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Click here to subscribe18ct white gold rubover set five stone princess cut diamond hinged bangle, stamped 750Condition Report:Approx 12.25gm, tested 18ct, inner circumference = 18cm, diamonds bright well matched, diamond diameter = 2.5mm, clasp good, some light scratches to gold and rubbing otherwise good condition
18ct gold seven stone ruby and round brilliant cut diamond half eternity ring, London 1984Condition Report:Approx 3.15gm, size N, hallmark rubbed, tested 18ct also, some light rubbing to rubies visible under 10x loop, diamond bright well matched, diamond diameter = approx 2mm, max band depth = 3.7mm
Early 20th century gold aquamarine and pearl brooch, stamped 15ct, four pairs of 9ct gold stud earrings including garnet and coral, silver engine turned bracelet by Charles Horner, single strand pearl necklace and silver stone set jewelleryCondition Report:15ct brooch approx 3.7gm, back pin 9ct, 9ct gold earrings approx 2.65gm gross
Norwegian silver blue enamel bracelet by Marius Hammer, 8ct gold seed pearl and turquoise pendant, silver enamel pink stone pendant necklace, stamped 935 and two silver 'Elizabeth' and heart broochCondition Report:Bracelet one panel with very small loss of enamel - not detrimental, length = 17cm, 8ct approx 2.4gm, tested, length = 4.5cm, necklace length = 46cm, pendant length = 4.5cm, enamel good
Victorian 15ct gold split pearl, green and red stone set flower head cluster ring, the underside with plaited hairwork, openwork design shoulders and engraved foliate band, the inner band inscribed W.H. To J.B. 1848Condition Report:Approx 2.6gm, tested 15ct, size L-M, max depth = 11mm, band good and decoration good, some scratches to stones, the under hairwork exposed (no glazed panel)
18ct gold three stone oval cut pink sapphire and round brilliant cut diamond ring, hallmarked, sapphire approx 3.00 carat, total diamond weight approx 0.80 caratCondition Report:Approx 4.7gm, size M-N, good condition, sapphire good colour, diamonds bright very good colour approx H-J, approx SI clarity
9ct gold jewellery including garnet necklace, black onyx signet ring, opal ring, cameo brooch, earrings, locket, earrings and necklaces, 14ct gold necklace and pendant and a collection of silver jewellery including amber earrings, necklace and pair of earrings, toadstool pendant necklace etcCondition Report:9ct non stone set approx 7.65gm (locket no interior), 9ct stone set approx 14gm, 14ct gold approx 1.55gm, all tested or hallmarked
Single strand cultured pearl necklace, with 9ct gold diamond clasp and a collection of 9ct gold jewellery including pair of cubic zirconia hoop earrings, emerald and opal ring, single stone diamond ring and a Celtic design ringCondition Report:Approx 10gm (excluding pearl necklace), 41.5cm, M-N, N-O and O-P, , pearl necklace length = 40cm, all hallmarked or tested
Victorian and later jewellery including 14ct gold pearl ring, gold diamond brooch, stamped 15ct, silver Albert chain, with Queen Victoria silver coin cased, gold wedding band and white gold diamond cross pendant necklace, both 9ct and an 18ct gold purple stone set ringCondition Report:9ct approx 4.2gm, ring size W, pendant length = 2.8cm, chain length = 56cm, 15ct approx 3.5gm (back pin not gold), silver chain with cased coin approx 45.05gm14ct approx 1.55gm, size P, 18ct approx 1.05gm, size I-J, all tested
* SCOTT IRVINE (SCOTTISH b. 1970), Burr Elm sculpture with fused glass inset, signed55cm highNote: Born in Edinburgh in 1970, throughout his childhood Scott could always be found in the garden shed with some blocks of wood and constructing his early creations. He left school at the age of 16 with good qualifications and advice to follow a different career to the one he had already set his heart on. However, he decided to fulfil his passion of working with wood and trained as a carpenter in a local firm in Balerno. In 1993, following a paralysing illness (Guillain Barre Syndrome) which unfortunately left him with some residual weakness and pain in his feet, he was unable to return to carpentry as his fulltime profession. Having a great devotion to working with wood, he was determined to carry it on, which led him into the art of woodturning and carving which has been entirely self-taught. After a few years of selling his work through a small number of galleries, he decided to set up his own business 'Harmonies in Wood' in 1998. Although Scott enjoyed working with wood, he wanted to develop his work in a different direction, so he started incorporating metals and stone into his sculptures. However, in 2002, he still wasn't satisfied, so with a longstanding interest and desire to incorporate glass into his sculptures, he decided to buy himself a kiln and started experimenting with fusing glass. His joinery and glazing skills came in handy in terms of cutting glass and his technical knowledge of glazing was put to the test. After much trial and error, he developed the desired fused glass disc which he was able to incorporate into his wooden sculptures. Even though the wood that he uses is kiln dried, being a natural product, it is unpredictable and prone to movement over time, therefore Scott created a specialised glazing system for incorporating the fused glass element to allow for any expansion and contraction between the wood and glass components. The designs of his fused glass are inspired from the natural landscape of the Pentland hills near to his Balerno home. He has no fear in using a very varied colour palette but likes to complement his designs by incorporating iridescent and dichroic glass to create a dramatic fusion of effects. The continual and expanding interest in his unique designs and craftsmanship has resulted in Scott's work being exhibited in numerous galleries throughout Scotland and the UK with some European and American exhibitions too. He has been fortunate to exhibit his work in several solo shows in some of Scotland's finest galleries. The freshness of his designs continues to surprise and delight an ever-growing number of private and corporate collectors of his work. He has recently worked on some very exciting projects including the production of awards for The Jolomo Lloyds TSB Scotland Awards in 2007 and was commissioned to make the Jolomo Awards for 2009. The 2009 Awards were presented at the Kelvingrove Art Gallery & Museum, Glasgow on 12th June. He has made awards for Vision in Business for the Environment of Scotland (VIBES) 2007 and 2008 and the Robert Burns Humanitarian award 2008 and many other awards and sculptures for other corporate events and buildings.
* JAMES MCDONALD (SCOTTISH b. 1956), WHITE ROSES oil on boardframed and under glassimage size 22cm x 20cm, overall size 46cm x 44cm Note: James McDonald studied at Edinburgh College of Art 1974-78, and completed his postgraduate year there in 1979. McDonald has painted full-time since studying at Edinburgh, and his work has won numerous awards including the Andrew Grant Travelling Scholarship, British Council Travel Grant and the Alexander Stone Foundation Award. He has exhibited widely throughout the U.K. and overseas and is in private and public collections including the Victoria & Albert Museum, London; BBC; STV and all major Scottish banks.
Liliput, Lima, Trix & others, HO Gauge group of rolling stock & Kits. To include Liliput L3700001 4x piece coach set; Liliput L225071 DB tank wagon; VEB Prefo 426/74 MAV 2nd class coach, Trix 66113 Sugar Refinery kit; Faller 120533 Stone Bridge kit plus other items. Conditions: Good Plus to Mint in Good to Excellent boxes. (18)
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