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Lot 110
LP Records, approximately eighty albums of mainly Rock and Pop with artists including Prince, 10cc, Pat Benatar, Flintlock, Jerusalem, Tim Moore, Rosetta Stone, Albania, Poogy, Michael Chapman, Steve Khan, Joe Egan, Ivory, Firefall, Planets, Eurogliders, Wild Blue, Shanghai, The Bardots and more - various years and conditions
Lot 46
Rolling Stones LP, fourteen albums comprising Hot Rocks (Remaster), Emotional Rescue (with Poster), Out of Our Heads, Goats Head Soup, Stone Age, Some Girls, Milestones, Still Life, Its Only Rock n Roll, Tattoo You, Black and Blue, Gimme Shelter, Made In The Shade and Dirty Work - various years and conditions
Lot 100
A FINE AND RARE CELADON JADE GLOBULAR VASE 18TH CENTURY Described as Ottoman by Roger Keverne in Jade, the globular body surmounted by a short gently flaring neck, carved with two loop handles emerging from six-petalled flowerheads, all raised on a short spread foot, with a paper label for Spink & Son Ltd to the base, the greyish-green stone with some russet inclusions, together with a wood stand raised on five feet, 13cm across. (2) Provenance: by direction of the executors of the late Sylvia Quance (d.20th September 2020). From the collection of Gordon W Quance LLM (1931-2017). Purchased from Spink & Son Ltd on 27th June 1966. The original invoice, which describes the vase as Mughal, is available. Illustrated: R Keverne, Jade, p.293, fig.39.十八世紀 青白玉雕雙耳瓶來源：Gordon W Quance LLM（1931-2017) 及Sylvia Quance（逝於2020年9月20日）收藏。1966年6月27日購於Spink & Son Ltd （附發票複印件及標籤）。
Lot 101
A CHINESE CELADON JADE 'MYTHICAL BEASTS' TRIPOD INCENSE BURNER AND COVER QIANLONG 1736-95 The compressed circular body carved in low relief with archaistic scrolls divided by flanges, flanked by two handles shaped as winged pixiu, the domed cover surmounted by a circular finial worked as a chilong twisting amidst swirling clouds, all raised on three tapering feet, with a paper label for Spink & Son Ltd to the base, the greyish stone with dark inclusions, together with a wood stand pierced with prunus branches, 15.2cm across. (3) Provenance: by direction of the executors of the late Sylvia Quance (d.20th September 2020). From the collection of Gordon W Quance LLM (1931-2017). Purchased from Spink & Son Ltd on 21st February 1966. The original invoice is available.清乾隆 青白玉雕瑞獸三足爐來源：Gordon W Quance LLM（1931-2017) 及Sylvia Quance（逝於2020年9月20日）收藏。1966年2月21日購於Spink & Son Ltd （附發票複印件及標籤）。
Lot 102
A CHINESE CELADON JADE 'DRAGON' INCENSE BURNER AND COVER QIANLONG 1736-95 The compressed body and domed cover decorated in low relief with archaistic taotie masks, with dragon head-shaped handles suspending loose rings to two sides, the finial carved in openwork as a coiled dragon grasping a sacred pearl, all raised on a flared foot incised with a key fret band, the stone of a pale green tone with some white and russet inclusions, with a paper label for Spink & Son Ltd to the base, 15.5cm across. (2) Provenance: by direction of the executors of the late Sylvia Quance (d.20th September 2020). From the collection of Gordon W Quance LLM (1931-2017). Purchased from Spink & Son Ltd on 29th June 1967. The original invoice is available.清乾隆 青白玉雕饕餮紋銜環香爐來源：Gordon W Quance LLM（1931-2017) 及Sylvia Quance（逝於2020年9月20日）收藏。1967年6月29日購於Spink & Son Ltd （附發票複印件及標籤）。
Lot 103
A CHINESE ARCHAISTIC PALE CELADON JADE VASE AND COVER, HU QING DYNASTY OR LATER The flattened pear-shaped body carved in low relief with large leaf-shaped lappets, with a band of taotie masks reserved on a leiwen ground to the shoulder, the neck flanked by two handles formed as stylised dragons, the rim and flared foot incised with bands of key fret, with further lappets and key fret to the cover, surmounted by an oval finial, the pale stone with brown and white inclusions, 27.3cm. (2)清或更晚 青白玉雕仿古饕餮紋蓋瓶
Lot 53
