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Lot 60

Ca.100 AD. A really interesting Roman gold ring depicting God Apollo; elliptical-shaped bezel with inserted black stone depicting Apollo Citharede, its a statue or other image of Apollo with a cithara. Among the best-known examples is the Apollo Citharoedus of the Vatican Museums, a 2nd-century AD colossal marble statue by an unknown Roman sculptor. Fine condition; rare example; wearable; large size bezel; D:19mm/L:25mm; UK S US 9; 2.7g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1970-1990.

Lot 63

Ca. 200 AD. Ancient Roman gold ring with round hoop; forming an oval-shaped bezel with applied carnelian stone depicting God Mercury; He is the god of financial gain, commerce, eloquence, messages, communication (including divination), travelers, boundaries, luck, trickery, and thieves; he also serves as the guide of souls to the underworld. Very good, wearable condition. Reference for Roman Rings: Cf. Ruseva-Slokoska, L. Roman Jewellery, Sofia, 1991; D:23mm/L:25mm; UK Z; US12; 7.3g; Provenance: Property of a professional London art expert; obtained from an old British collection formed in the 1990s.

Lot 70

Ca. 600 AD. Superb Early Medieval, Merovingian / Frankish gold ring with round hoop; forming a bezel with an attached red garnet stone. Very good, wearable condition. D:19mm/L:27mm; UK S US 9; 6g; Provenance: Property of a London gallery; ex. 1980s British collection.

Lot 74

Ca.100-300 AD. A nice Roman restrung necklace formed by multiple glass and stone beads; Good Condition, wearable; 700mm; beads - 510mm; 27.58x 20.094 in; 50g; Provenance: Property of a London gallery, previously in old British collection formed in the 1980s.

Lot 75

Ca.700-900 AD. A nice Viking Era restrung necklace formed by multiple glass and stone beads; Good Condition, wearable; 580mm; beads -420mm; 22.852x 16.548 in; 41g; Provenance: Private London collection, formed in the 1990s on the UK and European art market.

Lot 76

Ca.800-600 BC. An early necklace formed by tubular and bronze rings and stone beads, large pendants in the form of animal heads attached, possibly Hallstatt culture. Professionally restrung, suitable for contemporary wear. 580mm; 22.852 in; 135g; Provenance: Property of a London gallery, previously in old British collection formed in the 1980s.

Lot 77

Ca.100-300 AD. A nice Roman restrung necklace formed by multiple glass and stone beads; Good Condition, wearable; 400mm; 15.76 in; 35g; Provenance: Property of a London gallery, previously in old British collection formed in the 1980s.

Lot 175

A large collection of British and Irish prehistoric flint tools, including polished flint and stone examples - some noted as locally found.

Lot 176

Three prehistoric stone tools from Denmark including two pierced battle axes.

Lot 177

A large collection of prehistoric stone hand axes etc., mainly found in France, including one very large Paleolithic hand axe.

Lot 215

A small Scottish early 20thC silver mount dirk by William Taylor of Inverness, the wooden grip carved with Celtic knot design, the pale yellow stone to pommel chipped at both ends, leather sheath split, 8.2" overall.

Lot 235

A three stone gypsy set diamond ring - Birmingham marks. Finger size K.

Lot 241

Two orange stone bead necklaces.

Lot 245

A small three stone diamond ring. Finger size L.

Lot 247

A three stone garnet 9ct gold ring and two others. (3)

Lot 249

A 19thC lava stone cameo style ring set with seven busts in Elizabethan dress. Finger size N.

Lot 251

A small four stone diamond ring in '18ct' yellow metal. Finger size J.

Lot 262

A yellow metal propelling pencil by Mordan & Co. with amethyst end stone.

Lot 269

A five stone graduated black opal ring in 18ct gold. Finger size P.

Lot 273

An emerald & diamond five stone ring in 18ct gold. Finger size M.

Lot 303

A three stone diamond ring, each claw set brilliant weighing approximately 0.35 carat on white metal shank. Finger size Q.

Lot 307

A black opal solitaire ring, the oval stone measuring approximately 17mm x 12.8mm, set in six double claws to a white metal shank. Finger size M.

Lot 110

A Chinese carved stone flowering shrub, 9" high.

