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Lot 948
small antique Pre Columbian fragment of a stone sculpture with remains of polychromy : head with a snake crown - maybe Zapotec Culture (ca 100BC - 200) || Kleine antieke Precolumbiaanse sculptuur (fragment) in steen met restanten van polychromie : Hoofd met een kroon met slangen - mogelijk Zapotec Cultuur (ca 100BC tot 200) - 10 x 10 - met sokkel in plexi
Lot 292
Framed Sharon Stone picture with a signed paycheck, for payment to Chuck Binder, who was the producer of "The Specialist" (1994) and Sharon Stone's manager. Sharon Stone was already first class star at that time, since the movie "Basic Instinct" had been released in 1993. The picture and paycheck are in perfect condition, but the picture frame is in average condition and there is a crack in the glass. Height: 37 cm. Width: 47 cm. Depth: 1,8 cm. Condition: Very Good. Location: The Netherlands, Tilburg.
Lot 2529
WOHL FRANKREICH Pillendose, 20. Jh. rechteckige Dose, scharnierter Deckel, Handhabe mit Stein besetzt, L. ca. 4 cm, ungemarkt, Gravur (E. LE NOIR 19 Bd des Capucines PARIS), Gw. ca. 25 g. Alters- und Gebrauchsspuren.| Probably FRANCE pill box, 20th century, box with hinged lid, handle set with stone, l. approx. 4 cm, not marked, engraving (E. LE NOIR 19 Bd des Capucines PARIS), weight approx. 25 g, signs of age and use.
Lot 5010
STRAHLEN-MONSTRANZ, 20. Jh., Silber, runde Basis auf vier verzierten Beinen, darüber ein mehrfach gegliederter Schaft welcher in einer Himmelskugel endet, oben ein Strahlenkranz um das verglaste Schaugefäß der Hostie, Die Basis, die Weltkugel und der Aufsatz mit Glas- und Steinbesatz dekoriert. H: 72 cm Gesamtgewicht: 2177g Alters- und Gebrauchsspuren, Hostienhalterung vorhanden. | RADIATION MONSTRANCE, 20th century, silver,round base on four decorated legs, above a multi-articulated shaft which ends in a celestial sphere, above a halo around the glazed display vessel of the host, the base, the globe and the top decorated with stone trimmings. H: 72 cm Total weight: 2177g Signs of age and wear, celestial sphere made of brass, base filled, host holder available.
Lot 5038
IKONE "Bekrönte Gottesmutter und Kind" als Klosterarbeit, 18./19. Jh., Tempera und Vergoldung auf Leinwand, die Gewänder mit Samt- und Brokatstoff aufgelegt, die Kronen in getriebenem Messingblech mit Farbstein- und Perlbesatz, HxB: ca. 53x42 cm (66x54 cm mit Rahmen). Altersspuren, Craquelé, Lw. leicht gewölbt, part. minim. beschädigt. Mit verglastem Rahmen (Wurmfraßspuren; überarbeitet). | ICON "Crowned Mother of God and Child" as a monastery work, 18./19. Century, tempera and gilding on canvas, the robes with velvet and brocade applied, the crowns in embossed sheet brass with colored stone and pearl trimmings, HxW: approx. 53x42 cm (66x54 cm with frame). Signs of age, craquelé, canvas slightly curved, part. minimum damaged. With glazed frame (traces of worm damage; revised).
Lot 845
BILDHAUER/IN, Anfang 20. Jhd., "Bär als Wappentier" aus Bronze, Bär aufrecht stehend auf ovaler Plinthe, lange, ausgestreckte Zunge, Bronze, braun patiniert, auf rechteckigem, marmorisierten Steinsockel montiert. H: Figur ca. 9,5 cm, H: gesamt ca. 11,5 cm. Alters- und Oxidationsspuren.| SCULPTOR, early 20th century, "bear as heraldic animal" made of bronze, bear standing upright on an oval plinth, long outstretched tongue, bronze, brown patina, mounted on a rectangular, marbled stone base. H: figure approx. 9.5 cm, H: total approx. 11.5 cm. Signs of age and oxidation.
