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Lot 204
Ladies` emerald & diamond ring, comprising emerald cut large stone, approx., 19mm x 15mm, chip to one top facet, some very slight surface marks, in four corner claw plain sided crib setting, split shoulders, each with an old cut diamond, total weight approx. 0.40 carats, each in collet setting, stamped 18ct gold, size J or 5 US (8.7g)
Lot 210
Tourmaline & diamond set Art Deco style brooch, approx. 45mm, comprising rectangular cut bi-coloured stone, pale pink shading through to pale coffee colour, approx. 15mm x 8mm, approx. 7.35 carats, in four corner claw crib setting, stepped bar to either side, each with seven brilliant cut diamonds in channel setting, total diamond weight approx. 0.50 carats, all in yellow gold, 18ct h/m (5.0g) boxed
Lot 239
Various antique silver items, comprising ornate circular mother of pearl brooch, ornate oval locket, marcasite humming bird brooch, ornate brooch set with green stone to centre, marcasite set frame, marcasite set rings (2), one with stone missing, an ornately patterned Celtic cross pendant, slight dents to back & an ornately patterned cross pendant, stamped, tested or h/m (1.08oz) (8)
Lot 317
Antique costume jewellery, comprising ivory double headed snake bangle, stone set heads, some small stones missing, large oval gold plated locket, approx. 35mm x 45mm, ornate pattern to both sides, double picture holders to inner & an ornate garnet set pendant, approx. 35mm x 40mm, comprising multiple stones in various cuts, metal back (3)
Lot 320
Misc. costume jewellery, comprising brooches (13), mainly antique stone set, one with small stones missing, antique amethyst set necklet, ladies` marcasite set rings (2), strand of vulcanite beads, some slight damage, jet brooch of ladies` slipper with cat sleeping in it, end of cats tail missing, Scottish ptarmigans foot brooches, stone set (2), gent`s Edox wristwatch, small seconds dial & black Arabic numerals, fitted with expanding bracelet, enamelled Royal Army Ordinance Corps sweetheart brooch, stamped silver & an `A.T.S.` pin (lot)
Lot 63
Jack Butler Yeats RHA (1871-1957) THE PONTOON, 1947 oil on board signed lower right; with typed Waddington Galleries, London, label on reverse 9 by 14in. (22.86 by 35.56cm) Provenance: Waddington Galleries, London where sold in 1947 to an unknown collector; Sotheby`s, 11 May 2006, lot 70; Private collection Exhibited: Waddington Galleries, London, 1947 Literature: Pyle, Hilary, Jack B. Yeats A Catalogue Raisonné of the Oil Paintings, Vol. II, p.775, no. 861 The painting depicts a pontoon or temporary floating platform at the edge of a quayside. The background is dominated by grey industrial buildings which Yeats has created by leaving the canvas unpainted. The red of the metal gangway is echoed across the composition, in the structure of the shelter, an archway in a warehouse wall and in the rosy tones of morning sunlight reflected on the standing figure and the pontoon itself. Blues and greens predominate. Their varied hues and textures evoke the movement of the water, the coldness of the dawn light against the stone buildings and the murky shadows beneath the gangway. The two figures on the pontoon, one old and one young, are carefully observed. They wait separately for the day`s work to begin and the next boat to arrive. A suggestion of other figures is evident in the dark forms in the interior of the structure. The boy stands shivering, his arms crossed in a pose suggestive of tension and eagerness while the older man sits against the shelter of the hut. His face, lost in contemplation, looks out of the painting. This subtle contrast of youth and age is a recurring theme in Yeats` later work as he recognised the changing perspectives of age. (He was in his seventies when he painted this). It adds a note of poignancy to the painting elevating the subject to a philosophical comment on human nature while providing a remarkable vignette into the transient world of the river and its workers. Dr. Róisín Kennedy April 2012 (£40,500-£56,700 approx)
Lot 98
