Charles Dickens. 4 titles. 'The Mystery of Edwin Drood' Twelve Illustrations and a Portrait by S.L. Fildes. Chapman and Hall, 1870. Additional engraved title. Contemporary half green calf/marbled boards. 1st edition..(with) . 'Dealings with the Firm of Dombey and Son' With Illustrations by H.K.Browne. Bradbury and Evans, 1848. Engraved frontispiece, additional engraved title and 38 engraved plates, some spotting to plates. Half brown calf/marbled boards, sometime rebacked retaining original spine, new labels and endpapers. 1st edition.(with) 'Our Mutual Friend' Illustrations by Marcus Stone. Chapman and Hall, 1865. 2 vols. Bound from the parts. 40 engraved plates, half-titles present, with the '(To) The Reader' slip before page one. Contemporary pink pebbled binder's cloth, worn along joints of vol 1. First edition.(with) Dickens. 'American Notes for General Circulation' With a frontispiece by C. Stanfield, R.A. Chapman and Hall, 1850. First cheap edition. Small 8vo. Double column. Ad leaf at end. Contemporary quarter calf/paper boards, upper joint splitting. (5)
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(Fleece Press, Gwen Raverat.) Joanna Selborne and Lindsay Newman: 'Gwen Raverat, Wood Engraver', The Fleece Press, 1996, limited edition, one of 260 copies from a total edition of 300 copies only, numerous wood engravings throughout printed from the original blocks plus tissue guarded colour self portrait and other tipped in plates as called for, folio, original quarter cloth over marbled paper covered boards by Ann Muir, printed paper label to spine, original slipcase; Reynolds Stone & Simon Brett: 'The Wood Engravings of Gwen Raverat', Cambridge, Silent Books, 1989, [2nd edition], 160pp, b/w illustrations throughout being higher quality photographic reproductions newly taken from the artist's proofs, replacing the lower quality magnesium block reproductions used in the original edition, 4to, original cloth gilt, dust wrapper; plus 'Gwen and Jacques Raverat: Paintings and Wood-Engravings. Exhibition Catalogue by L.M. Newman & D.A. Steel', University of Lancaster Library, 1989, ltd. edn., one of 100 copies for sale from a total edition of 136 only, portrait frontis + b/w ills., 70,[2]pp, original pictorial wraps, some relevant ephemera loosely (3) inserted
(Fleece Press, Reynolds Stone.) Michael Harvey: 'Reynolds Stone: Engraved Lettering in Wood', The Fleece Press, 1992, limited edition, one of 270 copies only, 42 wood engravings, all bar one printed from the original blocks (taking 392 hours to print), tipped in portrait of Reynolds Stone, folio, original quarter cloth over patterned paper covered boards by Claire Maziarczyk, printed paper label to spine, original slipcase
(Whittington Press.) Nigel Hamway & Peter Lawrence: '2020 Vision: Nineteen Wood Engravers, One Collector, and the Artists Who Inspired Them.', Cheltenham, Nomad Letterpress & the Society of Wood Engravers, 2020, limited edition, number 152 of 340 copies, set in Perpetua and printed by Anna Parker and Pat Randle at the Whittington Press on Zerkall Paper, published to mark the Centenary of the Society of Wood Engravers, a year on press, this book links past with present. Nigel Hamway selected nineteen of his favourite contemporary wood engravers and asked them for work (many of whom produced a new engraving for the project), they in turn chose a significant artistic influence to be included alongside their work. Numerous full page illustrations throughout, several tipped in/folding, including illustrations by Neil Bousfield & Paul Nash, Anne Desmet & Edward Wadsworth, Hilary Payner & Henry Moore, Sarah Van Niekerk & Gertrude Hermes, Howard Phipps & Eric Ravilious, Andy English & Reynolds Stone, etc etc, folio (34 x 26cm), original quarter cloth, patterned paper covered boards, printed label to spine, original slipcase; Sandy Connors: 'Busy as a Bee. Recipes and Labels for the Kitchen Garden', Whittington Press, 2002, limited edition, number xlix of 55 special editions, signed by the author, 12 wood engraved illustrations (some coloured), 8vo (20 x 14cm), original half tan morocco gilt, patterned paper covered boards, with accompanying folder containing 12 proofs of the engravings and a decorated seed saving envelope, half cloth, paper covered boards, housed together in