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Lot 604
Bachmann, Hornby and other "00" 16, 20 and 25 Ton Brake Vans - all eras and liveries (x25) Comprising:Bachmann (x15) 33-301D BR WR bauxite 33-302 S & T brown, 33-308 BR grey weathered, 33-350B BR standard bauxite, 33-801 BR 16 ton grey, 33-825 Queen Mary BR brown, 33829 Queen Mary grey stone / barrier vehicle, 37-535B Rail freight red & grey, 37-536 Flush side BR brown, 37-526 BR standard grey, 37-537C BR bauxite weathered (x2), 38-402 SR Pill box bauxite, 38-551 Midland BR grey (without duckets), plus replacement boxed reslivery example.Hornby (x5): R049 Car Sub-sector, R6296A (ex LMS) BR grey, R6936 (ex LMS) ZTO dark grey, R60019 (ex LMS) BR bauxite, R60088 Rail blue S & T livery.Replica Railway (x3) No. 13501 Rail Fright 13503 bauxite / yellow air piped, 13504 red, yellow, grey air piped.Airfix 20 ton bauxiteMainline 20T BR (WR)All appear to be in exellent condition.
Lot 781
Late 19th to mid 20th century games including a meccano set, a quantity Lot includes: A complete wooden tiled Scrabble, set of draughts, bakelite solitaire in a shortbread tin, an advertising double sided jigsaw for the Cement Marketing Company Ltd of India, a box of early 'stone' building bricks, a "Counties of England" set of cards, a counters dispenser, good set of poker dice, a wooden cased Bezique set with markers and scorecards, six early lead weighted wooden darts, a tumbling skittles game made from a Manchester mill bobbin, a shove halfpenny board and a partially complete Meccano No.6 boxed set. A good range of games for a winter evening!
Lot 1024
A custom-made, full-length stone marten as seen worn by Elizabeth Tyalor on multiple occasions, owned by Elizabeth Taylor. The coat is monogrammed "EW" as Taylor was married to John Warner at the time of purchasing the coat. A pocket that was placed over Taylor's monogram is monogrammed "JS." Taylor added the personalized pocket when she gifted her coat to Jorjett Strumme. An Edwards-Lowell Beverly Hills label is present. Edwards-Lowell Beverly Hills label is present. Online link to additional images of Taylor available upon request.PROVENANCE From the Collection of Jorjett Strumme, Elizabeth Taylor's personal assistant and friend
Lot 1152
A group of counterculture magazines, circa late 1960s-mid 1970s, that were owned by Dennis Hopper. Included are issues of The Great Speckled Bird, Captain Goodvibes, Tracks, Rolling Stone, Heavy Metal, Helix, The Rip Off Review, Artichoke, and A Magazine of the Fine Arts.14 x 19 x 3 inches (overall)PROVENANCE Property from the Life and Career of Dennis Hopper
Lot 239
An original funerary stone prop as seen used in season one of the Disney+ series Andor (Lucasfilm Ltd., 2022). This production-made prop is composed of resin and is painted to resemble a brick-like material. These funerary stones can be seen in the first season of the series, as a way to memorialize the citizens of the planet Ferrix. The stone would include the ashes of a deceased individual, and would be placed in the walls around the city. This type of stone would additionally be used in a riot that broke out against the Empire following the funeral of Maarva Andor. 13.75 x 7.5 inches
Lot 240
An original Hogwarts invitation envelope from the production of Harry Potter and the Sorcerer's Stone (Warner Bros. Pictures, 2001).During a scene of the film where Harry's uncle, Vernon Dursley, tries to prevent Harry from seeing his acceptance letter to Hogwarts School of Witchcraft and Wizardry, the Dursley house becomes overrun with flying envelopes.This prop envelope features a printed wax seal on the reverse side rather than a real wax seal so that it would be light enough to "fly" around the room. On the rear, the Hogwarts crest is depicted.The front of the envelope shows Harry Potter's address at the Dursley residence printed in green.The accompanying Letter of Provenance reads, "the Harry Potter Hogwarts Invitation Envelope is a screen used flying envelope prop as seen in the Hallway (coming out of the letterbox) and in the Living Room (coming out of the fireplace). This item was traded with a production assistant in 2008 who had worked on the early Harry Potter films to include the first movie - Harry Potter & The Sorcerer's Stone / The Philosopher's Stone. Each envelope is unique with its green veining (every single one is different)."Accompanied by a Letter of Provenance from The Monster Company.7.25 x 5.25 inches
Lot 241
An original Hogwarts invitation envelope from the production of Harry Potter and the Sorcerer's Stone (Warner Bros. Pictures, 2001).During a scene of the film where Harry's uncle, Vernon Dursley, tries to prevent Harry from seeing his acceptance letter to Hogwarts School of Witchcraft and Wizardry, the Dursley house becomes overrun with flying envelopes.This prop envelope features a printed wax seal on the reverse side rather than a real wax seal so that it would be light enough to "fly" around the room. On the rear, the Hogwarts crest is depicted.The front of the envelope shows Harry Potter's address at the Dursley residence printed in green.5.25 x 7.25 inches
Lot 242
A collection of 20 photographs, each featuring the main cast members (Daniel Radcliffe, Emma Watson, and Rupert Grint) from Harry Potter and the Sorcerer's Stone (Warner Bros., 2001).These black-and-white photos additionally bear the pre-printed facsimile signatures of the Radcliffe, Watson, and Grint, and were offered to fans as collectible memorabilia.
