bound into a single volume and published in 1885 by the Wiltshire Archaeological and Natural History Society after half the original print run was destroyed in a fire. (2)
Wiltshire. Speed (John), Wilshire, pub. Roger Rea, [c.1662], uncoloured engraved map, inset town plan of Salisbury, vignette of Stone Henge, occ. marginal closed tears not affecting image, minor surface abrasion at base of central fold, very occ. spotting, slight dust soiling, 385 x 510mm, English text on verso (1)
Kratochvil (Louis, ed.). Rolling Stone, The Photographs, 1st ed., pub. Simon & Schuster, 1980, col. and b & w illusts. from photos, orig. cloth in d.j., together with Sieburg (Friedrich, intro.), Revolution im Unsichtbaren, 1st ed., Dusseldorf & Vienna, 1963, col. plts. from photos, presentation inscription to Charles E. Fraser to front endpaper, orig. cloth in d.j. and card slipcase, plus Gruber (L. Fritz), Grosse Photographen unseres Jahrhunderts, 1st ed., Darmstadt, 1964, b & w and a few col. illusts. from photos, author`s signed presentation inscription to Charles Fraser`s mother Mrs Claire Kiddle, orig. dec. cloth, minor marks, all 4to, plus other mostly modern photography interest, the majority German language and including paperbacks and some duplicates (approx. 80)
Archer (Mildred). British Drawings in the India Office Library, 2 vols. (Amateur Artists/Official & Professional Artists), pub. HMSO, 1969, ex-lib. copy with usual marks, orig. cloth in d.j., small 4to, together with Maison (K.E.), Honore Daumier. Catalogue Raisonne of the Paintings, Watercolours and Drawings, 2 vols. (Paintings/Watercolours & Drawings), pub. Thames & Hudson, 1968, port. frontis., num. b & w illusts. from photos, ex-lib. copy with usual marks, t.e.g., orig. cloth gilt, a little rubbed and marked on spines, 4to (limited edition A401/500), plus Furnival (William James), Leadless Decorative Tiles, Faince, and Mosaic. Comprising Notes and Excerpts on the History, Materials, Manufacture & Use of Ornamental Flooring Tiles, Ceramic Mosaic, and Decorative Tiles and Faince, with Complete Series of Recipes for Tile-Bodies and for Leadless Glazes and Art-Tile Enamels, pub. Stone, Staffordshire, 1904, col. and b & w illusts., ex-lib. copy with usual marks, t.e.g., orig. cloth gilt, frayed at head and foot of spine, 4to, and other miscellaneous art reference (3 shelves)
An English pottery brown salt glazed stoneware puzzle jug, inscribed Gentlemen Drink & Let Your Skin Be Tested & A Forfeit Made If Anything Be Wasted, 17.5cm high; a brown salt glazed mug, applied with huntsman, windmill and jolly topers, 13.5cm high; two Jolly Toper brown stone ware flasks, 22.5cm high (4)
An American silver vase shaped two-section compact, the cover engine turned in alternating bands and decorated in bands of two-tone gold, the interior with two lidded compartments and mirror, cabachon blue stone button handles, mesh link strap, 23cm long, c.1920 Foster and Bailey was an American silversmith that operated between the years of 1878 and 1898. Prior to that the firm was known as White & Foster, from around 1873 up until 1878. Between 1898 and 1951 the company continued to operate under the name Theodore W. Foster and Bros, however it used the same F&B Sterling" hallmark on its silver as Foster and Bailey which can make it difficult to determine when a piece was made. The firm was based in Providence Rhode Island "
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400830 item(s)/page