A LARGE CHINESE CELADON JADE SQUARE-SECTION VASE, FANGGU SIX CHARACTER QIANLONG MARK AND OF THE PERIOD 1736-95 The raised central section supported on a slender spread foot, surmounted by a tall neck flaring at the rim, with the reign mark incised and picked out in gilt to the rim, the greyish stone with white striations and black flecks, the base with a paper label for the Dr and Mrs P H Plesch Collections, no.Hv27, 27.5cm. Provenance: from the collection of Professor Peter Hariolf Plesch (14th February 1918-5th March 2013) and Gerta Regina "Traudi" Plesch OBE (4th December 1921-10th August 2013), collection no.Hv27, acquired from Spink & Son's December 1981 exhibition of jade, no.62. Illustrated: Spink & Son Ltd, An Exhibition of Fine Jade, December 1981, p.19, no.62.Peter and Traudi were important collectors of Chinese, Japanese and Korean Art. Their vast collection grew exponentially after their wedding in 1963 and also included many examples of Chinese, Roman and English glass, thus reflecting their eclectic taste. Peter and Traudi both came to the UK after fleeing the rise of Nazism in the 1930s. Peter left Berlin in 1933 with his father Janos Plesch, Albert Einstein’s personal doctor and friend. Traudi emigrated from Vienna with her family in 1938. Peter became Professor of Chemistry at Keele University and gained international recognition for his lifelong studies of cationic polymerisation, publishing several books and more than 150 research papers, the last just after his 90th birthday. Traudi received her OBE in 2000 for charitable services to the community in Staffordshire. In March 1959 at Sotheby’s London, Peter purchased a Ruyao narcissus bowl for £2,200 against the dealer J T Tai. It was reoffered at the same saleroom in February 1970 where it sold for £46,000 and subsequently made the front page of a UK national newspaper. On both occasions the hammer price entered the Guinness Book of Records as the highest price ever paid for any ceramic. Several pieces from the collection were lent to Oriental Ceramic Society exhibitions, including this bowl in 1960. Peter published many articles relating to Asian arts, bringing his own scientific approach to collecting, including formulating a new cataloguing system. Peter and Traudi’s collection was admired by many fellow collectors and academics. Their passion for the collection was matched by the enthusiasm of their guests, and they were known to be very welcoming to all visitors.清乾隆 青白玉雕方觚《大清乾隆年製》款。來源：Peter Hariolf Plesch教授（1918年2月14日-2013年3月5日）和Gerta Regina ‘Traudi’ Plesch OBE （1921年12月4日-2013年8月10日）收藏·編號Hv27。附收藏標籤。購於1981年12月Spink & Son 的玉器展，編號62。 著錄：Spink & Son Ltd，玉器精品展，1981年12月，頁19，編號62。
Lot 55
A CHINESE KNIFE WITH A PALE CELADON JADE HANDLE 18TH/19TH CENTURY With a metal blade, cast with endless knots to the end, the handle carved in jade, the stone with some white mottling and pale russet inclusions, with a paper label for the Prof and Mrs P H Plesch Collections, no.Hm30, 25.7cm, 56g overall. Provenance: from the collection of Professor Peter Hariolf Plesch (14th February 1918-5th March 2013) and Gerta Regina "Traudi" Plesch OBE (4th December 1921-10th August 2013), collection no.Hm30. The knife was purchased as part of an eating set from Spink & Son in December 1968.Peter and Traudi were important collectors of Chinese, Japanese and Korean Art. Their vast collection grew exponentially after their wedding in 1963 and also included many examples of Chinese, Roman and English glass, thus reflecting their eclectic taste. Peter and Traudi both came to the UK after fleeing the rise of Nazism in the 1930s. Peter left Berlin in 1933 with his father Janos Plesch, Albert Einstein’s personal doctor and friend. Traudi emigrated from Vienna with her family in 1938. Peter became Professor of Chemistry at Keele University and gained international recognition for his lifelong studies of cationic polymerisation, publishing several books and more than 150 research papers, the last just after his 90th birthday. Traudi received her OBE in 2000 for charitable services to the community in Staffordshire. In March 1959 at