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Lot 220
* Linton (William). Sketches in Italy. Drawn on Stone by W. Linton as fac-similes of his Sketches made during his Tour in the years 1828 and 1829, published by the author and Moon, Boys and Graves, 1831, 47 uncoloured lithographs of topographical views, on India wove, together with three paper wrappers (parts 3, 4 & 6), some spotting, dust-soiling and staining, but largely confined to the margins, each approximately 400 x 300 mmThe lithographs have the following titles:-Amalfi, Otricoli, Vey, Lugano, San Martino, Il Lago Maggiore, Vale of Terni, Tivoli, La Cava, Amalfi the Convent, Nesso on the Lake of Como, Rocca di Papa, Lagarolo, Atrani in the Bay of Salerno, The Fall of Terni, The Convent of the Holy Trinity Corpo di Cava, The Crater of Vesuvius, Civita Castellana, The Convent of Sto Benedetto near Subiaco (damaged), Procida Castle, Rome from the Villa Barberini, Alsisi, Eboli, Turin, Il Ponte Rotto Rome, Florence, Maecenas Villa at Tivoli, Venice, A Ruined Palace Bay of Naples, Perugia, The Temple of Vesta at Tivoli, Florence – Il Ponte della Trinita, Il Lago d’Osta, The Convent of Sta Scholastica, Nepi, Cavi, Poestum, Subiaco, Convent of S Cosimato Vico Vaso, Narni, The Lake of Como, The Acropolis of Vey, Ravine at Sorrento, Temple of Minerva Medica, Vico Bay of Naples, Temple of Antoine and Faustina in the Roman Forum, Sta Scholastica.Qty: (47)NOTESSold as a collection of plates, not subject to return.
Lot 221
* Liverpool. MacCahey (J. lithographer), Old Shaw's Brow, This prospect respectfully dedicated to William Brown Esquire, through whose liberality the Inhabitants of Liverpool are possessed of that Magnificent Building, The Free Public Library, Thomas Dawson Esqr. Surgeon, Member of the Historic Society of Lancashire & Cheshire..., June 1860, panoramic tint stone lithograph after W. Herdman, slight spotting and staining, 375 x 800 mm, framed and glazedQty: (1)NOTESScarce. The Road is now known as William Brown Street. Originally a coaching road in the east of the city, and named after William Brown, a local MP and philanthropist, who in 1860 donated land in the area for the building of a library and museum.
Lot 228
* Railways. A collection of 54 prints and engravings, 19th century, engravings and lithographs of trains, railway buildings, cuttings and viaducts, including Oesterlein (A. lithographer). Crumlin Viaduct in Süd-Wales, circa 1860, tint stone lithograph after R. Baumeister, occasional repaired marginal closed tears, 350 x 550 mm, together with Ingrey & Madeley (lithographers). The Railway at Cheshunt in Hertfordshire; Invented by Henry R. Palmer, Civil-Engineer, circa 1850, hand-coloured lithograph narrow margins, laid on later paper, 125 x 280 mm, mounted, with Hake (W. after). The Opening of the Bristol and Exeter Railway as seen from Exwick Hill, circa 1844, hand coloured lithograph, narrow margins, 180 x 245 mm, mounted, with another uncoloured example, plus Davy (Henry). The Eastern Union Terminus, St Mary Stoke, Ipswich, Suffolk. This Railway was opened by the Directors on Thursday, June 11, 1846, uncoloured etching, some creasing and spotting, occasional repaired marginal closed tears, 180 x 260 mm, mounted, and Fordyce (W. publisher). Old Locomotive Engine, Constructed by the Late George Stephenson for Killingworth Colliery, circa 1860, uncoloured engraving, 200 x 260 mm, mounted, with Bourne (J. C.). Avon and Railway, Fox's Wood, printed C. F. Cheffins, circa 1850, hand coloured lithograph, small margins, 185 x 305 mm, plus others similar, various sizes and conditionQty: (54)
Lot 232
* Sporting prints. A collection of 26 prints, 17th - 19th century, including Barlow (Francis). Coursing Fallow Deer, Hare Hunting, Feasant (sic) Hawking, Partridge Hawking, River Fishing [and] Cony Catching, circa 1671, six uncoloured etchings after Barlow with one attributed to W. Hollar, tipped on to an old album page in three pairs, each approximately 170 x 230 mm, together with Jones (W. D., publisher). Eight humorous sporting prints, 1813, aquatints with contemporary hand colouring, tipped on to old album pages in pairs, each toned overall, each approximately 145 x 210 mm, with Alken (S.). Unkennelling, Hare Hunting, Rat Hunting, Ferreting Rabbits, The