From the private collection of a continental ladyA RUBY AND DIAMOND DRESS RING, BY CARLO ILLARIO FOR FASANOThe central cushion-shaped ruby within collet-setting, between calibré-cut ruby shoulders, between calibré-cut diamonds, mounted in 18K gold, diamonds approximately 2.50cts total, signed Fasano, Italian registry mark '26AL' for Carlo Illario, ring size Q½Born to a family of cotton manufacturers in Chieri in 1900, Mario Fasano’s undoubted eye for beauty would lead to him opening his first jewellery business, ‘Gioielleria Fasano’, in Turin in 1928. Throughout his work, Fasano adhered to the traditional practices of Parisian jewellers, and, while styles changed, the craftmanship that lay at the heart of their work was honoured by him throughout his life. He married Stella Piovano in 1932 and she was to be his life-long partner in every sense of the term. Together in 1935 they opened their first store in Piazza Castello, the heart of Turin’s lively social scene.As the white gems and platinum of the 1930s gave way to the bold colours and yellow gold of the 1940s and 50s, Fasano’s signature pheasant or ‘Fagiona’ brooch, the emblem of his maison, became a recognisable staple in the world of fine Italian jewellery. As the 50s progressed, Fasano’s and Stella’s attention moved more towards the selection of precious and unusual stones, favouring cabochon cuts and those less traditional cuts. When their son Dario Fasano joined the family business in the 1960s, the older generation drew on his experiences studying abroad to bring a fresher spin on their materials and techniques, such as lava stone and gold/bronze combinations.Fasano Jewellers closed operations in 2013, but their pieces still embody some of the best in mid-century jewellery.Condition Report: Central ruby: please note the weight to be very approximate due to collet setting, approx. 2.10cts, of purplish-red hue, good transparency, medium to dark tone, facets are smoothRemaining rubies: of purplish-red hue, medium to dark tone, good transparency, overall well matched in colourDiamonds: approx. 2.50cts total, unable to assess colour due to yellow mount, estimated clarity VSSignature and Italian assay mark located inside the hoop, 750 for 18K gold located inside hoopMinor signs of wear, overall in good conditionTotal gross weight approx. 8.6g* Please note that the ruby was verbally tested at GCS laboratory in London in February 2022. It was found to be natural, Thai origin with indications of heating with minor residue in healed fissures.
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From the private collection of a continental ladyAN ENAMEL PENDANT, BY CARLO ILLARIO FOR FASANOThe white oval plaque with enamel baronial family coat of arms depicting three bull’s heads on a red shield crowned by a coronet and knights helmet, the textured and foliate gold frame with similar bale, mounted in 18K gold, signed Fasano, Italian registry mark ‘26AL’ for Carlo Illario,, length (including bale): 7.2cm, width 4.8cmIllario's workshop was able to confirm that this ring was a unique piece made in the 1970s for Fasano.Born to a family of cotton manufacturers in Chieri in 1900, Mario Fasano’s undoubted eye for beauty would lead to him opening his first jewellery business, ‘Gioielleria Fasano’, in Turin in 1928. Throughout his work, Fasano adhered to the traditional practices of Parisian jewellers, and, while styles changed, the craftmanship that lay at the heart of their work was honoured by him throughout his life. He married Stella Piovano in 1932 and she was to be his life-long partner in every sense of the term. Together in 1935 they opened their first store in Piazza Castello, the heart of Turin’s lively social scene.As the white gems and platinum of the 1930s gave way to the bold colours and yellow gold of the 1940s and 50s, Fasano’s signature pheasant or ‘Fagiona’ brooch, the emblem of his maison, became a recognisable staple in the world of fine Italian jewellery. As the 50s progressed, Fasano’s and Stella’s attention moved more towards the selection of precious and unusual stones, favouring cabochon cuts and those less traditional cuts. When their son Dario Fasano joined the family business in the 1960s, the older generation drew on his experiences studying abroad to bring a fresher spin on their materials and techniques, such as lava stone and gold/bronze combinations.Fasano Jewellers closed operations in 2013, but their pieces still embody some of the best in mid-century jewellery.Condition Report: Minor signs of wearSignature and maker's mark located on loopMinor signs of wear, overall in good conditionTotal gross weight approx. 35.4g
