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Lot 687
A 1920's yellow and white metal, diamond bar brooch, with central old cut diamond and millegrain set rose cut diamonds, 7cm, gross weight 5 grams.Condition- Central stone weighing approx. 0.40cts with an approximate colour and clarity of H/I and SI1/SI2.Brooch is mis-shapen(bent) when viewed from the side, as is the pin also. A few of the rose cuts have some minor chips.
Lot 439
A COLLECTION OF JEWELLERY TO INCLUDE TIFFANY SILVER HOOP EARRINGS, stamped Mexico Tiffany & Co Sterling, a Danish bracelet, of structured rectangular link form, stamped DENMARK, length 18cm, a pair of Israeli silver clip earrings, of square form with textured detailing, stamped 925, and a green stone bead necklace.
Lot 511
A RUBY AND DIAMOND THREE-STONE RINGSet with a circular-cut ruby, flanked by brilliant-cut diamonds, with rose-cut diamond highlights, to a carved scrolling gallery, brilliant-cut diamonds approx. 0.65 carat total, maker's mark WMCG, stamped 18ct, ring size N 1/2. Gross weight approx. 3.9 grams.
Lot 66
PLATINUM DIAMOND SOLITAIRE DRESS RING HAVING PIERCED RHOMBUS AND CLAW DESIGN SETTING, 3.8cts approximately, 5.1 grams #. Condition Report: One significant inclusion and two other smaller inclusions visible with the naked eye through the table and clarity is therefore in the P1-3 range. Otherwise stone is in good overall condition.Lots marked with # can be posted free of charge on Monday April 27th (please see special terms)
Lot 40
9CT YELLOW GOLD CURB LINK CHARM BRACELET HAVING HEART SHAPED PADLOCK and assorted coins and charms to include 1914 half sovereign, Russian 5 Rubles 1900 coin, 1913 gold full sovereign, South African 1898 1 Pond coin, Glamorgan Police shooting medallion, Masonic charm, bloodstone revolving fob ETC. 112.1 grams overall. #Condition Report: Specimen stone on fob is cracked. Clasp in working order. Minor surface wear and scratches. No obvious major damage or losses.Lots marked with # can be posted free of charge on Monday April 27th (please see special terms)
Lot 48A
PLATINUM SET DIAMOND SOLITAIRE RING the modern round cut brilliant diamond measuring 1.0cts approx., 4.7grams, boxed #Condition Report: evidence of a cleave / feather to stone, colour H, otherwise appears okay.Lots marked with # can be posted free of charge on Monday April 27th (please see special terms)
Lot 48
9CT YELLOW GOLD SEVEN STONE DIAMOND ILLUSION SET CLUSTER RING, 5.8 grams. #Condition Report: Appears in good overall condition. Diamond total weight 0.5-0.6cts approximately. Diamonds have various inclusions. Hallmarks clear.Lots marked with # can be posted free of charge on Monday April 27th (please see special terms)
Lot 67
DIAMOND ENCRUSTED HEART SHAPED PENDANT ON DIAMOND LINE NECKLACE of graduated design totalling 80 diamonds ranging from 0.7ct (visual estimate) downwards. The pendant having approximately 65 small diamonds surrounding a central stone of 0.25ct (visual estimate). 40cms long, 21.2 grams. #Condition Report: No obvious damage or losses. White and yellow metal setting unmarked. Surface wear and scratches overall.Lots marked with # can be posted free of charge on Monday April 27th (please see special terms)
Lot 86
A RARE ROYAL DOULTON (BURSLEM) FIGURE OF 'PUSSY' BY F.C. STONE, modeled as a young girl with a black cat, lacking HN number, but hand inscribed with title and date (11.12.18), 19cms high +Condition Report: glaze crazed commensurate with age, no other damage.Lots marked with + can be collected by Mailboxes Cardiff on Monday April 27th providing that full payment is made to us and Mailboxes by April 23rd. This will be the only collection by Mailboxes
Lot 64
THREE STRAND NECKLACE OF GRADUATED CULTURED PEARLS having an unmarked white metal diamond encrusted clasp, the principal stone measuring 0.25ct approximately. #Condition Report: One of the strands is not connected to the clasp. No obvious damage. Wear as expected.Lots marked with # can be posted free of charge on Monday April 27th (please see special terms)
Lot 37
9CT YELLOW GOLD LARGE CURB LINK BRACELET AND ATTACHMENTS including a United States of America twenty dollars coin dated 1904, a United States of America Saint-Gaudens double eagle 'In God We Trust' twenty dollars coin dated 1926, Edward VII gold five-sovereign piece dated 1902 and three gold seals, one set with a bloodstone and another an agate stone. 212.3 grams overall. #Condition Report: One of the seals is missing its stone. Overall surface wear and minor scratches as expected. Latch mechanism on bracelet loose.Lots marked with # can be posted free of charge on Monday April 27th (please see special terms)
Lot 240
