An early 20th Century Silver cased open faced key wind Pocket Watch, J G Graves of Sheffield, No 611190, the gilt movement with engraved cock, jewelled end stone and bi-metallic cut compensated balance, with blued steel hairspring and silvered regulation scale, and waisted fined pillars and dust cover, to a signed Roman enamel dial, with subsidiary seconds and outside minute track, and gilt spade hands, in a hinged case, with engine turned back cover, centred with an initialled and gartered cartouche and milled band, Chester 1901, Makers Mark TPH, No 619000, width 2”
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A late 19th Century Silver cased open faced Pocket Watch, American Watch Co, 8765445, the gilt movement with engraved cock, jewelled end stone and bi-metallic cut compensated balance and blued steel over coil hair spring, to a signed Roman enamel dial with subsidiary seconds, outside minute track and gilt spade hands, in a hinged case with engine turned back cover, centred with a vacant and gartered cartouche, to a milled band, Birmingham 1899, Makers Mark AB, width 2 ¼”
A late 19th Century Silver cased open faced Pocket Watch, R Stinson of Church Square, Hucknall, Torkard 53096, the gilt movement with engraved cock, jewelled end stone and mono-metallic balance, with regulation scale, to plain fined pillars and dust cover, and with a Roman enamel dial with sunk subsidiary seconds, outside minute track and silvered spade hands, in a hinged case, with engine turned back cover, centred with a gartered cartouche and milled band, London 1883, Makers Mark IH, No 53096, width 2 ¼”
A Mixed Lot comprising: a large Silver graduated curb link Watch Chain with Swivel and hardstone set double sided Fob, embossed with a horseshoe; a further 9ct Gold Fob set with a compass (A/F) and hard stone back; and a further small graduated curb link Watch Chain and two Coin Fobs; a further Fob and a Crucifix (qty)
A silver match strike/holder, Birmingham 1892, in the form of a top hat with match strike, makers possibly Deakin & Francis, 4 cm high, together with two silver letter openers, the oval paua shell with entwined silver twist, London 1998, maker H W, and a silver spoon, with tear drop amethyst coloured stone, London 1998, maker H W, (4).
A Collection of four rings. To include a 9ct gold and opal five stone ring. Claw setting with 5 graduated opal cabochon stones. Size 'L', uk; An 18ct gold, diamond and seed pearl ring. Claw setting with three brilliant cut diamonds and two seed pearls, size 'L', uk; An early Victorian cameo set ring, the cameo carved with George slaying the dragon, (cameo af), size 'G', uk also an art deco style white metal, sapphire & diamond set dress ring, size 'J', uk. (4)
Giovanni Battista Piranesi 1720-1778 "Rovine del Tempio Supposto di Ercole Nella Citta di Corra", Tav. IIII; etching, 44x62.7cm and "Veduta del Tempio della Sibilla in Tivoli", etching, from a later edition, 42x63cm: together with one further engraving titled "A part of the foundations of the Theatre of Marcellus" "Veduta di una parte de'fondamenti del Teatro di Marcello"; 78x54cm: Note: The latter Piranesi engraving shows the cyclopean foundations of the Theatre of Marcellus, built by Emperor Augustus in 13 BC. Largely built over during Middle Ages but sufficiently well known amongst Renaissance artists, as well as Piranesi, it was the most important and influential edifice of its kind. Its interlocking masonry set upon huge piles are reminiscent of the stone marine defences erected against the forces of the Adriatic Sea, with which Piranesi was familiar from his time as an apprentice in Venice. "I believe I have completed a work which will have something to give future generations too and will stand for as long as people have feeling and interest for what remained in our century of the ruins of the most famous city in the universe." (G. B. Piranesi)
Robert Shaw, Irish, late 18th century- "Plan and Elevation of a Bridge.. to be built over the River Liffey at Island Bridge, Dublin"; pen and black ink wash, signed and with inscription, 31x42cm: together with two other late 18th century architectural bridge designs/proposals for the Island Bridge over the River Liffey, Dublin, by different hands, both pen black ink and watercolour, each with inscription and one signed Turnhale, Note: Island Bridge and the surrounding area are named, because of the island formed at the junction of the Camac and Liffey rivers. In 1577, during the reign of Queen Elizabeth I of England, while Sir Henry Sidney was Lord Deputy of Ireland, an arched stone bridge was built here to replace an earlier structure nearby at Kilmainham. This bridge was swept away by a flood in 1787, and in 1794 the replacement bridge, that is standing today, was constructed. The structure is a single 32-metre span ashlar masonry elliptical arch bridge and was originally named Sarah's Bridge after Sarah, Countess of Westmoreland and Vice-Queen of Ireland, wife of the then Lord Lieutenant of Ireland, John Fane, 10th Earl of Westmorland, who laid the first stone on the June 22, 1794. The bridge was renamed Island Bridge in 1922 following independence of the Free State, similarly to many other Dublin bridges named for British peers. (3) (unframed)
A carton on miscellaneous loose cutlery and other items to include eight Georgian pistol handled knives, some with hallmarks, a presentation trowel commemorating the laying of foundation stone of Congregational Church, Saltburn-by-the-Sea, Kirby Beard Co. Ltd EPSN wall vase, berry spoons, bone handled knives, small trowel with ceramic Imari handle, mother of pearl handled items etc.
A THREE STONE EMERALD AND DIAMOND RING of in line setting, the circular facetted emerald and two matching round brilliant cut diamonds in a four claw rex inline setting, in yellow and white metal (tested and valued as 18ct gold). Total approximate weight of emerald 0.20cts. Total approximate weight of diamonds 0.45cts
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