From the private collection of a continental ladyA MAGNIFICENT AQUAMARINE, SAPPHIRE AND DIAMOND DRESS RING, BY CARLO ILLARIO FOR FASANO, CIRCA 1970The rectangular-cut aquamarine weighing 13.30cts within a double four-claw setting, between calibré-cut sapphire and brilliant-cut diamond shoulders, mounted in 18K gold, signed Fasano, partial Italian registry mark for Carlo Illario, with document, with maker’s case, ring size L½Illario’s workshop was able to confirm that this ring was a unique piece made in the 1970s for FasanoAccompanied by a document from a Instituti Analisi Gemmelogiche in Valenza (Italy) stating that the aquamarine is weighing 13.304cts and is natural. Report number VKX181091Born to a family of cotton manufacturers in Chieri in 1900, Mario Fasano’s undoubted eye for beauty would lead to him opening his first jewellery business, ‘Gioielleria Fasano’, in Turin in 1928. Throughout his work, Fasano adhered to the traditional practices of Parisian jewellers, and, while styles changed, the craftmanship that lay at the heart of their work was honoured by him throughout his life. He married Stella Piovano in 1932 and she was to be his life-long partner in every sense of the term. Together in 1935 they opened their first store in Piazza Castello, the heart of Turin’s lively social scene.As the white gems and platinum of the 1930s gave way to the bold colours and yellow gold of the 1940s and 50s, Fasano’s signature pheasant or ‘Fagiona’ brooch, the emblem of his maison, became a recognisable staple in the world of fine Italian jewellery. As the 50s progressed, Fasano’s and Stella’s attention moved more towards the selection of precious and unusual stones, favouring cabochon cuts and those less traditional cuts. When their son Dario Fasano joined the family business in the 1960s, the older generation drew on his experiences studying abroad to bring a fresher spin on their materials and techniques, such as lava stone and gold/bronze combinations.Fasano Jewellers closed operations in 2013, but their pieces still embody some of the best in mid-century jewellery.Condition Report: Aquamarine: of blue hue, medium tone, good transparency, facets are smoothSapphires: of blue hue, medium tone, good transparency, overall well matched in colourDiamonds: unable to assess colour due to yellow mount, estimated clarity VSItalian assay mark for Illario.Minor signs of wear, overall in good conditionTotal gross weight approx. 13.8g
From the private collection of a continental ladyA DIAMOND SINGLE-STONE RING, BY CARLO ILLARIO FOR FASANOComposed of a cut-cornered step-cut diamond weighing approximately 2.50cts within collet-setting, to a plain hoop, signed Fasano, with Italian registry mark for Carlo Illario, ring size LBorn to a family of cotton manufacturers in Chieri in 1900, Mario Fasano’s undoubted eye for beauty would lead to him opening his first jewellery business, ‘Gioielleria Fasano’, in Turin in 1928. Throughout his work, Fasano adhered to the traditional practices of Parisian jewellers, and, while styles changed, the craftmanship that lay at the heart of their work was honoured by him throughout his life. He married Stella Piovano in 1932 and she was to be his life-long partner in every sense of the term. Together in 1935 they opened their first store in Piazza Castello, the heart of Turin’s lively social scene.As the white gems and platinum of the 1930s gave way to the bold colours and yellow gold of the 1940s and 50s, Fasano’s signature pheasant or ‘Fagiona’ brooch, the emblem of his maison, became a recognisable staple in the world of fine Italian jewellery. As the 50s progressed, Fasano’s and Stella’s attention moved more towards the selection of precious and unusual stones, favouring cabochon cuts and those less traditional cuts. When their son Dario Fasano joined the family business in the 1960s, the older generation drew on his experiences studying abroad to bring a fresher spin on their materials and techniques, such as lava stone and gold/bronze combinations.Fasano Jewellers closed operations in 2013, but their pieces still embody some of the best in mid-century jewellery.Condition Report: Principal diamond: please note that the diamond was gauged within collet-setting, approx. 2.50cts, unable to assess colour due to yellow mount, estimated clarity VS2-VS1Superficial signs of wear, overall in good conditionTotal gross weight approx. 9.4g