Lot 849
SEIFERT, VICTOR HEINRICH & SCHMIDT-FELLING, JULIUS PAUL u.a. 19./20. Jhd., Konvolut 4 Mädchenfiguren, 1. SCHMIDT-FELLING, JULIUS PAUL (1835-1920), Mädchen beim Vögelfüttern, auf Plinthe, Bronze, braun patiniert, Plinthe im Guss signiert: "SCHMIDT- FELLING", auf mamorisierten Steinsockel montiert, H:Figur ca.12 cm, H: gesamt ca. 15,5 cm; 2. BECK, ERNST (1879-1941), Mädchen mit Rechen und Gießkanne, barfüßig auf rechteckiger Plinthe, Bronze, rotbraun patiniert, Plinthe im Guss signiert: "E. BECK", auf schwarzem Holzsockel montiert. H: Figur ca. 9 cm, H: gesamt ca. 13,5 cm; 3. SEIFERT, VICTOR HEINRICH (1870-1953), Mädchen mit zwei Körben, auf Plinthe, Bronze, dunkel patiniert, Plinthe im Guss signiert : "V. SEIFERT", H: ca. 10,5 cm;4. Mädchen mit Krug, Bronze,dunkel patiniert, keine Signatur, H: ca. 15 cm. Je Altersspuren.| SEIFERT, VICTOR HEINRICH & SCHMIDT-FELLING, JULIUS PAUL and others 19th/20th century, mixed lot of 4 girl figures,1. SCHMIDT-FELLING, JULIUS PAUL (1835-1920), girl feeding birds, on plinth, bronze, brown patinated, plinth signed in casting: "SCHMIDT- FELLING", mounted on mamorized stone base, H: figure approx. 12 cm, H: total approx. 15,5 cm;2. BECK, ERNST (1879-1941), girl with rake and watering can, barefoot on rectangular plinth, bronze, reddish-brown patinated, plinth signed in casting: "E. BECK", mounted on black wooden base. H: figure approx. 9 cm, H: total approx. 13.5 cm;3. SEIFERT, VICTOR HEINRICH (1870-1953), girl with two baskets, on plinth, bronze, dark patinated, plinth signed in cast : "V. SEIFERT", H: approx. 10,5 cm;4. Girl with jug, bronze, dark patinated, no signature, H: approx. 15 cm. Each traces of age.
Lot 854
BECK, ERNST u.a. 20. Jhd., Konvolut 6 Knabenfiguren. 1. barfüßige Knabenfigur mit Korb und Schlapphut , Bronze, braun patiniert mit runder Plinthe auf schwarzem, quadratischen Marmorsockel, H: Figur ca. 12 cm, H: gesamt ca. 16.2 cm;2. BECK, ERNST, Junge mit Korb und Holzschuhen, Bronze, braun patiniert mit rechteckiger Plinthe, im Guss signiert/bez.: "E. BECK", auf dunklem, runden Metallsockel, H: Figur ca. 9 cm, H: gesamt ca. 15 cm.3. rauchender Junge mit Korb, Bronze, dunkel patiniert mit rechteckiger Plinthe, im Guss signiert/bez.: "MORATH. FWB.", auf grauem Marmorsockel, H: Figur ca. 11.5 cm, H: gesamt ca. 15.5 cm;4. barfüßiger Junge mit Kappe und Flasche in der Hand, Bronze, mit runder Plinthe, Unterseite mit Filz überzogen, darauf undeutlich bezeichnet, H: Figur ca. 10.5 cm, H: gesamt ca. 14.5 cm;5. Schusterjunge mit Kappe, Bronze, braun patiniert mit runder Plinthe, auf marmorisiertem, runden Steinsockel, H: Figur ca. 10.7 cm, H: gesamt ca. 15 cm.6. Kleiner Jäger mit Flinthe, erlegtes Rebhuhn hoch haltend, auf Baumstumpf stehend, Bronze, dunkelbraun patiniert, auf schwarzem Marmorsockel, H: Figur ca. 9 cm, H: gesamt ca. 12.5 cm. Je Altersspuren.| BECK, ERNST and others, 20th century, mixed lot of 6 boy figures,1. barefoot boy figure with basket and slouchy hat, bronze, brown patina with round plinth on black, square marble base, H: figure approx. 12 cm, H: total approx. 16.2 cm;2. BECK, ERNST, boy with basket and wooden shoes, bronze, brown patina with rectangular plinth, signed/inscribed in the cast: "E. BECK", on a dark, round metal base, H: figure approx. 9 cm, H: total approx. 15 cm.3. Smoking boy with basket, bronze, dark patina with rectangular plinth, signed/inscribed in the cast: "MORATH. FWB.", on a gray marble base, H: figure approx. 11.5 cm, H: total approx. 15.5 cm;4. barefoot boy with cap and bottle in hand, bronze, with round plinth, bottom covered with felt, which is indistinctly inscribed, H: figure approx. 10.5 cm, H: total approx. 14.5 cm;5. Shoemaker with cap, bronze, brown patina with round plinth, on marbled, round stone base, H: figure approx. 10.7 cm, H: total approx. 15 cm.6. Small hunter with a gun, holding a shot partridge, standing on a stump, bronze, dark brown patina, on a black marble base, H: figure approx. 9 cm, H: total approx. 12.5 cm. Each traces of age.