original slipcase; Rosalind Randle & Judith Verity: 'Rose's Aga Recipes', Whittington Press, 1995, limited edition, number 7 of 30 specials signed by the author and illustrator, 6 hand coloured linocut ills. by Judith Verity, bound in the style of the 30 specials of the first edition of 1984 by Brian Settle of his Ludlow Bookbinders, original floral decorated American cotton, oval blue leather gilt title label to front cover, original cloth solander box lined with floral cloth and backed with blue leather gilt; Hellmuth Weissenborn (ill.); Rupert Brooke: 'Country Scenes 1 & 2 : Wood-engravings by Hellmuth Weissenborn, with an Introduction by John Randle', Whittington Press, 2001, limited edition, one of 50 specials, two volumes, each of 12 wood engravings, each original pictorial printed wraps, accompanied by an additional small paper portfolio with a set of proofs of all the engravings, all housed together in original dark red paper-covered slip case; 'Matrix 36. A Review for Printers & Bibliophiles', Whittington Press, Summer 2020, limited to 660 copies, of which this copy is one of 600 regular copies bound in wrappers, the final full issue of the series which was first produced in 1981, tipped-in and bound-in inserts of wood engravings, type specimens, sample pages, photographs etc., content/contributors includes Miriam Macgregor, John Randle, Russell Maret, Paul W. Nash, Alan Powers, Jerry Kelly, Sebastian Carter etc, 4to (28 x 20cm) original pictorial card covers, dust wrapper; 'People & Places. Wood-Engravings by John O'Connor', Whittington Press, 1999, limited edition, number 92 of 375 copies, 36 wood engraved illustrations by John O'Connor, original quarter cloth, pictorial paper covered boards; John Randle: 'One Rainy Day', Whittington Press, 2000, limited edition, number 5 of 40 special copies with a signed engraving by Miriam Macgregor and an engraving by Edward Walters, [4],6,[4]pp, original sewn brown Japanese paper wrappers, wood engraved vignette to upper cover, housed in the original burgundy paper slipcase; plus an editioned hand coloured wood engraving by John Lawrence entitled 'All Afloat: Coat', printed from the original block by Simon Lawrence of the Fleece Press, pencil signed by John Lawrence and dated 1994, number 48/60, printed area approx. 12 x 15cm, and a signed and numbered engraving by Simon Brett (9)
J.K.Rowling. 'Harry Potter and the Philosopher's Stone', 1997, 26th impression, (ie., 2000, with Warner Bros trademark), hardback, unclipped dust jacket; another copy, 1997, 27th imp. (2000), hardback, unclipped d.j. ; another copy, new edition 2014, 1st imp., hardback, unclipped d.j.; 'Harry Potter and the Philosopher's Stone', 2001 new edition, 1st imp., softback, creased at joints; 'Harry Potter and the Chamber of Secrets', 1998, 1st edition, 13th imp., hardback, unclipped d.j. ; 'Harry Potter and the Prisoner of Azkaban', 1999, 1st edition 6th imp., hardback, unclipped d.j.; 'Harry Potter and the Prisoner of Azkaban', 1999, 1st edition, 1st imp., softback ; another copy, 1999, 1st imp., softback, slight wear to wraps. (8)
(Fleece Press.) Simon Lawrence: 'Dunbar Hay Ltd 1935-40 & the achievements of Cecilia Dunbar Kilburn', Upper Denby, The Fleece Press, 2016, limited edition, one of 150 standard copies from a total edition of 270, illustrated throughout with numerous colour and b/w plates (several tipped in/folding), content/ills. including Eric Ravilious, Tirzah Garwood, Enid Marx etc, 4to, original quarter cloth over patterned paper covered boards based on an unidentified Dunbar Hay cloth sample, printed paper label to spine; 'Ravilious for Curwen: A glimpse of joy from 1933', The Fleece Press, 2015, limited edition, one of 120 copies only, large electrotype frontispiece of Ravilious' 'fireworks' design for The Curwen Press News Letter 6, and a proof from the original woodblock in pocket as called for, original striking marbled paper wrappers made by Jemma Lewis, printed paper title label to front cover; W.J. Hopkins; Eric Gill: 'Dilige Deum. Love God and Do What You Will: The story of an inscription cut in Beer stone by Eric Gill as a gift for Lucy Wertheim', The Fleece Press, 2016, limited edition, one of 185 copies only, tipped in illustrations from photographs and colour plates (some folding) as called for, oblong 8vo (approx. 