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Lot 128
Sale Item: W LIDDELL MACDUFF STONE WATER BOTTLE Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Lot 370
Sale Item: 5 SCOTTISH STONE GINGER BEER BOTTLES (2 AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Lot 396
Sale Item: STONE FLAGON WILLIAM WALKER CUPAR (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Lot 494
Sale Item: 2 CURLING STONE BOXES Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Lot 16
SELTENER UND BEDEUTENDER SITZENDER BUDDHA. SELTENER UND BEDEUTENDER SITZENDER BUDDHA. Herkunft: Thailand. Dynastie: Dvaravati-Zeit (ca. 6.-11. Jh.). Datierung: 7.-9. Jh. Technik: Bronze mit grüner und rostbrauner Patina, teils Spuren von Oxidation. Beschreibung: Sitzend in padmasana mit den Händen in Lehrgeste (Vitarka Mudra) mit bei der rechten Hand zusammengelegtem Daumen und Zeigefinger. Das Antlitz ausdrucksstark gestaltet mit vollen Lippen und verbundenen, hoch geschwungenen Augenbrauenbögen über fast geschlossenen Augen. Die Ohren mit lang gezogenen Ohrläppchen, die Haare in ausgestalteten Locken und einer kugeligen Bekrönung. Unter dem dünnen Gewand, das nur in feinen Relieflinien auf Brust und über den Beinen angegeben ist, werden die Körperformen deutlich sichtbar. Über das linke Handgelenk ist der Saum des Gewandes in Falten gelegt. Die Figur steht auf drei kurzen Füßen, die vermutlich zur Verankerung in einem Sockel dienten. Auf dem Rücken eine Öse für den Baldachin bzw. die Mandorla. Maße: Höhe 33cm, Breite 24cm, Tiefe 14cm. Obwohl Figuren aus Bronze aus der Dvaravati-Zeit wesentlich seltener zu finden sind, als solche aus Stein, zeigt diese Figur doch eine große zurückhaltende Eleganz in der Gestaltung. Provenienz: Norddeutsche Privatsammlung. Seit ca. 30 Jahren im Familienbesitz. Erläuterungen zum Katalog Asiatika - Südostasien 7.-9. Jahrhundert Buddhistische Kunst Bronze Thailand SELTENER UND BEDEUTENDER SITZENDER BUDDHA. RARE AND IMPORTANT SITTING BUDDHA. Origin: Thailand. Dynasty: Dvaravati period (ca. 6th-11th c.). Date: 7th-9th c. Technique: Bronze with green and rust brown patina, partly with residue of oxidation. Description: Sitting in padmasana with the hands in teaching gesture (Vitarka Mudra) with thumb and index finger touching at the right hand. The face is expressively formed with full lips and connected, high arched eyebrows over almost closed eyes. The ears with elongated ear lobes, which have open slits, the hair in full curls with a spherical crowning. Beneath the thin robe, which is only indicated in fine relief lines on the chest and over the legs, the body features are clearly visible. Over the left wrist the hem of the garment is draped in folds. The figure sits on three short feet, which probably served to anchor it in a pedestal. On the back an eyelet for the canopy or mandorla. Measurement: Height 33cm, width 24cm, depth 14cm. Although figures made of bronze from the Dvaravati period are much rarer than those made of stone, this figure shows a great restrained elegance in its design. Provenance: North German privte collection. Family owned for about 30 years. Explanations to the Catalogue Asian Art - Southeast Asia Buddhist art Bronze Thailand
Lot 252
GROßE SCHAUPLATTE MIT DARSTELLUNG DER VIER STRÖME. GROßE SCHAUPLATTE MIT DARSTELLUNG DER VIER STRÖME. Datierung: 19./20. Jh. Technik: Silber, getestet. Farbsteincabochons, Perlmutt. Beschreibung: Die durchbrochene Fahne sowie alle Medaillonumrandungen mit dichtem Steinbesatz, ebenso die Ornamente auf dem Spiegel. Gruppiert um zentrales Medaillon Darstellungen der vier Ströme Donau, Ganges, Nil und Rio de la Plata. Gewicht: 1890g. Maße: ø 49cm. Marke: Ohne erkennbare Marken. Beilage: Rundes Lederfutteral. Beschädigt. Erläuterungen zum Katalog Silber 19./20. Jahrhundert Schauplatte GROßE SCHAUPLATTE MIT DARSTELLUNG DER VIER STRÖME. LARGE DECORATIVE DISH WITH DEPICTION OF THE FOUR RIVERS MADE OF SILVER, MOTHER OF PEARL AND COLOURED STONES. Date: 19th/20th century. Technique: Silver, tested. Coloured-stone cabochons, mother of pearl. Description: The pierced rim, all medallion outlines as well as the ornaments on the centre of the dish with dense stone trimmings. Depictions of the four rivers Donau, Ganges, Nil and Rio de la Plata around a central medallion. Weight: 1890g. Measurement: ø 49cm. Mark: Without recognizable marks. Enclosed: Round leather case, damaged. Explanations to the Catalogue Silver 19th/20th century Platter