Lot 855
BILDHAUER/IN des 20. Jhd., "Fußballspieler" Fußball spielender Mann in Trikot, Metallguss in Bronzeart, braun patiniert, auf Steinsockel geschraubt (Schraubkopf deutlich sichtbar), H: Figur ca. 21.5 cm, H: gesamt ca. 24 cm, L: ca. 17.5 cm. Altersspuren. Teilweise gelötet und überarbeitet.| SCULPTOR of the 20th century, "Soccer player", Soccer-playing man in jersey, metal cast in bronze style, brown patina, screwed on stone base (screw head clearly visible), H: figure approx. 21.5 cm, H: total approx. 24 cm, L: approx. 17.5 cm. Traces of age. Partially soldered and revised.
Lot 859
BECK, ERNST u.a. 19./20. Jhd., Konvolut 6 männliche Bronzefiguren versch. Berufsarten, 1. BECK, ERNST (1879-1941), Musiker mit Blasinstrument auf rechteckiger Plinthe, Bronze, braun patiniert, rückseitig im Guss signiert "E. Beck" und vorne bezeichnet "DORFMUSIKANT", auf grünlichem Steinsockel, H: Figur ca. 14.5 cm, H: gesamt ca. 18.5 cm;2. BECK, ERNST (1879-1941), stehender Arbeiter auf Hacke gestützt, auf Plinthe, Bronze, gold-braun patiniert, im Guss signiert "E. Beck", auf dunklem Marmorsockel, H: Figur ca. 15 cm, H: gesamt ca. 17.3 cm;3. GRAEFNER, LUDWIG (19./20. Jh.), "Der kleine Schuhmacher" auf Plinthe, Bronze, braun patiniert, Plinthe im Guss signiert "Graefner", auf geädertem, dunklem Marmorsockel, H: Figur ca. 16 cm, H: gesamt ca. 21 cm;4. Räuchermann in Form eines Wachmanns, Kopf aufklappbar, Bronze, gold-braun patiniert, auf runder, gestufter Plinthe, H: ca. 20 cm;5. Mann mit zwei Gänsen unter den Armen an einem Baumstumpf gelehnt, Bronze, dunkel patiniert, auf runder, gestufter Plinthe, H: ca. 15.5 cm;6. Landinspektor, bez. in Plinthe: "Onk. Bräsig", Bronze, dunkel patiniert, auf gestuftem Steinsockel, H: Figur ca. 10cm, H: gesamt ca. 14 cm. Je Altersspuren.| BECK, ERNST and others 19th/20thcentury, mixed lot of 6 male bronze figures of different professions,1. BECK, ERNST (1879-1941), musician with wind instrument on a rectangular plinth, bronze, brown patina, signed on the back in the cast "E. Beck" and inscribed "DORFMUSICANT" in the front, on a greenish stone base, H: figure approx. 14.5 cm, H: total approx. 18.5 cm;2. BECK, ERNST (1879-1941), standing worker leaning on a hoe, on a plinth, bronze, golden-brown patina, signed in the cast "E. Beck", on a dark marble base, H: figure approx. 15 cm, H: total approx. 17.3 cm;3. GRAEFNER, LUDWIG (19th/20th century), "The little shoemaker" on a plinth, bronze, brown patina, plinth signed in the cast "Graefner", on a veined, dark marble base, H:figure approx. 16 cm, H: total approx. 21 cm;4. Incense smoker in form of a security guard, head can be opened, bronze, golden brown patina, on a round, stepped plinth, H: approx. 20 cm;5. Man leaning against a stump with two geese under his arms, bronze, dark patina, on a round, stepped plinth, H: approx. 15.5 cm;6. Land inspector, inscribed in plinth: "Onk. Bräsig", bronze, dark patina, on stepped stone base, H: figure approx. 10 cm, H: total approx. 14 cm. Each traces of age.