From the private collection of a continental ladyA DIAMOND FOUR-STONE RINGSet with four brilliant-cut diamonds to the front within claw-setting, on a plain hoop, mounted in gold, diamonds approximately 2.60cts total, ring size N½Condition Report: Diamonds: approx. 2.60cts total (approx. 0.62-0.66 each), estimated colour F/G, estimated clarity VSWhite metal unmarked, tested by the jewellery department to be 18K goldNormal signs of wear, overall in good conditionTotal gross weight approx. 4.2g
From the private collection of a continental ladyA DIAMOND SINGLE-STONE RINGThe central brilliant-cut diamond weighing approximately 2.10cts within a six-claw setting, between tapered baguette-cut diamond shoulders, remaining diamonds approximately 0.20ct total, ring size N¾Condition Report: Principal diamond: approx. 2.10ct (gauged mounted, also weight inscribed inside hoop to be 2.12), estimated colour I/J, estimated clarity VSWhite metal unmarked and untested - either 18K gold or platinumNormal signs of wear, overall in good conditionTotal gross weight approx. 4.6g
From the private collection of a continental ladyA DIAMOND AND SAPPHIRE PENDANT ON CHAIN, BY CARLO ILLARIO FOR FASANO, CIRCA 1990Of bombé design, pavé-set with brilliant-cut diamonds and calibré-cut sapphire highlights, with cabochon sapphire accent, suspending from a cable-link chain, both mounted in 18K gold, diamonds approximately 1.50ct total, both signed, pendant with Italian registry mark for Carlo Illario in Valenza, pendant length 3.1cm, chain length 53cmBorn to a family of cotton manufacturers in Chieri in 1900, Mario Fasano’s undoubted eye for beauty would lead to him opening his first jewellery business, ‘Gioielleria Fasano’, in Turin in 1928. Throughout his work, Fasano adhered to the traditional practices of Parisian jewellers, and, while styles changed, the craftmanship that lay at the heart of their work was honoured by him throughout his life. He married Stella Piovano in 1932 and she was to be his life-long partner in every sense of the term. Together in 1935 they opened their first store in Piazza Castello, the heart of Turin’s lively social scene.As the white gems and platinum of the 1930s gave way to the bold colours and yellow gold of the 1940s and 50s, Fasano’s signature pheasant or ‘Fagiona’ brooch, the emblem of his maison, became a recognisable staple in the world of fine Italian jewellery. As the 50s progressed, Fasano’s and Stella’s attention moved more towards the selection of precious and unusual stones, favouring cabochon cuts and those less traditional cuts. When their son Dario Fasano joined the family business in the 1960s, the older generation drew on his experiences studying abroad to bring a fresher spin on their materials and techniques, such as lava stone and gold/bronze combinations.Fasano Jewellers closed operations in 2013, but their pieces still embody some of the best in mid-century jewellery.Condition Report: Diamonds: approx. 1.50ct total, unable to assess colour due to yellow mount, estimated clarity VSSapphires: of blue hue, medium to dark tone, facets are smooth, overall well matched in colourNormal signs of wear, overall in good conditionTotal gross weight approx. 18.4g
From the private collection of a continental ladyA RUBY AND DIAMOND DRESS RING, BY CARLO ILLARIOThe central cushion-shaped ruby within a calibré-cut ruby surround and between baguette and tapered baguette-cut diamond shoulders with gold reeded detailing, mounted in 18K gold, diamonds approximately 0.50ct total, Italian registry mark '26AL' for Carlo Illario, ring size M½Brothers Carlo, Vincenzo and Luigi Illario were a family of goldsmiths from Valenza. They established a jewellery firm in 1920, with each brother taking on their own position. Carlo, who was trained in Paris, headed the production, Vincenzo was a stone setter who also selected the precious gems, and Luigi was head of administration.The brothers worked under their own name, as well as for bigger firms, and were involved with several different jewellery companies. Some of the most renowned goldsmiths in Valenza practised in their workshop, guaranteeing that each product was crafted with exceptional quality.The company brand from 1935 had been 26AL and the business name was under Carlo Illario e Filli. Traditionally, ownership was handed down from father to son and, in 1953, even Luigi's sons, Giovanni and Vittorio, became a part of the family business. From the end of the 1900s, Vittorio and his sons, Pier Luigi and Edoardo, carried on as owners of the company with the 'Illario 1920' logo.In 1996, Giovanni Illario, along with his sons Carlo and Gian Luca, agreed with Vittorio and his sons to set up a new company that would allow them to be more active in the foreign market. This led to a split in Societa Carlo Illario and to the creation of the new Societa Carlo Luca della