Archibald McGoogan (1860-1931) A STORMY EVENING OFF THE BAILEY, HOWTH, 1889 watercolour signed and dated lower left; with title inscribed on reverse 6.75 by 10.75in. (17.15 by 27.31cm) Provenance: The Collection of Mr E.A. Stone, recorded on 1911 census as a Chemical Analyst of Windsor Avenue, Clontarf, Dublin Archibald McGoogan was the artist responsible for the design of the Great Seal of the Irish Free State (now in the collection of Collins Barracks) and was the first photographer employed by the National Museum of Ireland. He is also attributed to a chromolithographic print entitled After the bombardment. The holocaust of Ireland`s greatest thoroughfare, Friday Morning, 29th April, 1916 in the collection of the National Library of Ireland. He is listed in the Irish Art Societies and Sketching Clubs Index of Exhibitors 1870-1980 as exhibiting over fifty works between 1892 and 1930, mostly landscapes. The RHA Index of Exhibitors 1826-1979 also lists his contributions (between 1888 and 1929) and notes various addresses for him including, 1 Chester Road, Ranelagh, Dublin; 31 Windsor Road, Leinster House, Dublin and 8 Ardenta Terrace, Monkstown. (£410-£570 approx)
Lot 99
Archibald McGoogan (1860-1931) A BREEZY DAY, SUTTON (HOWTH), 1889 watercolour heightened with white signed and dated (beneath the mount) lower left; with title inscribed on reverse 6.50 by 10.50in. (16.51 by 26.67cm) Provenance: RHA, Dublin; Whence purchased by Mr E.A. Stone, recorded on 1911 census as a Chemical Analyst of Windsor Avenue, Clontarf, Dublin Exhibited: RHA, Dublin, 1889 catalogue no. 426 [£1-10-0] Archibald McGoogan was the artist responsible for the design of the Great Seal of the Irish Free State (now in the collection of Collins Barracks) and was the first photographer employed by the National Museum of Ireland. He is also attributed to a chromolithographic print entitled After the bombardment. The holocaust of Ireland`s greatest thoroughfare, Friday Morning, 29th April, 1916 in the collection of the National Library of Ireland. He is listed in the Irish Art Societies and Sketching Clubs Index of Exhibitors 1870-1980 as exhibiting over fifty works between 1892 and 1930, mostly landscapes. The RHA Index of Exhibitors 1826-1979 also lists his contributions (between 1888 and 1929) and notes various addresses for him including, 1 Chester Road, Ranelagh, Dublin; 31 Windsor Road, Leinster House, Dublin and 8 Ardenta Terrace, Monkstown. (£410-£570 approx)
Lot 176
Cody Swanson (American, b.1985) ALINA, 2005 bronze on stone plinth; (no. 1 from an edition of 8) numbered and dated on the inside; with "My final love" inscribed into bronze also on inside; with foundry stamp at base 15.50 by 8.50 by 4in. (39.37 by 21.59 by 10.16cm) Provenance: Solomon Gallery, Dublin; Private collection Exhibited: `Italian Realism Revisited`, Solomon Gallery, Dublin, June 2006 (£1,220-£1,620 approx)
Lot 406
Contemporary gold (18ct) diamond single stone ring with a modern brilliant cut diamond six claw setting on tapered shoulders, together with a gold (9ct) six stone diamond and blue stone dress ring - Both rings size I 1/2 Further images and condition reports are available at www.reemandansie.com
Lot 419
Gold (18ct) wedding ring - Ring size approximately R, Victorian gold (18ct) sapphire and diamond three stone gypsy ring - Ring size Q, plus a yellow metal cameo ring - shank hallmarked for 18ct but bezel added and not necessarily gold The two hallmarked 18ct rings weigh approximately 11 grams The cameo ring weighs approximately 5.2 grams gross Further images and condition reports are available at www.reemandansie.com
Lot 426
1930s platinum and diamond single stone ring with old cut diamond (measuring 7mm diameter) in tiered claw setting on diamond mounted shoulders with millegrain setting - Ring size M Good condition. Diamond is quite a lively white stone that does not appear to draw any obvious colour. Several internal inclusions visible to the naked eye Further images and condition reports are available at www.reemandansie.com
Lot 429
Victorian-style gold (9ct) half seed pearl and red stone pendant with pear cut red stone pendant drop, suspended from a red stone, half seed pearl set openwork surmount on gold (9ct) chain, together with a matching gold (9ct) red stone and half seed pearl brooch Further images and condition reports are available at www.reemandansie.com
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