15 x 19cm), original Japanese stab binding using four different paste papers made by Sage Reynolds (this copy a red/pink/brown check pattern), printed paper title label to front cover; 'Our Village: Six hand-printed wood engravings cut by Joan Hassall in 1947', The Fleece Press, [2011], limited edition, one of 100 copies offered for sale only from a total edition of 130, [16]pp, oblong small format (9 x 14cm) original marbled paper wraps by Jemma Lewis; Thomas Churchyard: 'The Whole Benefits that Paper Brings, by Thomas ChurchyardWritten in 1588, with engravings by Anthony Christmas', The Fleece Press, 2002, limited edition, one of 185 standard copies only from a total edition of 285, oblong small format/miniature book (approx. 4.5 x 8cm), orig. patterned paper covered boards; Kathleen Lindsley: 'The Country Life', The Fleece Press, 1997, limited edition, one of 300 copies only, small format/miniature book (app. size 6.5 x 5cm), orig. decorative cloth gilt by Smith Settle, printed paper label to spine; together with 'Books from The Fleece Press displayed at six Hereford and Worcester libraries', Fleece Press, 1995, one of 600 copies, wood engraving by Joan Hassall, orig. stitched wraps, 'Simon Lawrence and the Fleece Press 1980-1995', bibliography by Ian Rogerson, 1996, orig. pictorial wraps, some relevant material loosely inserted, plus an editioned hand coloured wood engraving by John Lawrence entitled 'All Afloat: Coat', pencil signed by Lawrence and dated 1994, 44/60, printed area approx. 12 x 15cm (9)
(Whittington Press.) Nigel Hamway & Peter Lawrence: '2020 Vision: Nineteen Wood Engravers, One Collector, and the Artists Who Inspired Them.', Cheltenham, Nomad Letterpress & the Society of Wood Engravers, 2020, limited edition, number 153 of 340 copies, set in Perpetua and printed by Anna Parker and Pat Randle at the Whittington Press on Zerkall Paper, published to mark the Centenary of the Society of Wood Engravers, a year on press, this book links past with present. Nigel Hamway selected nineteen of his favourite contemporary wood engravers and asked them for work (many of whom produced a new engraving for the project), they in turn chose a significant artistic influence to be included alongside their work. Numerous full page illustrations throughout, several tipped in/folding, comprising juxtapositions of illustrations by the following artists: Ian Stephens & Thomas Bewick -- Neil Bousfield & Paul Nash -- Anne Desmet & Edward Wadsworth -- Hilary Payner & Henry Moore -- George Tute & John Farleigh -- Sarah Van Niekerk & Gertrude Hermes -- John Lawrence & Gertrude Hermes -- Howard Phipps & Eric Ravilious -- Andy English & Reynolds Stone -- Peter Lawrence & Geoffrey Wales -- Tichard Wagener & Robert Motehrwell -- Simon Brett & Derrick Harris -- Geri Waddington & Monica Poole -- Chris Daunt & Monica Poole -- Abigail Rorer & Leonard Baskin -- Sue Scullard & Yvonne Skargon -- Miriam MacGregor & John Lawrence -- Harry Brockway & Sarah Van Niekerk -- Paul L. Kershaw & Simon Lawrence -- Nigel Hamway on Peter Holland & John Nash. Folio (34 x 26cm), original quarter cloth, patterned paper covered boards, printed label to spine, original slipcase, together with the original specimen for 2020 Vision, folio, [8]pp, with Autograph Letter Signed from Pat Randle of Nomad Letterpress, Whittington Press, 14.3.2000, on headed paper, housed in original envelope together with a limited edition wood engraving by Simon Brett, 19 x 13cm, pencil signed and numbered 15/50
A group of antique jewellery,rose gold bracelet with paste stones, similar ring, with ruby and pearl, memorial brooch with seed pearls, Scottish brooch with amethyst thistle, three other gold brooches all 9-15ct a silver butterfly wing brooch and a pair of Bakelite type drop earrings Condition Report Bracelet dents and clasp missing, others generally good antique condition, blue stone brooch has pin replaced, 30 grams gross weight
An 18ct gold, emerald-cut emerald and round, brilliant-cut diamond, three-stone ring, estimated emerald weight ca. 2.10cts, total estimated diamond weight ca. 0.80ct, G-H colour, VS1-2 clarity, length of ring head ca.1.8cm, ring size J1/2, total weight ca. 3.9gms. Condition Report Calculated emerald weight based on estimated dimensions of 8.45x6.66x5.16mms.