Quercia which pursues the traditions and spirit of the original company.Their skilled craftsmanship, reputation of excellence and use of innovative goldsmith techniques caught the attention of well-established retailers. Throughout the 20th century, Casa Illario created unique pieces of haute joaillerie for the most famous Italian maisons: Bvlgari, Cusi, Faraone, Fasano, Fecarotta, Settepassi, Ventrella and others. The company's partnership with Bvlgariwas particularly long standing, running from the 1950s through until the 1970s.In this time, Illario made many pieces for Bvlgari, including the now iconic Serpenti watch bracelet. Elizabeth Taylor was a consistent patron, whose personal style and love of dramatic jewels found its home in Illario's creations.Alongside manufacturing for other brands, Illario produced a vibrant assortment of jewellery under their own name. They were known for their fine gemstones and unusual materials, such as polychrome enamel, tortoiseshell and mother of pearl. Striving to stand out, Illario used new techniques in its pieces, such as black rhodium plating to create a contrasted look. The quality of the craftsmanship is clear in all jewels that bear the Illario name, making them highly desirable.Condition Report: Ruby: of purplish-red hue, medium to dark tone, good transparencyCalibré-cut rubies: of medium to dark tone, overall well matched in colourDiamonds: unable to assess colour due to yellow mount, estimated clarity VSNormal signs of wear, overall in good conditionTotal gross weight approx. 14.2g
A sterling silver multi-stone bracelet, featuring four oval peridot, four oval garnet, four oval citrine, 3 oval amethyst and a sapphire, all in bezel settings with a hook style clasp, stone dimensions between approx 6.65 x 5 x 2.9mm and 7.1 x 5 x 3.7mm, peridot total weight estimated as 3 carats, garnet total weight estimated as 3 carats, citrine total weight estimated as 2.28 carats, amethyst total weight estimated as 2.55 carats, sapphire weight estimated as 0.73 carats, length 190mm, gross weight 9.5g, hallmarked sterling silver, London 2021, sponsor YC
A sterling silver multi-stone fringe necklace, featuring a combination of garnet, amethyst, lemon quartz, citrine, peridot and blue topaz, all in claw settings, with a seven stone circular flower cluster pendant suspended from the centre, stone dimensions between approx 7 x 5.65 x 1.9mm and 8.15 x 6.25 x 3.5mm, length 485mm, lobster clasp with adjustable chain, gross weight 29.6g, hallmarked sterling silver, London 2021, sponsor YC
A pair of white metal peridot multi-stone earrings, each with 15 round faceted peridots in bezel settings, with hook wire fittings, peridot dimensions each approx 3.7 x 2.4mm, total weight estimated as 6.9 carats, earring lengths 35mm, gross weight 2.9g, not marked but tested as sterling silver
A yellow metal, sapphire and diamond two stone ring, featuring an oval faceted sapphire with a round brilliant cut diamond, all in claw settings, sapphire dimensions approx 5 x 3.8 x 1.95mm, weight estimated as 0.35 carats, diamond dia. approx 1.5mm, weight estimated as 0.01 carats, size P½, gross weight 1g, stamped and tested as 14ct
A white metal multi-stone bracelet, comprising 3 oval citrine, 3 oval garnet, 3 oval peridots and 2 oval amethysts, all in bezel settings with an S hook clasp, citrine dimensions each approx 6.4 x 5 x 2.55mm, total weight estimated as 1.53 carats, garnet dimensions each approx 6.7 x 4.6 x 3.1mm, total weight estimated as 2.61 carats, peridot dimensions each approx 6.9 x 4.85 x 2.75mm, total weight estimated as 2.19 carats, amethyst dimensions each approx 6.85 x 4.9 x 2.65mm, total weight estimated as 1.12 carats, length 195mm, gross weight 3g, not marked but tested as silver
A white metal moonstone multi-stone necklace with matching earrings, the necklace comprising forty graduated 6.4 x 4.5 x 2.45mm to 9.5 x 6.1 x 3.2mm oval moonstone cabochons in bezel settings with S hook clasp, length 565mm, gross weight 11.4g, the earrings each with 16 graduated 5.75 x 4.7 x 2.5mm to 6.2 x 4.9 x 3.2mm oval moonstone cabochons in bezel settings, with hook wire clasp, length 45mm, gross weight 5.6g, not marked but tested as silver
A yellow metal, opal and emerald three stone ring, featuring a centre oval opal cabochon flanked on either side by a rectangular cut emerald, all in claw settings with engraved shoulders, opal dimensions approx 5.75 x 4.35 x 2mm, weight estimated as 0.28 carats, emerald dimensions each approx 3.5 x 3.1 x 2.48mm, total weight estimated as 0.38 carats, size Q½, gross weight 3.3g, not marked but tested as 18ctEmeralds are slightly chipped.
