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*A single 9ct gold ear stud set with a centre oval blue stone and surround of ten white stones and a pair of silver coloured metal earrings each set with four square synthetic amethysts, in case, A silver ring set with an oval turquoise, floral embossed and pierced shoulders and another silver coloured metal ring set with oval black onyx (5)
A LADY`S PLATINUM AND DIAMOND SET OCTAGONAL FOB WATCH, pink guilloche enamelled, with central melee diamond set rosette and outer border of diamonds, SUSPENDED FROM RIBBON, SET WITH A BLUE STONE AND SIX GRADUATED DIAMONDS, 0.05ct approx. and smaller, mechanical movement, Arabic dial, 1 1/8"" (2.8cm) diameter
*A single 9ct gold ear stud set with a centre oval blue stone and surround of ten white stones and a pair of silver coloured metal earrings each set with four square synthetic amethysts, in case, A silver ring set with an oval turquoise, floral embossed and pierced shoulders and another silver coloured metal ring set with oval black onyx (5)
A George V ring, centred with an oval painted portrait, in 18ct gold, 8g; an open-ended gem-set bangle, terminating at each end with an oval stone, probably blue topaz, highlighted with a single-cut diamond, in 9ct white and yellow gold, 7,4g; a cigarette holder, the bakelite body mounted with a 9ct rose gold collar; an unmarked gold brooch, pin lacking, 2,5g; an unmarked gold Mizpah stick pin; a gold-plated stick pin, with horse-shoe terminal; an unmarked gold locket pendant frame; two unset cameos, one damaged; etc (13)
A Victorian style pendant, of open worked teardrop form, highlighted with seed pearl set-leaves, one deficient, drop-set with a round pink stone, in 9ct gold, on a 9ct gold rope-twist necklace 3g; a Victorian style pendant, of open worked scrolling form, highlighted with two flower heads and two leaves, each set with a seed pearl, highlighted with two amethyst, in 9ct gold, on a gold-plated chain; and a Victorian style pendant, centred with an oval amethyst within a surround of small pearls, in 9ct gold, on a gold-plated chain (3)
A sterling silver bracelet, with stylised Greek Key decoration, 24g; two sterling silver rings, set with various stones; a sterling silver pendant, of Celtic design, set with a pale blue stone, on a sterling silver chain, 4g; a miscellaneous collection of silver items, comprising: a jam spoon, a butter knife and a thimble, 31g in total; etc
A watercolour of a coastal landscape with moored fishing boats, signed bottom left R F Hopes, 29 x 39 cm in gilt frame together with a further watercolour of river scene with stone bridge, signed bottom right K S Tadd, with label verso Kenneth Stanley Tadd, biographical details and Mall Galleries label from the National Trust Heritage Exhibition 1984, 32 x 50 cm in gilt frame
An unusual celadon-ground Vase, early 19th century, painted in underglaze blue with the `Hundred Boys` at various pursuits including bird fancying, lighting fireworks and the legend of Sima Guang, and enhanced in bright enamels and gilding with flowers, butterflies, birds and fruit, the neck with seeded blue dragon handles, slight wear, 62.3cm Sima Guang was a Song sage who, in his boyhood, had saved a young companion who had fallen into a large jar, by smashing it with a stone. While frequently found on Kakiemon, Chelsea and Meissen, it is uncommon on Chinese porcelain. ?????? ??????????????, Losses to gilded decoration. Some small areas of enamel loss.
A jade Belt Hook, 18th century, of typical form, one end with a dragon`s head, the other with a chilong climbing up the body, the stone a pale green with russet flecks, 14.8cm, wood stand (2) ????? ?????????, No obvious faults to the jade, no losses or chips. The colour is fairly even as are the spread of inclusions to the jade. Stand has no obvious faults either.
A Chinese ornamental jade Group, late Qing dynasty, carved in 18th century style with a vessel amongst leafy branches of Buddha`s finger citron with large and small fruits, and with a feng perched on a lingzhi, the head turned back and biting on a branch of peach, the stone of green-grey tone with russet speckling, one chip, 16.5cm, silver wire-inlaid hardwood stand (2) This scholar`s desk object may have originally had a cover on the vase - or it may have been intended as a brush pot. ?? ????????, Chip to one frond of a fruit tendril, a hairline inclusion running laterally through the base of the carving. Vessel probably lacking a cover. Brown discolouration. Some slight abrasions and some sharp edges. Stand has missing end section and large deposits of soft composition (possibly to stick jade to stand). Possibly some old repairs, but hard to tell.
A hardstone Table Screen, late 19th century, the pale green bowenite slab well onlaid with various colourful stones with rocks, flowers and leaves, 15.4 x 10.6cm, wood stand ?????? ??????????, One bracket to stand repaired. Bottom right hard stone chipped. One small twig missing on the left hand side.
A hardstone Vase and Cover, early 20th century, the spade body enclosed by high relief peony above a pheasant on a rock, all in a jade-like green stone, the waisted neck with elephant head handles and loose rings, the domed cover also with peony, some minor chipping, 26.3cm overall, fixed wood stand (3) ????? ??????????????, Cover - stem and leaves broken and glued or missing, Handles - only one tusk intact, one trunk resin? restored. Main body - some tiny chips to peony leaves, resin? restorations to two stems.
A jade Carving, 20th century, of a kylin, the beast crouching with paws and a bifid horn, the stone clear and flocculated, 5cm, and a rock crystal recumbent Carnivore, 20th century, 4.4cm (2) ???? ??????? ??????, Jade - small white blemish on rear left leg. Otherwise no obvious faults. Bear - no obvious faults.
A small jade carving of an Immortal, 20th century, crouched and grasping his knees, a bat on his shoulder, the stone white with translucency, 3.7cm, and a bird-headed ribbed Belt Hook, repaired, 9cm (2) ???? ??????? ???????? ???? , Figure - a very tiny chip to left ear of bat, otherwise no obvious faults. Belt hook - broken below head and glued.
A jade Cap Finial, 20th century, in Ming style, carved with birds and deer amongst lotus and leaves, forming a cagework, the base drilled for attachment, 4.7cm ???? ??????????, There are some discoloured areas around the base, one deer and a tree trunk where the stone is softer than the main body, whether this is a natural occurence or repair is difficult to determine.
A jade Scroll Weight, 20th century, of an elephant, its head turned back and with a boy holding a ruyi on its back, the stone pale grey, 7cm, and a jade Monkey looking miserable, 5.5cm (2) ???? ?????????? ??????? ????, Elephant - poor stone, natural fissures throughout. Monkey - no obvious faults.
A jade Dish c.1930, of rounded rectangular form, the stone attractively carved in lavender and green, the well with double pierced holes and minor chips, the foot rim also with two twin holes, 15.7cm, wood stand (2) ???1930? ????, The well with two pairs of filled holes at opposite ends, the underside with two pairs of suspension holes diresctly opposite each other. The wood base with a 3cm crack.
Three jade Carvings, 18th/19th century, including a cat reclining on a large leaf, a reclining ram, the head looking forward, the stone of sea tone with white markings and a dragon-headed turtle, the head turned to one side and holding a ribbon in its mouth, 9.5cm to 4.7cm (3) ???/???? ???? ???? , No obvious faults.
A good jade Boulder Carving, 18th century, carved with Liu Hai dancing on a rock above his toad, a mountain behind, the reverse with a deer, lingzhi in its mouth, a bat flying above, the stone grey-green, toffee at the top, 9cm high ????? ?????????, Deer horns chipped, otherwise no obvious faults.
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400965 item(s)/page