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Lot 249
A diamond three stone ring, three round brilliant cut diamonds in white claw settings, with diamond set shoulders, finger size I1/2 The ring is in good condition. It is stamped '18CT', in our opinion it would test as gold. The approximate qualities of the diamonds are; caratweight 0.45, colour G/H/I, clarity SI1/SI2. Gross weight 2.4 grams. CR made 10th February 2016
Lot 261
A late Victorian cat's-eye chrysoberyl ring, the stone drill set in a yellow band, engraved to the inner shank 'Taffy Oct. 20th 1885', finger size MFair condition, shank a little out of shape. Setting worn. Hallmarked, but very rubbed - almost illegible, possibly for 18ct. Gross weight 4.8 grams. CR 26.04.16
Lot 293
Two 18ct gold Victorian diamond five stone rings, each with graduated old cut diamonds in yellow claws settings, with plain polished shanks, finger sizes L and L1/2The rings are in good condition. The approximate qualities of the diamonds are caratweight 0.25ct and 0.30ct, colour I/J/K, clarity SI2/I1/I2. Gross weight 6.6 grams. CR made 10th February 2016
Lot 534
A diamond three stone ring, three round brilliant cut diamonds, drill set into a plain polished shank, finger size V The ring is in good condition. It is stamped '18CT' and in our opinion would test as gold. The approximate qualities of the diamonds are; caratweight 0.30, colour I/J/K, clarity I1/I2. Gross weight 8.6 grams. CR made 10th February 2016
Lot 539
An 18ct gold single stone diamond ring, the round brilliant cut diamond in a claw setting to lined shoulders and a plain polished shank, estimated diamond weight 0.75 carat approximately, finger size T The ring is in good condition. It is hallmarked with sponsor's mark 'DOM', Birmingham. The approximate qualities of the diamond are; colour H/I, clarity SI2/I1. Gross weight 5.6 grams. CR 27.04.16
Lot 540
A diamond three stone ring, three graduated diamonds in white claw settings on a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.50 carat approximately, finger size S1/2Fair condition. One diamond is a round brilliant cut and possibly a later replacement as the other two are old cut diamonds. Claws worn. Stamped '18CT' and 'PLAT', in our opinion it would test as a platinum setting on a gold shank. The approximate qualities of the diamonds are; colour I/J/K, clarity SI1/SI2/I1. Gross weight 2.6 grams. CR 27.04.16
Lot 625
A stone set brooch, the disk frame with a round cabochon stone centrally, and alternating pear cut garnets and blue oval cabochon hardstones around the outer edge, with a textured body and rope twist decoration, measures 7.2cm in diameter The brooch is in good condition overall, it has some dents and damages. Fastens with a pin and push barrel clasp - this is out of shape and requires a little bit of adjustment. The centre stone has not been identified. It appears to be doubly refractive. Gross weight 75.2 grams. CR 29.04.16
Lot 641
An amethyst and split pearl set necklace, an oval cut amethyst within a scrolling articulated frame, inset with a seed pearls, a pear cut amethyst suspended from the base, on a trace link chain, length 42cm The necklace is in good condition overall. It fastens with a tongue and box catch. The box catch is out of shape and looks a little weak. The tongue is stamped '15CT', as is the reverse of the stone set panel. Gross weight 9.4 grams. CR 29.04.16
Lot 643
An 18 carat gold ruby and diamond three stone twist ring, in yellow claw settings two knife edge tapered shoulders on a plain polished shank, total estimated diamond weight 0.20 carat approximately, finger size MGood condition, some minor wear. Hallmarked with illegible maker's mark, Birmingham 1910. Gross weight 2.8 grams CR 29.04.16
Lot 436
§ Douglas Swan (American/Scottish, 1930-2000) Still Life signed lower right "D Swan" oil on canvas, in a cream painted frame 40 x 50cm (16 x 20in) Provenance: The Piccadilly Gallery, 16 Piccadily Arcade, London, SW1, September 1957. Other Notes: Douglas Swan (1930 - 2000) was born in Connecticut, USA of Scottish parents, moving to Carnoustie, Scotland in 1936. After National Service and studying at Dundee Art College, he began exhibiting at the Royal Scottish Academy. Awarded the RSA scholarship in London in 1954, he met and formed a lasting friendship with the artist William Scott. They painted together in Somerset and Cornwall and Swan exhibited at Gimpel Fils in London in 1957. Swan, together with other St Ives artists, Patrick Heron, Peter Lanyon, Anthony Benjamin and Trevor Bell, was awarded a British Council Scholarship to study in Italy in 1958. In the late 1960s Swan moved with his wife to live in Switzerland, and then to Germany in the mid 1970s, becoming an important and established abstract painter. Throughout his life he would return to his parental home at Carnoustie on the east coast of Scotland to paint. He died in Germany in 2000. During his career, Swan showed with the Royal Scottish Academy, Edinburgh, Scottish National Gallery of Modern Art, Young Contemporaries, The London Group, Artists International Association (AIA), The Scottish Gallery and with notable London galleries including Gimpel Fils, Piccadilly Gallery, and Waddington Gallery. From 1957 he exhibited widely with solo shows in Italy, Belgium, Germany, The Netherlands and Switzerland. Solo exhibitions in the UK include Stone Gallery, Newcastle upon Tyne (1959 & 1964) and Bradford City Art Gallery (1960), and a touring exhibition organised by Artsite Gallery, Bath in 1986. With original Piccadilly Gallery receipt. Surface dirt present throughout. Area of paint loss to lower left edge. Scuffing and abrasions to paint surface along this entire lower edge. Thickly applied paint in areas, particularly in upper left area. Gap in between the lower edge and the frame. Frame has some dirt, scratches and abrasions.
Lot 467
§ Max Hofler (British, 1892-1963) The Stone bridge, Richmond Castle, Yorkshire signed lower right "Max Hofler" oil on canvas 46 x 60cm (18 x 23in) In general appearance is good. Some areas of surface dirt present, with some discolouration to the paint noticeable in the sky. Very faint vertical lines of abrasion above the houses to the left hand side of the picture, and over the water on this side. Frame has some scratches but is generally in good condition.
Lot 1137
Attributed to John Warwick Smith, (British 1749-1831) "Shepherd in rural landscape" Painted depicting a shepherd and flock before a stone arch way and rural plains, unsigned, 48x59cms, oil on canvas, framed. CONDITION REPORT: Painting has undergone some restoration and appears to have been relined and cleaned. Under ultra violet light, the lower section fluoresces green only, indicating only small amounts of the original natural varnish remains. It appears the painting has been revarnished. Small area of overpaint to the sky area. Overall restoration, however appears to be sympathetic.
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