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Lot 164
Honoré Daumier 1808 Marseille - 1879 ValmondoisEn Chemin de Fer .. Un Voisin agréable. 1862.Lithografie. Delteil 3252 I (von II). Im Stein monogrammiert und bezeichnet. Unterhalb der Darstellung typografisch betitelt. Seltenes unverpresstes Blatt des 1. Zustands. Auf Velin, mit der üblichen Mittelfalte und verso mit dem Text. 19,9 x 24,4 cm (7,8 x 9,6 in). Papier: 29 x 39,1 cm (11,4 x 15,4 in).Erschienen in der Zeitschrift `Le Boulevard`, 21. September 1862.PROVENIENZ: Privatsammlung Baden-Württemberg (verso mit dem Sammlerstempel, nicht bei Lugt). Daumier kommentiert mit dieser Illustration in `Le Boulevard` auf ironische Weise die Tücken und Unannehmlichkeiten des neuen öffentlichen Personentransportes: `In der Eisenbahn - Ein angenehmer Nachbar`. Ende der 1830er Jahre beginnt der Bau der ersten Verbindungsstraßen, 1843 werden die ersten Eisenbahnstrecken zwischen Paris und Orléans sowie zwischen Paris und Rouen eröffnet. Es gibt drei verschiedene Reiseklassen, eingerichtet sind die Wagons ähnlich den Pariser Pferdekutschen. Wissenschaftler warnten damals vor den möglichen schweren Gehirnschäden aufgrund der hohen Geschwindigkeit von 25 km/h. [CB]. ca. 16.02 h +/- 20 Min.ENGLISH VERSIONHonoré Daumier 1808 Marseille - 1879 ValmondoisEn Chemin de Fer .. Un Voisin agréable. 1862.Lithograph. Delteil 3252 I (of II). Monogrammed and inscribed in stone. Typographically titled below image. Rare sheet of 1st state. On wove paper, with typical centerfold and text on verso. 19,9 x 24,4 cm (7,8 x 9,6 in). Sheet: 29 x 39,1 cm (11,4 x 15,4 in).Published in magazine `Le Boulevard`, 21 September, 1862.PROVENANCE: Private collection Baden-Württemberg (with collector stamp on verso, not in Lugt). Similar to the sheet ?Madeleine-Bastille? Daumier made an ironic comment with this illustration in ?Le Boulevard? on the intricacies and inconveniences of public transport: ?On the train ? A pleasant neighbor?. The first routes were built in the 1830s, in 1843 the lines between Paris and Orléans were opened. There were three different categories, the carriages were similar to the horse carriages in Paris. Scientist warned that the speed of 25 km/h could cause severe brain damage. [CB].ca. 16.02 h +/- 20 min.
Lot 167
Paul Signac 1863 Paris - 1935 ParisEn Hollande - La Balise. 1894.Farblithografie. Im Stein signiert. Eines von 40 Exemplaren. Auf China. 30,8 x 40,4 cm (12,1 x 15,9 in), blattgroß. Gedruckt von Auguste Clot. Herausgegeben von Gustave Pellet. [CB].ca. 16.04 h +/- 20 Min.ENGLISH VERSIONPaul Signac 1863 Paris - 1935 ParisEn Hollande - La Balise. 1894.Lithograph in colors. Signed in the stone. One of 40 copies. On Chine. 30,8 x 40,4 cm (12,1 x 15,9 in), the full sheet. Printed by Auguste Clot. Published by Gustave Pellet. [CB]. ca. 16.04 h +/- 20 min.
Lot 169
Henri de Toulouse-Lautrec 1864 Albi - 1901 MalroméAu Moulin Rouge, un Rude! .. Un Vrai Rude!. 1893.Lithografie. Delteil 45. Wittrock 35. Adriani 50. Im Stein mit dem seitenverkehrten Monogramm. Außerhalb der Auflage von 100 Exemplaren. Auf Velin. 36 x 25,5 cm (14,1 x 10 in). Papier: 38 x 28 cm (15 x 11 in).Gedruckt von Ancourt. Erschienen in der Zeitschrift `L`Escarmouche`, Nr. 5, am 10. Dezember 1893.Nach Delteil handelt es sich bei dem Mann im Vordergrund um den Vater des Künstlers, Le Comte Alphonse de Toulouse-Lautrec, rechts neben ihm sei der Lithograf Joseph Albert zu erkennen. Abweichend davon identifiziert Adhémar in der vorderen Person den Grafiker Ernest Philippe Boetzel. [CB].ca. 16.06 h +/- 20 Min.ENGLISH VERSIONHenri de Toulouse-Lautrec 1864 Albi - 1901 MalroméAu Moulin Rouge, un Rude! .. Un Vrai Rude!. 1893.Lithograph. Delteil 45. Wittrock 35. Adriani 50. With side-inverted monogram in stone. Aside from an edition of 100 copies. On wove paper. 36 x 25,5 cm (14,1 x 10 in). Sheet: 38 x 28 cm (15 x 11 in).Printed by Ancourt. Released in magazine `L`Escarmouche`, no. 5, 10 December, 1893.According to Delteil, the man in the foreground is the artist`s father Le Comte Alphonse de Toulouse-Lautrec, the person right of him is the lithographer Joseph Albert. Differingly, Adhémar identifies the graphic artist Ernest Philippe Boetzel in the person in front. [CB].ca. 16.06 h +/- 20 min.