Lot 284
PAAR PIETRA DURA PLATTEN VÖGEL AUF ZWEIGEN. PAAR PIETRA DURA PLATTEN VÖGEL AUF ZWEIGEN. Italien. Technik: Verschiedenfarbige Steine eingelegt. Maße: Ca. 37,5 x 31cm. Erläuterungen zum Katalog Italien Kunstkammer PAAR PIETRA DURA PLATTEN VÖGEL AUF ZWEIGEN. PAIR PIETRA DURA PLAQUES WITH BIRDS ON TWIGS MADE OF DIFFERENT STONES. Italy. Technique: Different coloured stone inlays. Measurement: Approx. 37,5 x 31cm. Explanations to the Catalogue Italy Early Works of Art
Lot 36
SELTENER UND FEINER STEHENDER BODHISATTVA. SELTENER UND FEINER STEHENDER BODHISATTVA. Herkunft: Gandhara. Datierung: 3. Jh. n. Chr. Technik: Hellgrauer Schiefer. Beschreibung: Da die Attribute nicht erhalten sind, kann dieser majestätische, sehr fein gearbeitete Bodhisattva mit Mandorla nicht eindeutig identifiziert werden. Aufgrund seines kunstvollen Turban kann man davon ausgehen, dass die Skulptur Bodhisattva Avalokiteshvara oder Bodhisattva Siddhartha Gautama, also Prinz Siddhartha vor Erlangung der Buddhaschaft, darstellt. Die beschädigte linke Schulter seines kräftigen nackten Oberkörpers war mit einem Gewand (sanghati) im hellenistischen oder provinzialrömischen Stil bedeckt. Die feinen Falten seines Dhotis fallen rhythmisch auf seine Knöchel, und er trägt Sandalen. Die schweren Ohrringe und Armbänder (hier ist nur eine Armband erhalten), mehrere Halsketten und die Gebetskette mit Amulettbehältern sind charakteristische Merkmale von Bodhisattva-Skulpturen aus Gandhara. Sein spirituelles und sehr subtil gestaltetes Gesicht, das tiefste Ruhe und Versenkung ausstrahlt, steht in einem schönen Kontrast zu seinem athletischen Körper. Maße: Höhe 61cm, Breite 20cm, Tiefe 9cm. Rahmen/Sockel: Montiert auf einem Metallsockel. Provenienz: Europäische Privatsammlung. Literatur: Christies New York: Devotion in Stone, 23. Sept. 2020, Lot 613, vgl. für ein größeres Beispiel. Erläuterungen zum Katalog Asiatika - Südostasien 3. Jahrhundert Buddhistische Kunst Skulptur Gandhâra SELTENER UND FEINER STEHENDER BODHISATTVA. RARE AND FINE STANDING LIGHT GREY SCHIST BODHISATTVA. Origin: Gandhara. Date: 3rd c. A.D. Technique: Light grey schist. Description: Because the attributes are not preserved, this majestic, very finely carved haloed Bodhisattva can not be conclusively identified. Due to its elaborate turban, one can assume that the sculpture represents Bodhisattva Avalokiteshvara, or Bodhisattva Siddhartha Gautama, that is prince Siddhartha before attaining Buddhahood. The damaged left shoulder of his powerful naked torso was covered with a robe (sanghati) in Hellenistic or provincial Roman style. The finely carved folds of his dhoti fall rhythmically to his ankles, and he his wearing sandals. The heavy earrings and armbands (only one armband is preserved here), multiple necklaces, and prayer chain with amulet containers are signature features of Gandharan Bodhisattva sculptures. His spiritual and very subtle face, radiating deepest calmness and immersion, contrasts beautifully with his athletic body. Measurement: Height 61cm, width 20cm, depth 9cm. Frame/Pedestal: Mounted on a metal base. Provenance: European privat collection. Literature: Christies New York: Devotion in Stone, 23rd Sept. 2020, Lot 613, compare for a larger example. Explanations to the Catalogue Asian Art - Southeast Asia 3rd century Buddhist art Sculpture Gandhâra
Lot 2
