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Lot 609

A Chinese design silvered metal Ruyi Sceptre, the terminal inset with a stone, the stem decorated with figures in relief, 20cms.

Lot 91

Good quantity of Britains and other plastic animals and farm accessories, together with wooden farm buildings, selection of Britains plastic floral garden items, 3 x Britains Farmyard boxed accessories (M), trade box of Britains 1726 24 Stone Walls (VG) and boxed Britains 1822 Oak Tree (VG).

Lot 208

Late C19th Early C20th Italian Micro Mosaic Set Gold Stone & Gilt Bracelet, 8 stones interspaced with scrolling gilt engraved metal work, later bolt ring, Pair Cape Studs & Pendant set black onyx

Lot 60

A SELECTION OF RINGS to include a 22ct gold Wedding band, a 9ct gold turquoise set five stone ring, two gold coloured metal rings set with spinel, another four stone ring set four moon stones and stamped 18ct, a gold coloured metal bar brooch stamped 9ct and a tablet shaped ring set diamond roses, stamped 18ct and plat.

Lot 71

JEAN MUIR A GOLD COLOURED METAL BAR BROOCH set green stone, and a 9ct gold INGOT, 1977"

Lot 82

A DIAMOND FIVE STONE HALF HOOP RING with graduated old cut brilliants, M1/2

Lot 500

A STADDLE STONE BASE AND CAP

Lot 501

A STADDLE STONE BASE AND CAP

Lot 502

A STADDLE STONE BASE AND CAP

Lot 503

A STADDLE STONE BASE AND CAP

Lot 335

A Scottish 18 carat gold stone set kilt pin, 1858 reg mark

Lot 347

A 9 carat white gold bird brooch set sapphires and orange stone drop

Lot 353

A 9 carat gold ring set cabochon stone in paste surround and a 9 carat gold wedding band - 3.6g

Lot 391

An 18 carat gold three stone diamond ring - the centre stone .7 carat

Lot 938

A 19th century engraving the "Buck Stone" and another "The Scowls" by Blyth 1775

Lot 1061

Marcus Stone - watercolour woman reading love letter, signed and dated 1894 - 42 x 26cm

Lot 352

Ex shop stock – Hornby Skaledale – A group of three sealed trade packs – 3xR8753 stone cottage, 3xR8751 hairdressers and 3xR8748 Masons Arms

Lot 19

An Inuit carved stone model of an adult polar bear, fashioned standing with swiping front paw. 26.5cm.

Lot 25

Three late 20th century Chinese clay figures, including: fishermen and figure reclining on a stone ledge.

Lot 30

A pair of 19th century Parian porcelain figures, modelled as a young man and woman beside a stone column, together with a pair of continental porcelain figures, each decorated in the Samson style and modelled as a dandy and lass.

Lot 314

A small mixed lot of jewellery, including: a porcelain plaque decorated with two young women, mounted as a brooch, a 22 carat gold wedding band, two Victorian brooches, one set with amethyst coloured stone, a pair of gold earrings and an 18 carat white gold wedding band.

Lot 353

A small silver openwork brooch set with citrine coloured stone by Charles Horner, an Art Nouveau silver button converted to a brooch and a presentation silver dish. London 1976.

Lot 374

Late 19th century Continental school, figures resting on a stone path before a mountainous walled city, watercolour, together with another, a similar view with mountainous landscape beyond.

Lot 381

Helen Allingham, Dry Dock, a converted wooden fishing boat, thatched and with chimney, a shrimping net resting against it and ducks on the stone path to the fore, watercolour, signed. 20.5cm x 26cm in gilt moulded glazed frame.

Lot 394

A framed and glazed pencil and charcoal study of figures and a dog before a wooden mill, together with another study of a stone bridge crossing a quiet river beside whitewashed dwellings.