Lot 326
An original animatronic hand created by Carlo Rambaldi from the production of Oliver Stone’s early film The Hand (Warner Bros., 1981), about John Lansdale (Michael Caine), a cartoonist who loses his drawing hand in a car accident, and becomes terrified as the severed hand murders people who anger him.Rambaldi used Oliver Stone's hand cast when creating the hand, which is 1:1 scale. It is controlled by metal chains and exposed wiring, and exhibits wear from production use. A label with the number 72.320 is present. The animatronic comes from the personal archive of the film’s special effects artist, Carlo Rambaldi. Stone had Rambaldi design 30 different hands, all to serve different functions. He ultimately created eight mechanized hands. In a Fangoria interview with Bob Martin in 1981, Stone said:“Carlo Rambaldi worked like a dog on this picture. You’ve got to realize how difficult it is to build a mechanical hand—it’s so small, so you’ve got relatively little space to work in, compared to a shark or an ape. He worked so hard and long on those mechanicals…” Stan Winston and Thomas R. Burman did additional makeup work on the hand.The film was Stone’s first high-budget studio feature as a director. He was offered the project after winning an Academy Award for his breakthrough screenplay Midnight Express (Columbia Pictures, 1978). Reviewing the film in The New York Times, Vincent Canby wrote that the film suggested he was “a director of very real talent.” 3.25 x 4 x 10.25 inchesPROVENANCE From The Carlo Rambaldi Archives
Lot 439
An original Lifetime Achievement Award presented to Sir Sean Connery during the 2001 Nortel Networks Palm Springs International Film Festival. This award is composed out of a bronze material with a stone base. The bottom of the award is lined with felt. The artist's signature is stamp-engraved into the base of the figure. This unique figure known as "The Entertainer", designed to look like a court jester, was based on a sculpture by John Kennedy, completed in 1995. The base of the figure reads, "Sean Connery/ 2001/ Lifetime Achievement Award," and on the opposite side, "Nortel Networks Palm Springs/ International Film Festival." 21 x 6.5 inches
Lot 527
A group of nine original Federal Department of Corrections ID card props as seen worn by the cast of Orange is the New Black (Lionsgate Television, 2013 - 2019) Included in this lot are the ID card props for Taylor Schilling as "Piper Chapman," Natasha Lyonne as "Nicky Nichols," Taryn Manning as "Tiffany "Pennsatucky" Doggett," Yael Stone as "Lorna Morello," Lea DeLaria as "Carrie "Big Boo" Black," Laverne Cox as "Sophia Burset," Lori Tan Chinn as "Mei Chang," Lin Tucci as "Anita DeMarco," and Abigail Savage as "Gina Murphy." These prop identification cards were obtained from the official Orange is the New Black auction held in 2019. Includes a DVD of the first season of the series. 3.5 x 2.25 inches
Lot 821
A group of props from the production of Brian Levant's prequel film, The Flintstones in Viva Rock Vegas (Amblin Entertainment, 2000) including a "Backstage VIP Jungle Room" pass and a hammer with two writing chisels.The plaster pass is painted green and white to resemble stone and features red lettering on the front. It hangs from a length of twine. The hammer comprises a resin head and wooden handle and the chisels are made of metal, with all three items further painted to resemble wood and stone.This prequel to Levant's The Flintstones (Amblin Entertainment, 1994) follows how the two main couples get together, the narrative centering on the class differences between Wilma Slaghoople (Kristen Johnson) and the others: Fred Flintstone (Mark Addy), Barney Rubble (Stephen Baldwin), and Betty O'Shale (Jane Krakowski). Following a disastrous dinner at Slaghoople Manor, the wealthy Chip Rockefeller (Thomas Gibson) invites the four to his casino and resort in Rock Vegas. He plans to encourage Fred, rival for Wilma's affections, to gamble away all of his money, thereby rendering him less desirable to Wilma (or so he thinks). These items were created for the sequences at the casino and resort, with this style of hammer and chisel seen resting on desks and being used by Chip to sign contracts. This bizarrely cast box office bomb featured special appearances from William Hanna and Joseph Barbera and received 11 combined "Razzie" and "Stinker" nominations in categories such as Worst Supporting Actor, Worst On-Screen Hairstyle (both for Stephen Baldwin), Worst Song (for Ann-Margret's "Viva Rock Vegas"), and Most Unfunny Comic Relief (for Alan Cumming in his dual roles of The Great Gazoo and Mick Jagged). However, it only took home one: Worst Resurrection of a TV Show. 13 x 5 x 2.25 inches (largest)