Higgs & Evans, Londres. A gold key wind quarter repeating pair case pocket watchDate: London Hallmark for 1749Movement: Gilt engraved full plate fusee verge, pierced and engraved balance cock, diamond end stone, silver regulation, No.17553Dial: White, black Roman numerals, black outer minute track with 5 minute markers, gilt beetle handsCase: Pierced and engraved inner and outer cases, roc depicted on inner case with green man, foliate decoration to outer case, signed inner cap numbered 17553, bell secured by 1 screw, plunge repeat in the stemSigned: Dial & movement, case stamped IWSize: 48mmFor further information on this lot please visit Bonhams.com
Lot 22
Piaget. A very attractive 18K white gold and diamond set keyless wind open face pocket watch with green hard stone dialDate: January 1973Movement: 18-jewel Cal.9P manual wind, adjusted to 5 positions & temperature, No.7005124Dial: Green hard stone, polished faceted lance handsCase: Brushed and polished round, snap on back, diamond set bezel, crown at 6, monogram to case back incorporated into engraving of an archerSigned: Case, dial & movementSize: 43mm Accompaniments: Piaget box, Guarantee CertificateFor further information on this lot please visit Bonhams.com
Lot 5
A continental gold key wind full hunter pocket watch with enamel and seed pearl decorationDate: Circa 1830Movement: Gilt full plate cylinder, pierced and engraved balance bridge, silver regulationDial: White, black Arabic numerals, black outer minute track, winding aperture at 2, blued steel spade handsCase: Blue guilloche enamel to front with stone set bird and letter J, red guilloche enamel to back, seed pearl set bezels, No.228844Signed: Movement signed MAFSize: 31.5mmFor further information on this lot please visit Bonhams.com
Lot 8
J. M. French, Royal Exchange, London. An 18K gold key wind full hunter pocket watchDate: Circa 1840Movement: Gilt 3/4 plate English lever, cut and compensated bi-metallic balance, diamond end stone, No.109Dial: White, black Roman numerals, black outer minute divisions, subsidiary seconds at 6, gilt arrow tipped handsCase: Engine turned hinged, plain cartouche to front, No.109Signed: Cuvette & movementSize: 52mmFor further information on this lot please visit Bonhams.com
Lot 182
CRICKET, press photos, Australia 1960s Benaud playing for Cricketers Club of London, showing leading team out, with officials, signing for group of boys, press stamp to backs (mixed), 8.5 x 6.5 VG, 3 plus 1960s, showing Nurse c Thomas b Martin, Harvey batting, Ben Barnett with John Stone, Benaud with wife inspecting vending machine, press stamp to backs (1), date stamps for use (3), 11.5 x 7.75 and smaller (2), G to VG, 7
Lot 1226
A collection of Britains boxed and loose trade packs, farming implements and accessories, to include a No. 1736 gate style and stone walls gift set, a No. 1731 6-piece farm gate trade box containing four examples,a boxed Britains disc mower, and a No. 1730 hedge units trade box containing three of the six examples
Lot 431
Music Books, approximately seventeen music related books including Madonna - Sex (with outer cover), The Music Library, 50 Years of the Rolling Stone, The Byrds - Requiem for the Timeless Volume 2, Neil Young - Heart of Gold, Reckless Daughter, I Feel The Music, The Last Sultan, Change Partners and more - mainly very good condition
Lot 427
Melody Maker Magazines plus, approximately forty-seven Melody Maker Magazines from the 1970s and 1980 comprising 1972 - three, 1974 - thirteen, 1975 - four, 1976 - six, 1977- five, 1978- ten, 1979 - four and 1980 - two - sold together with a Sounds Magazine from 1972, an NME from 1971 and four Rolling Stone magazines from 1969 - 1973, various conditions
Lot 311
A ruby five stone ring, four oval and one cushion shaped ruby claw set in an all yellow metal carved claw mount marked 18ct, gross weight approximately 3.2gms, ring size L, Valuation for Insurance Certificate by James Moore Jewellers dated 2009 for four hundred pounds, a 9 carat yellow gold reverse cluster ring illusion set with a diamond to centre and surrounded by eight rubies claw set in a 9 carat yellow and white gold mount, 1.8gms, size O.