Sotheby’s London, Peter purchased a Ruyao narcissus bowl for £2,200 against the dealer J T Tai. It was reoffered at the same saleroom in February 1970 where it sold for £46,000 and subsequently made the front page of a UK national newspaper. On both occasions the hammer price entered the Guinness Book of Records as the highest price ever paid for any ceramic. Several pieces from the collection were lent to Oriental Ceramic Society exhibitions, including this bowl in 1960. Peter published many articles relating to Asian arts, bringing his own scientific approach to collecting, including formulating a new cataloguing system. Peter and Traudi’s collection was admired by many fellow collectors and academics. Their passion for the collection was matched by the enthusiasm of their guests, and they were known to be very welcoming to all visitors.十八/十九世紀 青白玉柄匕首來源：Peter Hariolf Plesch教授（1918年2月14日-2013年3月5日）和Gerta Regina ‘Traudi’ Plesch OBE （1921年12月4日-2013年8月10日）收藏·編號Hm30。據他們的收藏筆記記載，此件匕首在1968年12月購於Spinks。附收藏標籤。
Lot 60
A CHINESE WHITE JADE CARVING OF LINGZHI 18TH CENTURY Formed as two lingzhi fungus, one worked as a mature plant, the other with seed pods, with large furling leaves to the underside, the pale stone with russet markings, 5.7cm. Provenance: from an English private collection; purchased from Marchant on 5th May 2004.十八世紀 白玉雕靈芝擺件來源：英國私人收藏，2004年5月5日購於Marchant馬錢特。
Lot 61
A CHINESE PALE CELADON JADE CARVING OF A LOTUS SEED POD QIANLONG 1736-95 Carved as an insect with long antennae resting on a large lotus pod, with a smaller seed pod to the side, the underside with long intertwining stems and large leaves detailed with veins, the stone of an even tone with some minor inclusions, 5.5cm.清乾隆 青白玉雕蓮蓬擺件
Lot 62
A CHINESE PALE CELADON JADE CARVING OF THREE GEESE QIANLONG 1736-95 Formed as three geese grasping branches of lotus in their beaks, the birds finely incised with their wing feathers, the underside worked with swirling waves, with russet markings in the stone, 10.8cm. Provenance: purchased from Marchant on 22nd January 2003. Illustrated: Spink, Chinese Jade, 1998, p.42, no.73.清乾隆 青白玉雕鵝銜蓮擺件來源：2003年1月22日購於Marchant馬錢特。出版：Spink，Chinese Jade，1998，頁42，編號73。
Lot 63
A CHINESE PALE CELADON JADE CARVING OF A BOY RIDING AN ELEPHANT QING DYNASTY OR EARLIER The stocky elephant depicted standing four-square with its head slightly turned to the right, the smiling boy holds a vase as he kneels upon the animal's back, with a bird perching next to the child, the stone with some light russet markings, together with a wood stand with a label for S Marchant & Son, 70th Anniversary Exhibition of Post-Archaic Chinese Jades, 1995, no.79, 5.2cm. (2) Provenance: formerly an English private collection; purchased from Marchant on 22nd July 1996. Illustrated: S Marchant & Son, Seventieth Anniversary Exhibition of Post-Archaic Chinese Jades, 1995, p.60, no.79. Cf. Ip Yee, Chinese Jade Carving, no.153 for an elephant of similar style from the collection of Mr and Mrs P Chu; see also Marchant, 85th Anniversary Exhibition of Chinese Jades from Tang to Qing, pp.110-111, no.82 for another jade carving with the same iconography formerly in the Rothschild family collection.清或更早 青白玉雕太平有象擺件來源：英國私人舊藏，1996年7月22日購於Marchant馬錢特，附馬錢特70週年展標籤。出版：S Marchant & Son, Seventieth Anniversary Exhibition of Post-Archaic Chinese Jades，1995，頁60，編號79。
Lot 64
A CHINESE WHITE JADE 'GOOSE' PLAQUE YUAN/MING DYNASTY The oval plaque decorated in openwork with a swooping goose amongst lotus blooms and leaves, the bird carved and incised with details of its plumage, with three small waves below, the pale stone with some minor grey inclusions and white mottling, 8.4cm. Provenance: purchased from Marchant on 7th October 1997. Cf. R Kleiner, Chinese Jades from the Collection of Alan and Simone Hartman, p.46, no.43 for a comparable example; see also Marchant, 85th Anniversary Exhibition of Chinese Jades from Tang to Qing, p.51, no.29 for a similar plaque pierced with a flying goose and lotus; see also H K F Hui & T Y Pang, Virtuous Treasures: Chinese Jades for the Scholar's Table, p.142, no.73 for a related Jin dynasty plaque from the Michael S L Liu collection.元/明 白玉鏤雕春水佩來源：1997年10月7日購於Marchant馬錢特。