A TM & Summit Entertainment LLC white metal shield cuff bracelet, a white metal diamond cut curb chain with a Isle of Man brushed steel pendant, a white metal chain with white metal unmarked stone-set pendant, a yellow metal diamond cut Pierre Cardin necklace, yellow metal necklace with heart shaped stone set pendant, unmarked and a further yellow metal fine chain with yellow metal pendant in the form of a leaf. Estimate £15 - £30
Lot 242
A mixed lot to include two white metal brooches, an enamelled brooch entitled Royal Scot 6100 depicting the front of a locomotive, a cap badge inscribed Vincere Vel Mori, a 9 carat gold fine chain stamped 375, two silver necklaces with pendant and one further yellow metal necklace with pendant, stone set
![A pair of reconstituted stone serpentine front planters. [2] This lot must be paid for and collected (or despatched) no later](https://cdn.globalauctionplatform.com/cf4139fc-5127-4b73-9a8f-ab9500e50bb4/fb19bb14-45e0-47a1-91b8-ab9b011bd4a8/468x382.jpg)
Lot 85
§ IAN HAMILTON FINLAY (SCOTTISH 1925-2006) FAX, IDLING ITS SAILSScreenprint, and another screenprint by the same artist 'Poverty, pitted with larks' (Dimensions: 17cm x 89cm (6.75in x 35in)) (Qty: 2)Biography: Ian Hamilton Finlay was a Scottish artist and writer. Trained at Glasgow School of Art, following the war, he spent a period working as a shepherd and started to write poems. With time, he began to compose poetry and inscribe them into stone; the resulting sculptures are often incorporated into the natural environment. Many of them are situated within Little Sparta, his master-work, a five-acre garden he developed with his wife, near the Pentland Hills outside of Edinburgh. Gardening and art happily cohabit here, and the expanse of land is full of his sculptural work. In 2004, Little Sparta was voted most important Scottish work of art, by a panel of artists and arts professionals, ahead of Charles Rennie Mackintosh’s Glasgow School of Art and Henry Raeburn’s The Skating Minister. Finlay was prolific, endlessly creative and collaborative. Printmaking was a large part of his artistic practice, often made in collaboration with other artists, writers and technicians and involving both text and visual elements. Finlay was nominated for the Turner Prize in 1985.
Lot 84
§ IAN HAMILTON FINLAY (SCOTTISH 1925-2006) ZIMMERIT-HAUNTING WOOD NYMPHScreenprint, and another screenprint by the same artist 'Pastor of Oaks/Shepherd of Stones' (Dimensions: 34.5cm x 89cm (13.5in x 35in)) (Qty: 2)Biography: Ian Hamilton Finlay was a Scottish artist and writer. Trained at Glasgow School of Art, following the war, he spent a period working as a shepherd and started to write poems. With time, he began to compose poetry and inscribe them into stone; the resulting sculptures are often incorporated into the natural environment. Many of them are situated within Little Sparta, his master-work, a five-acre garden he developed with his wife, near the Pentland Hills outside of Edinburgh. Gardening and art happily cohabit here, and the expanse of land is full of his sculptural work. In 2004, Little Sparta was voted most important Scottish work of art, by a panel of artists and arts professionals, ahead of Charles Rennie Mackintosh’s Glasgow School of Art and Henry Raeburn’s The Skating Minister. Finlay was prolific, endlessly creative and collaborative. Printmaking was a large part of his artistic practice, often made in collaboration with other artists, writers and technicians and involving both text and visual elements. Finlay was nominated for the Turner Prize in 1985.
Lot 118
§ IAN HAMILTON FINLAY (SCOTTISH 1925-2006) SOMEONE SOMEWHERE WANTS A CABLE FROM YOUScreenprint, pub. by Wild Hawthorn Press, signed in print by Ian Hamilton Finlay and Jim Nicholson (Dimensions: 57cm x 77cm (22.5in x 30.25in), sheet size)Biography: Ian Hamilton Finlay was a Scottish artist and writer. Trained at Glasgow School of Art, following the war, he spent a period working as a shepherd and started to write poems. With time, he began to compose poetry and inscribe them into stone; the resulting sculptures are often incorporated into the natural environment. Many of them are situated within Little Sparta, his master-work, a five-acre garden he developed with his wife, near the Pentland Hills outside of Edinburgh. Gardening and art happily cohabit here, and the expanse of land is full of his sculptural work. In 2004, Little Sparta was voted most important Scottish work of art, by a panel of artists and arts professionals, ahead of Charles Rennie Mackintosh’s Glasgow School of Art and Henry Raeburn’s The Skating Minister. Finlay was prolific, endlessly creative and collaborative. Printmaking was a large part of his artistic practice, often made in collaboration with other artists, writers and technicians and involving both text and visual elements. Finlay was nominated for the Turner Prize in 1985.
