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Lot 223
An early 20th century 18ct diamond and ruby set 12 stone daisy ring, the stones in milgrain setting, the central ruby measuring 0.15ct and surrounded by eight small diamonds, the shoulders with two further rubies, size N/O, weight 2.45g.One of the diamonds has a line chip or crack, not visible to the naked eye. The principal ruby has some edge tiny chips to the table. The smaller rubies have very tiny edge chips. These are not visible to the naked eye. No sign of the ring being re-sized. Generally a nice bright ring.
Lot 242
An early 20th century gold and platinum diamond and sapphire seven stone ring, the square octagon cut sapphire measuring 1.6ct approximately, the old cut diamonds each measure 0.07ct, size R/S, weight 3g.The sapphire has some very small edge chips. One corner has two chips only just visible to the naked eye. The table has some very tiny edge chips but only noticeable under a loupe. The diamonds are of irregular shape and cut. One has an edge chip but not noticeable. One diamond is set slightly lower.
Lot 3
An 18ct gold diamond and sapphire five stone ring, the central diamond measuring 0.07ct, size L/M, weight 2g.One sapphire has a small surface chip, not visible to the naked eye. One end diamond isn't set straight. Another end diamond has a tiny surface chip but not noticeable to the naked eye.
Lot 37
An attractive Victorian 15ct gold diamond and sapphire set six stone gatelink bracelet, the panels with alternate diamond and sapphires, the three round cut diamonds each measuring 0.10ct, the three sapphires each 0.30ct, stamped 15, weight 29.5g.Length 21cm approximately. The metal is in good condition. Two sapphires have a small surface chip and wear to the cut areas. One diamond has an crack running from the side to the table. These defects aren't noticeable with the naked eye.
Lot 371
An Omega 9ct ladies manual wind bracelet wristwatch, ref. 625, the signed black 18mm dial with gilt baton markers, the 17 jewel movement numbered 39 564926, the bracelet numbered 711.5585, the winding crown set with tigers eye stone, case width 20mm, weight excluding movement 29.8g, within Omega box.
Lot 431
Ireland. Flights of Fancy, being occasional poems by Thomas C. Hitchcock ..., Clonmel: 1839, 44pp. ink manuscript poems written in a neat hand, including 2pp. contents, ink manuscript title, at front an additional ink manuscript title with adhered engraved classical motifs, facing an ink manuscript dedication 'To George Rock Hitchcock as a Token of remembrance from his loving Brother Thomas Cooke Hitchcock', all in the same neat hand, the dedication with adhered engraved border and decorations, each decoration with contemporary ink signature 'Geo Hitchcock', a further 4pp. ink manuscript verse at rear, in a different hand, rear pastedown with pencil sketch of a seated traveller roughly titled 'Tom Hitchcock', above an ink manuscript poem, some offsetting from engravings, additional title blank verso with later ink annotation 'T.C.H. born 1821, died 1841', contemporary marbled boards, rubbed and dust-soiled, covers a trifle creased, spine worn, 94 x 91mm, together with: Ink manuscript music, c.1819-1821, 48 leaves with ink manuscript staves, of which 86pp. contain ink manuscript music in a neat hand, comprising 7 Irish Airs, 2 Scotch Airs, and a selection of waltzes, quadrilles, and other airs and tunes, some with dedications or notes on who they were obtained from, two dated 1821, a couple with elaborate calligraphic titles, the pages written from the front and also from the rear of the book (inverted), preliminary blank and rear free endpaper (inverted) both with contemporary ink ownership inscription 'Julia Gage, Bellarena, Newtown Limavady, Ireland' (or similar), the rear inscription dated Aug 1819, hinges cracked after endpapers/initial leaves, contemporary red half morocco gilt, rubbed with some wear to board edges, rear cover somewhat creased, oblong 12mo, plus: Album, Lines Written in a Little Lady's Little Album, c.1859-1864, a small album comprising numerous leaves of different coloured papers, 27pp. (the remainder blank) with ink manuscript verse in different hands, some dated, some signed, also one neat pencil sketch of a continental street scene within a decorative border, a 2nd neat pencil sketch of a church by a stone bridge, all edges gilt, contemporary black morocco gilt, a little rubbed, front cover lightly scratched, covers and spine elaborately gold-tooled, 12moQTY: (3)NOTE:First item: George & Thomas Hitchcock's father was John Hitchcock , Governor of Clonmel Asylum.Second item: Julia Gage, daughter of Marcus Gage McCauseland or Bellarena, married Sir Hugh Stewart, 2nd baronet Stewart, of Athenree in 1826. They had a daughter and later a son John Marcus who was born in November 1830, the same month given for Julia's death.