Lot 66
A CHINESE IMPERIAL SPINACH-GREEN JADE ZHADOU AND COVER QIANLONG 1736-95 The straight sides and domed cover carved in low relief with shuangxi characters, the flat everted rim shaped as a flowerhead, decorated with five bats in flight amongst chrysanthemum sprays, all surmounted by a compressed finial worked as a shou medallion encircled by ruyi-heads, the dark green stone with black specks and pale inclusions, with paper labels for Marchant, 13.5cm. (2) Provenance: formerly an American private collection, New York; purchased from Marchant on 20th October 2004. Cf. Compendium of Collections in the Palace Museum, Jade, vol.10, p.258, no.206 for a similarly formed jade spittoon and cover.清乾隆 碧玉雕大婚渣斗來源：美國紐約私人收藏，2004年10月20日購於Marchant馬錢特。
Lot 69
A CHINESE CELADON JADE 'MOUNTAIN' CARVING QIANLONG 1736-95 Formed as rounded craggy peaks, decorated in relief to one side with a monkey holding a peach as he kneels before a seated scholar, they sit beneath wutong and pine trees, carved in openwork with a pavilion to one side and a tall tower in the distance, with a further wutong tree growing amidst rocks to the reverse, the stone with some russet and white inclusions, 15.6cm. (2) Provenance: from the collection of Sir Archibald John Boyd (c.1889-1959) and Lady Boyd, and thence by descent. Sir Archibald was chairman of the Metropolitan-Cammell Carriage and Wagon Company and of The Patent Shaft and Axletree Company. He was educated at Harrow and Trinity College, Oxford, and then joined the steelworks of Cammell Laird and Co, Sheffield, as a pupil in 1912. In 1929, the company merged with Vickers Ltd forming the Metropolitation-Cammell Carriage and Wagon Company, and Sir Archibald became its managing director five years later. During the Second World War, the company produced fighting vehicles and Sir Archibald was seconded to the Ministry of Supply as Director-General of Tank Production between October 1942 and December 1943. In 1950, Sir Archibald received his knighthood and he was appointed as the company's chairman in 1956.清乾隆 青白玉雕山子來源：Archibald John Boyd（1889左右-1959）紳士伉儷收藏，之後由其家族繼承。Archibald紳士曾任英國著名的火車及軍火公司主席。
Lot 72
A CHINESE WHITE JADE 'BADGERS' PENDANT 18TH CENTURY Of oval form, carved in openwork with two feline-like badgers, the animals recline together gazing back at each other, with finely incised hairs to the ends of their curled tails, the pale stone with some small russet markings, 5.1cm. Provenance: from an English private collection, West Sussex, acquired by the current owner during various tours of duty between 1968 and 1985. The Chinese word for 'badger', huan, is homophonous with that for 'joy'. The image of two badgers, shuanghuan, is therefore symbolic of a couple enjoying marital bliss. Cf. Marchant, Ninety Jades for 90 Years, p.79, no.40 for a similar pendant; see also T Y Pang & J Sze, Virtuous Treasures: Chinese Jades for the Scholar's Table, p.179, no.103 for another example.十八世紀 白玉雕雙歡佩來源：英國西薩塞克斯私人收藏，1968-1985年在旅遊時購得。
Lot 75
A CHINESE PALE CELADON JADE CARVING OF LINGZHI QING DYNASTY Formed as two large mushrooms with smaller lingzhi growing around them, with an insect resting on the largest cap, the stone with some minor russet inclusions, 8cm. Provenance: from an English private collection, West Yorkshire, formed in the 1970s and 1980s. Cf. Marchant, 85th Anniversary Exhibition of Chinese Jades from Tang to Qing, p.89, no.63 for a comparable Qianlong jade carving also formed as a small insect resting upon lingzhi.清 青白玉雕靈芝擺件來源：西約克郡私人收藏，購於1970-80年代。
Lot 77
A CHINESE CELADON AND RUSSET JADE 'MONKEYS' GROUP 18TH/19TH CENTURY Deeply carved with three monkeys climbing over rocks, pine and lingzhi, they reach out for a bunch of peaches, with the monkeys picked out in a brown section of the stone, together with a reticulated wood stand, 9cm. (2) Provenance: from the collection of John Brunel-Cohen (dec'd).十八/十九世紀 青玉雕靈猴獻壽擺件來源：John Brunel-Cohen收藏。
