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Lot 1486
DOLLS HOUSE MODEL OF MONTACUTE HOUSE & DOLLS HOUSE FURNITURE a dolls house based on Montacute House in Somerset, made in Pine and with some internal fixtures including stairs. Also with a large qty of dolls house furniture and accessories, some home made and with some better quality items such as a miniature leather dome top box (made by Legatoria, Roma), also with dolls house miniature dolls (including 2 19thc wooden miniature dolls, 2 china head dolls) etc. House 92cms by 60cms. *Montacute House is a late Elizabethan mansion which is now owned by the National Trust. Constructed in local ham stone, it was built in around 1598 by Sir Edward Phelps, Master of the Rolls and the Prosecutor during the Gunpowder trial. This model may have been made by an estate worker as a dolls house for a member of the family.
Lot 287
A WWII Second World War tobacco jar carved from stone taken from the Houses of Parliament after it was bombed in 1940. The jar mounted with a lead plaque depicting St George on horseback defeating the dragon dated 1941. The inside having a fitted ceramic potted with a wooden lid and lead plaque with Tudor rose design and reads ' This Stone Came From The House Of Parliament '. Measures; 20cm tall. Condition; Plaque being loose.
Lot 90
A unique small slab of Portland Stone used for The Bomber Command Memorial, in Green Park, London. The slab comes autographed to the front by ex-Bomber Command and 617 Squadron veterans John Bell and George Johnny Johnson (the last surviving Dambuster). Etched into the reverse is ' Portland stone used for the bomber command memorial in Green Park '. From the personal collection of John Bell. 10cm x 9cm
Lot 144
An early 20th Century Chinese jade and hardstone table screen decorated with squirrel upon a tree with stork looking on within a carved rosewood swivel frame CONDITION REPORTS Whilst basically sound, the panel has some loss to the top left scroll of the branch and to the middle area above the fruit. See images for detail. The panel itself has some, what appear to be natural flaws looking from the back - bottom right and up the left hand side - giving a paler look. The frame basically sound though the bottom left has some damage to the rear foot and at the base of the stand upright. That hat of the man on the back of the buffalo is chipped to the top. There are a few cracks to the stone which may or may not be natural flaws but the beast's right foot has damage and loss. See images.
Lot 195
Masonic binding.- Bible, English. The Holy Bible, some staining and spotting, attractive Dutch floral endpapers, contemporary red panelled morocco, gilt, covers with central compass and square motifs, within borders comprised of various floral and foliage tools, spine in compartments and decorated with floral and foliage and with a green morocco label (chipped with loss of 2 letters, corners worn, rubbed, g.e., 4to (binding 266 x 228mm.), Edinburgh, Alexander Kincaid, 1769.⁂ Provenance: 'This book was bought by Henry Rudd of Monkwearmouth for twelve shillings at the sale of the furniture of St. John's Lodge, 9th of Oct. 1788...and was borrowed at the request of the Rowkand Burdon Esq., M.P. for the County of Durham for the use of the Masonic procession at the Laying of the Foundation Stone of Wearmouthbridge on Tuesday 24th of Sept., 1793 at that time when they had fury of French Citisons [sic.] dictating acts of extreme Depravity disturb'd the peace of Europe'. (Lengthy ink inscription to rear end paper; ink genealogy and signatures of the Rudd family').
Lot 30
Bronze, on a polished hardstone base (Dimensions: 22cm high (8.7in high) (bronze), 37.5cm high (14.8in high) (including base))(22cm high (8.7in high) (bronze), 37.5cm high (14.8in high) (including base))Footnote: Lyon & Turnbull are delighted to offer these two sculptures, some of the last remaining works from the collection of F.G. ‘Peter’ Stone. Peter Stone lived in St Johns Wood, London, and was Art Critic for the Jewish Chronicle. He moved in artistic circles and knew many artists personally, as both friends and colleagues. He purchased work directly from them as a gesture of support and endorsement, and well as offered financial support to many new artists as they tried to establish themselves in the London art scene. By the time of his death in 1985, he had amassed a collection of over 60 paintings. His will, in which he bequeathed the majority of his collection to his son, makes for an interesting read as it references much of his art and the specific bequests he made to the people in his network including Lilian Bomberg, Harry Barr, and ‘to my son, Dr William Michael Hunter.’ William arranged the sale of some of the paintings from his father’s collection, including Carel Weight's Allegro Strepitoso, which is now in the collection of the Tate. Over the years, many other items from the collection have been given away and sold, leaving only a small, yet considered, group of works. The paintings passed to Peter’s son, Dr William Hunter in 1985 and have remained in the family ever since.
Lot 291
An 18ct gold and diamond flowerhead cluster ring, approx. ring size NReport by GHGross weight approx. 3 g.Hallmark numerals 18ct.A few scratches to central diamond but generally in good presentable condition and with no real issues.No signs of any modification, repair etc.Central stone quite heavily included.Central diamond approx. half a carat
Lot 368
An 18ct white gold and diamond marquise cut single stone ring, approx. ring size N See illustrationReport by GHA few corner and edge knocks to shank and shoulders. Shank also slightly misshapen. One quite prominent crack to stone near one of the points. A few small knocks to edge of stone as well. Some inclusions to stone
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