Lot 445

Opal and diamond three stone ring, with centrally set round diamond flanked by oval shaped opals, shank stamped ‘PLAT’

Lot 446

18ct sapphire and diamond three stone ring, faceted oval sapphire flanked by two round cut diamonds

Lot 447

Five stone diamond ring, having graduated round brilliant cut stones stamped “9ct and Plat”

Lot 475

Bar brooch, set a green coloured faceted stone surrounded by six diamonds, unmarked

Lot 484

Citrine and seed pearl pendant, having a central faceted oval stone (tests as gold) together with a chain stamped 15ct

Lot 79

19th century "stone china" ashet with bird and floral decoration, 38cm long

Lot 190

Diamond and aquamarine three stone ring in 18ct gold

Lot 375

Early Indian carved head, possibly Shiva in dark stone, pendulous ears, pierced with jewellery, ornate hexagonal headdress with elaborate decoration, metal stand, 30cm including stand

Lot 418

Chinese antique stone architectural panel, the grey stone carved in relief with three figures, one holding a child, between jardiniere pots, planted with bushes, framed with incised scrolling decoration, traces of stain or paint, 35cm x 73cm

Lot 420

Indian carved stone architectural panel of four armed Hindu deity seated in Rajilana Asana, a deer by his feet, plinth base, 33cm x 25cm

Lot 424

Early Nepalese fine stone carving of Mahakala with flaming headdress and skull band, coiled serpents piercing his long ear lobes, mounted on a plinth base, 22cm x 16cm

Lot 439

19th century Chinese soapstone seal, mottled green, red stone of square section, the base cube with incised landscape and calligraphic decoration, a carved and pierced confronting dragon panel above the top cut as a coin incised zhuanshu four character mark to base, 10cm x 5.5cm

Lot 461

Early Indian stone architectural sculpture of Hanuman, one foot raised and placed on a crouching hanuman figure, shaped flat back, simple plinth

Lot 168

A Danish silver brooch of contemporary curved form set with a single moon stone, 4.5cm

Lot 170

An Art Deco sterling silver flexi link bracelet composed of multiple square mounts each set with a paste stone, 17cm long

Lot 184

A cameo brooch as a carved classical bust in an oval gilt metal mount, 3.5cm, a gold bar brooch centrally with a pearl, 5cm, and a gilt metal and seed pearl brooch centrally with a heart shape amethyst coloured stone surrounded by seed pearls, 4.2cm (3)

Lot 199

An Edwardian 18ct gold and diamond ring with a central stone flanked by two smaller stones surrounded by eighteen small stones, approx 0.9ct stones, size N

Lot 79

Tray inc. a brass and copper bugle, pair of white metal Corinthian columnar candlesticks, a Bulmers Stone no. 1 Engine plaque

Lot 410

A cushion-cut quartz stone of aquamarine colour, unmounted

Lot 418

A 9ct white gold multi-stone ring, the varying cut stones collet and claw-set in an openwork frame. Ring size P

Lot 421

A five-stone diamond ring, the round brilliant-cut graduated stones set in an 18ct yellow gold band. Ring size K, 2.1 grams

Lot 465

An single stone amethyst ring, on 9 carat yellow gold band, size M; together with a 9 carat yellow gold signet ring, size I/J. 3.6 grams gross

Lot 679

Two bootscrapers set in stone

Lot 218

An oak and red serpentine descending rack gravity timepiece. Attributed to M.E. Gravity Clock, London, circa 1900. The single train French made movement with platform lever escapement powered by its own weight moving down a vertical toothed rack, the circular white enamel Roman numeral dial with red Arabic quarters within the outer minute track and with fixed brass glazed bezel, set into a red serpentine stone mounted ovoid case mounted onto a vertical toothed upright within break-arch pedimented case with four slender column uprights and on rectangular cavetto moulded platform base, 37cm (14.5ins) high.