Lot 78
A SMALL CHINESE WHITE AND BLACK JADE CARVING OF CATS QING DYNASTY OR LATER Formed as two reclining cats facing each other, with a small kitten clambering on one of their backs, the largest feline carved in a white section of the stone, the two smaller cats picked out in black jade, together with a wood stand, 3.8cm. (2)清或更晚 黑白玉雕耄耋之壽擺件
Lot 79
A CHINESE WHITE JADE 'TIANJI' VASE LATE QING DYNASTY/REPUBLIC PERIOD The heavenly bird carved standing upon rocks, its wings detailed with chilong masks and archaistic scrolls, with a ribbon held in its beak, depicted supporting a large vase on its back, the vessel decorated with taotie masks to the body, with loose rings suspending from the bird's breast and the vase's animal-shaped handles, the pale stone with some russet inclusions, together with a wood stand carved in openwork with flowering peony branches, 19.5cm. (2) Provenance: formerly a private collection, London, formed c.1959-1963. This vase was purchased from Chuen Koo Chai Dealers in Chinese Arts & Curios, Hong Kong, on 4th December 1963. A copy of the invoice is available. A certificate of identity dated 6th December 1963 from The Curios, Furniture & Miscellaneous Utensils & Hardware Merchants & Employees Association, Hong Kong & Kowloon, is also available. Lots 79-84 and 692-694 are all from the same collection.清晚期/民國 白玉雕天雞尊來源：倫敦私人舊藏，1963年12月4日購於香港尊古齋（附發票複印件）。
Lot 80
A CHINESE APPLE GREEN JADEITE CARVING OF A HORSE REPUBLIC PERIOD The horse depicted in a recumbent pose with its head raised, its tail and mane detailed with finely incised hairs, the pale stone with vivid green and russet markings, together with a wood stand, 20.3cm. (2) Provenance: formerly a private collection, London, formed c.1959-1963. The horse was purchased from Chuen Koo Chai Dealers in Chinese Arts & Curios, Hong Kong, on 27th May 1959. A copy of the invoice is available. Lots 79-84 and 692-694 are all from the same collection.民國 翡翠雕馬來源：倫敦私人舊藏，1959年5月27日購於香港尊古齋（附發票複印件）。
Lot 81
A CHINESE PALE CELADON JADE 'MOUNTAIN' BRUSH REST MING/QING DYNASTY Formed as a rocky mountain range, incised with stylised rolling hills to the reverse, the stone of a pale greenish tone with some dark specks and inclusions, together with a wood stand carved with the Three Friends of Winter, 20cm. (2) Provenance: formerly a private collection, London, formed c.1959-1963. This brush rest was purchased from Chuen Koo Chai Dealers in Chinese Arts & Curios, Hong Kong, on 4th December 1963. A copy of the invoice is available. A certificate of identity dated 6th December 1963 from The Curios, Furniture & Miscellaneous Utensils & Hardware Merchants & Employees Association, Hong Kong & Kowloon, is also available. Lots 79-84 and 692-694 are all from the same collection. Cf. Compendium of Collections in the Palace Museum, Jade, vol.9, p.81, no.68 for a related brush rest carved as mountains.明/清 青白玉雕筆山來源：倫敦私人舊藏，1963年12月4日購於香港尊古齋（附發票複印件）。
Lot 82
A CHINESE APPLE GREEN JADEITE OVAL BRUSH WASHER LATE QING DYNASTY/REPUBLIC PERIOD Carved in relief with large leaves and flowering branches growing from rockwork, the reverse with a spray of blossoming orchids, all raised on a short straight foot, the greyish stone with vibrant green and russet markings, together with a wood stand inlaid with wire scrolls, 14.5cm. (2) Provenance: formerly a private collection, London, formed c.1959-1963. The brush washer was purchased from Chuen Koo Chai Dealers in Chinese Arts & Curios, Hong Kong, on 4th December 1963. A copy of the invoice is available. A certificate of identity dated 6th December 1963 from The Curios, Furniture & Miscellaneous Utensils & Hardware Merchants & Employees Association, Hong Kong & Kowloon, is also available. Lots 79-84 and 692-694 are all from the same collection.清晚期/民國 翡翠花卉紋筆洗來源：倫敦私人舊藏，1963年12月4日購於香港尊古齋（附發票複印件）。
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