Marquis of Salisbury and the Noblemen and Gentlemen of the Harfield Hunt..., Stag at Bay, The Surrey Hunt, Col. Berkley..., of the Berkeley Hunt, Otter Hunting, Duck Hunting, Cock Fighting (Setting to) & Drawing a Badger, Sherwood, Jones & Co. 1823, twelve aquatints by P. Roberts, T. Sutherland, and J. Gelndah, all with contemporary hand colouring, tipped on to old album pages in pairs, each approximately 130 x 210 mm, plus Staines (F. W.). The Harriet Schooner R. Y. S. John Beardmore Esq., A. Hinton, Portsmouth, Ackermann & Co., circa 1850, tint stone lithograph, the title on either side of the coat of arms of John Beardmore, slight spotting, 340 x 430 mm, together with another approximately 100 excised album pages, many with multiple images to a sheet of sporting scenes, juvenalia, topography and genre scenes, various sizes and conditionQty: (approx. 125)
Lot 245
* Ballooning. A collection of 21 prints and engravings, mostly 19th century, aquatints, etching, engravings and lithographs, including Bonnington (R.). The Ascent of Mr Sadler the Celebrated British Aeronaut at Nottingham November 1st 1813, published by R. Bonnington, Nottingham, Jany. 17th, 1814, aquatint with contemporary hand colouring, 405 x 260 mm, together with Alvey (F. lithographer). The Vauxhall Royal Balloon, Formed of 2000 yards of silk and capable of ascending with Twenty Eight Persons, beside ballast and Apparatus..., First Ascent with 9 Persons made from Vauxhall September 9th 1836, William Spooner, circa 1836, uncoloured lithograph, upper right corner torn and repaired but not affecting image, one repaired marginal closed tear, slight dust soiling, 285 x 230 mm, with Lake (W. lithographer). The Ascent of the Royal Nassau Balloon from Vauxhall with the Parachute attached [and] The Fatal descent of the Parachute by which Mr Cocking lost his life. The Sketch taken by an Eye-witness, William Follit, Leicester Square & Reeves & Sons Cheapside, circa 1835, two hand-coloured lithographs on one sheet (as published), slight toning and dust soiling, 250 x 335 mm, plus Cauci (P. lithographer). A View in the Neighbourhood of Sevenoaks, selected by Mr T. R. Joliffe and Professor Cornillot for the scene of their first aerial ascent..., circa 1825, tint stone lithograph, some old tape and adhesion scarring to lower margin, not affecting title or image, very slight spotting to margins, 190 x 215 mm, and Murray (J. publisher). The ascent of Mr Sadler and Captn. Paget from Hackney, 12thg August 1811 from a drawing taken on the spot, August 19th [1811], uncoloured etching, 255 x 170 mm, with Pollard (R.). The Natives of Tornea Lapmark assembled at Enontekis to witness the launching of the first Balloon within the Arctic Circle, T. Cadell & W. Davies, 1819, uncoloured engraving after E. D. Clarke, 160 x 210 mm, plus Senell (J. publisher). View of the Ascent of Mr Lunardi's Celebrated Air Balloon from the Artillery Ground, Sept. 15th 1784, The European Magazine, Oct. 1784, uncoloured engraving, 230 x 170 mm, with others similar, various sizes and conditionQty: (21)
Lot 249
* Brighton. Sutherland (Thomas), Brighton, England's Favourite Watering Place, circa 1825, uncoloured aquatint after George Atkinson, inset portrait of George IV and his brother the Duke of York, trimmed with loss of publication line, 300 x 450 mm, together with Nibbs (R. H.). The Chain Pier Brighton (from the Sea), W. Lane, Brighton, circa 1860, coloured lithograph, margins frayed and trimmed, 265 x 340 mm, with Grant (W. publisher). Panoramic View of Brighton East, No. 1, published Brighton, circa 1870, tint stone lithograph some staining and dust soiling to margins, 190 x 335 mm, plus Leppard (W. publisher). Brighton Town Hall and Market, circa 1825, hand-coloured aquatint, margins soiled and a little creased, 210 x 280 mm, and Bruce (J.). To Captn. S. Brown R.N. This plate representing the Entrance of the Chain Pier at Brighton is with permission respectfully dedicated..., circa 1830, aquatint with contemporary hand colouring, trimmed to neat line and laid on later paper, 265 x 395 mm, framed and glazed, with two others similarQty: (7)
Lot 251