A yellow and white metal diamond five stone half hoop eternity ring, comprising five round brilliant cut diamonds in bar settings, diamond diameters each approx 3.15mm, total weight estimated as 0.55 carats, assessed mounted collectively colour H to I and clarity I1 to I2, size M, gross weight 4g, stamped and tested as 14ctOne stone is chipped.
An 18ct yellow and white gold diamond three stone ring, comprising three graduated emerald cut diamonds in bezel settings, diamond dimensions between approx 4 x 2.65 x 2mm and 4.4 x 3.3 x 2.7mm, total weight estimated as 0.74 carats, assessed mounted collectively colour I to J and clarity VS1 to VS2, size L, gross weight 6g, hallmarked 18ct, London 1995Stones appear good.Some wear to setting, but consistent and modest.Band with surface scratches.No repairs.Marks good.
A yellow and white metal diamond three stone ring, featuring three graduated Old European cut diamonds in claw settings, diamond dimensions between approx 3.25 and 2.29mm and 3.7 x 2.55mm, total weight estimated as 0.52 carats, assessed mounted collectively colour I to J and clarity SI1 to SI2, size M½, gross weight 1.9g, stamped and tested as 18ctGirdle chipped on one stone.Otherwise very good with light age wear only.
A 9ct yellow gold hinged oval buckle style bangle, having four round faceted colourless sapphires flush set and fitted with a safety chain, sapphire dimensions each approx 2.3 x 1.55mm, total weight estimated as 0.24 carats, bangle width 4.15mm, inner diameter 60 x 51mm, gross weight 13.7g, hallmarked 9ct, Birmingham, sponsor MSTOne stone is loose.Bangle is misshapen.
An 18ct yellow gold diamond five stone half hoop eternity ring, comprising five graduated round brilliant cut diamonds grain set within a boat shaped head, diamond dimensions between approx 2.05 x 1.85mm and 3.55 x 2mm, total weight estimated as 0.35 carats, assessed mounted collectively colour I to J and clarity SI1 to SI2, size V, gross weight 5.3g, hallmarked 18ct, Sheffield 1998, sponsor JPBCentre stone has a conchoidal fracture.
A yellow and white metal diamond three-stone ring, comprising three graduated Old European cut diamonds in bezel settings, with trifurcated shoulders, diamond dimensions between approx 3.2 x 1.95 mm and 4 x 2.2mm, total weight estimated as 0.48 carats, assessed mounted collectively colour I to J and clarity SI1 to I1, size N, gross weight 3.4g, not marked but tested as 18ctStones all good.Gold with light surface scratches only.
A 9ct yellow gold multi-stone circular cluster ring, featuring 12 rectangular and round pink tourmalines, four rectangular sapphires, and five rectangular and round amethysts, in claw settings, tourmaline dimensions between approx 2 x 1.75mm and 5 x 3.15 x 2.7mm, total weight estimated as 3.02 carats, sapphire dimensions each approx 5 x 3.1 x 2mm, total weight estimated as 1.44 carats, amethyst dimensions between approx 2 x 1.8mm and 5.05 x 3.21 x 2.81mm, total weight estimated as 1.24 carats, size U, gross weight 4.8g, hallmarked 9ct, Birmingham 2004, sponsor QVCExcellent, no apparent faults and appears very little worn.
An 18ct white gold, emerald and diamond three-stone ring, featuring a centre square cut emerald and two round brilliant cut diamonds, all in claw settings, emerald dimensions approx 4.5 x 2.15mm, weight estimated as 0.30 carats, diamond dimensions each approx 3.05 x 1.9mm, total weight estimated as 0.20 carats, assessed mounted collectively colour H to I and clarity SI1 to SI2, size J½, gross weight 3.1g, hallmarked 18ct, Birmingham 1993, sponsor DOMOne diamond is fractured.
Three rings, being a 9ct yellow gold synthetic opal single stone ring, the opal measuring approx 8.85 x 6.85 x 2.5mm, size P, hallmarked 9ct, Birmingham, sponsor JMJ, gross weight 1.6g, a 9ct yellow gold opal doublet ring, the doublet dimensions 10.05 x 7.9mm, size N½, gross weight 2.6g, hallmarked 9ct, London 1980; and a yellow and white metal single stone ring, having a round cubic zirconia in an eight claw setting, cubic zirconia dimensions approx 7.25 x 4.5mm, size K½, gross weight 2.5g, stamped and tested as platinum and 18ctStone is fractured.
