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Lot 64
Edmond Dulac (illustrator) and Edgar Allan Poe, The Bells and other Poems, 28 tipped in colour plates with titled guards, published by Hodder & Stourton, circa 1912, printed by Henry Stone & Son, Banbury, patterned endpapers, original decorative cloth gilt, together with Peg Maltby, Peg's Fairy Books, coloured plates, printed in Australia, circa 1945.
Lot 407
HANCOCK (John), A Fasciculus of Eight Drawings on Stone of Groups of Birds &c., folio, Newcastle Upon Tyne, 1853, a collection of taxidermy specimens Hancock produced for the Great Industrial Exhibition of 1851, including the title, the notice and list of subscribers, eight lithographic plates printed by Hullmandel and Walton, including Hooded Falcon, Struggle with the Quarry, Gorged Falcon, The Dead Gull, Leopard Cub Reposing, Black Game and Ptarmigan, The Laemmer-Geyer of the Alps, The Laemmer-Geyer of the Alps, original covers worn along spine and slightly stained, light foxing throughout.
Lot 232
A collection of mainly 19th century artists' letters, writers include: Arthur Hughes, Marcus Stone, Henry Moore, Luke Fieldes, Frank Dillon, Frith (to Thomas Woolner), Thomas Woolner, Frederick Goodall, Linley Sambourne, Daniel Maclise, Edward Poynter, Millais, L. Alma-Tadema, E. Landseer, W. Herdman.
Lot 226
AN ALBUM C. 1840'S CONTAINING WATERCOLOURS, DRAWINGS AND PROSE TO INCLUDE: Samuel Gillespie Prout (1822-1911) - The Grand Canal, Venice, watercolour, 14 x 19cm; S.G. Prout - Illustration of a Tomb; prose and text signed by S.G. Prout and others; two figures by a continental stone building (possibly Samuel Prout Snr); John David Glennie (1796-1874) - Continental ravine with archway, signed with monogram, 16 x 12cm; Still life, signed J.H. Maw etc., all bound in gilt tooled Morocco leather album Please note: the album currently includes a pen and ink drawing by George Chinnery which forms the previous lot. Should lots 225 and 226 be purchased by two different parties the work by Chinnery will be removed from the book after the successful buyers of the two lots are ascertained
Lot 11
AFTER DAVID ROBERTS Approach to the fortress of Ibrim, Nubia and The Hypethral Temple at Philae Called the Bed Of Pharoah, two colour prints, 33 x 48cm and 34 x 49cm; two sepia engravings from Turner's 'Liber Studiorum'; a woodblock print by C.C. Mackie; and one further print after Harold Stone (6)
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