Lot 861
SCHMIDT-FELLING, JULIUS PAUL u.a. 19./20. Jhd., Konvolut 12 Jungenfiguren, 1. SCHMIDT-FELLING, JULIUS PAUL (1835-1920), Vier Jungenfiguren teilweise rauchend, je mit Plinthe auf Steinsockel montiert, im Guss signiert und bezeichnet, jeweilige Bezeichnung: 2x "SCHMIDT-FELING", 1x " V. FELLING; SEPP" und 1x "V. FELLING; FRECH DAX", Bronze, braun patiniert, H: Figuren ca. 9-13 cm, H: gesamt ca. 12,5-16 cm;2. vier Jungenfiguren teilweise rauchend, die Hände in den Taschen, unsigniert, 1x rot-gold patiniert, 1x gold patiniert, 2x dunkelbraun patiniert, 3x auf Steinsockel, 1x Bronzesockel, H: Figur en ca. 8-9 cm, gesamt ca. 10-12,3 cm;3. BECK, ERNST (1879-1941), Junge mit Hirtenstab auf Plinthe, im Guss signiert "E. BECK", Bronze, braun patiniert, auf schwarzem, marmorsierten Steinsockel (beschädigt), H: Figur ca. 9 cm, H: gesamt ca. 15 cm;4. LANGE, RICHARD W. (1879-1944), Stehender Tiroler Junge mit Korb, Plinthe im Guss signiert "R.W. LANGE", mit Gießermarke, Bronze, gold-braun patiniert, auf schwarzem, runden Holzsockel montiert, H: Figur ca. 11,5 cm, H: gesamt ca. 18 cm;5. KOWALCZEWSKI, PAUL LUDWIG (1865-1910), Junge mit Schreibtafel unter dem Arm, Bronze, dunkel patiniert, im Guss signiert "P.L. KOWALCZEWSKI", auf geädertem Steinsockel montiert, H: Figur ca. 14,2 cm, H: gesamt ca. 17,5 cm;6. BILDHAUER/IN Junge mit Händen in den Hosentaschen auf Bronzeplinthe, Bronze, gold patiniert, undeutlich signiert , H: ca. 15 cm. Je Altersspuren.| SCHMIDT-FELLING, JULIUS PAUL and others, 19th/20th century, mixed lot of 12 boy figures, 1. SCHMIDT-FELLING, JULIUS PAUL (1835-1920), four boy figures, some smoking, each with a plinth mounted on a stone base, signed and inscribed in the cast, inscriptions: 2x "SCHMIDT-FELING", 1x "V. FELLING; SEPP" and 1x "V. FELLING; FRECH DAX", bronze, brown patina, H: figures approx. 9-13 cm, H: total approx. 12.5-16 cm;2. Four boy figures partially smoking, hands in pockets, unsigned, 1x red-gold patinated, 1x gold patinated, 2x dark brown patinated, 3x on stone base, 1x bronze base, H: figures approx. 8-9 cm, total approx. 10-12.3cm;3. BECK, ERNST (1879-1941), boy with a shepherd's staff on a plinth, signed in the cast "E. BECK", bronze, brown patina, on a black, marbled stone base (damaged), H: figure approx. 9 cm, H: total approx. 15 cm;4. LANGE, RICHARD W. (1879-1944), standing Tyrolean boy with basket, plinth signed in the cast "R.W. LANGE", with foundry mark, bronze, gold-brown patina, mounted on a black, round wooden base, H: figure approx. 11.5 cm, H: total approx. 18 cm;5. KOWALCZEWSKI, PAUL LUDWIG (1865-1910), boy with chalkboard under his arm, bronze, dark patina, signed in the cast "P.L. KOWALCZEWSKI", mounted on a veined stone base, H: figure approx. 14.2 cm, H: total approx. 17.5 cm;6. SCULPTOR. boy with hands in his pockets on a bronze plinth, bronze, gold patina, indistinctly signed, H: approx. 15 cm. Each traces of age.