A 9ct yellow gold multi-stone and diamond flower shaped cluster ring, comprising two marquise cut amethysts, two blue topaz, a peridot, a citrine, a garnet and a sapphire, with three round brilliant cut diamonds to the centre, all in claw settings, amethysts total weight estimated as 0.24 carats, blue topaz weight estimated as 0.10 carats, peridot weight estimated as 0.15 carats, garnet weight estimated as 0.15 carats, sapphire weight estimated as 0.12 carats, diamond diameters each approx 1.15mm, total weight estimated as 0.01 carats, size R, gross weight 3g, hallmarked 9ct, Birmingham 2001, sponsor QVC
Morris Tobias, London. An unusual and rare 18K gold rack lever key wind pair case pocket watchDate: London Hallmark for 1812Movement: Gilt full plate rack lever, polished steel 3-arm balance, bi-metallic compensation curb regulator, diamond end stone, No.970Dial: White, black Roman numerals, black outer minute track with 5 minute markers, subsidiary seconds at 6, blued steel spade hands, No.970Case: Polished inner and outerSigned: Dial & movement, case stamped IRSize: 56mmFor further information on this lot please visit Bonhams.com
Thomas Mofs, Ludgate Street, London. An 18K gold key wind open face pocket watch with duplex escapementDate: London Hallmark for 1819Movement: Gilt full plate duplex, plain 3 arm balance, diamond end stone, No.6105Dial: White, black Roman numerals, black outer minute track, subsidiary seconds at 6, gilt spade hands Case: Polished round hinged, inner capSigned: Movement & inner cap, case stamped DW for Daniel Wilmott of 7 Orchard Street, St Luke's LondonSize: 53mmFor further information on this lot please visit Bonhams.com
A continental gold key wind open face pocket watchDate: Circa 1820Movement: Gilt full plate cylinder, pierced and engraved balance bridge, diamond end stone, silver regulation, polished hammers striking on two gongs, No.902Dial: White, black Roman numerals, black outer minute track with 5 minute markers, winding aperture at 2, gilt handsCase: Polished round hinged, crest to backSigned: Case stamped JA BSize: 54mm Accompaniments: KeyFor further information on this lot please visit Bonhams.com
An 18K gold key wind open face pocket watchDate: Circa 1830Movement: Engraved gilt full plate English lever, 3-arm balance, diamond end stoneDial: White, black Roman numerals, black outer minute track, winding aperture at 4, gilt spade handsCase: Polished consularSigned: Case stamped MCSize: 44mmFor further information on this lot please visit Bonhams.com
G.S Ferdinand Leicht, in Wien. A continental gold key wind open face pocket watchDate: Circa 1800Movement: Gilt full plate fusée verge, pierced and engraved balance bridge, silver regulationDial: Gilt guilloché engraved, black Arabic numerals to enamel surround, black outer minute track to enamel surround, blued steel Breguet style handsCase: Textured consular with applied dot decoration throughout, single turquoise stone to backSigned: MovementSize: 37mmFor further information on this lot please visit Bonhams.com
An 18K gold key wind open face pocket watchDate: Chester Hallmark for 1829Movement: Gilt full plate English lever, 3-arm balance, diamond end stoneDial: Engine turned gilt, applied gilt Roman numerals, outer minute divisions, applied three colour foliate decoration to centre and border, gilt spade handsCase: Engine turned consular, foliate engraved bezels, inner cap, No.7261Signed: Case stamped RB and AJSize: 45mmFor further information on this lot please visit Bonhams.com
Hunt & Son, Yarmouth. An 18K gold key wind open face pocket watchDate: London Hallmark for 1830Movement: Gilt full plate English lever, 3-arm balance, diamond end stone, No.45250Dial: Engine turned gilt, applied gilt Roman numerals, outer minute divisions, applied three colour foliate decoration to border, gilt Breguet style handsCase: Engine turned consular, foliate engraved bowSigned: MovementSize: 44mm Accompaniments: KeyFor further information on this lot please visit Bonhams.com
An 18K gold key wind open face pocket watchDate: London Hallmark for 1864Movement: Gilt full plate English lever, plain 3 arm balance, engraved balance cock, diamond end stoneDial: Guilloche engraved gilt, foliate engraved centre, applied gilt Roman numerals, outer gilt dot minute divisions, subsidiary seconds at 6, blued steel spade handsCase: Engine tuned hingedSigned: Case stamped JWSize: 51mmFor further information on this lot please visit Bonhams.com
