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Lot 650
A magnificent Scottish Victorian 15ct gold and citrine mounted Highlanders Regalia by James and Walter Marshall, Edinburgh 1865, comprising; A Dirk, with carved and stained Celtic knot wood grip, large thistle shaped multi-faceted Cairngorm pommel, single fullered plain steel 28cm (11") blade. The leather scabbard with matching knife and fork, both with Cairngorm thistle pommels. All pieces heavily strapped in hallmarked 15ct gold. Approximately 44.5cm (17 1/2" ) long. A Skean Dhu, with a shallow carved plain grip, a plain steel 10cm (4") single fullered blade, the pommel set with faceted Cairngorm, 15ct gold strapwork. Approximately 17cm (6 1/2" ) in length. A Belt Buckle, shield shaped, in 15ct gold. The central engraved quartered coat of arms within engraved borders. Total approximate weight 86.5gms. 9.7cm x 7.3cm ( 7/8" x 2 5/8"). A Powder Horn, of ornamental dress form, the flattened horn shape set with a central large oval multi-faceted Cairngorm in elaborate 15ct gold mount. The top set with a faceted lozenge Cairngorm set into an elaborate fretwork gold setting. The horn flask point set with a thistle-shaped Cairngorm stone in a heavy gold mount. The flask with two circular chain mounting points. No chain. Approximately 30cm (12" ) in length. James and Walter Marshall of Edinburgh were renowned craftsmen of fine quality Highland Regalia in the 19th Century.
Lot 540
Two dresses to include a 1960's black sleeveless empire-line shift with two diamante buttons to bodice labelled 'California' size 38 bust. A 1970's DL Barron full length black polyester maxi dress with beading detail to straps and bodice - approx size 12. A heavily beaded 1960's black bolero jacket made in Hong Kong and labelled 'Global'. There is one stone missing from the front of the jacket otherwise in overall good condition. Approx size 12. (3)
Lot 174
Late 20th Century Asprey and Company London, Silver Gilt model of a Leopard in full flight, mounted on a polished stone base and presented in the original red leather gilt tooled fitted Asprey of London case, the white silk lining annotated by appointment to Her Majesty The Queen, Goldsmiths, Silversmiths and Jewellers. Height 14 cms.
Lot 413
A pair of 19th Century birds eye maple framed and glazed Italianate style Grand Tour Gouache's depicting sailing vessels, rowing boats and other large maritime vessels moored and on water before a stone harbour and ancient style buildings etc., (fading, foxing, water damage etc.,) each image approx. 17cm x 42cm CONDITION REPORT: Prevalent water marks under glass.
Lot 490
F (Frank) Catano, (Italian, fl. 1880 -1920) a gilt framed and glazed 19th Century Continental Watercolour Study, sail boats and gondola style boats coming into shore with figures, a roadway and a large stone building with many arched windows and a large tower before water and misty mountainous terrain to the background, signed lower left 35cm x 60cm CONDITION REPORT: Condition is generally good (under glass), some minor foxing, small chipping to frame extremities (we think original frame).
Lot 518
An early/mid 19th Century gilt framed Oil on Canvas Study depicting two huntsmen with rifles and their hounds, one drinking from a glass having been served by a maid outside a thatched stone cottage before a country path with trees and one further building to the background, (uncleaned, some surface crazing and apparently unsigned), 28.5cm x 39cm
Lot 520
A 19th Century gilt framed Oil on Canvas Study in the manner of Sir Edwin Landseer, a Bull Terrier lying upon a stone slabbed floor looking attentively at a Magpie who returns his gaze, signed and dated bottom right Earl, 1872, (probably for George Earl RA, 1824-1908), Earl exhibited 19 paintings at The Royal Academy between 1857 and 1882 including a Maltese and an Old English Mastiff, the oxidised frame verso bears old script "No 5" in red, 29.5cm x 39.5cm CONDITION REPORT: The frame is in reasonable condition, the canvas now exhibits some fairly large craquelere (mostly to the top half of the work) and upon close inspection, a 29cm horizontal 'hairline' mark can be seen where the upper rear stretcher has pressed against it. Other than these faults the painting is in reasonable order for age, we do not think the work has been cleaned at any stage.
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398886 item(s)/page