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Lot 51
A collection of Japanese Jomon obsidian arrowheads, circa 2500-1500 BCE, with a cased set of Jomon arrowheads and shark's teeth, the case bearing label 'contents excavated in Aomori Prefecture Japan. Origin is Ancient Jomon culture.' Together with further Jomon stone arrowheads, Ex J Meador coll, Il
Lot 62
A possibly ancient Egyptian painted and embossed panel, decorated with the winged sun of Horus and Gods, 31.5cm high collection of Egyptian faience scarabs , an ancient glass bottle and blue stone charms from the Biblical lands, together with an ancient Egyptian painted wooden fragment and a bank note signed by RW Livingstone and 2 others
Lot 23
A Prehistoric European polished green stone axe head, circa 2000 BCE, of typical form, 7cm wide, a Neolithic Vietnamese stone axe head, circa 2000-3000 BCE, 7cm wide, bears label 'found in Gia Lai Province, Tay Nguyen Plateau, Central Highlands, Vietnam. Together with a Thai Neolithic stone axe head, circa 2500 BCE, 6cm wide, (3 items boxed with information labels). Ex J Meador coll, Il
Lot 1
An emerald and diamond cluster 18ct yellow gold ring, the central emerald approximately 4mm by 3.5mm, the surround comprising eight round old cut diamonds, with a total weight of approximately 0.50 carat, claw settings to split scroll work shoulders size M½, gross weight approximately 3.4 gramsCondition: Overall good, stone and setting intact, no obvious damage or repair, minor wear and tear only
Lot 12
A five stone diamond 18ct yellow gold ring, claw set graduating old cut diamonds, centre diamond weighing approximately 1 carat, the other four diamonds weighing a total of approximately 1 carat, assessed diamonds colours I-J, assessed clarities S1-S12, ring size L1/2Condition: All diamonds intact, small cleavage crack to one outer diamond, all claws intact, minor wear and tear to shank
Lot 13
An emerald single stone white gold ring with diamond set leaf design shoulders, the emerald cut emerald approx 8.7mm by 7.3mm weighing approximately 2.0 carats, slightly bluish light green, surface reaching inclusions, the four marquise shaped brilliant cut diamonds weighing a total of approximately 0.50 carat, claw settings size MCondition: Good overall condition, emerald with moderate surface reaching inclusions, claw intact and in good order, no obvious damage or repair, minor wear and tear only
Lot 19
A diamond solitaire 18ct white gold ring with diamond set shoulders, the round brilliant cut diamond weighing approximately 0.90 carat (note: deep stone with thick girdle) assessed colour H/I, assessed clarity VS, white four claw setting, the shoulders containing eight round cut diamonds, ring size P Condition: Good overall condition, no obvious damage to diamond, settings intact, minor wear and tear only to shank
Lot 2
An aquamarine single stone white gold and platinum set ring with diamond set step down shoulders, the large octagonal step cut aquamarine approximately 16mm by 15mm (approximately 20 carats) four claw setting, bead set shoulders containing a total of fourteen small round brilliant cut diamonds, ring size R, total gross weight approximately 11.3 gramsCondition: All stones intact, some abrasion facet wear to aquamarine, minor wear and tear to shank, claws intact
Lot 20
A diamond three stone 18ct white gold ring, the three round old brilliant cut diamonds weighing a total of approximately 1.25 carats, assessed colour H/I, assessed clarities SI, white claw settings to coronet mounts, ring size NCondition: Good overall, no obvious damage to diamonds, claws intact, minor wear and tear only
Lot 22
An emerald single stone white gold ring with diamond set shoulders, the emerald measuring approximately 7.7mm by 5.3mm, four baguette cut and forty-two small round cut diamonds, a total diamond weight of approximately 0.50 carat, claw bar and bead settings, size M½, stamped 18k Condition: Good overall condition, no obvious damage to stones, settings intact, minor wear and tear only to shank
Lot 29
An Edwardian aquamarine single stone yellow gold brooch with two small diamonds, one each side, the oval faceted aquamarine approximately 20mm by 15mm, gross weight approximately 11.1 gramsCondition: Overall good, no obvious damage to stone, settings or construction, no obvious sign of repair
Lot 40
An opal single stone set 18ct yellow gold bee pendant on a 9ct yellow gold chain, the centre oval cabochon cut opal measuring approximately 10mm by 7mm, hallmarked 18ct gold 1982, the bee measuring approximately 50mm by 30mm, total gross weight approximately 8 grams on a 9ct yellow gold Prince of Wales chain, weighing approximately 9.6 gramsCondition: Very good, no obvious damage or repair, opal in good condition
Lot 45
An Edwardian diamond and green tourmaline set yellow gold pendant and chain, the three central rectangular step cut green tourmalines with open art Nouveau scroll work surround, rub over collet and bead set old cut diamonds, a total diamond weight of approximately 1.0 carat, unmarked chain stamped 9ctCondition: Good condition, all stones intact, no obvious damage to stone settings, pendant or chain
Lot 5