A solitaire diamond ring, the transitional cut stone of around 3.12 carat in a platinum crown with heart forms, ring size J Condition Report Good condition, the stone is eye clean, under magnification small mineral and crystal inclusions can be seen, these are light in colour and do not detract from the brilliance of the stone. Plus there are two miniscule nicks on the edge of the stone, please see images
A fine Victorian five stone ring, old cut diamonds in carved mount with small fleur de lys emblems, unmarked, assessed as 18ct, total diamond weight estimated at 1.70 carats, ring size N-O Condition Report Good antique condition, diamonds are bright and lively, with good clarity. One side diamond has a tiny nick on the table of the stone and a small cleavage fault on the side facet. This is only noticeable under magnification and does not detract from the brilliance of the diamond
A group of silver jewellery, three silver bangles with engraved or engine turned decoration, pendant with large white labradorite stone, tigers eye ring, amethyst set pendant, heavy silver chain necklace and other items Condition Report Bangles showing some signs of wear, one with small dent, other items generally good condition
A three stone diamond ring, the principle brilliant cut diamond of approximately 1 carat, total diamond weight estimated at 2.00 carats, set in 18ct white gold and platinum, ring size Q Condition Report Good vintage condition, stones are well cut bright and lively, under magnification there is a small dark inclusion visible in the centre stone and one side stone, this does not detract from the overall look and the brilliance of the stones
A collection of Exeter silver small flatware, various mainly 19th century makers, mainly initialled, including: three Fiddle pattern sugar tongs, by William Woodman, 1833; by William Sobey, 1834; and by John Stone, 1836; eight various Fiddle salt spoons; a Fiddle mustard spoon and two Old English bright-cut teaspoons by Joseph Hicks, no date letter (maker's mark for 1790-1832), 255g (8.2 oz) gross (14)
A Victorian diamond set star brooch, the six point star and rays set with old cut diamonds, set in gold and silver, central stone estimated at 0.33 carats, total diamond weight, including rose cuts around 2.00 carats, 3cm, gross weight 6.2 grams, box by Barnett 71 Burlington Arcade Condition Report Good condition, pin works well, extra fitting on back
A three stone diamond ring, claw and millegrain set with three brilliant cut diamonds; and a 19th Century five stone garnet ring, collet and closed set with oval shaped flat cut garnets. Ring size M and O Condition Report Diamond weight 0.25cts approx unmarked appears to be yellow metal. Garnet Ring unmarked appears to be yellow metal
A collection of Exeter silver Fiddle pattern flatware, including: six dessert spoons by John Stone, 1843 (2) and 1859 (4) ; three teaspoons by Robert Williams & Sons 1847; six dessert forks by Thomas Hart Stone, 1865 (3) and 1866 (3); and a small ladle by John Osment, 1837; a London table and mustard spoon and a Scottish mustard spoon by Mackay & Chisholm, Edinburgh 1853, mostly crested or initialled, 712g (22.9 oz) gross (19)
A 1930's diamond set brooch in fine millgrain setting, central round old cut stone of approximately 0.70 carats, two stones of 0.33 carats, two pear form stones each 0.20 carats, remaining stones old cuts and rose cuts, in fitted case by Carrington & Co Regent Street Condition Report Good condition diamond weight estimated in excess of two carats, mount unmarked assessed as platinum, 6 x 2,8 cm
A group of jewellery, French paste set St Espirit dove pendant with white and green paste, antique silver purity mark, silver Naval crown brooch and two diamonds set rings, one set with single stone 0.50 carat, and another illusion set with three small diamonds Condition Report French paste missing a few small stones, single stone diamond ring central dark inclusion size K three stone ring worn on shank
A Vintage Madeira citrine cocktail ring, the central stone of red to orange colour, within a border of diamonds, in sculptural 18ct white and yellow gold setting, diamond weight estimated at 0.85 carat, ring size N, weight 10.8grams Condition Report Good condition, gem stone good, stones secure
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400830 item(s)/page