Lot 246

A Fine George III Scottish military commemorative ebonised musical bracket clock Turnbull and Aitchison, Edinburgh, circa 1778. The substantial six pillar triple fusee movement with verge escapement, striking the hour on a bell before playing a lively tune on eight bells with fifteen hammers every hour, the foliate scroll engraved backplate with oval reserve signed Turnbull & Aitchison, Edinburgh within a leafy border with eagle surmount, the 8 inch black velvet covered break-arch dial with blued steel ring-turned collets to the winding holes and separately applied silvered Roman numerals with Arabic five minutes and dot minute markers between, the arch applied with shaped plaque inscribed in raised silvered lettering COL. BIRD 15 REG. HOBL. WILLM. FALCONER LT. GRENAD. KILLD. action of Brandywine SEPT. 11 1777 around a memento-mori motif on a black background, the bell top case with five pineapple finials above caddy moulded angles and brass handle over circular and concave-topped rectangular foliate pierced frets to sides, on moulded base with cast brass paw feet, 52cm (20.5ins) high. Provenance: The property of a private collector. Possibly commissioned by Anthony Adrian Keith-Falconer the 7th Lord Halkerton, 5th Earl of Kintore for his newly acquired seat, Keith Hall, circa 1778. Thence down the family line to Arthur George Keith-Falconer 12th Lord Halkerton, 10th Earl of Kintore before possibly passing to his widow Helena Zimmerman, (previously Duchess of Manchester) on his death in 1966. Thence by family descent until sold at Sotheby`s, London, January 21st 1995 (with provenance as property of the Dowager Countess of Manchester thence by descent). Subsequently at Hayfield House, Saratoga, California prior to acquisition by the current owner. The clockmaking partnership of Turnbull and Aitchison (probably William and Robert) is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as being active 1768-80. The current lot commemorates the loss of the 4th Earl of Kintore`s youngest son, Willem, at the Battle of Brandywine in 1777. The clock also commemorates the death of his commanding officer Lieutenant Colonel John Bird who was killed at the subsequent action of Germantown. The battle at Brandywine Creek was the first significant action between the British and American forces during Sir William Howe`s Philadelphia campaign of 1777. In late July Howe had landed his force of around 17,000 troops at the Northern end of Chesapeake Bay with the intention of marching on Philadelphia. The American force of 20,600 troops under the command of General George Washington positioned themselves near the strategic crossing of Brandywine Creek at Chadd`s Ford with further divisions covering other crossing points nearby. Lord Howe, (relying on better intelligence provided by sympathetic locals) decided to commit to an outflanking manoeuvre. As a diversion, around 5,000 troops, mainly Hessian Guards under the command of Lieutenant General Wilhelm von Knymphausen, were deployed to confront Washington`s forces at Chadd`s Ford. The rest of Howe`s forces, under the command of Major General Lord Charles Cornwallis, headed north, intending to cross Brandywine Creek at Trimble`s Ford before attacking the rear of Washington`s right flank. After crossing, Howe allowed his troops a two-hour rest from their exhausting 17 mile march (to take afternoon tea according to American accounts) before advancing on to outflank the American forces. Howe`s hesitation allowed the Americans enough time to consolidate some of their troops on higher ground at Birmingham Meeting House which subsequently slowed Howe`s advance enough to allow many of the enemy troops to withdraw safely. Meanwhile Knyphausen, on the east bank of the Brandywine at Chadd`s Ford advanced into the weakened American centre forcing their retreat. Careful damage limitation, co-ordinated by Gilburt du Motier, Marquis de Lafayette, ensured that the battle was not turned into a rout of the American forces who managed to retreat and regroup at Chester. The victory at Brandywine allowed the British and Hessian forces to take Philadelphia with little resistance on 26th September 1777. At Brandywine 15th Foot were attached to Lord Cornwallis`s column and were under the command of Major General Charles Grey. Grey`s troops were engaged in perhaps the bloodiest part of the battle attacking General Sullivan`s position at Birmingham Meeting House. The 15th Foot were short of musket balls hence only the sharpest of shooters was allowed to fire `live` at the battle with other troops firing small charges of powder only, this lead to the regiment being nicknamed `The Snappers` It is probable that Lieutenant Grenadier Willem Falconer was attached to this force hence probably lost his life near the Birmingham Meeting House. Colonel John Bird survived Brandywine but was possibly wounded as he is recorded as `lying sick` at Bringhurst House, Germantown when the American forces attacked on 4th October. He apparently arose from his bed to lead his troops but was subsequently mortally wounded and died after the battle at Bringhurst House. He is buried at DeBonneville cemetery, Philadelphia in a grave with the inscription; Here lie the remains of General James Tanner Agnew a British Officer who was killed at Germantown on the 4th October 1777 and of Lieutenant Colonel John Bird a British Officer at Germantown on or about the 4th October 1777. The bodies of the above were removed from the lower Burial Ground Germantown by order of General Howe and placed in this cemetery with the consent of Doctor George de Benneville in May 1778. Requiescat in Pace. This stone was erected in their memory by His Britannic Majesty`s Government, October 4th 1903. The fact that the current lot commemorates both the death of Lieutenant Falconer as well as his commanding officer, Colonel John Bird, is unusual. The Keith-Falconer family perhaps chose to include his name on such a personal object of remembrance as a mark of respect for his heroism and influence on their son.