Gray & Co, 52 Market Place, Leicester. An 18K gold key wind open face pocket watchDate: London Hallmark for 1871Movement: Gilt full plate, cut and compensated bi-metallic balance, engraved balance cock, diamond end stone, No.105517Dial: White, black Roman numerals, black outer minute track, subsidiary seconds at 6, gilt spade handsCase: Engine tuned hinged, monogram to back, No.105517Signed: Movement, case stamped JWSize: 47mmFor further information on this lot please visit Bonhams.com
John Forrest, London. An 18K gold key wind open face pocket watchDate: London Hallmark for 1868Movement: Gilt full plate English lever, cut and compensated bi-metallic balance, diamond end stone, No.18262Dial: White, black Roman numerals, black outer minute track, subsidiary seconds at 6, gilt spade handsCase: Engine turned hinged, cartouche to back, inner capSigned: Dial, movement and inner cap, case stamped JWSize: 48mm Accompaniments: 18K gold chain, keyFor further information on this lot please visit Bonhams.com
A SMALL CHINESE WHITE JADE 'MOUNTAIN' CARVING QIANLONG 1736-95 Formed as a rocky cliff face, carved in relief to one side with a pair of deer, the stag gazing back at the doe, with small stars incised to the animals' bodies, the reverse with a twisting gnarled pine tree, with one branch extending over the top of the cliff, the stone with some minor pale and russet inclusions, together with a wood stand, 6cm. (2) Provenance: from the collection of Sir Archibald John Boyd (1889?-1959) and Lady Boyd, and thence by descent.
A CHINESE PALE CELADON JADE 'CHILONG' CUP 17TH CENTURY Carved with two shou characters amidst flowerheads and scrolling foliage, flanked by two pierced chilong loop handles, the stone of pale greyish-green tone with some cloudy white inclusions, 12.8cm. Provenance: purchased from Christie's London, 15th May 2013, lot 855.
A RARE PAIR OF LARGE CHINESE WHITE JADE DISHES QIANLONG/JIAQING PERIOD Each raised on a straight foot, the shallow, rounded sides flaring to slightly everted rims, the semi-translucent stone of even tone with minor paler inclusions, 19cm. (2) Provenance: from a European private collection acquired prior to 1960 and thence by descent.
A RARE CHINESE PALE CELADON JADE FELINE OF SUPERB QUALITYPROBABLY SONG DYNASTY The feline seated on its haunches, facing forward, with its features and fur detailed with incised lines, the stone of an even pale tone with minor russet inclusions, together with a Bluett & Sons' catalogue, 5.2cm. (2) Provenance: from the private collection of Roger Bluett (1925-2000), and thence by descent. Roger Bluett took over the buisness founded by his grandfather Leonard Bluett in 1884. He and his partner Brian Morgan introduced a number of innovations including being the first dealers to publish scholarly catalogues, and turned it into one of the greatest London dealerships in Chinese art of its day. His clients included King Gustav VI Adolf of Sweden (who granted Bluett's his Royal warrant and was a regular visitor), and museums including the British Museum, the Victoria and Albert Museum and New York Metropolitan museums. Illustrated: Bluett & Sons Ltd. Oriental Art, 1988, from the collection of Mrs Joan Barrow.
A CHINESE PALE CELADON JADE ARCHAISTIC 'CHILONG' VASE, GU QIANLONG 1736-95 Raised upon a square foot, finely carved with overlapping lotus petals, the central section with three clambering chilong, one grasping leafy lingzhi in its mouth, the stone of an even pale tone, with a few slight snowy inclusions, with a wood stand, 16cm. (2) Provenance: by direction of the executors of the late Sylvia Quance (d.20th September 2020). From the collection of Gordon W Quance LLM (1931-2017), purchased from Spink & Son Ltd., 23rd September 1966, a copy of the invoice is available. Cf. Christie's London, 8th November 2011, lot 231, for a related jade gu vase.
A LARGE CHINESE SPINACH-GREEN JADE VASE QIANLONG 1736-95 The flattened baluster body carved in relief with a continuous stylised lotus scroll design, the waisted neck similarly decorated, flanked by a pair of pierced flowerhead and acanthus leaf handles with loose rings, the dark-green stone with darker flecks and cloudy inclusions, 32.5cm. Provenance: by direction of the executors of the late Sylvia Quance (d.20th September 2020). From the collection of Gordon W Quance LLM (1931-2017).
