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Lot 103
Raymond Weil Othello gold plated dress wristwatch, black stone set dial, black strap, 25mm - Condition Report: - Movement - currently functioning. Dial - good. Glass - good. Hands - good. Case - good general condition. Crown - adjusting correctly. Strap - some light wear. - Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Lot 348
A Worcester The Three Fishers teacup, printed after an engraved by Robert Hancock, with river scene with a small stone bridge and figures fishing, the verso with large tree, houses and mountains, picked out in gilt, brown and gilt borders, crossed swords and nine markVendor's Note: Copy of this design printed in lilac, The Schreiber Collection. In Purple from the Capell Collection, this is illustrated in Cyril Cook's supplement book on Robert Hancock. Condition Report: Good condition. Speckling and light wear.
Lot 854
British Medals, The Three Kings of 1936, a set of three silver nut or sweetmeat dishes, by Robert Edgar Stone (1903 – 1990), probably for Asprey & Co. Ltd., the rose-shaped dishes with quaiche-like handles either side in the form of a regal crown, each set with a silver commemorative medal: George V and Queen Mary, official Jubilee medal, 1935, by Percy Metcalfe; Edward VIII, Abdication, 1936, by L. E. Pinches; and George VI and Queen Elizabeth, Coronation, 1937, by Messrs. John Pinches, each with London hallmark, 1936, maker’s mark and facsimile signature, 132mm. (handle-tip to handle-tip) (3) *bt. Dreweatt Auction, 14 June 2011, lot 298 Robert Edgar Stone was a Liveryman of the Worshipful Company of Goldsmiths and, as with the three pieces in this lot, his work was usually stamped with a facsimile signature. He learnt his craft at the Central School of Arts & Crafts, London, establishing his own workshop in 1929. To commemorate George V’s Silver Jubilee in 1935 he produced a large collection of items including caddy spoons, book marks, letter openers and 2 handled bowls with a coin or medal sunk in the centre. These usually featured a crown motif for the handles or terminals. He then adapted these designs for the Coronations of Edward VIII in 1936 and George VI in 1937.
Lot 870
British Medals, A bespoke model of King Edward’s Chair, by Asprey & Co. Ltd., made for the Coronation of George VI (or perhaps the intended Coronation of Edward VIII), the chair modelled in accurate detail with a stone ‘Stone of Scone’, 111mm. tall, base 70 x 54mm., Birmingham hallmark, 1936 and Asprey & Co. Ltd. maker’s mark, contained in a Royal blue velvet and silk-lined red leather fitted case, with double opening doors for display, Asprey stamp on one inner door, superbly made The Asprey archive was destroyed by enemy action in World War II, and we can offer no further information. The Coronation Chair was made for King Edward I to enclose the famous Stone of Scone, which he brought from Scotland to Westminster Abbey in 1296. The chair itself was made c. 1300-1301. The four lions on which the chair rests, were added in 1727 and are of gilt-bronze.
Lot 232
Suite of fine diamond jewellery by Boodle and Dunthorne, circa 2000, comprising a diamond pendant necklace with matching earrings, the pendant centred with a brilliant cut diamond of 1.86cts, the certificated stone being F-G in colour and VS clarity, in a rub over tear drop shaped platinum mount, length 30mm, on a snake link platinum necklace with extension and lobster claw clasp, 33cm, each matching earring centred with a brilliant cut diamond, the pair totalling approx. 1.67cts, 18mm drop, gross weight approx. 26.8g (AnchorCert certificate for the pendant no. 20038587 May 2018)
Lot 242
Fine diamond solitaire ring, the certificated brilliant cut stone weighing approx. 3.39cts, D in colour (Exceptional White +) and SI2 clarity, in a platform coronet claw mount set on open shanks on a platinum ring, size M NB: This ring was last valued for insurance by Boodle and Dunthorne at £37,750 in 1996. Certificate no. 0053855 is from the Gem Testing Laboratory of Great Britain. It is not present with the stone but is documented in the valuation.
