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19th/early 20th century gold five stone graduating cushion cut sapphire and diamond chip three row ring, makers mark AH, stamped 18ctCondition Report:Approx 3.3gm, size L-M, max depth = 8mm, few light surface nibbles to sapphires, some colour zoning to the central sapphire, stones appear secure in setting
Early 20th century gold green paste stone and diamond marquise shaped ring, stamped 18ct and a later 9ct gold peridot and pearl cluster ring, Birmingham 1963 Condition Report:18ct approx 3.5gm, size N-O, a couple of green stones probably replaced - variation in colour, head = 20mm x 8.5mm, 9ct approx 2.25gm
AR * Anderson (Stanley, 1884-1966). The Stone Breaker, 1940, copper line engraving, on pale cream wove paper, a fine mpression, printing with great clarity and rich contrasts, clarity and tone, a proof aside from the published edition of 50, signed in pencil, titled ‘The Stone Breaker. (Line Engraving)’, by the artist in the lower margin, with margins, plate size 182 x 139 mm (7 1/4 x 5 1/2 ins), sheet size 322 x 255mm (12 3/4x 10 1/8 ins), in very good condition, unframed QTY: (1)NOTE:Literature: Meyrick & Heuser 226. The engraved verse is taken from a poem by the humourist Thomas Hood, entitled The Broken Dish.
* Manner of Giovanni Paolo Panini (1691-1765). Capriccio landscape, oil on canvas, re-lined, depicting a woman and small child seated on a stone floor, a robed old man standing before them, against a backdrop of classical ruins, including statues of a rider on horseback and a male nude, and corinthian columns, a stone sarcophagus lower left with inscription 'Pertinacis Imp In Hacurna O.SA Servantur', 64 x 49 cm (25 1/4 x 19 1/4 ins), gilt moulded frame (66.5 x 54 cm)QTY: (1)
* Fantin-Latour (Henri-Theodore, 1836-1904). Manfred et Astarté, lithograph on thin japan tissue, signed in the plate lower right, printed in an edition of only five trial proofs (after which the stone was cancelled), image size 154 x 119 mm, sheet size 39.5 x 55 cm (15.5 x 21 3/4 ins), together with Final de la Walkure (R. Wagner), 1879, uncoloured lithograph on wove paper, signed in the plate lower left, the 2nd state, with the publisher's name printed below the image imp. Lemercier et Cie, Paris, printed in an edition of 50 proofs (after which the stone was cancelled), signed in pencil to lower right, image size 225 x 275 mm, a few minor marks to margins, small tear with a little loss to left margin of the sheet edge, sheet size 26 x 31 cm (10 1/4 x 12 1/4 ins), corner mounted on old backing paper QTY: (2)NOTE:Hediard 24 & 188.
* Jobbins (William Henry, fl. 1872-1893). Venice, oil on wood panel, depicting a young man on a gondola talking to a woman in a red shawl and a small child standing on the steps of a pedimented doorway set into a wall with shuttered windows, stone ball finial topped balustrade, and 2 other doorways, signed and titled lower left, a few flecks of white to margins, 17.5 x 28.4 cm (6 7/8 x 11 1/8 ins)QTY: (1)
* Garaud (Gustave Césaire, 1844-1914). View on the Mediterranean coast, probably Nice, fine oil on canvas, depicting a sunlit bay, with classical portico and stone balustrade to the left, and pink blossom to the right, signed lower left, canvas with ink stamp of Blanchet, Paris, on verso, 24.2 x 37.5 cm (9 1/2 x 14 3/4 ins), attractive period gilt moulded frame (38.8 x 51.8 cm)QTY: (1)
* Roman School. The Virgin Mary and Child, with Mary Magdalene, Elizabeth and John the Baptist, circa 1560-75, pen and brown ink with brown wash on 16th century laid paper, heraldic shield watermark with fleur-de-lys, surmounted by a quatrefoil above and letters below (compare Briquet 1836-1843, circa 1560s to 1570s), depicting the Virgin Mary seated with the infant Jesus on her lap, flanked by Mary Magdalene on her left, and the infant John the Baptist holding a dove on her right, watched over by his mother Elizabeth, another woman beside and several small children and a dog, with the four Evangelists behind, set against large stone pillars and a coffered barrel vaulted archway, a few small marks to lower left-hand edge, laid down on 17th century paper with a brown ink single line border, with Dutch watermark of a foolscap wearing a 5 point collar, sheet size 21 x 30 cm (8 1/4 x 11 3/4 ins), mounted, framed and glazed (44.3 x 53.3 ins)QTY: (1)NOTE:Provenance: Private Collection, Monmouthshire.
Antique 18ct yellow gold diamond and ruby ring, Birmingham hallmark 1910, size L. The ruby measuring 4 x 3mm, surrounded by 14 pts of rose cut dias and one 1.5pt rose cut dias, approx 2.42 gms; together with an antique 18ct yellow gold five stone diamond ring, set with 10 pts of old cut dias and 1 x 1.5 pt rose-cut diamond, Chester hallmark 1900, size S, 2.81 gms
9ct yellow gold bar brooch, four beads mounted on a polished pierced frame, steel pin, approx 2.2 gms. This lot includes a 9ct yellow gold shell cameo brooch, depicting a feminine profile, approx 38 x 30mm, 7.4 gms; a pair of 9ct tri-gold hoop earrings 4.2 gms; 9ct yellow gold Scottish thistle brooch set with an oval quartz 12 x 10mm with steel pin, 2.8 gms; 8 ct stamped gold beer tankard charm 1.9 gms and lastly an antique 18ct yellow gold and blue sapphire and diamond ring. The center sapphire approx 4mm and a rose-cut diamond 2.5mm with another non-matching white stone, size N, 1 gm.
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400830 item(s)/page