Lot 7
FRANÇOIS BOUCHER (ÉCOLE DE) , PARIS, 1703 – PARIS, 1770 Shepherd at the foot of a fountain in a landscape Oil on canvas 156 x 121 cmIn the midst of a bucolic and cheerful nature, a shepherd takes a break while chatting with three young women. Lying at the foot of a fountain, accompanied by a goat and his dog, he plays his flute while conversing with these three peasant women who hand him flowers as a token of their love. It seems that the expression 'conter fleurette' was invented for his young men. For everything here is allusive to the pleasures of gallantry and marivaudage. Notwithstanding the presence of two young boys, incarnations of the stone putti adorning the fountain, the scene is an allegory of frolicking and games of seduction. The pastoral atmosphere is here only a pretext, shifting the context from the gallant conversations of the court to peasant love affairs in a watered-down nature. Everything here is reminiscent of a castle park, of which a factory can be seen in the background on the left, and which the sculpted fountain in the centre decorates in accordance with the taste for antiquity and ruins, which was very much in fashion at the time. On the right, the makeshift shelter used as a stable for cows and sheep announces the future craze for rustic cottages, such as those of Sylvie in Chantilly or of Queen Marie-Antoinette in Versailles. Moreover, these peasants with their un-country features look more like aristocrats in disguise playing a role. The pastel tones of the landscape, against which the more vivid silhouettes of the characters stand out, give the whole a cheerful and decorative aspect that perfectly suited the still rocaille decorations of the elegant interiors of the end of Louis XV's reign. Known as The Shepherd's Idyll, this composition by François Boucher was executed by the painter of Louis XV in 1768, as a counterpart to The Washerwomen. These two large (240 x 236 cm) decorative canvases were commissioned by Roslin d'Ivry for his château d'Hénonville, near Beauvais, and are now both housed at the Metropolitan Museum of Art in New York. They testify to Boucher's great virtuosity at the end of his career in a genre that made him successful and still identifies him today as one of the main representatives of the taste of the Enlightenment in France, the Pastorale galante.François Boucher (1703-1770) is one of the most emblematic French painters of the Enlightenment. His galant painting, which favours the eroticism of the characters over the heroic nature of the historical subjects, was favoured by the court, and in particular by Madame de Pompadour, who commissioned many portraits from him. Appointed First Painter to King Louis XV in 1765, at the height of his career, Boucher began his apprenticeship with his father and then in the workshop of the engraver Jean-François Cars, with whom he became familiar with the work of Watteau. But it was with François Lemoyne, the leading decorator of Versailles, that he learned painting and the subtleties of the Rococo style. After a stay in Italy (1727-1731), he was admitted to the Royal Academy of Painting and Sculpture in 1734 with Renaud et Armide, now in the Louvre. Beyond history painting, whose mythological scenes are the pretext for gallant adventures, Boucher swept through a vast repertoire ranging from pastoral scenes to court portraits. This Birdcatcher (whose attribution to Boucher is confirmed by art historians Alastair Laing and Françoise Joulie) is one of the early works of the artist who was greatly influenced by the Flemish painters. Known during his stay in Italy as an artist 'painting in the Flemish manner', on his return he produced a series of rustic and droll drawings which were engraved to illustrate works by Molière (1622-1673). François Boucher's style is characterised by a lively, luminous and colourful touch. His painting, devoid of melancholy, evokes a joyful universe that abandons the torments of life to focus only on its pleasures. The idealized daily life to which he invites us is that perceived by a privileged society still spared from the revolutionary torments to come. Provenance: Probably anonymous sale, Rouen, Me Fournier, 10-11 March 1975, no. 260; Anonymous sale, London, Sotheby's, 28 October 2010, no. 155; Private collection, United Kingdom. Bibliography: Probably Alexandre Ananoff and Daniel Wildenstein, ' François Boucher ', Lausanne-Paris, 1976, vol. II, p. 279, no. 654/6. Probably cat. Expo 'François Boucher', New-York, Detroit, Paris, 1986-1987, p. 308, mentioned in the entry for no. 79 (as a copy).