Lot 255

A forged iron domestic `great chamber clock`. Unsigned, German/Swiss, late 16th century, The two train movement with forged wheels, a mixture of lantern and standard-leaf pinions, wooden winding barrels with English style sprung clicks to the great wheels and separate wheels driven via lantern pinions for key winding, the going train with verge escapement regulated by foliot complete with curser weights, the strike train with nag`s head lifting and countwheel (driven via teeth cut to the inside of the rim) controlling the hours sounded via a dragon headed hammer on a lugged bell supported above the frame, the 11.5 x 9 inch rectangular painted single-handed dial now with starburst decorated centre within cream ground Gothic Roman numeral chapter ring with winged cherub head painted decoration to lower angles and ribbon banner bearing Gothic script Wenn`s ubel geht habich Seduld, Herzag ich nit Io bringts mir huld to upper margin, the frame composed of one-piece forged upper and lower rings secured to the angled strip corner posts via baton-headed rivets, the upper terminals of the corner uprights narrowing and curving outwards and applied with shield shaped finials, the base with outswept feet, with winding key and two stone weights, (dial, escapement and superstructure with restoration) the frame 50cm (19.75ins) high, 34cm (13.5ins) wide and 42cm (16.5ins) deep, height including bell 66cm (22ins); supported on a purpose made welded steel stand, 204cm (80.5ins) high overall. The current lot can be compared to a similar lot sold at Sotheby`s, New York MASTERPIECES FROM THE TIME MUSEUM, PART FOUR, VOLUME 1 13th October 2004, lot 500. A related but incomplete example was sold in these rooms on 6th September 2011, lot 113. The presence of a dial indicates that the current lot was designed to be installed where it could be seen, however the overall relatively large size of the frame suggests that it was made to furnish a large interior space such as the Great Hall of a substantial house. The design and layout of the movement with nag`s head lifting, shaped cam for overlift and teeth cut to the inside of the countwheel to the strike train is typical of Germanic practice of the second half of the 16th century.

Lot 1025

A single stone diamond ring, with diamond set shoulders, estimated 0.60ct approximate weight, marked 18ct platinum

Lot 1027

An 18ct white gold synthetic ruby and diamond three stone ring, with an estimated total diamond weight of approximately 0.60ct

Lot 1030

A single stone diamond ring, with baguette cut diamond shoulders, the brilliant cut diamond with an estimated weight of approximately 0.90ct

Lot 1047

A pair of gold hinged huggie style hoop earrings, inlaid with mother of pearl and assorted stone inlay (2)

Lot 1052

An 18ct gold three stone diamond star set ring, a wedding ring marked 22, and another marked platinum (3)

Lot 1056

An 18ct gold ruby and diamond five stone ring

Lot 1061

A single stone diamond ring, and a three stone sapphire and diamond ring, marked 18ct platinum (2)

Lot 1068

A 9ct gold single stone amethyst ring, with a pierced Norman style gallery

Lot 1076

A green stone bangle, possibly bowenite, a cased pair of paste drop earrings, an Art Deco synthetic spinel pendant marked 935, a citrine brooch, a silver brooch, and a silver marcasite RNLI pin (qty)

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