Lot 256
Emerald and diamond modernist necklace, set in two colour 18ct gold, having a central stone set line of seven oval cut emeralds, totalling approx. 4.25cts, interspersed with sixteen small brilliant cut diamonds mounted in pairs, totalling approx. 0.5ct, colour estimated as H/I and clarity SI, set within a necklace of alternating matt yellow gold and polished white gold square links, marked '750', length approx. 23.5cm, gross weight approx. 32.93g
Lot 260
Fine Art Deco diamond brooch, circa 1920, shaped rectangular form worked with stylised anthemion panels and centred with an old brilliant stone of approx. 0.75ct, in a square setting with a further twelve brilliant cut diamonds, and flanked by a further two brilliants totalling approx. 0.6ct, all in beaded collet mounts and further mounted with smaller brilliants, all similarly set in unmarked platinum, in total 169 brilliant cut diamonds, overall diamond weight estimated as approx. 6cts, 62mm x 30mm, gross weight approx. 17g
Lot 262
Belle Epoque opal and diamond clip, the oval cabochon opal approx. 16mm x 9mm, set against an old brilliant cut diamond encrusted ground formed as drapes and scrolls, the largest stone approx. 0.25ct, totalling 28 diamonds, overall diamond weight estimated as approx. 1.5cts, in beaded channel settings in white metal marked 'PT', maker's mark P.P. Ltd, overall size 30mm x 18mm, gross weight approx. 9.9g
Lot 264
Arts and Crafts period silver and green stone pendant necklace, worked as an open knot centred with four cabochon green stones with a further three hanging beneath, all suspended from the original block chain necklace, the pendant 55mm x 30mm; also a Platino hammered pewter brooch centred with a purple glazed roundel, possibly Ruskin, 38mm diameter; and a silver brooch centred with a sailing boat in a mariner's knot, Chester 1947, 29mm diameter (3)
Lot 272
Lapis lazuli carved intaglio seal mounted into a ring, the stone possibly Babylonian, and as early as 2200BC, depicting a seated god and worshipper, the rectangular seal claw set into a modern 18ct white gold ring with baguette diamonds to the shoulders, the seal 20mm x 11mm, gross weight approx. 12.5g
Lot 274
Edwardian amethyst and pearl openwork pendant in 15ct gold, centred with a round cut amethyst in an openwork Art Nouveau setting, channel set with split pearls, 43mm drop, suspended from a 9ct gold fine chain necklace, with barrel clasp, length 41.5cm; also a pair of amethyst pendant earrings, oval cut stone within a cast yellow gold border, unmarked, 22mm drop, gross weight approx. 7.9g (3)
Lot 279
Continental silver and paste pendant necklace, possibly Russian, in Secessionist style having a central round cut white stone supporting two pear cut stones suspended from bars beneath, the whole surmounted with an oval cut white stone, all suspended from a chain necklace, 48mm drop, contained within a Russian card jeweller's box
Lot 282
Diamond three stone ring, the central round brilliant cut diamond of approx. 1.17cts, colour estimated as H/I and clarity VS1-2, mounted in a platinum four claw mount, and flanked by two further smaller brilliants, estimated as 0.32ct each and of similar colour and clarity, all mounted on a 900 grade platinum ring, size P, gross weight approx. 6.7g(NB: This ring was valued for insurance purposes at £12,500 in 2010)
Lot 330
Trevor Grimshaw (1947-2001), Five limited edition lithographic monochrome prints, including 'Isolated Church', 'Monoliths', 'Stone Sentinels', 'Stone Corridor' and 'A Northern Urban Landscape', all signed in pencil and numbered, the largest 17cm x 23cm (Lot subject to ARR if hammer price exceeds 999EUR)
Lot 711
A late Victorian 18ct yellow gold diamond and blue enamel ladies hinged bangle set with a central brilliant cut diamond flower design panel flanked each side with five claw set brilliant cut diamonds with royal blue enamel background, concealed snap fitting and safety chain, hallmarked 18ct gold Lovely condition two small areas of enamel repair Weight - 28gAge - In our opinion it is Victorian with a later Sheffield assay mark Centre stone - Approx 3.5mm
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400965 item(s)/page