Lot 111

A Chinese black soapstone lion - tooth broken, width 6.5" and a green stone fisherman. )2)

Lot 553

A vintage high-carat yellow metal three stone diamond ring, the brilliant-cut diamonds illusion set within precious white metal, stamped '18ct and platinum', size O 1/2, 2.2g

Lot 556

A Belle Epoque yellow metal openwork bar brooch, set with a central amethyst coloured glass stone, flanked by split-seed pearl set foliage, 1.9g

Lot 559

A pair of Pandora topaz and white metal half-hoop ear pendants, each with a dependent chequer cut stone, approximately 9 x 7 mm, stamped '925', tested as silver, in original box, as new

Lot 560

A pair of Pandora ear pendants, each with a dependent chequer cut stone, of approximately 12 x 12 mm, stamped '925', tested as silver, in original box, as new

Lot 578

A vintage yellow metal and paste dress ring, the round-cut glass stone claw-set within a triangle, size K, 2.2g

Lot 362

Garden stoneware - a cuboid planter by Stancombe Stone, approx 42 cm x 38 cm x 38 cm

Lot 361

Garden stoneware - a cuboid planter by Stancombe Stone, approx 42 cm x 38 cm x 38 cm

Lot 547

A 9ct gold stone set ring, size Q 1/2, approximately 1.92 grams total weight and a gold plated silver ring (plating heavily rubbed).

Lot 551

A lady's hallmarked 9 carat gold dress ring, set with an Amethyst stone surrounded by twelve cultured pearls , size N, approx weight 3.90 gm (all in)

Lot 65

A carved stone Buddhist deity, approximately 23 cm (h)

Lot 567

A lady's 9 carat gold ring set with blue stone

Lot 550

A lady's hallmarked 9 carat gold dress ring, the crown set with six faceted oval Garnet stones surrounding a central raised stone, size N + 1/2, approx weight 3.94 gm (all in)

Lot 153

A large Chinese white and yellow jade / stone carving of a Lingzhi Ruyi Sceptre, approximately 36.5 cm (l)

Lot 156

Rowling (J.K.) Harry Potter and the Philosopher's Stone, 26th printing, signed by the author on dedication p., some slight cockling to pages, original pictorial boards, dust-jacket, some slight creasing to head and foot, near-fine otherwise, 8vo, 2000.

Lot 189

Rieu (E.V., translator) St Mark's Gospel, A New Translation from the Greek, limited edition, wood-engraved title-vignette, frontispiece and chapter numbers by Reynolds Stone and printed in terracotta, bookplate of Lord Wardington, bound in dark red morocco, [by Christopher Last], covers with overall design of diamond tools in black and small gilt crosses, spine titled in gilt with triple raised bands at head and foot, signed with "Ω" in gilt on rear turn-in, g.e., cloth slip-case, printed at the Curwen Press, 1951 § Williams (Gwyn, translator) Against Women, a Satire translated from the Old Welsh, number 54 of 100 specially-bound copies with an extra engraving signed by the translator and artist, from an edition limited to 350, wood-engraved title and full-page illustrations by John Petts printed in colours, original pictorial purple lizardskin, gilt, by Sangorski & Sutcliffe, t.e.g., others uncut, slip-case, Golden Cockerel Press, 1953 § Shakespeare (William) Sonnets, number 81 of 350 copies, wood-engraved frontispiece and vignettes by John Lawrence, initials in red, blue and green, original mid-blue morocco, gilt, by Sangorksi & Sutcliffe, g.e., spine a little faded, printed at the Whittington Press of Andoversford for Asprey & Co, 1979; and another, 8vo & 4to (4)

Lot 227

Gregynog Press.- Joinville (Jean, Sieur de, Seneschal de Champagne) The History of Saint Louis, translated by Joan Evans, number 51 of 200 copies on hand-made paper, initials designed by Alfred Fairbank and printed in red and blue, 17 hand-coloured wood-engraved coats-of-arms by Reynolds Stone, 2 maps, genealogical tables, original brown morocco with arms of St.Louis in gilt on upper cover, by the Gregynog Press Bindery, t.e.g., others uncut, very slight rubbing at edges, [Harrop 37], folio, Newtown, Gregynog Press, 1937.⁂ One of the most handsome books produced by the press.

Lot 91

A SELECTION OF FIVE RINGS comprising; an 18ct gold buckle form ring, together with; a 9ct gold wedding band and three other dress rings (two stone set)

Lot 98

THREE 9CT GOLD RINGS one of the signet rings, stone set, total weight including stone 8.8g

Lot 102

A PAIR OF AMBER SET SILVER EARRINGS, a silver LOCKET on chain, two silver stone mounted PENDANTS on silver chains, a silver NAPKIN CLIP, a silver NAPKIN RING, a mother of pearl NECKLACE and a costume jewellery necklace set jade colour leaves

Lot 121

A 9ct white gold dress ring set with blue stone and diamonds - 1.8g Size P

Lot 29

A mid 20th Century retro vintage latex shop advertising point of sale mannequin bust in a stylised form of a women with an elongated neck finished in a faux stone colourway. Measures; 43cm tall. 