Lot 78
*Limited edition silver goblets No`s 240 and 241 of 600 to commemorate the 300th anniversary of the laying of the foundation stone of St Pauls Cathedral. Made by the order of the Dean and Chapter of St Paul`s Cathedral, London, with another without inscription to base (3) 970 gms (Lot subject to VAT).
Lot 53
A Royal Worcester blushware jar and cover No'd 1314, a Poole Pottery butter dish, a box containing a collection of polished stone eggs, and a collection of Coalport "Palladian" pattern dinner and tea wares, together with four cranberry glass wine glasses with clear glass stems, three Bristol green wine glasses with clear glass stems and a box of miscellaneous glassware to include sundae dishes
Lot 233
A George III silver meat skewer (London, 1791), together with a set of seven George III silver teaspoons (by George Smith IV, London, 1799), a silver toast rack, a Continental white metal pickle fork, a Victorian silver cream jug and sugar basin in the Middle Eastern manner (by John Aldwinckle and James Slater, London, 1882) and a polished lacquered stone
Lot 286
A pair of carved purple and yellow natural stone drop earrings with diamond set hinges, together with a stone set and enamelled ring, and a necklace CONDITION REPORTS Earrings do not have flies to the back, overall with general wear and scuffs. Ring has enamelled flower design to interior and cabochon style multi-coloured stones to exterior, with general wear and scuffs, and some irregularities.
Lot 493
A cast iron boot scrape, a pair of small cast iron urns, two cast stone mortars, two large cast iron weights, a metal churn and two wrought iron hay racks etc CONDITION REPORTS Hay racks both rusty, with rods bent conducive with age and use. Pair of cast iron urns very rusty and with holes in several areas. Bucket with denting all over and surface corrosion. Weights very rusty. Boot scrape also very rusty. Mortars with cracks and chips to surface throughout.
Lot 570
Edwardian diamond and pearl necklace and pendant, the pendant with a central egg shaped pearl, of approximately 6.4mm diameter, enclosed by a double row of diamonds, all within a frame with graduated diamonds and sprays either side, to a necklace with a pearl of approximately 6.4mm diameter enclosed by ten old cuts, with interlocking circles either side, centred by an old cut diamond and pearl and diamond cluster ends, on a curb link and diamond chain to a trace link back chain, pendant 5.5cm long, diamond chain section 6.5cmlong, all pearls are untested and unwarranted The central egg shaped pearl has a few dimples, one stone lacking from the inner row surrounding this pearl - ** General condition consistent with age
Lot 587
Late Victorian three stone diamond ring, the graduated old brilliant cuts, totalling approximately 1 carat, with rose cut diamond points between, to a carved head mount, size L Shank hallmarked 18CT, central diamond 5mm x 4.5mm approximately, 2 x outer diamonds 4mm x 3.5mm approximately - ** General condition consistent with age
Lot 588
Late Victorian five stone diamond ring, the graduated old cut brilliants, totalling approximately 1.85 carats, with rose cut diamond points between, to a carved head mount, size K½ Some wear to the setting, central diamond 5mm approximately, 2 x diamond 4.5mm approximately, 2 x diamonds 3.5mm - 4mm approximately - ** General condition consistent with age
Lot 590
Two stone diamond Gimmel ring, early 19th Century, the two outer chased bands with clasped hands to the centre, either side are silver collet set diamonds of approximately 0.2 carats total, the outer bands pull apart to reveal two co-joined flaming lovers hearts to a patterned band, size O½ ** General condition consistent with age
Lot 591
Two stone diamond ring, the principal diamonds of approximately 1.4 and 1.3 carats, between panel shoulders set with five small old cut diamonds to each, the white mount size L½ Shank stamped 585, one diamond has a chip approximately 2mm near to the girdle - ** General condition consistent with age
Lot 592
Three stone diamond and ruby ring, the old cushion cut stone of approximately 1 carat, flanked either side by round cut rubies, to an 18ct gold mount, Chester 1894, size M½ Slight wear to the claw, diamond 6mm approximately, 2 x rubies 6mm approximately - ** General condition consistent with age
Lot 595
Five stone diamond ring, the graduated old brilliant cuts, totalling approximately 1.3 carats, channel set to a modern two coloured unmarked mount with texturing to the head, size S, 11.2g gross Central diamond approximately 5mm, 2 x diamonds approximately 4mm, 2 x diamonds approximately 3.5mm - ** General condition consistent with age
Lot 597
Sapphire and diamond five stone ring, the three cushion shaped stones with two old cut brilliants between, the diamonds totalling approximately 0.5 carats, the white mount size K Some damage to the claws and shank out of shape, two sapphires chipped on top facet - ** General condition consistent with age
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400830 item(s)/page