Lot 24
A 2000 Marlboro Team Penske 100 victories 'Ten Seasons-Ten Wins' Championship gold ring,gentleman's ring, size L, marked 'JOHN PERRY' to the inside of the band, also marked '10K L', the front inset with college style cabochon red stone on the top, inlaid with number 100. The ring was presented to team members when Gil de Ferran won the team's 100th Indy Car Win on 27 May 2000 at Nazareth Speedway. This lot is subject to the following lot symbols: ††VAT at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 31
A KOSHIRA-E (MOUNTING) FOR A WAKIZASHI (COMPANION SWORD)Edo period (1615-1868) and Meiji era (1868-1912), mid-late 19th centuryThe saya (scabbard) finished in polished black lacquer inlaid with fragments of green lacquer imitating semiprecious stone, the tsuka (hilt) covered in same (rayskin) with black silk tsukamaki wrapping in lozenge pattern, the principal metal fittings comprising kashira (pommel), menuki (hilt grips), fuchi (collar), and tsuba (hand guard), the kozuka (handled knife) missing, the fuchigashira shakudo with gold overlay imitating nashiji lacquer, inlaid in shakudo and gold relief with bats, signed Omori Terumitsu (Haynes 9603) with a kao, the tsuba iron, mokkogata (four-lobed), in kenjo (formal presentation) style, pierced to resembled an eight-spoked wheel and overlaid in gold with intricate wave-, keyfret-, kikko-, and other ground patterns, signed Bairyuken Kiyotatsu saku (Haynes 3358); held together by a wood tsukuri blade; with an embroidered silk storage bag. 76cm (29 15/16in) long. (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 35
A KOSHIRA-E (MOUNTING) FOR A DAISHO (MATCHING LONG AND SHORT SWORD)Edo period (1615-1868), mid-19th centuryThe saya (scabbards) finished on each side in a band of polished black lacquer and a band inlaid with fragments of green lacquer imitating semiprecious stone, the tsuka (hilts) covered in same (rayskin) with black silk tsukamaki wrapping in lozenge pattern, the principal metal fittings on the katana (long sword) comprising kashira (pommel), menuki (hilt grips), fuchi (collar), tsuba (hand guard), and kojiri (butt piece), the fuchigashira shakudo nanako chiselled in relief and with details in gold and silver depicting Jurojin riding on a crane, Mount Fuji, and clouds, with signature Shunmei (Haruaki) Hogen and a kao, the menuki shakudo and gold, each modelled as a cloud mounted with a roundel of paulownia leaf and a ho-o bird, the tsuba iron, pierced and chiselled in relief with a basket of chrysanthemums (gold details), signed Bushu no ju Masanori, the kojiri gilt metal nanako, also with a gilt-metal fitting in the form of two paulownia leaves; the principal metal fittings on the wakizashi (companion sword) comprising kashira (pommel), menuki (hilt grips), fuchi (collar), tsuba (hand guard), kozuka (handled knife) and kojiri (butt piece), the fuchigashira shakudo nanako and gold, chiselled in relief and with gold, silver, and copper inlay depicting insects and autumn plants, the menuki gold, modelled as a rooster and chicken, the tsuba forming a daisho set with that on the katana, with the same signature, the kozuka shakudo nanako, inlaid in relief of shakudo and gold with Shoki the Demon Queller, the other fittings as on the katana; each set held together by a wood tsukuri blade; each with a silk brocade storage bag. The wakizashi koshira-e: 70cm (27½in); the katana koshira-e: 97cm (38¼in) long. (4).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 44
THREE SHAKUDO TSUBA (HAND GUARDS)Edo period (1615-1868), late 18th to 19th centuryThe first rounded rectangular, nanako, chiselled in relief and with gold details depicting a hollyhock trained on a bamboo stem with two insects on the reverse, with signature Atsuoki and a kao; the second almost circular, ishimeji (stone-texture ground), chiselled in relief and inlaid with gold, silver, copper, and shibuichi depicting deer on a crag, pine trees and the moon, signed Toshiteru (mid-19th century, Haynes 10593) with a kao; the third rounded rectangular, pierced and chiselled in relief with gold details depicting Shoki the Demon-Queller in pursuit of his quarry. The smallest: 5.9cm (2 5/16in) high; The largest: 6.6cm (2 5/8in) high. (3).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 49