Lot 147
§ GEORGES ROUAULT (FRENCH 1871-1958) TETE DE JEUNE FILLE (FROM VERVE VOL. II MAGAZINE) - 1939Lithograph, published by Verve, signed in stone, with another image verso, unframed (Dimensions: 35.5cm x 26.5cm (14in x 10.5in), full sheet)Biography: Rouault is a hugely important French artist most often associated with Fauvism and Expressionism. Born of poor parents, as a fourteen-year-old Rouault began an apprenticeship as a glass restorer and painter and it has been suggested that this early training is a likely source for his characteristic use of heavy black outlining and strong colours. After studying in Paris Rouault took part in major public exhibitions such as the Salon D’Automne and made friends with many of the avant-garde artists of the time, notably Matisse and Marquet. From 1907 Rouault began a series of paintings devoted to courts, clowns and prostitutes and then from 1917 he dedicated himself to religious subject matter. A noted print maker, his work reached a wider audience through his published work and our example is a lithograph produced by the well-regarded magazine Verve. His work is to be found in every major Art Gallery worldwide and his reputation protected by the Georges Rouault Foundation.
Lot 179
§ IAN HAMILTON FINLAY (SCOTTISH 1925-2006) PROPOSAL FOR A SUNDIAL TO BE PLACED ON MARAT'S HOUSE INLithograph, with Eric Marland (Dimensions: 60cm x 42cm (23.5in x 16.5in), sheet size)Provenance: Ingleby Gallery , Edinburgh Biography: Ian Hamilton Finlay was a Scottish artist and writer. Trained at Glasgow School of Art, following the war, he spent a period working as a shepherd and started to write poems. With time, he began to compose poetry and inscribe them into stone; the resulting sculptures are often incorporated into the natural environment. Many of them are situated within Little Sparta, his master-work, a five-acre garden he developed with his wife, near the Pentland Hills outside of Edinburgh. Gardening and art happily cohabit here, and the expanse of land is full of his sculptural work. In 2004, Little Sparta was voted most important Scottish work of art, by a panel of artists and arts professionals, ahead of Charles Rennie Mackintosh’s Glasgow School of Art and Henry Raeburn’s The Skating Minister. Finlay was prolific, endlessly creative and collaborative. Printmaking was a large part of his artistic practice, often made in collaboration with other artists, writers and technicians and involving both text and visual elements. Finlay was nominated for the Turner Prize in 1985.
Lot 406
Loose gemstones: Amethyst and amethyst coloured stones, largest stone weighing 8.45cts gross weight 72.6gPlease note gemstones listed have been tested with Presidium Duo gemstone tester. As we are not GIA certified we cannot guarantee natural vs synthetic stones.P&P group 1 (£16 for the first item and £1.50 for subsequent items)
Lot 355
Loose gemstones: topaz of mixed colours, largest stone weighing 6.25cts, D: 10mmPlease note gemstones listed have been tested with Presidium Duo gemstone tester. As we are not GIA certified we cannot guarantee natural vs synthetic stones.P&P group 1 (£16 for the first item and £1.50 for subsequent items)
Lot 370
Loose gemstones: Large amount of garnets and garnet coloured stones, largest stone weighing 24.4cts, 25.7mm x 15mm gross weight 159.1gPlease note gemstones listed have been tested with Presidium Duo gemstone tester. As we are not GIA certified we cannot guarantee natural vs synthetic stones.P&P group 1 (£16 for the first item and £1.50 for subsequent items)
Lot 400
Loose gemstones: lapis lazuli, largest stone weighing 19.45cts, 18.1mm x 15.5mm gross weight 159.7gPlease note gemstones listed have been tested with Presidium Duo gemstone tester. As we are not GIA certified we cannot guarantee natural vs synthetic stones.P&P group 1 (£16 for the first item and £1.50 for subsequent items)
Lot 356
Loose gemstones: small diamonds mostly removed from 18ct jewellery, some still mounted in metals. total loose weighing 2.8cts, largest loose stone 0.35cts The letter M appears to be set with white diamonds but it is small 20 mm x 12 mmPlease note gemstones listed have been tested with Presidium Duo gemstone tester. As we are not GIA certified we cannot guarantee natural vs synthetic stones.P&P group 1 (£16 for the first item and £1.50 for subsequent items)
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398886 item(s)/page