Lot 822
A group of props from the production of the party sequence at Slaghoople Manor in Brian Levant's prequel film, The Flintstones in Viva Rock Vegas (Amblin Entertainment, 2000), including a "torn" valet ticket rock tablet (two pieces) and four plastic water glasses.The valet ticket is made of plaster and painted to resemble stone. There is perforation on one edge of each piece to resemble a torn valet ticket. One piece reads "T-1138 / Valet / Parking" and the other reads "T-1138 / Valet / Parking / Not responsible / For anything." The four glasses are molded from plastic with irregular bumps along the exterior, each slightly different from the others.This prequel to Levant's The Flintstones (Amblin Entertainment, 1994) follows how the two main couples get together, the narrative centering on the class differences between Wilma Slaghoople (Kristen Johnson) and the others: Fred Flintstone (Mark Addy), Barney Rubble (Stephen Baldwin), and Betty O'Shale (Jane Krakowski). The three arrive at Wilma's home, Slaghoople Manor, and encounter valet parking for the first time. Fred mistakes the valet (John Cho) for a thief before Wilma explains the situation to him. Shortly after, they all attend a garden party and dinner in honor of Wilma's father (Harvey Korman) where the guests drink from this style of water glass. This bizarrely cast box office bomb featured special appearances from William Hanna and Joseph Barbera and received 11 combined "Razzie" and "Stinker" nominations in categories such as Worst Supporting Actor, Worst On-Screen Hairstyle (both for Stephen Baldwin), Worst Song (for Ann-Margret's "Viva Rock Vegas"), and Most Unfunny Comic Relief (for Alan Cumming in his dual roles of The Great Gazoo and Mick Jagged). However, it only took home one: Worst Resurrection of a TV Show. 10 x 6 x 1 inches (ticket slabs together); 5 x 4.5 x 4.5 inches (each glass)
Lot 824
An original Miss Piggy costume ring prop and dia-postive photograph from the production of The Muppets (The Walt Disney Company, 2004 - 2023).This ring is similar to a ring that Miss Piggy is seen wearing during various photo shoots for the iconic character, this ring featuring a different costume stone color. The dia-positive photograph shows Miss Piggy during a photo shoot, sporting a cowboy hat.2.25 x 2.5 inches
Lot 168
Keith Richards signed Rolling Stone vintage magazine dated May 27, 2010, signature on cover. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Lot 038
An antique 18ct yellow gold ring set with two rubies, one red stone (has been replaced) & old cut diamonds, 2.54gm, size O, an 18ct yellow & white gold cluster ring set dark blue sapphire and small round single cut diamonds, 4.85gm, size P and a yellow gold cocktail style ring set with an emerald cut yellow quartz stone, 9.34gm, size J 1/2, (3).
Lot 043
A mixed lot to include a yellow gold mourning brooch with hair under glass panel, 3.34gm, a pair of 15ct yellow gold flower studs set centrally with a red stone, (no butterflies), 1.85gm, a yellow gold oval locket with cross engraving to front, 9.48gm and an antique yellow gold ring set with seed pearls, turquoise & a central red stone, shank split from shoulder, 2.73gm, (items not hallmarked have not been tested), (4).
Lot 090
An 18ct yellow gold bracelet set with twelve step cut sapphires and fifty-two square cut sapphires, total sapphire weight approx. 9.20 carats, surrounded by small round brilliant cut diamonds, total diamond weight 2.36 carats, push in clasp with two figure of eight safety catches, length 20cm, 24.8gm, (please note stone weights are approximate and have been measured within the restrictions of the settings).
Lot 1054
Circa 1st millennium B.C. Restrung; composed of stone beads of various shapes and shades of cream and grey. 16.1 grams, 38 cm long (15 in.). Ex North London collection from 1980s-1990s. Property of a Ruislip, UK, gentleman, by inheritance. Accompanied by a previous dealer's certificate of authenticity. [No Reserve]
Lot 1062
1st millennium B.C. Two roughly spherical beads carved from a milky stone, both possibly engraved later a frieze of animal and mythical figures, together with a single, apparently human, figure. 22.1 grams total, 20-22 mm (3/4 in.). Collected since the 1970s. Ex Everitt collection, acquired by descent 2017. [2, No Reserve]
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398886 item(s)/page