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Lot 2026
18ct gold three stone oval sapphire and round brilliant cut diamond ring, stamped 18KT, total diamond weight approx 0.30 carat, sapphire approx 0.80 caratCondition Report:Approx 3.45gm, size P, shank slightly worn to base but not detrimental still sound and solid shank, diamonds bright well matched and good colour
Lot 2080
Victorian and later silver jewellery including two Albert chains, stone set brooches, bright cut and embossed brooches, lockets, bracelets, etcCondition Report:Weighable silver approx 261.5gm, stone set silver approx 43gm, both Albert chains have some none silver links, two lockets and agate set padlock silver plated, all other items tested or hallmarked silver
Lot 2088
9ct gold five stone cubic zirconia ring, 9ct gold signet ring, silver-gilt signet ring and silver jewellery including two rings, bracelet, bangle, locket and pair of golf ball cufflinks Condition Report:9ct gold signet approx 3.3gm, 9ct gold cubic zirconia ring approx 2.6gm, weighable silver 65gm
Lot 2115
Two gold house and crown charms, both 9ct, silver jewellery including marcasite and cabochon green agate flower necklace, yellow paste stone riviera necklace, imp and marcasite heart pendant necklace and a 9ct gold Rotary manual wind ladies wristwatch, on leather strapCondition Report:9ct gold approx 7.25gm, tesetd, house hinge broken (detached), watch approx 12.1gm gross
Lot 2121
Early 20th century 15ct gold amethyst and split pearl hexagon shaped brooch, silver cabochon turquoise swan brooch and a 9ct gold pink stone and split pearl oval flower broochCondition Report:15ct approx 9gm (back pin 9ct gold), stamped and tested, 9ct approx 1.9gm (back pin not gold), stamped and tested, silver swan brooch stamped 800
Lot 2140
Victorian silver stag brooch by William Henry Leather, Birmingham 1897, old black onyx ring, gold stone set ring, both 9ct, silver Mizpah and bird brooch and other silver jewelleryCondition Report:9ct approx 6.05gm, stag brooch replacement back pin and some rubbing to makers mark otherwise good condition
Lot 2143
Early 20th century gold old cut diamond four stone ring, stamped 18ct, total diamond weight approx 0.70 caratCondition Report:Approx 2.15gm, size M-N, one diamond missing, one diamond loose been taken out of setting in separate bag, diamonds need to be re-set, bright well matched diamonds, good colour, with some inclusions visible under 10x loop
Lot 114
* JAMES MCDONALD (SCOTTISH b. 1956),BOOK STACKmixed media on board, signed and dated 1989image size 106cm x 78cm, overall size 127cm x 98cm Framed and under glass.Note: James McDonald studied at Edinburgh College of Art 1974-78, and completed his postgraduate year there in 1979. McDonald has painted full-time since studying at Edinburgh, and his work has won numerous awards including the Andrew Grant Travelling Scholarship, British Council Travel Grant and the Alexander Stone Foundation Award. He has exhibited widely throughout the U.K. and overseas and is in private and public collections including the Victoria & Albert Museum, London; BBC; STV and all major Scottish banks.
Lot 98
* SCOTT IRVINE (SCOTTISH b. 1970),DISCUSwooden sculpture with rotating fused glass panel on glass plinth; signed to the underside50cm highNote: Born in Edinburgh in 1970, throughout his childhood Scott could always be found in the garden shed with some blocks of wood and constructing his early creations. He left school at the age of 16 with good qualifications and advice to follow a different career to the one he had already set his heart on. However, he decided to fulfil his passion of working with wood and trained as a carpenter in a local firm in Balerno. In 1993, following a paralysing illness (Guillain Barre Syndrome) which unfortunately left him with some residual weakness and pain in his feet, he was unable to return to carpentry as his fulltime profession. Having a great devotion to working with wood, he was determined to carry it on, which led him into the art of woodturning and carving which has been entirely self-taught. After a few years of selling his work through a small number of galleries, he decided to set up his own business 'Harmonies in Wood' in 1998. Although Scott enjoyed working with wood, he wanted to develop his work in a different direction, so he started incorporating metals and stone into his sculptures. However, in 2002, he still wasn't satisfied, so with a longstanding interest and desire to incorporate glass into his sculptures, he decided to buy himself a kiln and started experimenting with fusing glass. His joinery and glazing skills came in handy in terms of cutting glass and his technical knowledge of glazing was put to the test. After much trial and error, he developed the desired fused glass disc which he was able to incorporate into his wooden sculptures. Even though the wood that he uses is kiln dried, being a natural product, it is unpredictable and prone to movement over time, therefore Scott created a specialised glazing system for incorporating the fused glass element to allow for any expansion and contraction between the wood and glass components. The designs of his fused glass are inspired from the natural landscape of the Pentland hills near to his Balerno home. He has no fear in using a very varied colour palette but likes to complement his designs by incorporating iridescent and dichroic glass to create a dramatic fusion of effects. The continual and expanding interest in his unique designs and craftsmanship has resulted in Scott's work being exhibited in numerous galleries throughout Scotland and the UK with some European and American exhibitions too. He has been fortunate to exhibit his work in several solo shows in some of Scotland's finest galleries. The freshness of his designs continues to surprise and delight an ever-growing number of private and corporate collectors of his work. He has recently worked on some very exciting projects including the production of awards for The Jolomo Lloyds TSB Scotland Awards in 2007 and was commissioned to make the Jolomo Awards for 2009. The 2009 Awards were presented at the Kelvingrove Art Gallery & Museum, Glasgow on 12th June. He has made awards for Vision in Business for the Environment of Scotland (VIBES) 2007 and 2008 and the Robert Burns Humanitarian award 2008 and many other awards and sculptures for other corporate events and buildings.
Lot 293
A 19th century silver cased pocket watch with movement by John Moore & Sons, Clerkenwell, London. Fusee movement engraved with makers name and the serial number 7146, concealed beneath an engraved case back secured with sliding mechanism. Diamond end stone set within a blue steel collar - tested with a diamond meter. Makers initials GMB to case, hallmarked in London, date letter for 1821. Case tarnished, glass would benefit from clean. Movement untested, but presents well with fine gilt colour. Engraved monogram to rear of outer case, slight loss from polishing. Dial diameter 47mm. Provenance: Lightwater, Surrey: From: Jamie Mandeville Date: 13 September 2022 at 1:26:24 pm BST Subject: Clocks. My parents started to care for Mr and Miss Moore in approx 1974, Mr Moore was John Moores grandson, he was Edward Gorden Moore, and his dad was Edward Lock Moore, John Moores son. The regulator was a gift to Edward Gordon Moore from his dad on his dads 80th birthday (see paper attached) Edward Lock would have owned this clock form when it was made by his dad John Moore. Miss Moore died first in 1979 and Edward Gordon died in 1984. These clocks made by the Moore family then went to my parents and have never been on the market for sale. Regards Jamie Mandeville https://youtu.be/z_Qm_cKD2rM https://www.youtube.com/watch?v=m-7lJ1IVUuU
Lot 3A
18ct White Gold - Attractive and Exquisite Diamond and Pink Stone Set Open-Worked Pendant, Attached to a Later 9ct Gold White Chain. Pendant Marked 750 -18ct. The Diamonds Of Good Colour / Clarity. Est Diamond Weight - Total 1.00 ct. Pendant Size 1.75 Inches - 4.40 cms. Chain length 16 Inches - 40 cms. Weight 10.9 grams.
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