* Burton on Trent. Needham (J. lithographer), To His Excellency Field Marshall the most Noble Henry William Marquis of Anglesea K. C. &c. &c. This View of Burton on Trent from the Tower of Stapenhill Church is respectfully dedicated..., published by the artist in Derby & W. B. Darley Burton on Trent, 1853, tint stone lithograph after H. L. Pratt, very slight spotting, largely confined to margins, 330 x 435 mm, together with Walton (W. L. lithographer). Burton on Trent, printed by C. Hullmandel and published by W. Wesley, Burton on Trent, circa 1850, hand coloured lithograph after K. Thomas, repaired closed tears, two affecting the image, slight staining, 320 x 435 mmQty: (2)
Lot 254
* Crystal Palace. Brannon (Philip & Carrick, R.), [The Park and the Crystal Palace presenting a complete series of exterior views], printed by Day & Son, published Ackermann & Co, June 9th 1851, six tint stone lithographs, one with repaired marginal closed tears, each approximately 345 x 495 mmQty: (6)NOTESAbbey Scenery 244. Abbey calls for a title and four plates. This disbound collection lacks the title but has two additional plates not called for by Abbey. 'View from above the Bridge' and 'View from the North Bank of the Serpentine'. The other four titles are - View from Kensington Gardens Looking down the Kings Road, View of the South Side from near the Princes Gate looking West, The East End [and] Looking over the Dam.
![* Hartlepool. North East View of the West Harbour and Docks in the Port of Hartlepool, on the East Coast of England [and] Nor](https://cdn.globalauctionplatform.com/c48d82bc-ed62-44d5-8378-ac9400f91885/b289f412-a1e0-4877-8819-ac95011fe87c/468x382.jpg)
Lot 264
* Hartlepool. North East View of the West Harbour and Docks in the Port of Hartlepool, on the East Coast of England [and] North West View of the West Harbour and Docks in the Port and Bay of Hartlepool, on the East Coast of England, Day & Son, circa 1850, two unattributed tint stone lithographs, slight spotting to margins, slight toning, mounted on linen and a stretcher, two small closed tears affecting image, 450 x 780 mm and 425 x 480 mm respectively, uniformly framed and glazed in contemporary rosewood frames with a gilt slipQty: (2)
Lot 266
* Hunt (George). View on the Thames, shewing Goding's New Lion Ale Brewery, The Wharfs, Shot Factories, and the Lambeth end of Waterloo Bridge, London: John Moore, December 30th, 1836, aquatint by Geoge Hunt after Francis Calcraft Turner, printed in colour and finished by hand, thread margins, a few short closed tears and surface abrasions, light toning, 450 x 620 mm, mounted, framed & glazedQty: (1)NOTESGoding's Brewery (or Lion Brewery) was built in 1836, to a design by Francis Edwards. The Goding family brewery, headed by Thomas Goding, was very successful during the nineteenth century. The site was particularly desirable as there was a waterworks nearby, which the Godings bought and incorporated into the brewery in 1853. The water used for brewing was sourced from the five wells inside the building. The brewery was taken over in 1924 by the brewers Hoare and Co., of Wapping, and was badly damaged by fire in 1931. It remained derelict until it was demolished in 1949. The Royal Festival Hall stands in its place today and the only evidence of the original brewery is the large lion visible on the top of the building, made of artificial Coade stone and is known as the South Bank Lion.Amendment: This item is no longer framed and glazed, however the frame is still with the lot.
Lot 204
A LADY'S 18CT GOLD AND ENAMELLED FOB WATCH, late 19th century, the gilt dial with engine turned chapter ring with black Roman numerals and star engraved centre, the bar lever movement with ruby end-stone and blued steel screws engraved "Mottu, Geneve", with hinged cuvette, the back centred by an oval panel enamelled in colours with summer flowers within a turquoise highlighted scrolling foliate border, loop stamped with crown and 18 (Est. plus 21% premium inc. VAT)
Lot 205
A LADY'S EDWARDIAN 18CT GOLD TOP WIND FOB WATCH, the white enamel dial inscribed "W Potts & Sons, Leeds" with black Roman numerals enclosing subsidiary seconds dial, the three quarter back numbered 149691, with ruby end stone and blued steel screws, hinged cuvette and outer case engraved with a monogram, Chester 1903 (Est. plus 21% premium inc. VAT)
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400830 item(s)/page