Lot 53

A collection of costume jewellery owned by Peter Wyngarde, very likely used during his varied movie, television and theatre career. The collection comprising; a white metal and inset purple stone bangle, a large chrome sprung bangle, necklaces, rings and other such items. All believed to have been used during production of Jason King (1971)

Lot 189

Jason King (1971 British Television Series) - a likely screen used and worn ring by Peter Wyngarde as Jason King in the cult series. The ring being white metal construction, with a central marble stone and decorative collar. Well known for his flamboyant manner of dress, this ring and others like it were frequently seen in the series. Owned by Wyngarde. Rare.

Lot 162

A pair of antique late 19th / early 20th century Art Nouveau photograph frames. Decorated with raised relief Pewter panels, each inset with a different central stone. The panels depicting flowers and scenes of nature. Easel backed. Each approx; 30cm x 18cm. Aperture size; 16.5cm x 10cm. From the estate of Peter Wyngarde (these were originally located in his front room). 

Lot 98

Jason King (1971 British Television Series) - a likely screen used and worn ring by Peter Wyngarde as Jason King in the cult series. The ring being gold plated, with a large inset green glass stone to top. Well known for his flamboyant manner of dress, rings like this were frequently seen in the series. Rare.

Lot 3

Jason King (1971 British Television Series) - a screen used and worn ring by Peter Wyngarde as Jason King in the cult series. The ring being of white metal construction, with an Onyx chamfered stone to top. Well known for his flamboyant manner of dress, this ring and others like it were frequently seen in the series. Rare. 

Lot 128

A collection of costume jewellery owned by Peter Wyngarde, very likely used during his varied movie, television and theatre career. The collection comprising of four necklaces of various forms, including a gold plated chain linked necklace with a green stone clasp. 

Lot 26

Alexander The Great (1956) - an original prop stone dish / bowl. Simple construction, with decorative border and acanthus leaf corners, with a circular aperture to top. Rare item from this early Wyngarde role. Measures approx; 7cm tall. 

Lot 164

A collection of costume jewellery owned by Peter Wyngarde, very likely used during his varied movie, television and theatre career. The collection comprising; x7 white metal costume jewellery rings, two brass butterfly brooches and a large rectangular brooch with inset stone to centre. Interesting collection.

Lot 234

NO RESERVE Lithography.- Hullmandel (Charles) The Art of Drawing on Stone, first edition, lithographed vignette title and 19 plates, 2 printed on india paper and mounted, 2 printed with ochre (one the background colour separation for the other), light foxing and soiling, contemporary cloth, rubbed, spine defective, [Abbey, Life 221], tall 8vo, C.Hullmandel & R.Ackermann, [1824].

Lot 27

Badcock (William) A New Touch-Stone for Gold and Silver Wares, second edition, engraved frontispiece frayed and detached, printed leaf "The Intent of the Frontispiece" present, engraved plate, errata leaf at end, a few leaves in sig. H at end with marginal tears and defects, just touching text in places, lacking front free endpaper and pastedown, contemporary sheep, worn, [Goldsmiths' 151; Wing B381], 8vo, for F. Bellinger...and T. Basset, 1679.

Lot 379

Seton or Setoun (Robert, second Earl of Winton, son of Robert Seton, first Earl of Winton, Scottish peer, ambassador, supporter of Mary, Queen of Scots and James VI, 1553-1603, fl. 1583 - after 1636) [Notebook on metallurgy and mining], ?autograph manuscript, in Latin and English, 83pp. excluding blanks, a few pp. in other hands, some blank ff. double-paged, slightly browned, original vellum, stamped "RS" on both covers, slightly yellowed and soiled, covers splayed, holes for ties, 127 x 153mm., Pot watermark, variously dated 1618-35.⁂ Mining. "With the same Mines and among the veins siluer, there is found a minerall, which to speik properly, is a stone concreat of a certaine scum or foame, white and shining houbeit not transparet, which is called by sume stimi, by others Stibium, Alabastrum, or Larbason. And here of there be two kinds, the male and the female. Bot the female Antimonie or Stibium is the better esteemed: for the male is more rude, rough and rugged; And yet for all that, not so weiotie, bright and radiant... ." - Seton.Robert Seton became second Earl of Winton on his father's death in 1603 and in the same year married Anne Maitland, daughter of the late John, Lord Thirlestane, Chancellor of Scotland, who was fourteen at the time. Seton violently attacked his wife on the night of the marriage and after this incident Scotstarvet, who described the event, recorded that he "lay in fetters till he died". On 26th June 1606, Seton resigned his titles and estates in favour of his brother George who became third Earl of Winton.

Lot 259

18ct gold mounted three stone sapphire and diamond ring approx. size N

Lot 201

Four heavy silver stone set rings 28g inc

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