TWO TSUBA (HAND GUARDS)Edo period (1615-1868) to Meiji era (1868-1912), late 19th century, one dated 1858The first brass, aorigata (tapering towards the top), ishimeji, chiselled in relief and inlaid with a rooster, hen, chicks, and plants, signed and dated Ansei go tsuchinoe-uma aki, Ishiguro Masachika kore o tsukuru (Made by Ishiguro Masachika in autumn 1858), 8.2cm (3¼in) high; the second copper alloy imitating shakudo, ishimeji (stone-texture ground), mokkogata (four-lobed), the kozuka-ana plugged with gilt metal, applied in gold, silver, and copper high relief depicting samurai accoutrements, with date and inscribed Shunmei Hogen and a kao, 8.6cm (3 3/8in) high. (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 50
TWO TSUBA (HAND GUARDS) AND A KOGAI (SKEWER)Edo period (1615-1868), early/mid-19th centuryThe first tsuba shakudo, circular, fitted with a gold rim and chiselled on each side in sunk relief with eight aoi-mon (hollyhock crests), 8cm (3 1/8in) high; the second tsuba shibuichi, almost circular, with ishimeji (stone-texture ground) inlaid in gold, silver, copper, and shakudo with on one side a folded fan and a flowering plant in a bronze tripod vase and on the other a miniature inro with a root netsuke, signed Omori Hidetomo (Haynes 1165, 1166), 7.3cm (2 7/8in) high; the kogai silver, chiselled in relief and with details in gold and shakudo depicting an eel and reeds, signed Nobuyoshi (Hata Nobuyoshi, 1807-1878) with a kao, 15.8cm (6¼in) long. (3).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 53
SIX KOZUKA (KNIFE HANDLES)Edo period (1615-1868), 18th to 19th centuryThe first three shibuichi: the first inlaid in gold, shakudo, and copper with Hotei sleeping with his staff, fan, and sack, with signature Somin and a kao; the second partly silvered, chiselled in high relief and with gold and shakudo details depicting a Nio (temple guardian figure), signed Tounsai Tsuchiya Shomin (mid-19th century, Haynes 8760); the third inlaid on the front and one end in gold, silver, shakudo, and copper with three rats leading a wedding procession, the reverse chiselled in fine katagiribori with a detailed depiction of the rest of the procession, signed Jogetsusai Hiroyoshi (mid-19th century, Haynes 1449) with a kao; the fourth shakudo ishimeji (stone-texture ground) on the front and shibuichi migakiji (polished ground) on the reverse, the front chiselled in relief and inlaid in gold, silver, and copper depicting Sanjo Munechika forging the sword blade Kogitsunemaru ('Little Fox'), assisted by the fox deity Inari in disguise, the reverse with flush gold inlay of wavy lines; the fifth shakudo nanako with a gilt-metal and shakudo frame, divided on the reverse by a katamigawari line, the front inlaid in gold, silver, shakudo, and copper with Mount Fuji, pines, cloud, and moon; the sixth gold nanako with a shakudo migakiji frame, applied in shakudo relief with a dragon and sacred pearl; one with a double wood storage box, the rest with a plain wood storage box. (13).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 58
TEN FUCHI-GASHIRA (HILT COLLARS AND POMMELS)Edo period (1615-1868) to Meiji era (1868-1912), 18th to 19th centuryThe first shibuichi ishimeji (stone-texture ground), chiselled in relief and with gold details depicting bats and the crescent moon, signed Washi Kyuko (Washida Mitsutoki [Kyukodo], 1801-1862, Haynes 5455) with a kao, with a fitted wood storage box inscribed by Hino Shoan with an attribution to the artist, signed Shoan, sealed Hino and dated January 1961; the second shakudo, chiselled in relief and inlaid in gold and copper with dragonflies, signed and dated Koka ni kinoto-mi shujitsu Washida Mitsuchika (Washida Mitsuchika, autumn 1845; 1823–1902, Haynes 5142); the third shakudo nanako, chiselled in relief and inlaid in gold, silver, and copper with seashells and seaweed, signed Heian Nagata Naohiro (Haynes 6626) with a kao; the fourth shakudo nanako, chiselled in relief and inlaid in gold, shibuichi, and copper with wasps and a wasp nest, signed Horie Okisada (Haynes 7473); the fifth shakudo nanako, chiselled in relief and inlaid in gold and silver