A CHINESE CELADON JADE 'MYTHICAL BEASTS' TRIPOD INCENSE BURNER AND COVER QIANLONG 1736-95 The compressed circular body carved in low relief with archaistic scrolls divided by flanges, flanked by two handles shaped as winged pixiu, the domed cover surmounted by a circular finial worked as a chilong twisting amidst swirling clouds, all raised on three tapering feet, with a paper label for Spink & Son Ltd to the base, the greyish stone with dark inclusions, together with a wood stand pierced with prunus branches, 15.2cm across. (3) Provenance: by direction of the executors of the late Sylvia Quance (d.20th September 2020). From the collection of Gordon W Quance LLM (1931-2017). Purchased from Spink & Son Ltd on 21st February 1966. The original invoice is available.
A CHINESE PALE CELADON JADE INCENSE BURNER AND COVER QIANLONG 1736-95 Raised upon a short splayed foot, the rounded sides carved in low relief with overlapping lotus petals, decorated with three openwork chrysanthemum handles, the lotus-formed domed cover with a similarly reticulated finial, the stone of even pale tone, with a wood stand, 12cm wide. (3) Provenance: by direction of the executors of the late Sylvia Quance (d.20th September 2020). From the collection of Gordon W Quance LLM (1931-2017), purchased from Spink & Son Ltd., London, on 29th July 1966, a copy of the invoice is available. Cf. R Keverne, Jade, p.178, fig.126, for a related incense burner.
A GOOD LARGE CHINESE PALE CELADON JADE BUDDHIST LION GROUP QIANLONG 1736-95 The larger recumbent lion dog turns her head to look at her puppy resting at her side, playing with a brocade ball and ribbons held in their mouths, their manes and tails finely detailed, the pale celadon stone of an even tone with some small russet markings, 14cm. Provenance: by direction of the executors of the late Sylvia Quance (d.20th September 2020). From the collection of Gordon W Quance LLM (1931-2017), purchased from Spink & Son Ltd., 30th November 1966, a copy of the invoice is available. Cf. Sotheby's Hong Kong, 4th October 2016, lot 75, for a related white jade Buddhist lion carving; see also 8th November 2013, lot 1370, for a comparable example.
A RARE CHINESE IMPERIAL PALE CELADON JADE ARCHAISTIC VASE, FANGGU FOUR CHARACTER QIANLONG YU WAN MARK AND OF THE PERIOD 1736-95 Carved in low relief, the central section with elaborate taotie masks set between bands of plantain leaves to the trumpet neck and spreading base, the interior incised with a poem and two seals which read hui xin bu yuan and de chong fu, the mouth and foot decorated with key fret borders, the stone with slight cloudy inclusions and russet veining, with a four character mark reading Qianlong yu wan to the base, with a paper label for the collection of Queen Maria of Yugoslavia and for Spink & Son Ltd, together with a reticulated wood stand, 20.5cm. (2) Provenance: by direction of the executors of the late Sylvia Quance (d.20th September 2020). Formerly from the collection of Queen Maria of Yugoslavia (1990-61), from the collection of Gordon W Quance LLM (1931-2017), purchased from Spink & Son Ltd., London, on 17th July 1963, a copy of the invoice is available. Cf. The Refined Taste of the Emperor: Special Exhibition of Archaic and Pictorial Jades of the Ch'ing Court, National Palace Museum, p.79, no.11, for a related jade fanggu with poetic inscriptions, see also Compendium of Collections in the Palace Museum, Jade 10, Qing Dynasty, p.104, no.73, for another example. The Qianlong Emperor is known to have been fascinated with the past and is remembered as a passionate collector of antiques, the poem inscribed on the vase was composed by the Emperor Qianlong, dated to the yisi year (1785). The poetic inscriptions can be translated as follows, 'This precious jade comes from Hetian and has been carefully carved into a gu-shaped vase. Modern designs are too vulgar to use, and so instead I have imitated an archaic style. It is a rare shape with taotie mask designs. The vase was once used as a drinking vessel during the Shang and Zhou dynasties, whereas I now use it to enjoy flowers'. The seal reading hui xin bu yuan, can be translated as 'enlightened mind not far', and the seal reading de chong fu, can be translated as 'sign of virtue within'.
THREE CHINESE JADEITE SNUFF BOTTLES QING DYNASTY Each of flattened ovoid shape, the apple-green stones with flecks of emerald, darker and opaque white inclusions, 4.9cm, 5.2cm and 5.4cm. (3) Together with a copy of the Hong Kong Jade & Stone Laboratory Testing Certificate, certificate no.KJ37497, dated 18th August 2008; SJ115500, dated 11th May 2015; SJ115499, dated 11th May 2015, stating the natural colour of the three jadeite snuff bottles.
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