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Lot 1462
A small quantity of jewellery comprising a yellow metal tie pin with classical man's head intaglio on a purple stone, a bar brooch with large central stone, a fob with intaglio stone seal, and a cased pair of gold plated cufflinks (4). CONDITION REPORT: The purple intaglio: it is glass and there is one chip to the reverse and front rim.
Lot 1812
The following group of lots were produced for Stowe Bowden Advertising for Christmas cards each year, numbered and signed by Trevor Grimshaw and the company retained the majority of the originals. After TREVOR GRIMSHAW; two black and white prints, "The Stone Corridor", both in Seasonal Greetings mounts, approx 20 x 14.5cm.
Lot 82
Dinky Toys 25e Tipping Wagon, two examples, type 4 chassis, brown body, grey hubs, type 3 chassis, grey body, 25c Flat Truck, type 4 chassis, orange body (2), type 3 chassis, stone body (2), 25a Wagon, three examples, type 3 chassis, green body (2), stone body, P-VG, three lack headlights (9)
Lot 17
An impressive Continental wrought iron, glazed and later stone mounted... An impressive Continental wrought iron, glazed and later stone mounted standard street lantern, late 19th century, of square section and tapering form, with foliate mounts issuing at the angles, on a knopped stem rising from a foliate cast cylindrical base, on a square section carved stone pedestal, 195cm high overall, 41cm square
Lot 170
A Bougogne stone wall fountain and basin, 20th century A Bougogne stone wall fountain and basin, 20th century, the backplate modelled in the manner of a pedestal, with a bronze tap beneath the waisted pagoda top, the rectangular ashlar cut stone basin with spreading outer sides, 128cm high, 205cm wide, 79cm deep
Lot 187
A Continental carved limestone wall fountain in 17th century taste A Continental carved limestone wall fountain in 17th century taste, 20th century, the ashlar cut stone backing with a lion's mask beneath a moulded pediment, the projecting basin with moulded outer sides, 150cm high, 104cm wide, 96cm deep
Lot 26
A Continental stone composition garden urn on a stone composition pedestal A Continental stone composition garden urn on a stone composition pedestal, 20th century, the Campana form urn with everted rim, the body with masks amongst foliage cast in relief, with twin handles rising from the fluted underside, on a spreading socle; the plinth of square section, 209cm high overall
Lot 293
A set of three Continental carved stone planters, 20th century A set of three Continental carved stone planters, 20th century, of rectangular section, each with everted rim and foliate carved sides, raised on low feet at the corners, 56cm high, 103cm long, 54cm wide Please note, these are of stone composition
Lot 3
A pair of stone composition models of maidens, early 20th century A pair of stone composition models of maidens, early 20th century, portrayed standing and formally draped, each holding a lamp before her, on square section panel sided plinths, 190cm high overall, the bases 48cm high, 35cm wide
Lot 30
An Italian carved Istrian stone and wrought iron mounted wellhead, 19th century An Italian carved Istrian stone and wrought iron mounted wellhead, 19th century, the superstructure with a fleur-de-lys finial on three upright supports, the hexagonal section ashlar cut base with circular aperture, 320cm high overall, 170cm diameter Please note, this is French, not Italian
Lot 310
A massive sculpted limestone model of a male torso, after the Gaddi Torso A massive sculpted limestone model of a male torso, after the Gaddi Torso, 20th century, naturalistically carved overall, supported on a metal rod issuing from a rectangular section stone pedestal, 215cm overall high The marble Gaddi Torso displayed in the Classical Sculpture Room of the Uffizi Gallery in Florence is a Hellenistic work of the 2nd century BC. Its dynamic tension and unusually refined modelling almost certainly place it amongst sculptures of the Pergamene school. Formerly considered to be the torso of a satyr when it was in the Gaddi collection in Florence, the sculpture is now thought to represent a centaur straining against his bonds, a theme that was represented several times in Hellenistic art, as it was an emblem of civilized control of Man's baser nature. The torso was very likely discovered in Rome, according to Giovanni Di Pasquale and Fabrizio Paolucci. It was certainly already in the collections of the Gaddi family in the early 16th century, when Florentine artists and sculptors knew it
Lot 4
A sculpted marble figure of a winged female Victory, a Nike A sculpted marble figure of a winged female Victory, a Nike, in the ancient Greek manner, portrayed standing and with outstretched wings, her drapery beneath her waist spreading outwards, on a rectangular section stone pedestal, 207cm high overall, 143cm wide The Samothrace Nike currently held at the Louvre in Paris is often cited as epitomising Helenistic sculpture, with its very obvious movement represented by the gloriously billowing drapery as well as her stance. Interestingly though, the portrayal of natural movement that was so inherent in Helenistic sculpture, being a direct departure from the purer but more static forms of the Archaic and early Classical sculpture is less pronounced in the example offered here. Indeed, elements of the work here are more reminscent of the sculpture of those earlier, more formal periods
Lot 5
A sculpted limestone model of the Samothrace Nike, 20th century A sculpted limestone model of the Samothrace Nike, 20th century, modelled after the Antique, with wings outstretched and drapery billowing around, atop a cylindrical stone plinth, 293cm high overall, the base 100cm diameter The Winged Victory of Samothrace, discovered in 1863, is thought to have been created around 200-190 BC. The work is 2.44 metres (8 feet) in height and was commissioned to commemorate victory in a sea battle as well as in honour of the goddess. It is famed for the way in which it conveys a sense of action and triumph as well as portraying artful flowing drapery, the goddess being portrayed as descending to alight upon the prow of a warship Rendered in grey and white Thasian and Parian marble, the figure originally formed part of the Samothrace temple complex dedicated to the Great gods, Megaloi Theoi. It stood on a rostral pedestal of grey marble from Lartos representing the prow of a ship (most likely a trihemiolia), and represents the goddess as she descends from the skies to the triumphant fleet The Hellenistic original is currently held in the Louvre collection in Paris
Lot 54
A Continental stone composition fountain group within a limestone pool surround A Continental stone composition fountain group within a limestone pool surround, 20th century, the centrepiece modelled as two putti holding a dolphin together, 96cm high, the circular surround with ogee moulded exterior, 200cm diameter, 31cm high
Lot 60
A cast iron lion mask wall mounting fountain head above an associated stone... A cast iron lion mask wall mounting fountain head above an associated stone basin, 19th century, the relief cast lion's mask on a circular backplate, the basin below of 'D' shaped section, the basin 63cm high, 99cm wide, 62cm deep
Lot 75
A sculpted limestone garden figure of a man playing a horn , 20th century A sculpted limestone garden figure of a man playing a horn , 20th century, in classical taste, portrayed standing and lightly draped, 169cm high, on a square section stone pedestal with panel sides, 80cm high, 68cm square, the height overall 249cm
Lot 76
A sculpted limestone garden figure of Pan, 20th century, in classical taste A sculpted limestone garden figure of Pan, 20th century, in classical taste, portrayed standing, lightly draped and holding the pipes, 167cm high, on a square section stone base with panel sides, 80cm high, 78cm square, the height overall, 249cm
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