with butterflies, signed Zeraku (Haynes 12554); the sixth shibuichi with a large fuchi, chiselled in relief and with gold details depicting a carp, waves, and spray, with signature Omori Teruhide and a kao; the seventh shibuichi, chiselled in relief and inlaid in gold and shakudo with ayu (sweetfish), rocks, and a stream, with signature Iwamoto Konkan and a kao; the eighth shakudo ishimeji (stone-texture ground), chiselled in relief and inlaid in gold, shakudo, and copper with a spider, spider's web, grasshopper, and fireflies, with signature Iwamoto Konkan and a kao; the ninth shakudo nanako, chiselled in relief and inlaid in copper and gold with Ise-ebi (spiny lobsters), with signature Iwamoto Konkan and a kao; the tenth shakudo nanako, chiselled in relief and inlaid in gold, silver, and copper with snakes, rocks, bamboo grass, and susuki (plume grass), signed Teruyoshi; five with wood storage boxes. (25).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 506
A packet of assorted mainly vintage trade catalogues and leaflets including R Garrett & Son, Leiston Works, Agricultural Implements and Machines 1848, 4to, original wraps, J Stone & Co's Sewage Ironwork 1895, Henry Doulton & Co, Manufacturers of Every Description of Vitrified Stoneware and Terracotta..., Doulton Silicon and Impasto Ware, Lambeth Faience..., circa 1880, Thomas Smith & Co: Canal Potteries, Old Kent Road, London Export Pricelist 1878, William Crosskill & Sons: Illustrated catalogue of agricultural implements 1880, original wraps, Walter MacFarlane & Co, Glasgow, Tomb Railing circa 1870, original wraps etc
Lot 1095
STUART DEVLIN: AN ELIZABETH II SILVER-GILT SURPRISE EGG by Stuart Devlin, London 1967, the textured and planished egg opening to reveal a silver-gilt bee en tremblant on a silver flower with a glass stone centre, no. 34, in original fitted box. 6.5cm high, 4.3 troy ouncesLimited edition 34 of 85, with original certificate.There is surface dirt to central ring on the Stuart Devlin egg. The egg comes apart with difficulty but the interior is good. The box lid is tired and has come away at the edges and clasp broken. The little booklet is dog eared and slightly crumpled.
Lot 673
Harry Potter and the Philosophers Stone 8x10 photo signed by actress Melita Clarke (Wizard). Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 1392
THREE RINGS comprising A WHITE SPINEL DRESS RING, indistinct assay mark, ring size Q, 7.1 grams; A 9 CARAT GOLD SAPPHIRE AND WHITE SPINEL ETERNITY RING, hallmarked Birmingham 1991, ring size M1/2, 1.9 grams (a/f); and A BAND RING, marked 'PLAT', ring size Q, 2.4 grams (3)Dress ring: white spinel heavily abraided, inner shank engraved 'Jamie'. Eternity ring: heavy abrasion to stones and one stone deficient. Band ring: resized causing a D-shape outline.
Lot 1493
A PLATINUM DIAMOND THREE STONE RING graduated round brilliant-cut diamonds in claw settings, to tapering shoulders. Estimated principal diamond weight 1.75ct, estimated total diamond weight 3.40ct, hallmarked Sheffield, ring size O, 6.7 gramsGood condition. Estimated colour: G/H; estimated clarity: VVS2VS1/VS2. Florescence: none
Lot 1495
A PLATINUM RUBY AND DIAMOND THREE STONE RING an oval-cut ruby between round brilliant-cut diamonds. Estimated total diamond weight 0.35ct, hallmarked London 2022, ring size L1/2, 5.8 gramsGood condition. The ruby measures 8.25mm x 6.23mm x 2.95mm approximately. Estimated diamond colour: F/G; estimated clarity: VS1/VS2
Lot 1503
A PLATINUM GREEN TOURMALINE AND DIAMOND THREE STONE RING a cushion-cut green tourmaline between trilliant-cut diamonds. Estimated total diamond weight 0.15ct, hallmarked London 2022, ring size L1/2, 6.4 gramsGood condition. The tourmaline measures 8.91mm x 7.31mm approximately. Estimated diamond colour: E/F; estimated clarity: VS1/VS2.
Lot 1525
A PLATINUM AQUAMARINE AND DIAMOND THREE STONE RING an oval-cut aquamarine spaced by round brilliant-cut diamonds. Estimated total diamond weight 0.10ct, hallmarked London 2022, ring size L1/2, 3.3 gramsGood condition. The aquamarine measures 8.06mm x 5.95mm x 4.21mm approximately. Estimated diamond colour: H/I; estimated clarity: SI1/SI2.
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