![Athalin (Baron Louis). Transformation cards, [Paris, France, 1815], the complete deck of 52 etched transformation playing car](https://cdn.globalauctionplatform.com/dbc58c58-2262-4c1d-801f-aea600db9801/a07915f8-bd8f-4631-9dd6-aea601054bc1/468x382.jpg)
Lot 448
Athalin (Baron Louis). Transformation cards, [Paris, France, 1815], the complete deck of 52 etched transformation playing cards, comprising 4 suits of 13 cards (French suits), the court cards portraying events relating to named historical figures, with suit-signs (uncoloured) to upper right corners, the pip cards 1-10 depicting a wide variety of scenes, including bear-baiting, Turks smoking pipes, circus dogs, a battle scene, carpenters at work, etc., the suit-signs hand-coloured in either black or red, the plain verso of each card has a near contemporary ink manuscript description (in French) of the scene or event depicted, in a neat calligraphic hand, occasional light toning or minor marks (mainly to edges), each card approximately 95 x 66mm, contained together in 5 ringbinder album leaves with clear pockets, each album leaf 33 x 32cmQTY: (5)NOTE:Field 31; Hoffmann, p.50; Morley, pp.118-119; Ortiz-Patino collection, 64.A rare deck of transformation cards in remarkably good condition, and made unique by the fine calligraphic inscriptions on the versos.Field describes these cards as showing 'a high level of artistic ability ... with considerable detail', and the Ortiz-Patino collection states that 'this pack has been considered to be one of the most elegant and finely drawn of all the artistic transformation cards ...'. Apparently Baron Athalin (sometimes Atthalin) designed these cards during a sea crossing from Palermo to Marseilles in 1814, and they were engraved the following year. The knave of clubs has the name 'Ja[que]min Gringonneur', an artist who is known to have painted packs of cards for the French king Charles VI in 1392. It is believed that the figure used to depict Gringonneur is actually that of Athalin himself. The king of spades represents David cutting off Goliath's head with his own sword, after slaying him with the sling stone (although it does appear that Goliath is still living in this portrayal).
Lot 498
Gough (Philip, 1908-1986). Fifteen original illustrations for The Balloon People by Ann Stone, London: Lutterworth Press, [1971], fifteen original illustrations in pen and black ink (except cover design in watercolour and gouache with pen and black ink), on artist's board, depicting scenes from the book, most with printer's notes to margin, tissue guards and titles in ink to the lower margin, various sizes from 38.5 x 24.3 cm (15 1/8 x 9 5/8 ins) to 39.5 x 53.3 cm (15 1/2 to 21 ins), together with 25 similar original book illustrations for other publications by Philip Gough, all in pen and black ink on artist's board, 38.5 x 30 cm and smaller, including an original mock up book in pencil for The House That Jack Built by Philip Gough, pencil on paper, 26pp, bound in plain stitched wrappers, 20.5 x 25 cm (8 x 9.75 ins)QTY: (36)
Lot 178
A diamond and pearl bar brooch, set with an old brilliant-cut diamond, three half pearls and four rose-cut diamonds (width 3cm, 3.0g)Condition Report: Diamonds - main old brilliant-cut is bright stone, reasonable good clarity and colour (no black inclusions), measuring 4.5mm x 3.8mm, four other rose-cut diamonds. Pearls (not tested) - very well matched for colour and reasonable/good lustre.
Lot 199
A sapphire and diamond-set ring of hexagonal design, centrally-set with an old-cut diamond within a surround of six circular-cut sapphires and diamond-set outer border, the plain stamped '18ct' and possibly 'PLAT', size Q (2.7g)Condition Report: A pretty ring in fair/good condition.Sapphires well-matched, similar colour to images, possibly CeylonDiamonds central old single-cut, bright stone but PK,Shank is sized at the base, numbered on inner shank : K487Diameter of plaque: 1.3CMS
Lot 217
Four rings: an oval smokey quartz, the pierced heart-shaped gallery and shank indistinctly stamped '9ct', size P; an oval three-stone tourmaline (untested) and 18-carat yellow gold ring with diamond-set detail between, London hallmark, size O; a turquoise and 9-carat yellow gold ring size Q; and an olivine (untested) and 9-carat yellow gold ring, size M (combined gross weight 14.4g) (4)
Lot 298
A heavy Chinese celadon green hardstone carving of a junk with three sailors, raised on finely carved wooden stand emulating water (19.5cm high including stand x 17cm wide)Condition Report: The stand appears in reasonable condition with only one or two minor 'extremities' away from the outside of the carving. The five legs appear in good condition, the green hardstone carving itself appears to be in good order with no problems noted. The Auctioneer reports that carving seems to be very good and the colour of the stone is pleasing.
Lot 301
D. KOVRIGIN (Russian) - 'Last Snow' - a hardstone panel after the oil painting by Boris Valentinovich Shcherbakov. White marble decorated in relief with coloured sands and with a jade-like hardstone variegated green frame.Two paper labels verso with Cyrillic script listing the artist, the title and the medium as comprising over 300 different stones, including crystals, precious stones and off-cuts from the the Malakhit stone-cutting factory (24cm x 30cm)
Lot 305
A selection of mostly early pottery and associated etc. to include a Roman terracotta oil lamp, a shaped and honed Stone Age cutter, triangular fragment of early pottery, 'dog tooth' style detail in relief, a pair of later blue and white tiles (one with a griffin rampant), a small early-style pedestal bowl naively decorated with flowerheads and a later circular bowl of squat form and a modern Cornish terracotta jug with handle (12)
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400830 item(s)/page