Lot 431
A Canadian white gold single stone diamond ring,with a diamond set half hoop below. The Canadian brilliant cut diamond, with a believed weight of 0.638ct, four claw set to a scalloped collet with raised plain guards. A row of brilliant cut diamonds, channel set below, to flat shoulders and a plain shank. Marked 14k. Lasered to the girdle NWT3 - 31241, original report deficient. Head 5.40mm wide, 6.03g. Diamond assessed as approximately:Colour: G/HClarity: SI1/SI2Finger size J-KAn insurance valuation available to view dated 2011. Condition report: Diamonds below the principal diamond estimated as approximately 0.60ct total.Marks to the mount.Requires re-rhodium plating.
Lot 44
A seven stone ruby and diamond carved head ring,with three graduated oval mixed cut rubies, all double claw set. Pairs of old Swiss cut diamonds, claw set between the rubies to a carved head mount, with plain shank. Partial mark 18. A ring case by 'Croydons, Ipswich, Norwich, Bury St Edmunds'. Head 19.90 x 7.20mm, 4.53g.Finger size K approximately (not round)Condition report: Three claws deficient, others worn. The claws have been re-tipped at some stage in its history. Wear to the sides of the head shank oval, has been strained slightly at the shoulders, to the inside.Rubies bright and lively. No obvious inclusion to the naked eye. No obvious wear or damage to the rubies.Under 10x magnification - minor facet edge marks only.
Lot 49
A three stone sapphire and diamond gypsy ring,with a circular mixed cut sapphire and two brilliant cut diamonds, all star set to a tapered band. Marked 18CT. Head 8mm wide, 5.15g.Finger size L-L½Condition report: Substantial crown facet edge wear to the sapphire.Surface marks to the mount.Stress tear et the edge of the shank.
Lot 50
Three diamond set stick pins,to include a diamond and seed pearl naval crown and anchor, with a rose cut diamond set anchor, overlaid with a crown, both grain set with graduated rose cut diamonds and seed pearls, 2.45ga ruby and diamond pennant stick pin with a row of calibré cut rubies, milligrain set above a row of rose cut diamonds, 1.61g,together with a two stone synthetic ruby and old European cut diamond stick pin, 1.16g (3)Condition report: 1 and 2 tested as approximately 18ct gold.3 tested as approximately 18ct gold and pin 9ct gold.Possible repair to pennant example as the pin joins the head.3 open bubbles visible under 10x magnification to the synthetic ruby.Tarnished.
Lot 51
A cased diamond set fleur-de-lys stick pin, early 20th century,with a pear cut diamond, claw set to the top, a pair of old Swiss cut diamonds, claw set below with a rose cut diamond grain set below, 2.58g, case by 'George H Clapham, 141 High Street, Brixton Road, S.W.', together with a single stone bouton pearl stick pin, 2.11g, a turquoise and pearl stick pin, 0.81g, anda single stone diamond stick pin, 0.98g,pearls untested (4)Condition report: Fleur-de-lis with slight bend to the pin.Tarnished.Bouton pearl loose on the peg.Diamond single stone pin with different carat pin and collet.Damage to the nacre of the pearl and turquoise pin.Fleur de lys pin tests as 18ct gold. Pear cut diamonds - 5.12 x 2.49mm approximately.The pin obscures - unable to get a depth.Perhaps 0.12ct - 0.15ct range.The pear cut diamond is an old cut and original to the pin. Elongated pear - assessed as approximately colour I/J, clarity SI1-SI2 range. Mount limitations apply.Please view additional images.
Lot 56
A single stone pearl stick pin,with a drop-shaped pearl, peg set to a plain pin. Tested as approximately 9ct gold. Pearl untested. 8.90 x 7.05mm, 1.34gCondition report: Light cream body colourGood lusterGreen and pink overtonesOne ripple and a couple of pinpoint indentations all to the one area.
Lot 77
An Edwardian amethyst and split pearl fringe necklace,with a row of graduated blade edge bars. Each one culminating in an oval mixed cut amethyst in a scalloped collet, with a split pearl claw set to the bar, all suspended from a trace claw with a barrel clasp. Marked 9C. 420mm long, 24mm dropCondition report: Amethysts well matched for colour, tone and saturation.No chips or damage to the amethysts.Some with natural inclusions under 10x magnification.One claw to a small stone slightly lifted.Clasp secure.
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