A blue stone and diamond three stone ring with cross over shoulders, the centre octagonal step cut dark blue stone approximately 8.4mm by 6.7mm, the two outer brilliant cut diamonds weighing a total of approximately 1.25 carats, assessed colours H/I, assessed clarities SI2/I1 claw setting to yellow gold shank, stamped 18ct, ring size P Condition: Good overall, no obvious damage to stones, claws intact, minor wear and tear only. The blue stone has not been tested to ascertain whether it is a synthetic or natural sapphire
Lot 169
Greenhill (Elizabeth, binder).- Morison (Stanley) and Kenneth Day. The Typographic Book 1450-1935: A Study of Fine Typography through Five Centuries, first edition, wood-engraved titles by Reynolds Stone printed in terracotta, folding plate, illustrations, bound in dark green goatskin, by Elizabeth Greenhill, upper cover with title in large onlaid red and black goatskin lettering and gilt-tooling, lower cover with tooling in gilt and blind, title, authors and date in gilt across spine, t.e.g., maroon Japanese endpapers, signed by binder at foot of rear turn-in (executed 1965), preserved in dark green goatskin-backed cloth drop-back box, spine titled in gilt with small gilt crests (rubbed and a little faded, short splits to upper joint), [Catalogue Raisonné 37], 4to, 1963. ⁂ Elizabeth Greenhill (1907-2007) first started bookbinding at the École des Arts Décoratifs pour Dames in Paris, learning the intriquacies of gold-tooling, and later studied at the Central School of Arts and Crafts in London under Douglas Cockerell and William Matthews. She began restoring books but gradually started designing her own bindings, becoming known for two distinctive styles: the "cloud-bindings" of onlaid leather shapes, and bindings using large gilt-tooled lettering as in this work. She was the first woman elected as a member of the Guild of Contemporary Bookbinders (now Designer Bookbinders) in 1961, serving both as Secretary for some years and later President. The binding was commissioned by Lord Wardington and was exhibited at the 'Modern British Bookbinding' exhibition held at the Bibliotheca Wittockiana, Brussels, and the Koninklijke Bibliotheek, The Hague, in 1985.
![Rowling (J.K.) Harry Potter and the Philosopher's Stone, first edition, first printing, [one of 500 copies], usual light marg](https://cdn.globalauctionplatform.com/dfd0ae87-7b72-44bd-9d38-a72a00a83cab/fb42c0ce-4048-4bd5-e372-017cba446cbc/468x382.jpg)
Lot 197
Rowling (J.K.) Harry Potter and the Philosopher's Stone, first edition, first printing, [one of 500 copies], usual light marginal toning, ink ownership inscription to pastedown, original pictorial boards, skilfully recased with lower joint repaired and retouched, corners strengthened and repaired, 8vo, 1997. ⁂ The author's first book and the first in the Harry Potter series, a modern cornerstone of children's literature.The final text leaf has 2 short repaired tears to foot.
Lot 227
Dionysius Carthusianus. Insigne Commentariorum opus, in Psalmos omnes Davidicos..., collation: *4, A-Z6, a-z6, aa-ee6, ff4, AA-HH6, woodcut printer's device to title, woodcut initials, some marginal staining and a few wormholes, 18th century calf, rebacked, rubbed, folio (310 x 195 mm.), Cologne, Peter Quentell, March 1531. ⁂ First edition of the earliest work by Dionysius (1402-1471), the phenomenally productive Flemish theologian, Carthusian monk, ecstatic, and associate of Nicolas of Cusa, for whom he composed treatises refuting Muslim belief, superstition, and magical practices. His exegetical writings begin with the present commentary (1434) and go on to treat the entire New and Old Testaments, while his philosophical writings reflect the Christian Platonism of his namesake 'the Areopagite', and the mysticism of John and Hugh of St. Victor, and Saint Bonaventure. He also edited Boethius, Peter Lombard, and ps-Dionysius, simplified the text of Cassian, codified 'rules of Christian living' for churchmen and laymen alike, and agitated for military action against the Turks after the fall of Constantinople. 'He has been called the last of the Schoolmen', observes the Catholic Encyclopaedia', and 'he is so, in the sense that he is the last important Scholastic writer, and that his works may be considered to form a vast encyclopedia of the scholastic teaching of the Middle Ages: this their primary characteristic and chief merit'. The modern edition of Dionysius' Opera Omnia (ed. M. Leone, 1896-1935) runs to forty-four quarto volumes. The first edition of In Psalmos omnes Davidicos, the first stepping-stone toward that 'vast encyclopedia', is - despite its bulk - uncommon: COPAC lists only a 'Cathedral Libraries' copy, and other editions of 1534, 1539, 1547, 1558, to which may be added those of 1542 and 1548 (WorldCat). Literature: Adams D557 (three copies); VD 16 1922 (nine copies in Germany; apparently there are none in American institutions.)
Lot 160
Two boxed Marchbox diecast models, 43 Hillman Minx with GPW and 66 Harley-Davidson, both appear G+ in G boxes together with a Dinky 60h Singapore Flying Boat, F but missing rollers, in F box, a Dinky 52 Cunard 'Queen Mary' with a substantial amount of fatigue damage and an unboxed Minic Single Deck Bus, 18cm long, with red and stone coloured paint work, F. (5)
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